Designing a spell:

The best way to learn about magic is to write your own spells. Here is how I break down my own spell writing process.

How will it function

For some people spells are circuits; power source, to module, to switch and all connected. For some, its a mini ceremony that mimics what you want to happen in simplistic terms, sympathetic magic with poppets and writing your intention down. For others, it a map of direction to the spirit, deity or force you are appealing towards. You can use a mix of all styles, none or whatever, but knowing beforehand will help you make the spell.


I’ve done a post already on how the means of a spell can affect the outcome in my opinion, but a good challenge is to think about what materials you have in the cupboard to make it work. A candle spell can yield the same result as a sigil, but if you really care about the outcome, think about the medium behind it. A sigil on paper tends to look more intimidatiing to me, the black ink and mysterious symbols on paper tend to put people off if they are unsure of what it is,so I use it for warding mgic very often. Whereas a candle gives off heat and light, its good for healing and more emotional aspects of magic. But that is just my opinion, take into consideration your own interpretations.


Everything from how you plan to ‘feed’ the spell to what you ‘store’ it in can be tweaked. I like to think in this department about waste not want not, I listen to my music quite loudly, so I like to stake that extra noises out my phone and do a little sigil on my earphones for banishing, so bad vibes are kept at bay. Need charge something with energy? Why not use body heat or a spritz of a certain perfume to get your point across? Everything yields something different in magic, so be careful.


Not everyone obeys ‘as above so below’ but you can think about how timing might affect your work; a crossraods spell in rushhour might scatter better than at a slower pace, a purifiction spell when its raining might well add to the energy you are looking for.

More of ____ Less of _____

This helps hone your intention and gives you a chance to double whammy your issue; creepy person at your workplace you can’t get rid of via conventional means? More peace and less creepy guy. Need some more focus for an upcoming exam? Less distraction, more focus. Attack both ends.

Conjure what you need not what you want.

Okay so this might be a matter of opinion, but I find it far more helpful to do a spell for a job interview success than immeadiate cash, or some other example. There are exceptions to this, of course, but keep it in mind.

Engaging your senses

You don’t necessarily need to be smelling, hearing, touching, tasting and seeing all at the same time to have a good spell, but its worth spending time thinking about what senses affect ou and how. For example, a health spell might be worth making in the form of food stuffs. Think also about the elimination of a sense; a spell for silencing an individual done in complete slilence, perhaps?

Write down the perameters

This is a do-as-I-say-and-not-as-I-do one… I am always forgetting the rules for my own spells, so just make a little note. I find myself being more conciousof my magic if a spell is only meant to last so long. If your spell affects a particular individual, think about writing down the terms and conditions, especially if it is a curse.

Begining, middle, end

One of my fave ways of doing spell is just ‘I’m gonna charge you object’ and then I charge it with an action, like I kiss my perfume vials for confidence, or blow on a hoodie to instill it with warmth, or stir comfort into tea, and then I nod or smile or clap. It marks the beggininng and ending of the magicing process so that it seperates the middle as the magical part, it doesn’t need to be fancy, it could b a simple ‘so mote it be’ or ‘in your name’ if you’re working with a deity. It really does help mark out the magic part of the magic, as well as letting it end in your head.