she looks amazing in this scene

anonymous asked:

What's ur opinion on the 2005 p&p?

FUCK THIS MOVIE. I HATE THIS MOVIE. There is so much whack shit in this film:

  • the five sisters are KEIRA KNIGHTLEY, amy dunne, johanna mason, carey mulligan of ‘drive’, doctor who episode ‘blink’ and being the future mom of a mumford’s son fame, and the main girl from st trinians???? WHAT KIND OF WHITE PEOPLE PERFECTION their dad is president snow and their mum was vera in noted television procedural vera???? OKAY
  • DARCY IS 6’2
  • MR BINGLEY WAS OCTAVIUS IN ROME AND ALSO HAS THE CHEEKBONES OF A TOLKIEN ELF
  • JUDI DENCH 
  • this movie is just Joe Wright Period Period Piece but it is THE EPITOME OF THIS VERY SPECIFIC GENRE. HE’S NOT GONNA TOP THIS AND HE NEEDS TO STOP TRYING the panning shot of the peak district??? ‘Liz On Top Of The World’ plays in the bg it’s the ULTIMATE. 
  • HOT LIZARD KING WICKHAM
  • and okay i love how this movie shows the bennets as an actual FAMILY
  • like they’re messy and tactile and they talk over one another it’s so genuine
  • AND I LOVE THEIR HOUSE WITH THE CREEPING VINES
  • and okay the COSTUMES IN THIS MOVIE OH MY GODDD
  • everyone’s white gowns in the netherfield ball scene? YOOOOOO
  • honestly the production value of this movie is nuts
  • it’s the AESTHETIC
  • alright so jane austen novels are awesome and they show a lot about society and relationships in the regency era
  • and the thing about 2005 pride and prejudice is that it doesn’t only show the verbal sparring/tension between lizzie and darcy
  • but the sexual tension as well
  • THE SEXUAL UNDERTONES OF THIS MOVIE
  • OH MY GOD
  • IT’S SO FUCKING MUCH
  • like every interaction is loaded with like sexy LOOKS and body language
  • and like they don’t even kiss but it’s so obvious they wanna bang
  • THEY WANT TO BANG
  • SO
  • BAD
  • it’s like raw magnetism
  • it’s something people would write ridiculous articles in cosmo about
  • like that bit where darcy helps lizzie into the carriage???????
  • HE HELPS HER UP
  • (IT’S THE 1800S, PEOPLE DONT TOUCH)
  • she looks at him, scandalised
  • HE WALKS AWAY, FLEXING HIS HAND AS IF IT’S BURNING
  • ROMANCE
  • there’s this scene where lizzie and darcy are dancing in a crowded room but they’re so focused on each other the other people LITERALLY MELT AWAY
  • LIKE THEY’RE THE ONLY TWO PEOPLE IN THE GOD DAMN UNIVERSE
  • (sidebar: HER HAIR IN THIS SCENE. GOD DAMN.)
  • also THE TRACKING SHOT THROUGH THE PARTY OH MY GOD 
  • and okay, like
  • let’s not even GET INTO the declaration scene
  • after a heavy dose of SEXILY AVOIDING EACH OTHER’S GLANCES IN CHURCH the sexual tension crescendos
  • UNDER THE AWNING OF SOME ANCIENT RUIN
  • IN THE POURING RAIN
  • he advances; he admits his love
  • she REBUKES him
  • affronted, he insults pretty much everything about her
  • she responds but rebuking him again but WORSE
  • but the sexual tension’s still there
  • there’s just the noise of the rain
  • the air between them is so charged it could power like
  • a small city probably
  • THEY’RE SUPER CLOSE
  • NO TOUCHEY
  • AND THEN
  • HE LEANS FORWARD, EYES LOCKED ON HER LIPS
  • HE’S GONNA KISS HER
  • SHE WANTS HIM TO KISS HER
  • HE DOESN’T KISS HER
  • THE 
  • FUCKING
  • TENSION
  • I CAN’T EVEN WATCH THIS BIT HONESTLY
  • and she regrets it immediately after and then he DROPS OFF THE LETTER AND SHE’S JUST SITTING THERE IN SHOCK REALLY
  • I KNOW BABE. I KNOW
  • and it’s the kind of movie you can rewatch a hundred times and it’s still as amazing as the first time and you pick up all these little things you missed
  • it was like my 20th watch when i realised that mary is in love with mr collins
  • and ok THE LIVING SCULPTURES OF PEMBERLEY SCENE
  • all the pemberly scenes really like when they show up and lizzie sees this bomb ass house that could’ve been hers and she’s just like, ‘hahahhahahahaha i fucked up, i fucked up. i fucked up so bad im sorry, im trash’
  • AND WHEN SHE MEETS GEORGIANA AND SHE LOOKS AT LIZZIE AND DARCY LIKE SMIRK.EMOJI
  • she knows
  • and the scene where DARCY AND BINGLEY PRACTICE WHAT HE’S GOING TO SAY TO JANE
  • REGENCY SOFT BRO AF
  • and the scene before when the bennets rush to make themselves look presentable and it’s sooooo awkward and forced HONESTLY THEY ARE THE BEST
  • AND JANE AND BINGLEY LOWKEY OTP FINALLY GETTING TOGETHER
  • AND JANE STANDING THERE IN THE SUNBEAM LOOKING LIKE A LITERAL ANGEL AND TEARS IN HER EYES AS SHE SAYS YES
  • and then
  • DARCY
  • LOOKING LIKE SOME FABIO SHIT
  • WALING ACROSS THE MOORS
  • TO HER
  • WHAT THE HELLLLLL
  • THE MUSIC SWELLS
  • HE’S RUGGED
  • ‘YOU MUST KNOW… SURELY YOU MUST KNOW IT WAS ALL FOR YOU’
  • s t o p
  • and lizzie is standing there with her artfully messy hair
  • 'YOU HAVE BEWITCHED ME, BODY AND SOUL, AND I LOVE YOU
  • I LOVE YOU
  • I LOVE YOU’
  • good BYE
  • and she kisses his hands? NOOOOOOO
  • THEY GONNA BANG SO MUCH
  • i keep this movie on every device i have in case i need an emergency pick me up
  • once i watched this with dinner at night and when it finished the dvd was on a loop and it started playing again…. and i watched it again… twice
4

