There was an episode, like, really early on, when I came running up and I jumped over the couch and my heels hit the edge of the couch and I slipped off and took it right in the shins with the table. And the punch bowl just kinda goes, “whoosh,” like this, and everybody is like, still. And I hold it still, and I’m like- you just can’t smile now. And I’m like- “Stay in character. Stay in character. It doesn’t hurt. It doesn’t hurt.” And everybody else starts laughing. I remember watching the episode and going, “They kept it. That’s awesome!" I like making people laugh, and if that helps to make people happy, I’ll hurt myself a little bit. - Ashton Kutcher, That ‘70s Show
The Ultra-Scientific Study of Winchester Wall Slams (& More) – Seasons 1 – 12
aka - A Comparison of (Randomly Chosen) Violence Against Dean and Sam
aka THE MOST IMPORTANT BAR CHARTS I HAVE EVER CREATED
Once upon a time, I
just wanted to get a firm count of how many times Dean got slammed
into a wall (or the ground, or other things). @obsessionisaperfume
suggested I also track Sam getting choked or getting hit on the
head – which was a good suggestion, since those are things that Sam
is known for. I eventually decided to track everything for both
brothers, and that’s when things got… interesting.
The charts below are
the culmination of months of work (which was me watching the show and making
ticky marks in a notebook, which I then entered into a spreadsheet).
I am attempting to keep my commentary to a minimum, instead allowing all of you draw your own conclusions from the results. (However, there
are a few places where I can’t help making a comment because I’m chatty.)
There are several different ways I can present this data, so there is a slight chance that this may be part 1 of 2.
I hope you enjoy
them as much as I enjoy Dean getting slammed into walls.
We begin with the Wall Slam, which, as many of you know, is my favorite of all types of randomly chosen violence.
Wall Slam Criteria: A brother must be thrown or pushed into a wall by an outside force (such as a physical shove, telekinesis, etc). For this purpose, a ‘wall’ is defined as a wall or something relatively flat that is resting directly against a wall (such as a mirror or a bookshelf). A bookshelf that is in the middle of the room is not considered a wall, though - those are classified separately, as ‘other.’ Closed doors also count as walls, regardless of whether or not a brother is thrown through the door. (Glass is certainly a popular material for doors. Rich people, man.)
For most of the series, Dean was the reigning Wall Slam champion, clocking 11 straight seasons of winning the non-existent Wall Slam competition. In season 12, however, Dark Horse Dabb certainly made a statement in his first season as show runner: Sam, for the first time in series history, was thrown into more walls than Dean.
* The reason for the 0.5 slam for Dean is due to a half-wall/half-ground slam that occurred in episode 12x10.
When a wall is not available, the ground will suffice.
Ground Slam Criteria: A brother must be thrown or pushed into the ground by an outside force (such as a physical shove, telekinesis, etc). ‘Ground’ is defined as the ground or a floor.
Despite Sam taking the Wall Slam crown from Dean in season 12, Dean continued his winning record when it comes to the ground. Dean has been slammed into the ground more than Sam, winning 9 seasons to Sam’s 3.
Other Slam Criteria: A brother must be thrown or pushed into anything other than a wall or the ground by an outside force (such as a physical shove, telekinesis, etc). This is including (but not limited to) fences, people, tables, and piles of trash.
Season 1 is the outlier, being the only season where Sam was thrown into things other than the wall or the ground more times than Dean; Dean has an 11-season streak going since season 2. If there’s a thing, Dean will likely be thrown into it.
Choked Criteria - A brother must have something (usually hands, but may also be rope or cord) wrapped around their neck or they must have otherwise lost the ability to breathe. This includes when dick angels take away a brother’s lungs, or when a demon pretends they’re Darth Vader and force chokes a brother.
I am now convinced that the reason Sam has such a reputation for being choked is largely due to the 1st season, where he was choked several times and Dean wasn’t choked at all. Dean has actually been choked more times than Sam throughout the series, winning 7 seasons to Sam’s 5.
Hit on Head Criteria: A brother must have been hit on the head by an object other than a fist (because if I had tried to keep track of them getting punched in the head I would have run out of paper).
