Samuel Vimes distrusted the kind of person who’d take one look at another man and say in a lordly voice to his companion, “Ah, my dear sir, I can tell you nothing except that he is a left-handed stonemason who has spent some years in the merchant navy and has recently fallen on hard times,” and then unroll a lot of supercilious commentary about calluses and stance and the state of a man’s boots, when exactly the same comments could apply to a man who was wearing his old clothes because he’d been doing a spot of home bricklaying for a new barbecue pit, and had been tattooed once when he was drunk and seventeen and in fact got seasick on a wet pavement. What arrogance! What an insult to the rich and chaotic variety of the human experience!
…Look here, Watson; you look regularly done. Lie down there on the sofa, and see if I can put you to sleep.”
He took up his violin from the corner, and as I stretched myself out he began to play some low, dreamy, melodious air,—his own, no doubt, for he had a remarkable gift for improvisation. I have a vague remembrance of his gaunt limbs, his earnest face, and the rise and fall of his bow…
The sign of four, ACD
(The pure domesticity and love in the Holmes/Watson relationship)
Holmes: love, you’re not even trying. Her mother is dead. People are gonna talk. Watson: no worry babe let me write more Watson: #nohomo #holmesismybro #platonic4life #ilovehim #bff4life #straight4thesummer