she preaches well

windswept

“Different Words,” she whispered...

Different words to use instead of whisper, but make sure you’re using them in the right context.

“Well,” she whispered, “I suppose I haven’t got a choice.”

The character is probably speaking in a voice so low it’s become words made of breath, probably because she doesn’t want to be heard.

“Well,” she murmured, “I suppose I haven’t got a choice.”

The character is saying this very quietly, but above a whisper. She may be talking to herself.

“Well,” she mumbled, “I suppose I haven’t got a choice.”

The character is speaking under her breath in low enough tones that her words may sound unclear or slurred. Also very possibly talking to herself.

“Well,” she muttered, “I suppose I haven’t got a choice.”

The character is speaking lowly, but more clearly than a mumble. She sounds angry, irritated, or dully frustrated.

“Well,” she breathed, “I suppose I haven’t got a choice.”

Breathing words may mean relief, exasperation, or exhaustion, and sound half like a sigh.

“Well,” she sighed, “I suppose I haven’t got a choice.”

The character is almost certainly not happy. She’s speaking in a tired, heavy breath.

“Well,” she hissed, “I suppose I haven’t got a choice.”

The character’s words are coming out in low, very sharp breaths. She sounds angry, irritated, or maybe just in an intense moment.

“Well,” she mouthed, “I suppose I haven’t got a choice.”

The character is using the barest hint of her voice, if any at all. Her lips are silently forming the syllables. 

“Well,” she uttered, “I suppose I haven’t got a choice.”

Using uttered in this particular type of descriptive sense actually just sounds awkward. That said, ‘utter’ sounds like a word that implies speech in low yet strong and loud tones, well-enunciated, like someone preaching.

“Well,” she intoned, “I suppose I haven’t got a choice.”

The tone of her voice is dull and flat, with little variance in pitch. She is saying this without much emotion (intentionally or not).

“Well,” she purred, “I suppose I haven’t got a choice.”

The manner she’s speaking in is silky, smooth, and particularly pleased; quite possibly smug. In this particular example, this implies she probably does have a choice about [whatever it is] and is being facetious.

“Well,” she said in an undertone, “I suppose I haven’t got a choice.”

This is bad, because an undertone is something that needs describing. That’s like saying “her dress was a color”.

“Well,” she gasped, “I suppose I haven’t got a choice.”

The character is speaking in a sharp intake of breath, probably brought on by surprise or shock. She could also be short of breath, being strangled or something.

“Well,” she hinted, “I suppose I haven’t got a choice.”

The character has particular (duh) hint-hint tones in her voice as she speaks to someone. One can just imagine her leaning over closer to their ear.

“Well,” she said low, “I suppose I haven’t got a choice.”

Her voice has dropped below normal pitch, but is above a whisper. There’s a certain amount of dullness in the tone, probably.

“Well,” she said, into his ear, “I suppose I haven’t got a choice.”

This implies nothing about the actual voice, just that she’s literally speaking right into his ear (perhaps at normal volume, which would be painful). It doesn’t, on its own, carry any connotations of tone or emotion.

“Well,” she said softly, “I suppose I haven’t got a choice.”

This word is often overused for everything; speech, movement, touch, footsteps, because it helps to passively describe their character as delicate and pretty or something. Use sparsely, but there is nothing wrong with the word.

Saying something softly implies not only a lowered pitch but a certain gentleness (or at least lack of weight) in tone.

“Well,” she said under her breath, “I suppose I haven’t got a choice.”

This is very like muttered, murmured, etc — it sounds breathier, and is more likely to imply a person talking to themselves.

“Well,” she said in hushed tones, “I suppose I haven’t got a choice.”

Now you’re getting closer to an equal term for “whispered”; hushed tones could mean that, or half-whispered. It does imply a certain amount of whisperiness or breathiness. It also implies a deliberate attempt to be quiet.

“Well,” she insinuated, “I suppose I haven’t got a choice.”

Like with ‘uttered’, this feels grammatically weird in that it’s usually a thing a person describes another person as doing (“Greg didn’t say it, but he insinuated it!”). It’s similar to hinting; it means you’re trying to imply or subtly convey something, but has nothing to do with actual whispers.

Remember, creative writing is not a battle to who can use the most words. Try saying what you mean. Don’t just place a word in simply because it pops up in a Thesaurus. 

Most importantly, challenge yourself and have fun with it!

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THIS MUST BE WHAT ANGELS SOUND LIKE WTF