Hit on Head Criteria Exception: I counted a hit to the head by a fist when the fist hit resulted in unconsciousness.
This was especially interesting because there is an apparent pattern with the changes in show runners. Kripke was showrunner from seasons 1-5, where Sam was reigning champion of the head hit until they finally tied in season 5. Seasons 6-7 were run by Gamble, and Sam still reigned supreme. When Carver took over for seasons 8-11, and then Dabb in season 12, Dean was then consistently smacked on the head more than Sam.
Now let’s add all Wall Slams, Ground Slams, (Other) Slams, Chokings, and Head Hits together.
There is one firm conclusion I can draw from this: Sam was beaten up more in season 1, and then Dean became the favored punching bag for all show runners.
I’d like to also present the exact same data with a different visualization:
Mads Mikkelsen and wife Hanne Jacobsen attends Rafael Nadal’s victory during the Men’s Final on Day Fifteen of the 2017 French Open, Second Grand Slam of the Season at Roland Garros Stadium on June 11, 2017 in Paris, France.
With the final season of Girls here (a show that
there isn’t typically a disk sitting in my Blue Ray player ready to
go) I am very sad. As I listen to the music used in the show, certain songs remind me of favorite scenes. Seriously, I feel like openly crying. (I probably will a few times before I get over it.) I am going to REALLY miss seeing new episodes, but
at the same time, thankful that I was able to discover this show and the
brilliant mind that is Lena Dunham. To have a woman listed as Creator,
Writer, Director, Producer, Actress…we need to see a lot more of this.
In a recent interview, Adam Driver assured us that season 6 is “ending on a note that they can control, that it seemed to make sense. It’s not just an arbitrary ending.” Lena recently said her and Jenni made “hard” decisions this season. I used to think that I wouldn’t be satisfied unless Hannah and Adam got back together.
I mean, after all, the show did spend a hell of a lot of time with the ins and outs of these two, but now I am thinking a show like this will probably not end easy in many ways and not in a “happily ever after” way either. I think we will see the girls grow, but at the same time, I am not so sure that includes Hannah, or even Jessa, ending up with anyone. The show is ultimately about these girls and their friendships after all, and in the long run, they really don’t like anything getting in the way of that friendship…..including a man.
For some reason, in season 5, the egomaniacal Hannah is the biggest mess ever. As an aspiring writer, we know about her endless desire to pursue interests and different experiences for a good story. This has led her at times to be self-centered and self-destructive, however, it seems like lately, she has been trying extra hard to just test everything. Showing her crotch to her boss, trying to
blow Ray, the ridiculous fights with Fran
(“Oh, Hannah wants to do something rude, disruptive, and inappropriate. What a twist.”) and her talent to bring
unprofessionalism in the work place to (an albeit hilarious) new high,
are a few examples of the more, irrational ways Hannah has been acting
It was all heading towards her growing and taking a big step forward in her life. Besides where she wants to go, what she wants to do as she gets older, one truth she has to face, I believe, is her lingering feelings for Adam.
Adam. In the first season, he starts out as sort of a creepy, “emotionally tone-deaf” sex addict
that Hannah was in pursuit of. We wondered why she was bothering with
him as he was not exactly “boyfriend material”. He was working on
homemade “wood working” in his
work shop which was his mess of an apartment. (Not so sure the genius
even had a
plan on how to get that boat out of the front door if he ever completed
it!) He was just this non-committal guy that Hannah would have sex with
when he felt like returning her text messages or answering his phone.
(For the first 6 episodes, we weren’t even sure if he owned a shirt!)
None of Hannah’s friends had ever met him, and the first proof of
exsistance to Marnie (besides the occasional bruise on Hannah’s ass)
was a dick pic he accidentally sent to Hannah that wasn’t even meant for
As a couple, we get to see Adam grow more as a character we care about. He is still quirky and intense, but having Hannah to give advice to, share his interests with and love, helped make him a better person. A person we cared about and found intriguing as well. When he does do something as normal as eventually say “I love
you” or suggest that they move in together, Hannah (after being conditioned to expect anything from him from
bad treatment to extreme sweetness) reacts like it’s way too soon for
either one of them.
