so i've worked on this for like a full 24 hours now

anonymous asked:

Hi there! I love your sculpts, they're really amazing. I think you might have answered this before, but do you have any resources about getting started, the type of clay and the tools you need? I'd love to have a go at a few things, but I've no idea how to begin.

I’ve written a few posts on this before (can’t be arsed to find them now) but not very comprehensibly. May as do that well now.

For starters, let’s think about what sculpture is. You can basically divide all the different types of sculpture into two camps: subtractive and additive. Subtractive being where you start out with a block of something hard, and carve away everything that isn’t your sculpture. Additive being you start from nothing and create mass. There are, of course, things in-between but generally speaking you’re looking at subtraction or addition. I won’t delve into the subtractive side now, since it’s a very intimidating place to start sculpting and I think people generally like starting out on the additive side– perhaps a post for another time.

So on to additive sculpture, which is what all of the sculpts on my blog are. You create mass using clay. Sounds simple, right? Not really, especially if you start thinking about it. Every clay is different, every project is different. I obviously don’t know what your projects are, but I can speak to the properties of varying clays and why they might be better or worse for whatever it is you’re doing.

So first, I’ll introduce you to a few types of clays, their properties, and what they’re best suited to be used for. Every one of these clays would be suitable for a beginner to pick up and learn with, IMO, which is why I am including them and not others. It might seem like a bit much, but bear with me– many people don’t know what can be done with clay, much less that there are more than a few types. Becoming familiar with clay of all kinds will better inform what kinds of things you can create.

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Sherlolly Week 2017, Day 1: First Meeting

Prompt: First Meeting (Non-Canon/Headcanon)

Rating: T, for a tiny curse.

A/N: This is a soulmates AU imagining of their first meeting, in which a timer on one’s wrist stops counting down once they’ve met their soulmate. I also added my own take on the timer thing. Hope y’all enjoy this one!

Sherlock straightened up from sealing a box labelled ‘Lab Equipment’ and cursed under his breath when he heard a knock on his front door. He glanced at his watch, letting out a soft annoyed groan at the sight of the timer on his left inner wrist. I haven’t even phoned Mycroft, and his impeccable and dramatic timing won’t allow his movers to arrive too early. It can’t be my landlord, and my parents are in Oklahoma. A client then. Sighing, he picked his way around the numerous boxes littering his sitting room. He dramatically swung the door open. “May I help you?”

The petite, auburn-haired woman standing before him paled. “I’m… Uh, I’m…” She hitched her white tote bag with green stripes higher over her shoulder, her hands fidgeting with the straps.

He rolled his eyes and heaved an impatient sigh. “This had better be at least an eight if you’re a client. I don’t have time for anything less than that.”

She knitted her eyebrows together and frowned. “Client? Wh-why would I be your client?”

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theprodigalrobot  asked:

Can you talk a little bit about your experience at design school? and working as a designer? I know this is kind of vague, but like. What was your program like? How did you get your current job? What do you do day-to-day? I'm currently in college and I'm trying to decide whether to stay a biology major or switch to an art or design program. I know I'd be good at the art thing, and I might like it better than biology, but. I've been scared away from pursuing art for a long time. thanks :)


I’m gonna break this answer into design school and working full time as a designer, since they’re kind of very different things, especially given my specific design job.


It’s cool because it doesn’t feel like school
This experience may vary from program to program, but in my design program they didn’t treat us like students. It was like the teachers were the art directors at a design firm and we were their designers. Homework didn’t feel like homework. It felt like a job. I haven’t felt like a student since I graduated high school, and that’s really good preparation for the professional world.

You really need to fend for yourself
Another thing that may vary between programs. In my design school, we’d have VERY open-ended assignments. For example, I’d get the assignment “design an interactive iPad magazine” and they’d basically give us a 30 minute tutorial on Digital Publishing Suite and be like “OKAY NOW GO MAKE IT.” The thing about working with design software is that they’re really complicated and powerful so it’s hard to actually sit down and teach an entire class how to use them, so we had to teach ourselves a lot of this stuff. I’m almost entirely self-taught when it comes to Adobe programs, as are a lot of people from my program. That’s a really good thing, in my opinion. Again, it’s very good preparation for the professional world.

