ship what should not be shipped

LGBT+ representation doesn’t have to be inherently tied to what ships are canon. queer people don’t solely exist in relation to each other. I’m single and I’m pansexual, and that doesn’t mean I’m any less pansexual than someone pan who is in a relationship. you can let gay characters be gay on their own and you can stop getting mad at content creators for not representing your ship in the way you think it should be represented.

anonymous asked:

I'll make both pairs for you. Ignis was ravus's advisor. He love his kingdom and mostly he love his king more than an advisor should. They have been in love until they faught over the attack ravus had plan for insomnia. Tho the arguement was heated ravus still attack insomnia and one day king noctis decide to call it a ceasefire and have a meeting with ravus thats when ignis meet gladiolus and starting that he fell for gladio and gladio felt the same. (Ehe you get the whole thing)

Originally posted by solarmechanic

I am

VERY

Interested.

VERY.

This is ship vs. ship and I love that, holy Ramuh.

Can you imagine what Ravus must be feeling, though? Watching Ignis not only argue with him and starting to see Ravus like a bad person,but also feeling attracted to someone else. Losing him and knowing he had part of the blame.

Bruh, this would worsen things between Tenebrae and Lucis. If Ravus doesn’t hold himself to be objective and he lets his personal stuff get in between, he’s going to call for war again.

What if Ignis decides he’s had enough of Ravus and leaves him with Noctis and Gladio…

And Ravus uses that as excuse for war?

“People of Tenebrae! The Lucians have kidnapped our dear Ignis during the ceasefire meeting! We welcomed them and how did they thank us!? Forcing him onto their ships, forcing him into silence and lying to make it seem he went on free will. Do you think he would abandon his dear lands of Tenebrae? Do you think he would abandon you all on free will? Do you think he would leave my side on own decision? This is a direct threat and insult to us. We will not let them spit on us like this! We call forth for war!”

And people just lose it because Ignis was so dear in there, so ofc they take Ravus’ words for true and it’s A MESS.

Bruh 

Bruh, ship vs ship is one HUGE mess if they involve royalty and war andohmygod I want this.

Ravus is not bad, he’s just…suffering ;______;

And Ignis too! It must be a hard struggle, that of loving somebody but having to admit it’s crumbling down, at the same time something blooms for somebody else…poor Ignis too ;______;

I like this, have a cookie.

anonymous asked:

HAPPY PRIDE MONTH MY DUDE 🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈

👌👌👌👌👌👌👌👌👌👌👌👌

This blog 100% supports Loo Brealey, Mark Gatiss, Steven Moffat, and ALL the creative talents who have given us “Sherlock”, to do the work as they see fit & to not have to defend their work to, and be harassed by, disappointed, sourpuss knobheads who call their temper tantrums “concern” for character or proper representation.
Love Conquers All (On Sherlock Season 4)

I’m currently re-watching Season 4, simply just to indulge myself, and mainly because I personally loved it. I thought I was done expressing everything I have to say about the matter in this post, but there has been an unending sh*t-storm still looming over S4 that has gone beyond what I had expected. Not to mention that things I’ve seen on Twitter earlier regarding the so-called Norbury movement.

I am not dismissing the fact that this season had its flaws, but there’s a significant meaning to it all that some people are dismissing because they’ve been blinded by their own illusions that I would want to highlight. For someone who had cried over and mulled over these episodes more than the past 3 seasons, this season gave my love for existentialism a baseline that tugged at the heart – the very reason why I wanted to talk about it.

Originally posted by esterlocked

Just a brief explanation, existentialism is the belief that life has no meaning in general. To quote Moriarty, “Staying alive… So boring, isn’t it? It’s just… staying.” However, what I like about it is the idea that society or any other factor is not responsible for giving life it’s meaning – it is solely up to the individual to discover it on their own.

With that said, I think this is why this season resonated with me so much, and I find the chaos in some parts of the fandom frustrating, especially to the point that the writers are being attacked for this. So as usual, I have to say something about it. Because instead of writing articles for work, I’m thinking about Sherlock.

Anyway, I’m just gonna go ahead with my point.