It was all moving too quickly for her and I don’t think she trusted him yet, or wanted the newness of the chase to be over. Adam had his mind made up with his tunnel vision and he was in it “for the long haul” so of course, he has a hard time with their first break up: “My desire for
you cannot be repressed. And to quit my pursuit would be to shirk
self-respect and abandon my own manhood, and that’s not going to
happen.” He wrote and performed horrible
songs which he sent her to watch and was kind of stalkerish for a bit.
It proved to be very hard for him to let go. Not too sure if he ever really does. So we have Adam trying to feverishly move forward without totally
letting Hannah heal from his past not-so-nice treatment, and we have
Hannah kind of playing with his emotions and not really being too
empathetic to his state of mind.
Regardless of Hannah’s self-absorption (all the Girls seem to
have this issue from time to time) and Adam’s sometimes callousness,
there still seems to be some kind of connection that thrives between
them. (“Hannah is accepting of my brand of difficult.”) Adam cleaned up his act some and we get to see him at AA and learn more about what made him tick. While he was dating Natalia, and ran into Hannah in front of the bar,
it really did
something to him. (I love the way Driver’s voice got all raspy as he
asked her to put on some pants.) He, the ex-alcoholic, went back in and
after seeing her, had to order an alcoholic beverage, which
led to one of the eventual reasons of that relationship coming to an
The song playing
was Fiona Apple’s “Valentine” and it surely wasn’t about Natalia. (Adam messing with his ear like a nervous habit, odd coincidence to what Hannah was going through?) We know now that if Hannah can affect him in this way, then he obviously must have feelings for her. He never stopped loving her
in his own way, and he is there for her hard core. As he ran to her across the city during her
most desperate time, when she felt the most lost, never fails to bring tears to my eyes. (the heavy mood is lightened a bit when while running, he has to suggest that a driver “go suck a fucking spikey one”)
With the dramatic music playing while he runs to Hannah is just so emotional and it is beautiful and very romantic, the most romantic scene ever in Girls. He is there for her. He cares for her. He loves her. “I was always here”.
By season 3 end, Sackler’s
acting career turned into his new addiction. Hannah panics at some people warning her of how Adam is going to change
with his new career instead of just trusting him and seeing how it all
works out. She always has had a knack for taking bad opinions and advice
to heart instead of trusting a bit more in herself.
She develops a codependency on Adam just when he wants some space to learn his lines and do this right.
He just wants his first show on Broadway to be perfect.
Of this he assured her. She has a hard time sharing Adam with his new endeavor, because not all of his attention can be on her. When she finally gets accepted into the Iowa Writers’ Workshop, Adam does berate her for telling him at the wrong time, by which he
means the wrong time for him. (Although, letting him know minutes before he hits the stage of his opening night show was probably not the best.) Once again, he takes it hard, as did Jessa, which I felt was selfish of her, as she always had a knack of simply disappearing from time to time on her friends. I never really understood the whole guilt trip on Hannah for accepting school and attempting to better her career. It was at this point that I wondered why the girls even kept trying so hard to stay friends. They are not even very nice to each other. Adam and Hannah never officially break up, but seeing the sadness and loss in his eyes as she left was rough. The morning she was leaving, he couldn’t even face saying goodbye. He pretended to still be sleeping. We realized that part of him would always love her.
trying Iowa, Hannah found she didn’t like the distance away from Adam, (not real sure why they seemed to have stopped communicating) among other factors at the school, and decided to come home,
just a month later. Upon returning to her apartment, she shockingly found out that Adam had gotten a
new girlfriend and Hannah didn’t even know they’d broken up! Yes, at the same time it was left sort of open ended, but it didn’t seem to have taken him anytime at all to move on. This was heart breaking, her surprise and desperation, truly a very rough episode to watch. We find that Jessa knew about it the whole time while Adam was putting Hannah’s belongings in storage. To make matters worse, she had selfishly worked at hooking Adam up with Mimi Rose simply because she wanted to get with Mimi’s ex, Ace. Some friend, eh? It
was so hard watching him basically tell Hannah that he was not in love
with her anymore (but we knew better) and he was “trying something out". What a nice surprise to come home to! Mimi Rose was the opposite of Hannah to the extreme, and really didn’t ‘need’ him, she liked having him around. It was a one-sided relationship for the most part, Adam’s side. It was a bad choice for him as he discovered that he does want a partner that loves and needs him a bit more than that. (But maybe not as needy as Hannah) A while after that relationship ended, Adam turns around and begs desperately with Hannah to come back to him. “I just think I was confused, and I think I made a mistake. I
miss you so badly.” He tries to reach for her.