You will not sleep
Design school was VERY HARD PHYSICALLY for me, but the intensity of a person’s experience in design school depends entirely on the program they enroll in. I went to a design school that’s infamous for the difficulty of the program. Junior and senior year I would be pulling all-nighters EVERY WEEK OF THE SEMESTER, FROM THE FIRST WEEK OF THE SEMESTER. This is no exaggeration. For two straight years, I needed to think of my days as 48-hour periods, rather than 24-hour periods, because the volume of work was just that intense. I lost 30 lbs in undergrad and was always sick and anxious and was in therapy twice a week because it’s very intense, but also I am OBSESSED with graphic design and loved every minute even though I also thought I was dying the entire time!!

Again, may vary depending on the program. But in my program we had to produce hand-made comps of all of our print work. Paper and printing is expensive as fuck, especially for ambitious one-off student stuff. A lot of us opted to buy our own large-format printers and keep them in our apartments to avoid paying out the nose for school printing. And if you don’t want to depend on school lab hours, you need a laptop (preferably a Mac), Adobe programs (I sprung for Creative Cloud), and, in my program, an iPad was an absolute requirement. It’s SO. EXPENSIVE. 

The difference between majoring in graphic design vs fine art
I originally went to art school for fine art before I discovered graphic design. I studied fine art in Rome. I love fine art. I just love graphic design A LOT MORE and that’s because the real purpose of graphic design is COMMUNICATION. Fine art is subjective, whereas graphic design is problem solving. It’s way more intellectually stimulating, in my opinion. Yes, there are always tons of different ways to solve a design problem, but there are also wrong answers to design problems. You don’t have the crutch of subjectivity to lean on with design. I LOVE THAT. 


How I got my job
I actually got really lucky. There were two major factors in me getting my job: timing and the kind of designer my current company was looking for.

  • TIMING: I graduated undergrad in the “off semester,” meaning my last semester was the fall semester. (I needed to take an extra semester because I was really sick my junior year and needed to drop a core course.) This served me really well, because the job market wasn’t saturated with a bunch of other recent design grads. Way less competition.
  • THE KIND OF DESIGNER MY COMPANY WAS LOOKING FOR: I work for a marketing firm that had never employed an in-house designer before they hired me. They’d always contracted out. Hiring me was the start of a new business structure for them after 30 years of only employing writers. Because this was a new situation for everyone, they were comfortable hiring a young and inexperienced (and therefore cheap) designer. They were comfortable with the idea of the company and the designer growing together. That’s a seriously rare set-up. I really lucked out that they happened to be looking for that kind of setup.
  • Also, of course, I was persistent about getting my resume out there. From the September of my final semester (I graduated in December) on, I was sending out my resume to every single job opening I could find – so at least 5 a day. I’ve been an AIGA member for years, and I used the hell out of their job boards, and that’s how I found the listing for my current job.

What I do day-to-day
I’m the in-house designer at a marketing firm. This means that I do all of our in-house branding, I do some client work, and I also project manage/act as company liaison to outside design firms that we partner with for big projects. (I love that part of my job because I’ve gotten to see the workflows and processes of so many other incredible designers all while working this one job!)

It’s pretty cool because I’m the only designer there – I’m the entire design department. As a result, I kind of need to figure out how to do a little bit of everything, often on the fly! It keeps me on my toes and I love that!

I’m just gonna list off a bunch of things I’ve done, since there isn’t a day-to-day schedule:

  • Designing in-house marketing materials for the firm. (A lot of what we do is sending proposals/reports to clients, because a lot of what we do is communications strategy. So it’s TONS of pages of text. I need to make all of that shit look interesting/readable so that clients actually take us seriously.) We also sponsor marketing industry conferences and stuff like that to promote ourselves, so I sometimes get to do large-scale signage for our firm, which is kind of an interesting departure.
  • Print publications for clients (I’ve done viewbooks, briefing papers, brochures, stuff like that)
  • Ads for clients (I just recently did an ad campaign for a client that involved digital ads on Facebook/Twitter/Instagram and large-scale transit ads, and a Snapchat geofilter for an event the client was doing. That was SUPER FUN.)
  • Branding (I’ve done logos for capital campaigns for clients and even got to rebrand a client earlier this year, which is SUPER FUN and where a lot of the true creative/conceptual work comes in!)
  • Interactive iPad donor invitations for big name donors to raise funds for a certain new museum in DC that has been making noise at lately. (Obama spoke at the opening!!)
  • I often need to pinch-hit for our outside design firm partners, meaning sometimes they won’t have the time to do a part of a campaign of materials themselves, so I kind of parachute in and do the work. I LOVE doing this stuff because it means I need to mimic the styles of designers that I really admire.
    • For example, we’re doing a huge campaign for a private boarding school that involves both advertisements and admissions materials. The principal firm (art directed by a former professor of mine and one of my favorite designers!) doesn’t have time to handle the ads, so I do those using a design system that they came up with. Same for some of the minor admissions materials, like a student handbook. The principal firm came up with the color scheme and the type system and the general grid, and I did the book. It’s super fun to do, actually.
    • THE COOLEST PINCH HITTER JOB I EVER HAD TO DO: We recently partnered with another of my favorite design firms to do a viewbook for a certain well-known college that used to be women-only. We wanted the final spread to include a hand-drawn chalk mural. The partner design firm didn’t have the capabilities in-house to do the mural, and my firm didn’t want to pay an outside chalk artist to do it. So they had me design and execute the chalk mural. I’d never done that kind of project, but figured it out and now my chalk mural has a full spread in this beautiful viewbook designed by one of my favorite designers!!
  • One of my coworkers and I are working on a small promotional piece as a gift to a client to promote our motion graphics capabilities. Basically we’re gonna make a simple animated holiday card for them to send out to big name donors. (It’s just gonna be a gif embedded in an email but it’ll be beautiful!) 
  • I actually have a lot of down time at my job. Sometimes we just have slow weeks, because that’s how the work schedules are falling. (Sometimes all of my drafts will be in the clients’ hands waiting for comments so I’ll have nothing to do.) During that down time, I’m always teaching myself new skills using courses on I’m currently working on becoming a WordPress developer, and I’m also working on figuring out a strategy to do dynamic iPad design now that Adobe phased out DPS as part of the CC suite, since that’s currently the only way I know how to do iPad design!

TL;DR: Graphic design is a great industry that is growing rapidly right now. You can definitely make money in design. You can definitely find a job in design. That being said, IF YOU WANT TO GET INTO GRAPHIC DESIGN, IT REALLY HELPS TO BE OBSESSED. You just really need to be willing to not sleep for a few years during school, and you need to be a self-starter as a designer because you will never learn all of the necessary skills in school. I’m teaching myself new skills every day at work, and that just comes with the territory of the profession.

KBTBB Fantasy AU

lol so here’s another self-indulgent AU to add to the growing pile

@maidofstars @bolt8826 @tsundere-eevee @alolan-lillie @themysticaldaydreamer lolol maybe this is something you guys might be interested in

After being led by a mysterious hatted man down a rabbit hole, MC finds herself in the now-cursed Kingdom of Tres Spades. For years, no one has found a way to break the curse that has plagued its citizens—until now. There is a prophecy that talks of a hero, hailing from another world, coming to rescue the Kingdom in its time of absolute need. Now, MC and her eight newfound companions must find a way to save the kingdom, lest the curse destroy them first.

Eisuke: The king and ruler of the Tres Spades Kingdom. He’s the most powerful person in the land, and his name strikes both awe and respect among the people. He’s actually a fair and just ruler who makes sure everything in the kingdom is in order. However, when the curse befell the land, he was cursed with the inability to love. He started inflicting cruel punishments to anyone who defied him, citizen or not, and all his enemies were never heard or seen from again. Though his kingdom remains the most powerful and prosperous, his citizens despise him, the throne is suffocating him, and he isn’t happy at all. Probably because of the gaping hole the curse left in his heart…

Soryu: The loyal head knight of the castle. He is known all over the kingdom as the most skilled knight in the land. Though he’s an effective leader, and a good person at heart, most people don’t think so. He’s feared because of his cold appearance and reputation as King Eisuke’s right-hand man. This is made even worse when he’s cursed with the ability to turn anything he touches into ice. He’s despised even more because of his uncontrollable powers. Though Soryu acts like the curse doesn’t bother him, even someone like him needs the touch of another human being once in a while.

Baba: An adventurer with a penchant for the thrilling. He was just a traveler who sought escape from boredom in the Kingdom of Tres Spades. Luckily for him, the kingdom was full of interesting characters. He ended up having to do a bit of favors for the king when he found out about Baba’s talent in reconnaissance. In the kingdom, he’s a known womanizer, but because of the curse, the moment any woman looks directly into his eyes, she immediately falls in love with him. At first, he was happy that his flirtations were finally reciprocated, but soon enough he eventually realized that it was all forced. Now, Baba can’t go anywhere without wearing a special set of enchanted goggles.