This scene man. I have a lot to say about this scene but also Im at such a loss for words.

For those of you who haven’t read the manga these lines were added in.

And personally I found it added so much more to both her character and death.

We knew NOTHING about Nanaba’s past other than she was one of the few remaining veterans alive from before the fall of the walls. Erwin, Mike, Hanji, Nanaba, and Levi were the only veterans from the survey corps everyone else came in later on after the fall.

Thats literally all we knew.

Aside from the fact that she looked up to Mike but really who wouldn’t? He was humanity’s strongest soldier until Levi came around. He was also her squad leader. Who wouldn’t look up to a man like that?

But this. Fuckin’. Scene. Right. Here.

It gave us insight into her past. Granted its only canon in the anime but thats perfectly fine with me and probably a lot of you too for once. (Since normally most manga readers aren’t fond of changes in the story)

Because now we know more about an amazing soldier.

Her father obviously heavily abused her if while being /ripped apart/ by /titans/ she saw him doing it instead. Its pretty obvious she was hallucinating. Possibly from blood loss. I mean she did have her leg torn off. Also maybe from the amount of sheer pain she was going through. Just like Mike, Nanaba was ripped into pieces by a bunch of smaller titans. An agonizing death for sure.

And think, her father abused her so heavily yet she still went and became one of the stronger soldiers in the Survey Corps (Well I always assumed she was since shes one of the only survivors from before the fall)

Look how many titans she took out on her own alone. Both her and our boy Gelgar took out even more together. They didn’t even keep count.

Survey Corps soldiers take pride in how many titans theyve killed because it shows how skilled they are. But these guys weren’t worried about their skill at the time being. They were worriedabout saving a bunch of defenseless kids. Sure they’re all trained soldiers but currently they had no weapons or gear aside from a single knife.

They weren’t looking for fame. They even admitted from the beginning they thought they were going to die. For a moment there was hope they wouldn’t but they quickly lost it once more titans attacked and they lost two of the four capable soldiers.