With how he hurt her so deeply, the wound was still fresh. With her self-respect in full force for once, Hannah says, “I can’t do that” and stands her ground despite Adam’s pleas. He insists “yes, you can” like it should be an easy choice. Did he think she would just come running back to him? With tears in both their eyes, (and ours)
it was still nice to see her hold her own and turn him down. Truly a moving scene.
I really enjoy everything about the show, it’s all brilliant, but Hannah
and Adam’s relationship, is to me, quite a lot of what makes Girls the show that it is. I cried
with Hannah like a baby as her bottom lip quivered in heartache and
betrayal when she realized at the play that Adam and Jessa were together.
When he made eye contact with her, his look said
so much. There was some pain there and just so much not said. Hannah tells Tally she was probably just using Fran to get over
Adam and that Adam is the only man she’s ever truly loved. (a bit of foreshadowing) She was feeling left out and confused, “The worst part is, I miss them
both. I love them both so much I don’t know who to warn about
the other one.”
The end of season 5, Adam (who sure has come along way since we first met him) has like the biggest, most outrageous reaction anytime Hannah is
mentioned, it’s like he is trying so, so hard to break that connection to her. He tries to
turn it into hatred and blame. Then there is Jessa, who at the same time, got a guilty conscience, dredging everything
back up to the surface when he is trying to forget Hannah. Jessa, who
constantly over the seasons has a knack for telling other people to
“grow up” but seems to not be capable of taking her own advice. She and Adam butt heads over everyday things and can’t even get through babysitting his niece. When Jessa cannot illicit his total attention away from
the baby after it barfs on her and she wants Adam’s help to clean up, (in mid-season four he did call her out on being manipulative) asks her to stop,
“You’re an adult. She’s a baby. Why do you need more help than a baby?“ With the tension thick, Jessa takes it out on Adam which leads to an unnecessary (but entertaining) blow-out between the two. She blames him
between her and Hannah
(were they ever truly friends?)
and basically spells out their doomed
relationship: “I’m a hateable kind of person. I don’t know why, I can’t
help it, but I know, I
know that I have principles and one thing I don’t do is steal people’s
boyfriends. But you ruin that. Don’t you see that?! I’ll never forgive
you. I will NEVER forgive you for that. We could die in the same bed and
I will never forgive you!”
I really don’t think there is any coming back from that, at least nothing long term anyway.
did show some growth with her story at The Moth Story Slam. She admitted, “I’m Hannah forever. No matter what I do. No
matter whether I start a nuclear crisis with my emotions or if just sit
back and chill and give someone a fruit basket.
I can only control the mayhem that I create around me.” she told the room, explaining the
note she left outside of Jessa and Adam’s door that read,
“Good luck. I mean that sincerely. In perpetuity, Hannah.” However, she
heard them fighting and was relieved to not be inside there. “I heard screaming and I heard my name and I heard madness. And I knew that I was free. At least for tonight.” she says. Hard to keep a dry eye. This was a huge step for her. When it comes to Hannah and Adam, I don’t think I have cried or felt
more emotionally attached to fictional characters in all my life.
(and I don’t think Frankie Valli has ever made me cry before).
In the season 6 opener, we do see a more thoughtful Hannah. We learn that the New York Times had her write her story to be published in their Modern Love column.
She appears to still not be holding a grudge, but the same cannot be said about Jessa, (for some reason) as she refuses to read Hannah’s column. Adam on the other hand, read it with deep interest with a bit of a hurt expression on his face. Seeing their story in print did mean something as I think he realized some truths. (It’s the only time we see him looking serious, about anything, in the episode.)