Ota: The most renowned artist in the kingdom. His works of art are so famous, that even those outside the kingdom would pay a greedy price just to see his art. Rumor has it that his works are so beautiful, that even the gods are jealous of their beauty. Unfortunately, the fame and fortune started taking a toll on him, and inspiration came to him less and less. To make matters worse, the curse inflicted upon him gave him a slowly-growing blindness; he can’t see colors anymore, and soon enough, he’ll be unable to see anything at all. He’s starting to regret taking his sight for granted.

Mamoru: A shepherd that used to serve as a knight in the castle. Mamoru generally tries to keep away from royal affairs after an incident caused his friend to die in a tragic accident. Now, he lives a pleasant, quaint life in the countryside, away from all the problems in the inner circle of the kingdom. However, the curse forced upon him took his peacefulness away; Mamoru can’t sleep without having horrible nightmares from the incident. Every method he’s ever tried won’t take his nightmares away, and he’s always perpetually exhausted. He longs for the day he can sleep in peace again.

Shuichi: The kingdom’s wisest scholar. He gives good insight as to how the kingdom should be run in terms of politics and reforms. Oftentimes, he butts heads with the king when it comes to kingdom affairs, but they both usually come to a general, albeit reluctant, consensus in the end. When the curse happened, Shuichi was afflicted with short-term memory. His memory unfortunately resets every 24 hours, so he has to write every event that has happened to him in a day so he can read them the next day. He still tries his best to help the kingdom, but it’s difficult when he can’t form any new memories.

Luke: The most gifted cleric in the kingdom. Because of his immense talent in the healing arts, everyone in the kingdom seeks him out whenever they get sick or injured. Still, he secretly feels a bit lonely because outside his job as a healer, no one really wants anything to do with him because they all think Luke is bad luck. He feels more comfortable in the palace because he can be himself there. When the curse hit the kingdom, he was burdened with an ironic jinx—every time he’d heal someone, Luke would receive the injury/disease in his patient’s place. As much as Luke wants to help people, the pain he feels makes him question if it’s still worth being a healer.

Hikaru: An ex-mercenary now working as a palace servant. He used to be a formidable mercenary, but after the toll his job took on his sanity and peace of mind, he quit. He’s trying to atone for his past mistakes by living a peaceful life and helping out in the kingdom. He assists Shuichi with his job around the palace, and life slowly seems to be looking up for him. His curse, however, inflicted him with the ability to see the ghosts of all the people he’s killed. They follow him everywhere, and Hikaru always feels the sins of his past crawling on his back. He feels as if the curse is a punishment he deserves.

MC: The heroine of the prophecy. She unwittingly gets led into the Kingdom of Tres Spades, and the heavy duty of saving the land now rests upon her shoulders. Honestly, everyone has their doubts about her ability to save the kingdom, and she, too, doesn’t believe she’s the one meant for the job. Unbeknownst to her, she has also been afflicted by a curse—absolute selflessness. Every time she sees someone in need, she’ll feel compelled to help them, even at the cost of her owns safety. At first, her companions think she’s just a martyr at heart, but they realize towards the end of their journey, that, maybe, something isn’t right. She goes around saving everyone, but who’s there to save her?

anonymous asked:

Hey girl! I've kinda been recently considering maybe hopefully going to med school? I've heard numerous times that by going to med school you're basically giving up your do you feel about that? I understand ofc that there are sacrifices students make in order to do well but do you ever feel like you're missing out on life experiences because of med school? This has been bothering me a lot of late and i dont know who else to ask! Thanks :)

I do feel like that a little bit. 

I mean–I’m 23 right now–I’ll turn 24 later this year. When I graduate with my degree I’ll be 25. By the time I finish residency I’ll be right around 30. So yes. There’s a whole decade of my life almost! (If not longer if I do a fellowship!). 

You spend a lot of your 20s doing things that people aren’t doing in their 20s and because of that you don’t do the “normal stuff” some people do. 

You study most nights instead of going out. 

When you’re not studying your working at the hospital or sleeping (or taking brain vacations to occasionally see friends or family). 

You’re elbow deep in your second year when you have friends finally considering what their careers should be or deciding to quit one job to just kind of wander around the country for a year. 