The Six Thatchers : Horrors Of The Past

This may be my least favourite among the three, but the message of this episode is clearly simple: we all have horrors that will come and haunt us in the future – and how we face it all comes down to the path we choose. 

We live hundreds, and even thousands of roles throughout our lives. And we all have our past; things that we regret, hate, cringe at, miss, still believe in, etc. But whatever that past might be, what I got from TST is that you can never run from your past as it catches up to you, but it is one facet of your life does not completely define you.

Originally posted by akajustmerry

Death has been played with through the past seasons that it seemed all too mundane to us now, in terms of the context of the show. But S4 is here to correct this notion in Mary’s persona. With Mary saying that Mary Watson was the only life worth living, it showed that we get to choose which part of our lives we live out the most.

Same with John and his ‘cheating’. To be fair, I’m pissed at the fact that this was completely out of character. But when the series culminated, I understood why they have to do it. We saw what we wanted to see in these characters as they were presented to us – John was supposedly honourable, kind, and courageous, but what is this? Who is this new John? 

This is where I head to my next point. 


The Lying Detective : Being Alive And Human

This episode made me cry buckets, to be honest. And it is because this is all about changing what you know about these characters and seeing them all in a different light. 

Here we see a Sherlock not led by the mind but the heart, a John who was weak against temptation, a cheater, someone who looked jealous from having the spotlight all on the detective – it showed that no one is ultimately good and that someone’s facade is not who they entirely are. It shows that everyone has their ups and downs because that’s what humanity is about. It illustrated that everyone was capable of being angry, desperate, conceited, weak, lonely, alone, etc. It highlighted how these characters are broken – especially Sherlock – and how redemption can mean so much more to a person. 

We all have our flaws, our downfalls, our agonies; but who are we really, at our most vulnerable? And who are the people willing to believe in us even if we’ve shown them our true, and sometimes, faded colours?

Originally posted by halloawhatisthis

“Taking your own life. Interesting expression, taking it from who? Once it’s over, it’s not you who’ll miss it. Your own death is something that happens to everyone else. Your life is not your own, keep your hands off it.”

This is a plea. That shutting down and ending your life is and should never be the answer. This is one of the most beautiful pieces of dialogue I have ever heard, and it’s a very upfront message about warranting a value on your own life. And for people to threaten the writers of the show that they are the ones who caused the lives that are put in the line or the self-harm that will happen due to their distaste for TFP is devastating to me.

And yes, there have been people tweeting Mark and BBC that they are and will be responsible for these lives, which is just unfair.


The Final Problem : On Love And Redemption

I’ve seen people questioning why Benedict said ‘love conquers all’ in one interview before the season aired. There has also been statements that this season will be ‘groundbreaking’, which others failed to see why, leading to the claims that the showrunners are queerbaiting.

Now, every single show, every single actor, not just in Sherlock, but basically everywhere, is being put in the microscope because they need to identify with something, and that they need to represent a cause — which I get! I advocate for this! But, just when the world is being careful about mixing up their characters or when they are inserting a gay character just because now, society is demanding them to, Sherlock had already presented that years before (note that some TV shows only became more open to having gay characters around late 2014, early 2015-ish onwards because people are becoming more vocal about it as inspired by those bold enough to make a first move, e.g. Glee). 

Here, we have an openly gay character (which is still another topic of debate but I stand by it when I say Irene used the term gay loosely), had openly gay actors play brilliant and unstereotypical roles, and for God’s sake, Mark Gatiss is a gay man who is behind this brilliant show, and  that’s the very reason they passed it off as normal. They didn’t do it in a way that we always have to be reminded that the character is gay, that there has to be a sex scene just to prove that they’re gay… it’s just there – again, as one facet of the characters. Sex, as something that has been explicitly expressed in the show, isn’t the only thing that defines a character or their relationships with someone else, and I appreciated that. They had a story to tell – the story of these characters as a whole and not just one side of them. 

And personally, I did see why they made their claims as indicated by my chosen title. When this season ended, Sherlock who claimed to have never been attuned to his emotions, had his eyes open and had embraced that he was also human, flawed, and is capable to love IN ALL FORMS. 