Hannah still doesn’t seem entirely satisfied with her life,
but she is on a new assignment away from NYC, where she becomes open and more relaxed. She is still silly, entertaining, awkward Hannah getting drunk on the dance floor, spilling drinks all over herself, pointing at the surf instructor/rapper and proclaiming “I know him! He’s my surf teacher! I’m gonna fuck him!” (a favorite moment and why we love her) She
was able to forgo some of her usual rage impulses even after Paul-Louis admitted to having an open-relationship girlfriend. This was really a change in attitude, she was not happy about it but I think she did learn from Paul-Louis maybe something to think about:
“It’s so much easier to love something than to hate it, don’t you think?
Love is the easiest thing in the world. Hate takes energy, loves makes vibes.”
We find Adam in an opposite situation. It seems
he and Jessa decided to stay together, even as that means that they have been seemingly estranged from the rest of the group of friends. They are holed up in the apartment not even having the decency to get dressed when Ray comes over, or to answer a text, and they are just being obnoxious. Ray said why he didn’t want to go in there: “its repulsive” and “smells like they are always reheating fish”. (Are they doing drugs?) Not quite sure what is wrong with them. Kind of seems like Adam took a few steps backward.
So, I am guessing he still has some emotional growing to do, which I am sure, will work it’s way out over the season.
Lena recently said “The show’s never been about that traditional connection, where it’s four best friends who just can’t get enough of each other. So to do a traditional everybody-gets-their-happy-ending finale didn’t feel right. At the same time, we wanted people to have the satisfaction of closure. I think we found kind of a creative way to do that. We’ll see if other people feel the same way.” If she did feel that Adam and Jessa could make it, then they will. (However, eventually they would kill each other and we all know it’s only a matter of time before the next battle) Maybe no one “ends up” with anyone. Maybe Hannah does find the right man for her and it is not Adam. Perhaps Hannah doesn’t need or want a boyfriend for right now. Hannah and Jessa could rekindle their friendship and it doesn’t include any man between them or maybe this time their friendship is beyond repair. Adam could land a killer theater gig or movie role out of the state or country. All I know is how I feel, and for myself, after all the emotions and all the tears I have shared with Hannah and Adam, and with all that build up, shared history, and connection they seem to have, it’s just a lot of time spent on their story if they don’t figure it out.
My husband recently pointed out that Hannah shouldn’t get back with Adam, she deserves better, “Adam has been a dick.” Yes, he has and yes, he can be. “They have been abusing the shit out of each other for years,” Lena has said of unexpected support of Hannah and Adam as an OTP. Its been messy, sure, but people grow. Maybe they give it a try and are forced to come to terms that they would be heading down the same path and eventually keep hurting each other, making the difficult, yet, adult decision that they can’t be together. I am really leaning towards the no one ends up with anyone route. If not as a couple, I like to think that they will at least remain something to each other.
Anyway, I am pretty confident the love is still there in some form or another. To me that is partly what this show has been about. After everything they have been through, deep down inside, I will always feel they should finally be together…and happily ever after.
Apparently, some people actually think that Stiles and Derek had no development.
I thought they were just joking, but some of the ones I’ve encountered honestly believe that.
not talking about in terms of romance, because not everyone ships
Sterek, so that can slide. These people who’ve said it think that they
had no development whatsoever, no development into friends or even
allies, as in they remained the same since season 1.
Now, people say a lot of things about Sterek, but that has got to be the funniest one yet.
I’d just like to explain why those people are wrong.
and Derek hated each other in the beginning, obviously, right from the
get go. Stiles even suggested letting Derek die in the beginning, and
Derek threatened his life twice in one episode, a couple more times
throughout the season and slammed his head into a steering wheel (or was
that season 2?)
Most of the times they were brought together was because of Scott. For example, 1x04.
this episode, Stiles and Derek were forced to spend an entire day
together while Scott went about in search of a wolfsbane bullet to save
In this episode Derek said he rip Stiles’ throat out with his teeth, yanked Stiles forward, there was also a lot of bickering, especially on Stiles’ part.
