I never truly HATED Nancy, she just wasn’t my favorite character. Don’t get me wrong she was a good female icon, she goes through slut shaming and doesn’t stand for it, she gets her heart broken in many ways and fights back, not letting the boys do all the work and going after what she wants, not wanting to date a guy just for his money and job like her mother, and I could go on.
But let me just tell you
My respect for Nancy wheeler went up SO MUCH when she danced with Dustin
LIKE THIS GIRL PULLED HIM OFF THAT STEP
I COULD RANT OMG
LOOK AT HIS FACE
LOOK HOW HAPPY HE IS
This could have easily been the worst night of his life but, this soon became one of the best because Nancy wheeler was a decent human
After thinking way too much about Ouat, I’ve realized that one of A&E’s great flaws might be the fact that they don’t know how to write characters who are romantically involved with someone, but also attentive parents. Rumple was hell bent on finding Bae, until he suddenly only cared about Lacey. Emma was a good parent until Hook became the only character she interacted with. Neither Belle nor Rumple seemed to care that, since they lived in a realm where time ran faster, Gideon had to lose his mother way earlier than necessary. I fear what will happen when Regina falls in love with someone.
Just because it’s the path of least resistance, doesn’t mean it’s the wrong path. Staying together is more important than how we stay together.
Natasha is the leader of the Avengers in many ways. […] In this movie, she has the most matured point of view of any of the characters. What fascinating about her is that she is a reformed villain, so she has an understanding of life in a way that other characters don’t. She has an empathy. She can see both sides in a way that not everyone else can. She is the middle ground of maturity. [Captain America Civil War Audio Commentary]
Oh my god, in last night’s Bob’s Burgers, Bob takes Gene to a laser light rock show at the planetarium (super important to Bob, because it was his favorite when he was a teenager, and this is the last night before they’re closing the exhibit because it’s old and no one goes anymore, also it’s Bob’s birthday), and Gene has no idea what he’s in for, but he gets pumped for it anyway ‘cause Bob’s so excited about it, and finally they get in there and they’re watching it, and Gene has a sensory overload and kinda starts freaking out ‘cause he can’t handle it, so Bob takes him out and they sit in the car for a bit. Gene’s angry because Bob didn’t tell him it would be so loud and scary, so Bob offers to play the album for Gene at a normal volume, and Gene starts to enjoy it, so he reclines the seats, takes out the cigarette lighter, tells Gene to pretend it’s a laser, and starts drawing in the air, explaining the plot to him (it’s like a full on Pink Floyd or Rush-esque rock opera about a bunch of robot overlords telling rockers that they can’t play music anymore, and one Rebel rising against them). Gene gets really into it and decides he wants to see the finale of the laser show (which Bob regards as a life-changing experience), so they sneak back into the planetarium (there’s no re-entry allowed) with a few tricks that parallel the story from the album, and watch the climax of the show together (Bob fashions some earplugs for Gene out of a napkin). On the way home, Bob’s asking Gene how he liked it, and Gene says “I loved it!”, Bob asks him to speak louder ‘cause his ear’s are shot, and Gene yells, “I LOVED IT, DAD”. Bob yells back “I love you too, Gene”.
I FUCKING!!! CAN’T!!! DEAL!!!! WITH HOW GOOD THIS SHOW IS!!! I know i don’t talk about Bob’s Burgers a lot but this show is flawless and charming and gross and funny all at the same time, the characters are written like people with actual fears and anxieties, and unlike a lot of comparable shows, the comedy doesn’t come from the family being pitted against each other, it’s always the family against the world… I love it, I love it, it’s so pure and refreshing and still somehow manages to be funny without sacrificing it’s heart, and I fuckin’ love it, please watch Bob’s Burgers holy CRAP okay I’m done.
I hope Merrill’s eluvian-restoration skills come in handy next game because I’m a sucker for foreshadowing.
Bring her back! Have her manually take over Solas’s eluvians! Have Solas be frustrated because who the fuck is taking over the eluvians again. And oops it’s some Dalish rando blood mage and no she is not stopping taking over the Eluvians even if he sends people after her.