You’ll probably never fit in a weekly girl’s night and your three spin classes and two date nights, and reading all 100 books on this year’s NYT best seller list. 

You wait to get married because you’re not meeting people–you’re busy getting through third year. 

You wait to have kids because you’re probably smack in the middle of residency (and maybe you haven’t even found a partner yet). 

You’re waking up exhausted–not because you were at a party the night before until 4 am… but because you didn’t leave your shift at the hospital until 4 am.

Your wardrobe is full of scrubs instead of sundresses. You have piles of sensible hospital shoes and the last time you wore the pair of too small spike heels was… well you can’t even remember. You lose the capacity to talk about things that aren’t medicine. You try to go to a party and meet new people and you find yourself telling a story about the last time someone bled/vomited/pissed on you and those people are walking away…. 

Instead of PDA standing for public display of affection… it stands for posterior descending artery. NPH is not the initials of the best actor on How I Met Your Mother–it means normal pressure hydrocephalus. 

You give up sleep, free time, catching up on the latest HBO show. Medicine will take time from your family, your friendships, your ability to date. 


I wouldn’t do anything else. 

I wouldn’t. 

I wouldn’t trade leaving the hospital at midnight after I stood and spoke Spanish with the parents of a child in respiratory distress until the translator came and told them it was going to be okay. I wouldn’t trade that for leaving a bar at midnight on that same night. 

I wouldn’t trade my failed attempts at dating. I’m okay that all of those attempts have failed because the right person understands why I do what I do and will get why I can’t do a date night every night. Why I might not be able to stay at your house party or see you every night. The right person will love that I love what I do so much. I wouldn’t trade what I do for a more successful dating life. 

I wouldn’t trade this life where I spent the last 8 weeks of my life studying for one test. Because come May I’m going to be in clinic. 

People will yell at me–patients, doctors, nurses, family members. I will get yelled at, bled on, cussed at, cat called by drunks in the ER, or vomited on. That’s just my average day. 

I’ll come home and instead of going to sleep stay up another couple hours to learn one more thing about a Whipple procedure or pulmonary hypertension. I’ll wake up early and stay late. 

But I have amazing friends who are fighting right next to me in the trenches and sometimes we all laugh over a bottle of wine and our silly lives. I have amazing people who love me–who give me the slack when I need it–and don’t blame me when I show up late or leave early. I have an awesome family that helps me out when I need it. 

And I still find the time to take care of me. I do the things i love–I read, I go for a run, I hit a yoga class, I cook (oh god do I cook!), I write, I write on this blog!! 

I’m not worried about the other pieces falling into places. I know that I will get the other things I want in my life and I’m not afraid of medicine taking that away from me. 

So sure… choosing medicine is a little like “giving up your twenties”… but for me… it’s giving up the parts I didn’t want anyway and is instead giving me one giant 10 year adventure. 

And that adventure has a lot of hard days… maybe more hard days than easy ones. It has days you come home and cry. But is there any other job in the world where someone might hug you because you tell them their son is going to make it through the night? Any other job where you are the first pair of hands that touches a baby the second it hits the atmosphere? Any other place you might cry with someone, laugh with someone, change someone’s life, and place your hand inside someone’s chest cavity all on the same day? 

So some people say that med school is like “giving up your twenties”… maybe it’s more of a trade though. 

You give up the things “everyone else” seems to be doing…and in return you get (what is in my opinion) possibly the most amazing adventure ever. 

anonymous asked:

OMG I don't know who that other anon was but they are so right! You're like in your late twenties and you live your life off the internet! Because once upon a time you knew how to take a decent photo of yourself! You are NOTHING like the image you portray online! You're fat with a wobbly jawline. Grow up, live a real life, not a fake one! And as for hairdressing. Darling, it is NOT your talent!I've seen your work in person, and it is a disgrace.