Originally posted by fangirlhani

He learned to value his life because of what happened to Mary, he had admitted that he also succumbs to his impulses with Irene Adler (texting or beyond that, depends on what you want to believe), he fully realised that he would never ever want to hurt and make Molly feel like she’s being used by him because she’s his friend, he was able to extend a more human side of himself to John more than he did before, he finally understood and accepted Mycroft’s intentions and actions which I think mended their relationship significantly (this one hits me to the core so much), and lastly, he discovered that if he was left in the air in isolation, he might have ended up like Eurus, which is why he never wanted to make her feel alone again. 

To me, it is groundbreaking because it left that cliche of someone running off into the sunset in the end and it’s all butterflies and rainbows. They wrapped it up with the characters still broken, but living through it day by day because someone chose to love, accept, and help them heal despite their flaws. 

It is what it is, they keep on saying, because that’s how life is. It can be unbearable and it can most certainly be shit, but in the end, whether you ship Johnlock, Adlock, Sherlolly, Sheriarty, Mollstrade, Mystrade, etc., if we all let love – self-love, romantic love, familial love, platonic love – all kinds of love in our lives, it will help us conquer all, within and beyond this show. 

just some random headcanons about Peter growing up on Yondu’s ship
  • Yondu teaching Peter to fly and pretending Peter messed up when he didn’t (“No NO, you shouldn’t have pressed that button, boy!” “WHAT?!” “It’s the self-destruct one, all Ravager ships got it!”  “You should have told me; I didn’t know! What do we do!” *Yondu cracks up* “Just  playing with you, take it easy, kid.” “YONDUUUUU!!!!!”)
  • Yondu taking Peter to all sorts of cool planets and pretending they’re there for practical reasons but he actually just wants Peter to see them cause he thinks he’d like them.
  • The crew celebrating Peter’s birthday and Kraglin making a birthday cake which comes out really messed up (like, frosting melting and layers sagging and shaky writing) but it means a lot to Peter even though everyone makes fun of it
  • Peter finding an old jacket of Yondu’s that he really likes but it’s too big so he resolves to work out until his muscles get big enough for it to fit and that’s the real reason he’s so in shape
  • Yondu teaching Peter to shoot and regretting it when Peter uses some of his dashboard figurines for target practice
  • But then Peter feels really guilty and buys him some new ones
  • Yondu always thinking up something to critique when Peter tries to show off to him so Peter always thinks Yondu wasn’t impressed but then one of the crew members mentions how Yondu’s always bragging about him when Peter’s not around
  • So Peter doesn’t let Yondu hear the end of that for weeks
  • Storytime with the Ravagers - Peter retelling (and sometimes reenacting) movies from Earth. “So this one’s called Indiana Jones…”
  • Peter wanting to have some Earth food, only they can’t find all the ingredients and then one day Tulk brings back the coveted ingredient of **PEPPERONI** and they have a pizza party
  • Peter exaggerating how much parents on Earth buy for their kids because every time he talks about it he seems to find some new piece of tech in his room which Yondu always denies is from him (“Me? Why would I buy you a new blaster? You’re plenty spoiled already, brat.”) but Peter is totally onto him
  • None of the crew can sing but they all know Peter’s music and whenever he’s in a bad mood someone conveniently starts humming one of his favorite songs and it’s so bad it always makes him laugh.
  • Peter sneaking a pet onboard and everyone keeps it a secret from Yondu because he has a strict no-animals rule but then one day he comes in to find Kraglin and Peter playing with it and they both totally freeze up (Kraglin starts stuttering an explanation and Peter tries to hide the animal) but Yondu agrees to let them keep it (pretending to be angry about it even though he doesn’t really mind) as long as they clean up after it and don’t let it cause any trouble. He takes care to leave them with the impression that he’s doing them a huge favor and he’s not happy about it.
  • Yurio: my boyfriend is too tall for me to kiss him on the lips what should I do
  • JJ: punch him in the stomach then when he leans over in pain, kiss him
  • Chris: tackle him
  • Viktor: dump him
  • Yuuri: kick him in the shin
  • Otabek: NO TO ALL OF THOSE, JUST ASK ME TO LEAN DOWN

anonymous asked:

I'm 14 going on 15 and I hate how so many people who take a character that was just my age, and make creepy art and fic about him. I'm about to turn his current age and have been propositioned since I was 11 and was always told that adults who try things like that are perverts. So why is it when a bunch of 20 somethings pushing a teen who is around my age into a sexual relationship with an adult and do explicit crap, it's not perverted and gross? What about the teens who are feeling sexualized?