Bonus: Merrill is doing this independently of the Inquisition/former inquisition and the player takes her on because she’s so effective at fucking with Solas. When she’s recruited it’s a combination of protecting her from Solas and taking her on so she can help save the world.
hey i’ve seen a bunch of j*hanna//the/mad on my dash lately and here’s a reminder she ships sh//eith (a ~25yo and a 16yo) and draws g/nderbends (i’m sure there’s more but that’s all i can remember off the top of my head)
I was lucky enough to attend the Pacific Rim: Uprising NYCC panel at Madison Square Garden (and sat in the first row ayyy~~) and took a bunch of notes lol. The panel included the director Steven S. DeKnight, and a few members of the main cast including John Boyega, Cailee Spaeny, Scott Eastwood, and Burn Gorman. Here’s my recap:
General Worldbuilding Tidbits
Pacific Rim: Uprising is set 10 years in the future after the last film. DeKnight said that they wanted to show a “new generation of Jaeger pilots who have known nothing but chaos.”
Previous characters slated to return, as seen by the trailer, include Mako Mori (Rinko Kikuchi), Dr. Hermann Gottlieb (Burn Gorman), and Dr. Newt Geiszler (Charlie Day).
The new main “trio” seems to consists of the main lead, Jake Pentecost, and the late son of Stacker Pentecost (John Boyega), Jake’s best friend and Jaeger pilot Nate Lambert (Scott Eastwood), and tech-savvy Amara Namani (Cailee Spaeny).
10 years later, the Pan-Pacific Defense Corps (PPDC) has come together to work as an international fighting force, with all of humanity working together - i.e. Jaegers are no longer coded by specific country, like the Russian Jaegers, Australian Jaegers, etc.
This also allowed the opportunity to build Jaegers from the ground up, since they were all previously destroyed in the first film. It was jokingly claimed, “we cancelled the apocalypse and then un-cancelled it to make this movie.”
DeKnight discussed how Del Toro originally set the table with Pacific Rim as a “fantastic visual feast,” so the goal with the sequel was to honor the original, but also expand the universe at the same time.
John Boyega claimed that they weren’t trying to “rewrite what Guillermo Del Toro did, but rather to build upon and expand this universe, and where the humans are at now.”
Boyega also talked about how he came onto work behind-the-scenes creatively on the film as a producer. He described Pacific Rim as one of the only franchises he’s come across where the fans are hopeful and “sacred science fiction ground."
Going in, Boyega felt like he had the same creative passion as DeKnight. When they met in LA for the first time, they went over the specific Jaegers and basically what Boyega wanted to see after Pacific Rim. He claimed that "I believe this is everything you want Pacific Rim to be."
One of the goals of Pacific Rim: Uprising is to explain exactly what happened 10 years after the first film, but not necessarily be a complete detachment to the origin story. It was highlighted that there are a lot of young teenage characters in the cast and hopefully that’ll be something that new viewers can relate to.
According to DeKnight, one of the overarching themes of Pacific Rim is: "It doesn’t matter who your parents are, the color of your skin, your religion, or sexual orientation, you can make a difference and be a hero. It’s the human inside the Jaegers that makes you super."
Pacific Rim: Uprising was filmed both in Australia and China. The cast pretty much agreed that as a director, DeKnight runs a "relaxed” and “creative” set - it was a tough schedule, but the actors all felt that they could still have creative input.
DeKnight called them all “badass,” with Gipysy Avenger leading the charge.
Gipsy Avenger: Has a lot of upgrades, including a Gravity Sling which allows the Jaeger to reach out and grab buildings, cars, etc. and hurl them directly at the Kaiju.
Bracer Phoenix: This is the brute force Jaeger. One of its special abilities, above many, is the fact that it’s a three-pilot machine. Therefore, the third pilot can drop into the chamber and operate a pair of massive guns called the Vortex Cannon.
Saber Athena: This is the most advanced Jaeger in the fleet that uses Plasma swords. Also described as a “little experimental,” and “incredibly swift.”
Titan Redeemer: Has a special weapon called the “ball of death,” which is attached to the end of his arm. According to DeKnight, this was “pretty damn cool."
Guardian Bravo: Is another brute force Jaeger that has a special weapon called the "graphine arc whip."
Scrapper:Described as a "little guy,” that’s been slapped together. Since in the future, there are a lot of people pilfering and stealing PPCD technology to make their own Jaegers.
During the Q&A, an audience member asked if all the new Jeagers run on analog. DeKnight claimed one Jaeger is built on sticks (lmao), but the general idea is that no EM-powered Kaijus will be able to take down the Jaegers in this film.
