Waluigi is canonically the same age as Luigi, as stated in smash bros melee
Despite looking alike he is not related to Wario, as hinted by multiple sources and stated on Nintendo Japan’s site
He is almost always a skill type character in games, and is known for his flexibility as well as his gymnastic ability. The move he does where he lifts one leg over his head and spins is apparently an exceptionally hard move for males to typically pull off.
He prepared for years ‘honing his antagonizing abilities’ before confronting Luigi in Mario tennis and ‘trains quite hard behind the scenes’
Waluigi is smart, being called ‘cunning and quick’ and ‘the brain to Wario’s brawn’ in many bios and descriptions
He fought Bowser in Mario Party 3 and beat him with a single kick. His powerful foot stomp is his main attack in smash, too.
He’s appeared in over 50 games and not one year has gone by that Waluigi hasn’t appeared in a game since his creation
Cat Grant knows her assistants are cheating, she just doesn’t know how yet.
She even knows the exact date it started almost two years ago, when suddenly her constant stream of incompetent aides began to improve, to last longer. All her life her assistants have been barely adequate, but for some reason the last handful have gotten sharper and sharper.
It’s been three weeks with this new one and, while his performance within CatCo is lackluster at best, he has yet to make a single mistake with her coffee or food orders. And if there is one thing Cat values more than all else its what she consumes; she spends all day creating media for the consumption of millions so what she herself takes in is of the highest priority.
This week she had a stress headache and she sent him off with a screech to get her some sustenance. Now she had very low expectations for this, so imagine her surprise when he comes back with a perfectly made bacon wrapped hamburger (her headache guilty pleasure) and a medium latte with just a dash of cinnamon.
There is no way on Earth that this Witt fellow should know about that. Her guilty pleasures are closely guarded secrets, and Cat Grant has never explicitly told anyone about her infatuation with bacon and cinnamon (both separate and together). And yet when she needed it the most, he just happens to get it exactly right. This assistant hasn’t even made it a month yet; there’s no way he knows this is a weakness of hers.
Which means there’s a snitch somewhere feeding answers to her assistants.
i genuinely want to drop kick every single person who ever made louis think he isn’t the most special boy and singer and songwriter and that he wasn’t fundamental in every aspect of one direction. square the fuck up folks, i’m about to start swinging
How do roundhouse kicks work? Are they actually combat efficient?
The roundhouse kick is a common kick seen in street fights, and for this reason lots of counters have been developed for it. So, it does work, it is effective, and easy to do compared to other kicks. It’s powerful (though not as powerful as the sidekick or back kick), but is the riskiest because it’s easy to trap.
Of the four beginning kicks, the roundhouse is the only kick that comes across the body. The others all strike directly. The roundhouse targets the side of the body or enemies in the fighting stance. This is part of what makes the roundhouse more visible than the other kicks. Your peripheral vision is great for noticing motion coming in on the edge of your vision, and circles are eye-catching. The roundhouse kick is an arc. Like all kicks, it’s one big body movement coming at you in flashing neon lights.
As a general rule, kicks are always riskier than punches. They’re reliant on speed and balance, and they come with obvious tells. Still, kicks are much more powerful than a punch, delivering more force at high speeds directly into the body. After all, with more risks come more rewards.
A single well placed kick can end a fight before it begins… if you can land it.
As for whether the roundhouse is combat efficient, that really depends on the individual and how limber they are. Cold kicks will punish you, pull your hamstrings, and wreck your legs if you’re not stretching on the regular. Your success with using kicks in combat is almost entirely dependent on your flexibility. When jumping into straight into a fight, you don’t get a time out for a five to ten minute warm up.
With that covered, let’s get down to the basics for the roundhouse.
The roundhouse is the second kick you’ll learn in most martial arts systems, after the front kick and before the sidekick. It relies on the rotational power of the hips to bring the leg across the body, striking with either the top or the ball of the foot. The attack comes on a diagonal, with points at either the head, stomach/ribs, or (in some variation) the legs/upper thigh. The structure of the roundhouse is as follows:
1) Beginning Stance:
Unlike the front kick which can be done from any forward facing, standing position, the roundhouse requires you be in a fighting stance.
A stance is a basic part of martial arts, but usually skipped over by Hollywood and beginners for strikes. Strikes are the big flashy moves that get attention because they are flashy. As with everything, the building blocks are often skipped.
Stances are what we call your “base” or how you set your body and your feet. Most martial arts disciplines will have a full set of stances from the front stance to the horse stance, and they will be referred to by different names. The fighting stance is easily recognizable. As it is the stance you’ll see everyone drop into on or off screen when they’re getting ready to fight.