And even after all of that, Stiles still made an effort to wake Derek up when he suspected that Derek was dead.
do suspect that this did have a lot to do with a person dying in
Stiles’ presence, the guilt or the memory of it that would follow that
worried him, but at the same time, Stiles probably was worried about
Derek somewhere deep down inside.
We all know this episode as well.
this scene, Stiles was shoved up against a wall by Derek who proceeded
to try and demand things of him until eventually Stiles reminded him of
who’s home they were in.
And for all the people who said that
Stiles has never done anything wrong to Derek, well, in this episode he
used Derek’s body to get Danny to do what he needed him to do. It wasn’t
physical, so people saw it as harmless, but it could be seen by many as
objectification. Obviously, very problematic.
And let’s completely dismiss the fact that by this time Derek trusted Stiles
enough (and knew Stiles was smart enough) for him to come to Stiles for
Moving on now.
Obviously season one wasn’t their best season,
but we do see clear signs that they didn’t hate each other as much as
they had claimed like when Derek protected Stiles from Peter in the
hospital and when Stiles got in Argent’s face about what Kate did to
Derek and his family. No development yet, but there was something.
for me, is the season where things really started to change between the
two. They paired up a lot that season, such as in 2x02.
scene was incredibly enjoyable, but the most notable part of this
episode was when Derek roared Isaac into submission when he tried to
hurt Stiles and became Derek “I’m the Alpha now” Hale.
It’s really in 2x04, Abomination, where Derek’s whole view on Stiles changed.
was yet again, a lot of bickering in that episode, no surprise. But the
fact is that Stiles held Derek’s paralyzed body in the water for hours
and refused to let him drown.
Guys, this is the same Stiles that was pleading with his best friend to just let Derek die in season 1.
that was not even the best part of that, it is viewed as the best part
by many, but in terms of their development, the most important part of
without context, this gif displays just how real that scene was. The
intense yet soft eye contact they made was enough, especially coming
Before this scene, Derek’s never broadcasted that much appreciation and affection towards anyone whilst on the show.
It was hard to understand at first, but there was a post I read about a year ago that explained this scene perfectly.
When Stiles finished off Derek’s sentence, labeling the kanima as an abomination, it registered to Derek that Stiles didn’t view him as
an abomination. An abomination, something he’s been viewed as for
years, something that got his entire family killed because that’s what
werewolves were seen as by hunters. It meant more to Derek than maybe
even Stiles understood, hearing that and it shows on his face.
And we all know this episode due to a specific “title” and quote given by a specific someone.
Yes, 2x10, Fury.
one of those episodes where Stiles and Derek were thrown together,
quite literally this time too since Stiles was literally thrown on top
on in this episode, when Scott came to the rescue, Derek had urged him
to just take Stiles, think of Stiles’ to safety first as he did on the
same night of the pool scene where he told Stiles to leave before things
It honesty says a lot that Stiles, who Derek
found highly annoying, was still someone he cared enough about to think
of his safety.
That season seemed to secure their friendship.
Yes, there was that one scene where Derek punched Stiles’ hand.
is quite clear that this scene was there for nothing other than comedic
relief. No, I’m not trying to justify the action since it was still
harmful, I’m simply stating that it wasn’t meant to be seen as something
And other than that scene, it seems like Derek and Stiles mostly just looked out for each other that season.
The moment after Boyd’s death cannot not be in this.
remember that the season before that. when Stiles laid a hand on
Derek’s shoulder, Derek gave him a look that suggested it would be best
for him if he took it off.
in this scene, 3x07, Derek easily accepted it despite being in a more
vulnerable place than he was in 2x02. He allowed Stiles’ comfort without
a single word.
me also acknowledge the fact that Stiles cared enough to do it, knew
Derek needed something, a little support, and he was there for him.
And in 3x10, the fact that it took only one look from Stiles for Derek to believe Stiles over Jennifer.
Also in 3x10, the
fact that Stiles reached out for Derek, who was possibly about to do
something risky, almost as if it were an instinct by that time after the
many times he’s protected Derek.
Surely, this does contrast from season 1 and 2 where touching Derek was never really an option unless it was necessary.