Okay so seeing Wonder Woman was literally eye-opening for me. I always knew that movies, action movies in particular, are really sexist towards women. I just didn’t realize how bad it was until I saw a superhero movie directed by a woman.

In almost every movie I’ve seen, the woman was always the damsel in distress or just some lousy love interest. And in action movies, mainly superhero movies, the camera is always focused on the woman’s boobs while she’s fighting. Yes, I’m mainly talking about Black Widow in the Avengers movies.

But in Wonder Woman, there were no close-up shots of her boobs while she was fighting. In fact, I don’t think that any woman even showed her cleavage, at all. They weren’t sexualized in any way. 

And all of the women looked like real people. There were women with big muscles, women with scars, there were women with thick thighs and arms that would jiggle when they were fighting, there were dark skinned women. They didn’t just all look like the stereotypical super thin white girls that you usually see in big movies.

The flirting was also very minimal. There were almost no romantic scenes at all.

And none of the men tried to undermine or belittle the women, and when they did Diana would just start talking about how she could do things better than them.

And the fight scenes. They were so amazing. They didn’t try to make the women look super pretty while doing it. No, they were full on fighting. Nasty, brutal, screams-of-pure-rage fighting.

But she always had a reason for fighting, and she always did it because she genuinely believes in hope and peace and protecting innocent people and people who can’t fight for themselves.

This movie sends out so many great messages for little girls, saying that you can fight for what you believe in and even if you don’t succeed the first time, not to give up because it is always worth it in the end.

Like I was thinking about it in the movie theater. For some little girls, Wonder Woman is their first superhero. There are little girls who will grow up with this movie and cherish it because it is the first and only movie with a lead female superhero. There are little girls who will grow up thinking that they want to do some good in this world, just like she did. I almost cried during several parts in the movie just thinking about that.

So please, for the love of all things good, please go see this movie. Not only is it a huge deal for women and girls now, it will be for generations to come. 

Guys how depressing is it how young Azula was?

see I watched Avatar before I turned fourteen, so I never realized just how YOUNG fourteen is. Now I realize how fucked UP it is for a fourteen year old girl to be manipulating, threatening, and killing people.

Like she’s this brilliant little political strategist, she’s blackmailing and lying to people and starting coups and she’s powerful and talented…

But she’s also really, really fucked up, like, remember when you were fourteen?

You were just a kid, really, you just started high school, you had acne and you said painfully embarrassing things and watched anime.

What was Azula doing?

Well argue that she’s evil, but she wasn’t born like that.

She was made that way.

Unlike Zuko, her personality took their father’s bullshit the OPPOSITE way.

She became what daddy wanted and that made her want his approval more than anything and guess what that brought her?

Misery and mental instability and the inability to connect to others.

Now Zuko’s character development is the greatest development ever written.

But hers is damn close because they HIT THE SAME POINT but Zuko hit it and realized oh shit…my dad sucks.

And Azula hit it and thought I need to become better. I need to become perfect. I’m the problem not daddy.

But she could never be perfect, you see, the world doesn’t go according to your plans, and your father doesn’t love you and won’t, because he’s using you as a pawn and your BROTHER realized this before you.

Your brother decided he wouldn’t be your father’s tool anymore.

I think one of the greatest scenes was when Azula was mangling her own hair.

Like that scene where she imagines her mother…

Earlier she had said “my own mother thought I was a monster” and then looked solemn…but light heartedly brushing it off by saying “she was right of course.”

But that always seemed to me like a quick cover.

Like me when I say “so I’m complete scum…how’s your day?”

You laugh off the things that hurt most.

Maybe she thought her mother hated her because she acted like her father.

Maybe she grew to resent her mother because she loved Zuko more for his compassion and the fact that they were probably more alike than she and her father.

It’s kinda common, actually, for a parent to be more fond of the child that more closely resembles them, it’s an ego thing.

Maybe she subconsciously knew that her father was more like her, but that he doesn’t truly love ANYONE cuz he’s an ass, and she told herself that his approval was enough.

But she didn’t get AFFECTION from him like Zuko got from their mother.