The fighting stance is meant for basic defensive positioning, allowing you to move quickly. In Taekwondo, the fighting stance is one foot forward and the other foot is a step behind (about the width of your shoulders) on a diagonal. The back foot twists sideways roughly to a 45 degree angle, the front foot points forward. Your upper body turns on a diagonal following your back foot. Your hands clench to fists, and rise to your face. The hand over the front foot extends out, the other hand hovers beside your cheek. Your elbows come in, just inside the silhouette of your body. Your knees bend. Weight will adjust in a tilt slightly forward or slightly back depending on attack vector. The bouncing seen in sparring tournaments or boxing is meant to cover these weight shifts. In the fighting stance, you should never stand flat footed.
This is the basic protective stance for sparring.
Body Reader Note: Elbow, hand, upper body, and feet placement are all dead giveaways when someone doesn’t know what they’re doing. Failure begins with your feet. The hands especially, most beginners do not keep their hands far enough apart, their elbows come out too far from the body. Beginners will often leave the front foot flat on the ground with their weight unbalanced, slowing their reaction time.
On Weight Shifts: Leaning back generally means a kick as the upper body tilts backward
for balance when the leg extends. Forward for hands. Settled on the back
leg can also be a defensive posture, versus weight forward which is
more aggressive. You want to be on the balls of your feet because that means quicker response times.
The chamber is the intermediary step between the fighting stance and the kick. This is when you lift your leg off the ground with knee bent. The transition between chamber and kick is where most of the classic mistakes happen. You chamber with either the front or back leg. For the roundhouse kick, the foot left on the ground twists on a ninety degree angle. Your foot to your body should form a perfect right angle. (This is why the roundhouse kick is easy, you only shift another forty-five degrees rather than the full 180 for the sidekick.) The knee is on a similar forty-five degree, ready to extend across the body.
The upper body doesn’t move that much with the roundhouse, unlike the sidekick where the whole upper body tilts onto a forty-five as the leg extends. It tilts ever so slightly to retain balance as you kick and your hips twist.
3) The Kick
As I said before, the roundhouse strikes horizontally or diagonally across the body. It is true to its name. It comes around in a circular motion. The leg extends and swings across/through the opponent’s body as the hips simultaneously twist. When done in a simultaneous motion, the supporting foot twists to a ninety degree angle at the same moment the hips turn over. The upper body tilts with the hips. The leg swings through.
If the hips don’t turn over, then the kick is what we call a “snap kick”. In the case of the roundhouse, this is a kick than snaps up off the knee on a forty-five degree diagonal. It is fast but without power, and usually performed with the front leg only.
Power comes from the hips. You can lay in as much speed as you like, but without turnover there’s no power. (Snap kicks find their best use as openers in point sparring.)
The second problem with most kicks is visualization. You don’t stop when you reach the enemy, you kick through them. This carries the impact and force further.
The roundhouse strikes with either the top of the foot or the ball of the foot. Ball of the foot requires you pull your toes back, or else you’ll break them. Top is the speed kick (light, fast), ball is the power kick (can break ribs). Top of the foot is generally only seen in sparring exercises when your feet are protected by pads, but it’s a good option when you’re wearing shoes and your toes can’t bend.
This is the return to the chamber. After extension finishes, the leg snaps back out of danger. If your opponent doesn’t catch your leg in the moment before the full extension, they can still catch it after the fact. Quick recoil is as essential to a kick’s success as the extension. It’s also necessary to keep us from overextending.
After they’ve mastered the chamber and extension, beginners will often have difficulty with this step. It has all the same problems as the chamber, just going in the opposite direction. A good recoil is a sign of strong control over the leg.
Return to start or prepare for transition into the next kick. The leg comes down, plants itself on the floor, and the fighter is ready to either continue attacking or begin defending.
A poor plant means that you’ve now messed up your fighting stance. If the foot comes down in the wrong place, the stance becomes unbalanced. A stance that is either too wide or two shallow creates opportunities for your opponent to destabilize you and make it difficult to attack again without over extending.
Those are the steps of the roundhouse. Throw them all together and you’ve got the full kick. The roundhouse has a very specific usage in martial arts that makes it valuable. The purpose of the roundhouse is simple: it’s a kick built for striking an enemy who is also in a fighting stance.
When our bodies are turned on a diagonal our vitals are better protected than they are when we’re forward facing. It becomes difficult, or more risky for a direct forward strike to land. The roundhouse attacks in a circle, coming around from the side and on angle. It creates a new vector attack those protected vitals like the stomach.
This is why the roundhouse is a popular kick. It is simple, and effective at ghosting around the first, opening opposition. (It’s also easily blocked with both hands and legs, but that’s a story for another day.) However, this is not why Chuck Norris’ roundhouse became the stuff of legend.
Perhaps more so than the sidekick, the roundhouse is iconic in popular culture.
The roundhouse looks fantastic on film.