There was also the elevator scene, the scene that paralleled 1x04.
back to what I said before about why Stiles acted the way he did the
first time, how his fear of someone dying in front of him probably
overrode the fact that it was Derek who was that person. In this
scene, it was obvious that Derek was his only focus. He was worried
about Derek’s state at that moment, which was clear from the look on his
face and the panic in his voice.
And let’s also not forget
the fact that Derek was questioning whether they should take the
Nogitsune, obviously a danger down because it was in Stiles’ body.
me rewind back to the beginning of season 1 where Derek wanted just
about nothing to do with Stiles, meaning he probably wouldn’t have cared
if Stiles were to die. Let’s also remember who we’re talking about,
Derek Hale, the man who jumps for the kill at the slightest signs of
danger. The Nogitsune, clearly not good news, and he hinted that he
would feel remorse putting the fox down, the only reason being that
Stiles was still there somewhere.
We also have the fact that Stiles was Derek’s anchor, Stiles who he hated somehow became Derek’s anchor.
This alone is enough to justify just how highly Derek began to think of Stiles, Stiles who, again, he hated.
and let’s also not forget that this was the season Stiles obviously
became completely comfortable with Derek who he said himself he was
scared of in season 1. Yet, in season 3, he was constantly pushing
Derek’s buttons, knowing he was safe and that Derek wouldn’t harm him in
any way. He lost that fear and in came fondness.
Though they barely had scenes in this season, it definitely did show just how close they got.
There was the fact that Stiles worried for Derek’s safety when he went missing.
There was the face Stiles got when Derek’s name came up on that list of people who were being targeted to get killed.
There was the look on Stiles’ face when Derek was dying.
and the fact that Stiles looked back, reluctant to leave Derek even
while leaving meant saving his best friend who was in danger at the
up again that Stiles wanted Derek dead in the beginning, but in season
four, he found himself worrying about Derek’s safety and life in general more than once.
Season 5 (Bonus)
That wonderful moment where Stiles found himself smiling at Derek’s initials, a reminder of Derek.
This can easily be seen as Stiles missing Derek, Derek who he hated and learned to appreciate and care for.
and Derek’s development process goes far beyond what was in this post.
There was so much more that I could’ve added but did not, these were
just a few of the more significant events in their growth.
fail to have noticed their development because they’ve still carried a
few factors of how they started with them throughout all the seasons,
such as their constant bickering, and even with that bit, their
development is clear.
Whether you ship Sterek
romantically or not, there is no denying how much they’ve grown. Stiles
and Derek had that slow build, the slowest build ever on Teen Wolf and
one of the greatest, if not the greatest, developments on that show.
It was a long journey for them and they really did come a long way.
8 commemorative rackets were made to honor Roger Federer’s 8th Wimbledon Grand Slam victory. The rackets have been donated to The Roger Federer Foundation with 100% of the proceeds of the sale benefiting the foundation.
The fact that both of Gabe’s parents prioritized alleviating their guilt over protecting Gabe.
Kate – I understand why she feels guilty about Richmond. I get it. She didn’t intend to let walkers get into Richmond but she wants to fix her mistake regardless. It’s noble, but your child, regardless of whether or not they shares your genes, should be your first priority. If I was responsible for someone younger than me the way Kate and Javi are to Gabe and Mari, the way Clem is to AJ – I would never be able to forgive myself if anything happened to them. This is why the ending where Javi goes after Kate – even if they were romantically involved,
even if Clementine offers to go after Gabe – will never really make sense to me. I would personally want to 100% guarantee that my kid is okay, and I would definitely prioritize them over a bunch of strangers.
David – In my first playthrough, I got the ending where him and Gabe are alive. I personally let David walk away. Sure, he’s my brother. But he also endangered Gabe’s life, even if it wasn’t his intention. He’s also the one who wants to leave out of guilt instead of stay and make things right with his family and rebuild their trust in him. I can sympathize as to why David feels that he doesn’t deserve to stay with his family, but I’m also not gonna force or beg him. If David wants to leave, then he wants to leave. He’s a grown adult who can make his own decisions, and even then he still doesn’t realize that regardless of how guilty he feels, Gabe still needs his father to be there for him. But my Javi took care of Gabe when David wasn’t around, and he’ll continue to do so regardless of David’s choices.