I wasn’t going to answer your ridiculous message but you insulted my work and that shit pisses me off. First of all, that other anon was you, there’s only been two visits to my ask box in recent hours and both were from this South London IP address, ok secondly I don’t live on the internet, I work full time and am completing a degree the only time I properly check websites like this is on my only day off (a Wednesday) I’m not concerned with taking decent photos of myself at all. I have to point out that being 24 doesn’t mean I’m in my “late twenties” my weight is of no relevance at all to anything and shouldn’t concern you, from your attitude I can tell that regardless of whether I was 8 stone or 24 stone I’d still be an infinitely more beautiful and interesting person than you, with confidence enough to not have to press anonymous when voicing my opinion. I’m quite sure my jawline isn’t wobbly! So not quite sure how to address that one but I’ll be sure to announce when it starts to move. I live a fantastic motivated real life! Now regarding my work, I’m an extremely talented hair stylist and colour technician, I spent a long time training at the toni&guy academy under the creative directors of the company, some of the most talented people in the country, I’ve won many competitions, last year I won a competition against 3 other salon managers and 2 creative directors, I have clients that come from all over the country specifically to see me one even comes from Cardiff. Last week a woman sat me down and went on about how she’s so blessed to find someone who makes her feel amazing and does consistently beautiful work. You’re not going to trigger me by commenting on my weight, I’m healthy and happy, I’m going to go in to work tomorrow and continue doing absolutely impeccable work and smash my targets for the third day in a row this week and you can feel free to crawl back under whichever bridge you came out from underneath.

pintosdoitbetter-deactivated201  asked:

You have an ask box now!! Your horse is seriously one of my favourite horses I've ever saw. I follow you on tumblr and Instagram. You are an inspiration to me, and a big reason why I let myself by a cremello horse. But I do have 1 question. When braiding a horses mane, I've heard mixed reviews about turning a horse out into a pasture with the braids left in, but I want my horses mane to grow out. What do you do?

Awe thank you!

Managing Long Manes 101

You will hear something different from each and every person you ask… so its really just up to you to figure out what works best for your horse. 

My barn manager/owner raises and trains Morgan show horses so she likes to keep the tails braided and wrapped up so they grow out and stay long (they can drag on the ground several feet!)  She will braid a piece of cloth into the braid before wrapping it up to keep it from becoming a big dread lock.  I did this for a few weeks until I realized that its not necessary when your horse doesn’t fling his hair around much.  It was too much work:

IF your horse is very active in pasture and stays out 24/7, it wouldn’t be any harm to braid cotton cloth into the hair.  Ive heard a few things about the dyes in brand new color cloth staining the hair if its raining and the cloth gets wet but I have yet to test this theory.

Little braids aren’t really necessary either.  I go for practical easy, and most comfortable for Bubs since he couldn’t care less about his mane.  

At Haras DC (lusitano breeders), they don’t keep their horses in braids (and man they have long ass manes).  Im sure it has something to do with the fact that the Stallions go out for around 2 hours a day… Bub’s mane was a little longer before I got him so i’d assume that its more likely for the hair to break when they’re romping around outside like they’re supposed to.  

Regarding leaving the braids in while your horse is living outside, that would again depend on the horse.  Bubs does not rub his mane on any surfaces, so its easy for me to braid without worrying about a full braid falling out due to rubbing.  Some horses rub at their braids so I would make sure the skin isn’t irritated. 

One way to keep pasture braids is make a loose braid at the top and tie it around half way down just to keep the hair in manageable sections.

Its quick and easy and you can redo them more often to make the braids look neat if your stable takes neatness seriously.

My preferred way of keeping braids is to braid the hair into 4/5 big running braids.  I do this because it keep the pressure even over a larger surface instead of one section on the scalp.  I usually leave these in for 1 to 1.5 weeks. 2 weeks is pushing it because they can start to look pretty ratty :P

My Rules 

  • Don't use a brush.  Finger comb only with Cowboy Magic conditioner (my preferred product).  After the knots and tangled are out, using a brush is ok.  The point is to avoid yanking on knots and tangles which break the hair.
  • Don’t make braids too tight. this will irritate your horse and might cause him to rub his neck on objects.
  • Don’t wash the hair ALL THE TIME.  Natural oils in the hair keep away bugs and itchiness.  If your horse tends to rub his or her hair, there are special anti-fungal products on the market.  The best thing to do is just mooch off of other riders and trainers just to experiment with different products in order to find one that works ;)
  • Be sure to be gentle when using elastics in the hair.  They can be the cause of breakage of the fragile tips.
  • Don’t fuss over your horses hair too much.  Leave it down for a few days and see what happens.  You might not always have to keep it up. Remember it will always from grow back.  A lot of times the best way to keep it long is to just keep it loose.  
  • You can always ask owners of multiple long haired breeds and see what their routines are.  Again, its different for every horse.