Jake Pentecost (John Boyega)
Boyega stated that he “loved the first movie and one of the reasons was Idris Elba.” So, he understood the big shoes that he had to fill. Boyega claimed he understood this responsibility, but "we [the cast] all worked as a unit, and Jake Pentecost doesn’t exist without the other characters. This is also a great ensemble piece.“
When the moderator asked if Jake is trying to live up to Sacker’s legacy, Boyega jokingly claimed: "Hell no!” He went to explain that “the greatest heroes don’t accept legendary status. It takes a tussle and a turn and for Jake’s position. Where we find Jake in the beginning of the film is in very different circumstances from his Dad.”
Boyega described Jake as a “stealer, a hustler, and lives in half a mansion. He’s really a guy that doesn’t want to live up to the Pentecost name.”
Jake is bought back into the PPCD in a very unique way through his connection to Cailee Spaeny’s character Amara. So, Jake is bought into this adventure and decides that he’s gotta “step up,” after realizing that the “Pentecost name still means something to people."
During the Q&A, an audience member asked Boyega what’s the most rewarding part of being a sci-fi icon. He claimed that he doesn’t feel like one, but working on both Pacific: Rim Uprising has been exciting, since it’s allowed him to jump into various elements of sci-fi that he loved growing up.
Nate Lambert (Scott Eastwood)
Eastwood described him as a Jaeger pilot who’s one of the best out there. Yet, he’s still "the tip of the spear,” and really nothing without his best friend Jake.
Jake and Nate still have issues in this movie to work out from the past, so Eastwood felt that coming back around and dealing with a lost time with these characters was something cool to explore as an actor.
Eastwood also emphasized that while yes, there is plenty of action in the film, it “has a great story first and foremost.”
Amara Namani (Cailee Spaeny)
This was Spaeny’s first film that she was ever cast for. So, she was definitely intimidated and a bit terrified, but knew that fans were so supportive of the first film.
Spaeny didn’t actually watch Pacific Rim until she got the audition for the sequel, and really took it upon herself to dive into the universe in order to understand and respect the original film.
In terms of Spaeny’s film experience, there was also diving into tons of stunts and action and lots of skills that she to catch onto , since she was participating in a whole world that’s already been created.
But Spaeny felt that both DeKnight and the cast were very supportive and helpful, whenever she had questions, so it was really easy for her to dive into Cailee’s character. She also bonded with DeKnight since this was the first feature-length, theatrical film that he ever directed.
Spaeny described Amara as very “independent,” and super “badass.” She’s also a tech-savvy person.
For Amara’s backstory, her entire family was killed in the first wave of Kaiju attacks. So, Amara really “takes it upon herself to dive into Jaeger tech and make sure that when Kaiju do come back, she’ll be ready to fight and protect herself."
While Amara’s past is very different from Jake’s, Spaeny claimed that both of them still see a lot of things in similar ways.
Dr. Hermann Gottlieb (Burn Gorman)
Gorman said he was very excited to be back in the sequel, which felt like "being back in the playground.” He also joked, "I’ve been lucky enough with this face that God gave me to play a few jerks on screen,” when an audience member briefly highlighted his past roles on Torchwood, Revenge, Game of Thrones, and The Dark Knight Rises.
Gottlieb still has problems with personal hygiene. Gorman claimed, “let’s just say that he hasn’t changed his socks since the last film."
In comparison to Charlie Day’s character (Dr. Newt Geiszler) who has moved onto the private sector, Gottlieb chose to stay behind with the PPCD and arguably their most important scientist at the highest level at this point. So, Gorman joked that Gottlieb now, in effect, has a "really great budget,” to work with now.
However, DeKnight makes it clear that where we find Gottlieb is: “as a man still very much affected in what happened in the previous film in terms of his drift and communication with the Kaiju.
There was a brief Q&A and the last question really stuck out to me, where an audience member asked each cast member to sum up their Pacific: Rim Uprising experience in one word:
So out of curiosity in light of Raising the Barn, I was brushing up on power and control in abusive relationships, and I came across this interesting diagram:
These are tactics used by abusers to obtain power and control in their relationships. When used together, it creates what’s known as a climate of fear– and, with this, the victim will feel like they don’t have an equal voice in the relationship.
First off, I strongly believe Lapis was holding onto a sense of power over Peridot that she was at least somewhat aware of, leading to Peridot’s hesitation to voice her own wishes. And I’ll like to break down and illustrate the major tactics she used that unambiguously gave her power and control in her and Peridot’s relationship, because apparently there’s still debate on whether or not Lapis is an abusive character.
(mind you, not all tactics have to be used in a relationship, but considering I cover half of them below… I’d say it’s more than enough)