First off, thanks for writing me and being polite in your message. 

The first thing I want to address is this: you should never be made to feel sexualized. Unless it’s with someone you want to be sexual with, like a crush of yours. Even with someone you consider a crush, if you don’t want to feel that way and don’t want to do anything that can be considered sexual (be it even a kiss), you should never feel forced. This is not just now because you’re a teen, this is something that all of us go through and need to keep in mind even in our 20s, 30s and so on.

I’m so sorry that you feel that way in real life because some adults are absolutely disgusting. They are. Adults that prey on children are absolutely disgusting and horrifying and you should call them out, tell your parents or your teachers or the police. I’m not kidding here. I know it’s hard and you might feel like you’re going to be made fun of, or that they won’t believe you, or that they will side with the adult, or that will belittle you and tell you it’s not a big deal. If you tell someone you trust, they won’t do all those things. Go with your guts. Tell, even if someone only threw nasty words at you or catcalled you (and I really hope you never went through anything heavier than that). In those cases there won’t be much that you can do, but telling someone will help.

What I can tell from your message, is that you (subconsciously or not) equate sex with generally being nasty and perverted. This will probably be unnecessary, but I’ll say it anyway: sex is not inherently gross or disgusting or creepy. If you feel that it is, then it means you’re not ready to enter a sexual relationship, and that’s perfectly fine and normal. I won’t tell you that that’s only because of your age, because some people never (or very rarely) show any interest in sex (it’s called asexuality and it falls under the LGBT+ spectrum). Whether you do end up growing to want sex or not doesn’t matter here. 

What matters is that now you clearly don’t want to see sex and anything to do with it in your fandom experience and that’s fine. Tumblr offers you ways to make your experience better and show you only the content you want to see. Block any nsfw tag. Don’t follow blogs whose description clearly states that they post nsfw (like mine). Tumblr is a big and scary place if you just take everything it throws at you (be it ship hate, nsfw stuff, etc). The thing with it is that it can’t cater to everyone’s tastes, so you have to be active about blocking the stuff that YOU don’t want to see. Other 14-going-on-15 year olds might be okay seeing nsfw fanart and posts and that will be their Tumblr experience, but you should definitely take measures to protect yourself from what you don’t want to see. 

Now, the thing about Otayuri is that no matter how you twist it, it’s not illegal to ship it, even in a sexual way. You should definitely read this post about it, because the thing is, as much as we can project our feelings and real-world stuff into anime characters, they’re not real. 

I assure you that if Yuri on Ice was a flesh and bone show things would be different. I don’t really watch any current TV shows with teens in them so I can’t speak for what other fandoms do with their ship, whether they’re sexualized or not. I can only speak for this silly and amazing anime that’s been consuming my life for the past seven months or so.

Anime and cartoon characters are a safe way to explore things about real life. Whether it be sex or depression or anxiety or simply falling in love, we can all identify with an anime character and see our flaws, our fears and our history in them.

The thing you have to remember is that we (I’m speaking for the slightly older part of the fandom since I’m in my twenties) have been Yuri’s age. We’ve very likely had crushes on boys or girls that were a bit younger, our age or slightly older (like Otabek is). So I think for most of us, shipping Otayuri is a way to remember what it feels like to be a teen and be in love/have a huge crush. We will never be that age again, and maybe there’s things we regret not doing, crushes we wish we had confessed. By shipping Otayuri in an active way (meaning: drawing fanart or writing fanfiction) we can explore things we experienced as teens (or wish we had) and pour a little bit of ourselves in Yuri’s (or Otabek’s) character. 

