The Folio Society Facsimile of the Works of Geoffrey Chaucer -
Originally designed and printed by the Kelmscott Press - With 87 wood-engravings designed by Sir Edward Burne-Jones, cut by W.H. Hooper after drawings by Robert Catterson-Smith, superb wood-engraved title page, fourteen very fine large borders, eighteen different woodcut frames around the illustrations, twenty-six nineteen line woodcut initial letters, and numerous initials, decorative woodcut printer’s device all designed by William Morris and cut by C.E. Keates, Hooper and W. Spelmeyer, with shoulder and side titles. Printed in red and black in Chaucer type, double column, headings to the longer poems in Troy type - often described as the most beautiful printed book in the English language - a wonderful folio sized volume [weighs 7.5kg unwrapped]
Cover of The May Queen and other poems by Alfred Lord Tennyson.
Rubricated and illuminated. Colophon: “This manuscript, selected poems of Alfred Lord Tennyson, The May Queen, The sea fairies,The beggar maid, Hero to Leander, and Dora was designed, written out, and illuminated by Alberto Sangorski for Messrs. R. Rivière & Son bookbinders & booksellers to H.M. King George V. London. This manuscript will not be duplicated. This manuscript was executed by me [signed] Alberto Sangorski London A.D. 1912.”– P.  “The miniature illustrating the poem of The beggar maid was taken from the painting done by Sir Edward Burne-Jones in the Tate Gallery London. The miniature illustrating the poem of Hero to Leanderwas taken from the painting done by Lord Leighton, P.R.A. The miniature in the title page of Lord Tennyson was taken from the painting by Sir Hubert Herkomer, R.A. (and is copyright)”– P.  Miniature of Tennyson, three miniatures of the May Queen, miniature of the Beggar Maid, miniature of Hero, two miniatures of Dora are initial-signed by Sangorski, and some are dated 1912. Full blue morocco, inlaid and gilt in an over-all design with semi-precious stones and seed pearls, mounted on upper cover. Beige morocco doublures, inlaid with red, white and green morocco and gilt. Silk protective guards interleaved between some pages. All edges gilt. Stamp-signed on upper doublure: “Bound by Riviere & Son”. In silk-lined green morocco folding case.
Courtesy of Rare Book Collection, Detroit Public Library
Sir Edward Burne-Jones “Palace Green Murals of Cupid and Psyche - Cupid Flying away from Psyche” 1872-81 by Plum leaves Via Flickr: Sir Edward Coley Burne-Jones,(1833–1898) British Pre-Raphaelite artist and designer.
Oil on canvas
Birmingham Museum and Art Gallery, UK
From the series of twelve panels, based on ‘The Story of Cupid and Psyche’ from William Morris’s epic poem, 'The Earthly Paradise’, commissioned by the 9th Earl of Carlisle for his newly-built home in No 1 Palace Green, Kensington.