It has a beautiful silhouette, it’s eye catching but also easy to follow. It looks more dynamic than most of the other basic kicks, and it’s simple. An actor you’ve only got three months to train before filming can learn the basics of this kick. They won’t look great, but no one can tell. It doesn’t require the same flexibility as the more advanced kicks like the axe kick. Nor does it require the finesse, balance, or control of the sidekick. It’s the sort of kick where general audiences can’t tell if the practitioner is new or their technique sucks, and blends easily with the stunt doubles. Audiences have a difficult time telling the difference between a kick with power and a kick without power.
The roundhouse is the most common kick seen in taekwondo tournaments, and very common in kickboxing for its speed. It is faster and easier than the front kick and the sidekick due to the twist necessary to throw the leg across the body. With the roundhouse, momentum will do most of the work for you. This is why it’s the most common kick to see untrained fighters attempt to mimic, and why it gets used on the streets.
It can be effective without much training, but that person can be totally screwed when paired against someone who knows what they’re doing. Due to it’s vector, the roundhouse is the easiest kick to catch. Whether it’s caught and hooked under the arm for a knee break or the full thing gets caught and lifted into a throw, it doesn’t matter. A poorly performed or unlucky roundhouse can really screw you over. The other problem is that the circular motion of the roundhouse makes it the least camouflaged by the body and the easiest to see coming.
So, yes, the roundhouse can be combat efficient. They’re also dependent on your ability to follow through the steps on rough terrain where friction is not amenable to foot twists. They come with obvious tells for when the kick is about to happen, and there are a lot of counters developed to deal with them.
Whether coming or going, for one side or the other, the roundhouse has the potential to wreck your day.
I get asked a lot how I do it: raise a kid on my own and not be bitter about the life that’d been handed to me. Here’s the answer: I wake up every morning. That’s it. There are no hidden secrets, no words of wisdom or encouragement. I wake up. Breathe new air. And fall even deeper in love with a kid I created.
Adult here. Write this down. If you have a weird hobby and your parents have said that you should quit because it’s not “marketable,” consider that there are real people, some of whom I know personally, with the following jobs that make real cash money:
Science writer (me) Cosplay and prop maker Stuffed animal designer Dog artist Political activist for LGBTQ rights Political activist for affordable housing Music licenser Fan video mixer Bone cleaner Sports photographer Digital hat maker
Dex doesn’t figure out what’s happened until he’s already home for the summer. But the moment he wakes up on the morning after he gets in, the realization hits him all at once.
He picks up his phone and calls Nursey before he’s even out of bed, just sitting there in his boxers, sheets pooled around his waist, having never felt so suddenly and completely awake before in his life.
“Yo, what time is it?” Nursey answers, sounding groggy and a hundred thousand miles too far away.
Dex can’t be bothered with greetings or chirps, his single-minded focus kicking into overdrive. “Why didn’t you tell me?”
“Tell you what?” Nursey asks around a yawn.
“That we’re basically in love with each other.”
The line goes dead silent for long enough the Dex has to pull his phone away from his ear to check that the call hasn’t disconnected.
So I’m finally getting around to writing this. The first question every single one of you should be asking is what makes me– a random person on the internet– qualified to talk about a fictional character’s expert martial arts abilities. Well, I am
>> A black belt in Northern Eagle Claw Kung Fu >> A brown belt (2nd kyu /nikyu) in Aikido
I’ve also taken some Southern Shaolin Kung Fu, Taekwondo, and Karate.
The main styles I’m qualified to talk about are Eagle Claw Kung Fu and Aikido, which mainly comes from my years of practice. I’m not an instructor in any of these disciplines, and I’m only writing this for fun. This post might be helpful to people who role play Dick Grayson or to just develop headcanons in general. Hey, you might just be straight up interested in how this guy fights.
The fact is, comic books aren’t the best portrayal of how martial artists fight. Comic books are very flashy. They like splash pages, dramatic kicks and punches, and they like to have superheroes jump to the ground with cement-shattering landings that would devastate their knee joints. The irony here is that Dick’s core martial art style is canonically Aikido, and Aikido has a grand total of zero kicks. The only punches that this style uses are your standard initial strikes in order to practice the forms. Otherwise, this style is purely defensive. The philosophy of Aikido is basically to disarm your opponent with as little damage to them as possible. In Kung Fu, I was taught how to break people’s arms, rip out the trachea, and damage the ear drums (yay, fun), but in Aikido the idea is that you don’t want to physically harm your opponent more than necessary. Dick knows various martial art styles, so clearly he knows how to execute lethal and flawless kicks and punches too, but for now, let’s focus on Aikido since it’s his core style.