Those things might involve anything from simple fluff or rough sex, because, accept it or not, some people at 15 or 16 were (are) having sex of all kinds. Sweet, loving, rough, vanilla, kinky, you-name-it sex. So not to explore that aspect in a healthy way (through fics or fanart) would be lying about what reality is, it would be denying that we ever thought about or had sex at that age.

Much like with blocking tumblr content, you can choose what kinds of fanfiction you read. Only read General and Teen and Up tagged things, read about fluff and about falling in love in a sweet innocent way. Read anything tagged “Ace!Yuri” (it means asexual, the thing I was telling you about before). 

But please understand this: when we sexualize Yuri, we’re mostly sexualizing our (often past) selves. Not other teens, not other real-life people. Yuri doesn’t exist in real life, and many of us see bits and pieces of ourselves in him. When we write about him we really write about ourselves, be it because we want to see how we (maybe a little sassier and bitchier version of us) would have confessed a crush to our best friend, or would have handled the aftermath of having just shoved our gloved fingers in said best friend’s mouth in front of thousands of people. Fanfiction is a study about versions of ourselves that never existed, but might as well have.

Another thing I need to make clear: Otabek is not an adult. I assure you that the morning of your 18th birthday you won’t feel like an adult. You’ll feel like the you from yesterday and it will be anticlimactic af, you’ll be like “That’s it?” and yeah, it will be it. Just because the law in some country or state says that 18 is the age of consent (which is set to 16 or 14 years old in many other countries) it doesn’t mean that you’re automatically an adult at that age. You can be 18 and have had sex since you were 14. You can be 18 and completely uninterested in sex. You can be 18 and have a 15 year old mental age, or you can be 16 and be mentally more mature than some 20 year olds.

What canon has shown us, is that Yuri and Otabek are much closer to each other’s mental age than the 2 years + a few months difference they share. I encourage you to find posts about why there’s no power imbalance between Yuri and Otabek, because they compete in the same sport and they have had similar experiences in life.

In conclusion, if you feel irked about nsfw fanart and fanfics and discussions when it comes to this particular ship, please don’t read it/watch it. But what I can assure you is that none of us are trying to sexualize you or your peers. When we sexualize pixels on a screen we don’t see those pixels as a flesh and bone version of a human, we only see an idealized character whose age we are or have been and whose personality and experiences we want to safely explore.

Also really important: when we write/draw NSFW, we don’t write/draw it for teens to read. I repeat: WE DON’T CREATE NSFW CONTENT FOR TEENS. We’re not your parents or guardians, we write NSFW for whoever feels like they can handle seeing nsfw content. If you’re a teen that goes on the nsfw tag and then complains about it (I’m not saying that’s what you did here, I’m speaking generally), it’s only your fault for going in a tag that you weren’t comfortable to begin with.

TL;DR: 

  • Speak up if you feel sexualized IRL in a way you don’t like;
  • Learn how to use tumblr safely, block tags, understand that tumblr doesn’t do those things for you. Make your fandom experience exactly the one you want to see;
  • Don’t trust adults who tell you this ship is somehow illegal: it’s not;
  • Understand what’s behind fiction and fanfiction as a way we have to explore real life things (often too personal to write about as ourselves, so we project those things in characters we like);
  • Understand that adulthood is not something that happens from one day to another;
  • Learn to discern what content is meant to be consumed by a teen and what content isn’t;
  • Be safe.

Loud House: LOVE WINS <3

You should already know what this is based from! Thank you for finally making this cannon, Savino! I gave Luna a bi flag though just in case because it’s not officially confirmed if she’s a full lesbian. But I’m glad they did this. Imma call the ship name Sana.

And for those who are sad and ship Luna with someone else or your oc, just remember, no matter what, draw for yourself. Have fun with what you see with these characters. Enjoy the Loud House and what it gives you. Beside….I guess Rocky and Lucy aren’t a thing anymore? Continuity? WHAT’S THAT?

PS….I’m straight but I support LGBTQ. Have a good Pride Month.