This is actually an awesome style for Dick for many reasons. Aikido is a martial art focused on using your opponent’s energy against them, and it’s a purely defensive style (there are no offensive maneuvers in this style besides your standard initial strike to practice movements). Dick started crime fighting when he was a kid. He couldn’t rely on physical strength to survive, and after growing up to be an adult, he’s still only about 175 pounds which means a majority of the big hitters in DCU can easily physically overpower him. I’m 115 pounds, and I can tell you that I drop guys who are twice my size all the time in Aikido. It doesn’t take much physical effort because this style relies on innate human weaknesses. The idea of Aikido is to learn a system of defensive maneuvers that can be applied to any attack that comes your way.
Someone punching you? No problem. They grabbed both your wrists? Please. Shirt collar? Ha, whatever. Grabbed from behind? Come on. Knife stab? Zzz. Samurai sword? – You mean the one that’s now in my hands?
This is a flexible martial art style, and it works without tiring you. When I took Kung fu, I needed a water break after twenty minutes because the workout was so intense. In Aikido I can go two and a half hours straight and not break a sweat. You rarely have to move more than a few feet to complete a technique, and it’s usually to move into your opponent’s blind spot in order to execute a technique that puts them on the floor. Don’t get me wrong, you can practice Aikido fast and hard and tire yourself out with a good workout– but you don’t have to. If you’re wise about your movements, you can save a lot of energy.
If Dick is as much of an expert in Aikido as comics say, then you can’t put your hand near this guy without ending up on your back in 0.2 seconds flat. You’ll be staring at the ceiling wondering what the hell just happened (been there, done that, trust me).
Dick Grayson can put anyone on the floor in a matter of seconds without throwing a single punch or kick. He basically just needs to stand there and bam, they’re down. So by this point you’re probably wondering how this style works as effectively as it does.
It works by blending your energy into your opponent’s and then using it against them. If someone punches Dick, he can side-step their arm, grab their wrist to yank them forward (i.e. off-balance them), and then twist the wrist back so that his opponent has no choice but to follow wherever he guides them– which in this case will be backwards (lifting their elbow over their shoulder to force them to land on their back).
This entire time, Dick barely has to move to execute it other than the initial side-step. It’s a fluid, eloquent and sophisticated style. The movements you do are so small (a simple twist of the wrist) that anyone watching this fight might go, “what the fuck just happened?”
Now, I am exaggerating a bit, but there is a fundamental truth here. The key is that we’re twisting someone’s wrist in a direction that it’s not supposed to go, forcing the human body to either follow the movement or break the joint. 10/10 times the body will involuntarily follow the movement.
For any of you who want a physical example of how this works in order to better understand it, I’ll try to offer a step-by-step example here. (Explaining things over the Internet is hard, I offer no guarantees.)
Hold your right hand in front of your face with the palm facing you.
Take your left hand and hold it behind your right hand.
Wrap the fingers of your left hand around the thumb joint of your right hand (this is the meaty part of your palm below your thumb).
Make sure the thumb of your left hand is pressing between the knuckles of the pinkie and ring finger of your right hand (or at least keep it in that general area, no worries).
Now press the entire thing down and to the side (there should only be one natural direction to go). If you extend your arm down, you’ll feel it even more. You can also bend your arm toward (and over) your shoulder to further understand the type of control someone would have over you in this position.
(If any of you had trouble following that, I don’t blame you. I still can’t figure out online origami instructions.)
If you managed this successfully, then you have an idea of why you don’t want someone holding your arm like this. If they start walking you in one direction, you’re going to follow them because it’s an unnatural position.
So that’s one basic wrist movement, and there are dozens of others. Like I said, this is a very flexible style. You can punch Dick Grayson and he can respond over a dozen different ways. One might put you on your back, he could straight up throw you, he can flip you, he can put you on your stomach with your arms behind your back in a painful lock, he can spin you in a fast circle and drop you.
We can see Dick and Tim doing something similar in New Teen Titans Vol 2 #60.
Pretty cool, right? When I spar with people, I tell them to grab me as hard as they can so I can practice with a genuine threat. The guy I was last sparring with was taller than me, weighed more, and was stronger. He was gripping both my wrists tightly (and I have tiny ass wrists), and that didn’t stop me from performing this move because Aikido doesn’t rely on physical strength. Once you move a limb a way it’s not supposed to go, it doesn’t really matter how strong you are; you’re under the control of whoever’s controlling that limb.
So hopefully that helps explain this style a bit more. It’s my favorite martial art so far, and I recommend it to anyone, especially women.
As for Dick’s other martial art styles, he knows Jeet-Kune-Do (created by Bruce Lee; it’s a direct style of combat considered ideal for street fighting), Capoeira (an acrobatic style that focuses on movement and evasion) and Eskrima (where Dick’s dual wielding sticks obviously come into play). He’s also been said to practice Muay Thai, Judo, Savate, Karate, Sambo, Ninjitsu, Wing Chun and Shaolin Kung Fu.