So in that scene where she sees her mother being affectionate but mocking as she tells her she looks lovely, maybe that’s all of her insecurities come back to haunt her.

It’s just.

Avatar is amazing.

Azula being 14 and THIS FUCKED UP.

Like incredible, you will never hate a villain more than Ozai.

He fucked up nations and fucked up his own family, and by all rights Aang should’ve killed him, like you wanted that to happen…but then he doesn’t.

And you realize Aang is a damn monk and all of these people, even if they can’t be saved, deserve compassion.

Azula, I believe, was saved. Zuko had more compassion for her, as he always did, than she ever had for him, but in a way, it’s really not her fault.

SUMMARY OF CHY’S LIVESTREAM

-Her favorite thing about being in sg is working with the cast

-She loves her short hair

-Floriana is wonderful, and she “absolutely adores that girl”

-We will see more danvers sisters scenes soon

-Danvers sisters scenes are her favorite types of scenes

-She doesn’t think lexie grey could survive at the DEO except for moral support

-She can punch with her left hand

-She plays not really great pool, but can hit people with pool sticks like Alex

-But she’s like a “little butterfly”, and wouldn’t hurt anybody

-There is another “luthor centric epiosde” coming up so we can expect about 4 minutes of the luthors!!

-The musical crossover is “stunning”

-She can’t pick between mon-el and james (noooo pick james)

-Calista Flockhart is so lovely and is one of the tiniest people on the planet

-We might see Cat Grant soon…..

-She is so humbled by all the responses to alex’s storyline

-Alex and James will get to team up

-She keeps all her prizes like play doh and silly putty and stickers in her trailer

-Supergirl’s GLAAD nomination was  “amazing”

-She gets some pretty good memes from us of her facial expressions

-Nathan helped pick out Floriana to play Maggie

-Theres a lot of “really cool scenes” of Alex being badass

-Winn will not come out of the closet because the things coming up do not “fit into that category” but she loves the idea

-CHY LOOKED STUNNING

-SHE WAS THE MOST LOVABLE DORK THERE IS

“It” 2017 Deleted Scene

So I was looking up some facts about the new “It” movie and found out about a deleted scene that I truly hope is in the sequel or in the deleted scenes once the movie comes out on DVD

Bill Skarsgard describes the scene as terrifying, taking place some time in the 1600’s before Pennywise claimed the identity of Pennywise. He says that he wasn’t even the clown, he looked very much like himself in the scene and it gives backstory to where “it” came from.

Here is a excerpt from the script of the deleted scene. Pennywise is approaching a woman named Abigail, bargaining for her to give him her infant. If she fights him, he will kill her and her whole family, but if she gives him her infant, he will take only the baby and leave her and her family alone.

I think this scene would be amazing and beautifully horrifying. Would love to see the style of this scene and how Skarsgard would play a newly awakened being who is taking in and adjusting to humanity, observing and camouflaging himself as one of them, learning what the humans of the age he has awakened in fear most.

What do you guys think of this scene? Think it should have been left in the movie or want to see it in the sequel?

LGBTQ+ culture is a driving force in fashion

In honor of Pride, here are some exemplary fashion Tumblrs.

Qwear Fashion (@qwear)

Qwear Fashion aims to signal boost voices that are working to resist erasure in the LGBTQ+ community. You should check out (and follow!) the whole Tumblr, but we especially recommend the series on Exploring Make-Up as a Genderless Art Form. It’s a great read to match the great photography.

Allison “Ace” Graham (@shedoeshimfashion)

Allison Graham, also known as Ace, wants you to look at menswear in a different light. She’s part of a movement that is slowly getting more and more companies to approach traditional male fashion with a unisex label. And she looks friggin amazing while doing it.

Studio Prokopiou (@prokopiou)

This Tumblr is like a make-out scene in the best horror movie you’ve ever seen. It’s sexy, it’s scary, and you want to see all of it. Lots of amazing drag queens and queer men posing in spooky alternative wear.

Tomboys (@tomboy-esque)

Calling all androgynous beauties! This Tumblr has opened their submission box to you. They post dozens of submitted OOTD photos. They feature tomboys, queer boys, androgynous gender non-conforming, non binary people—every style, gender, and sexuality descriptor under the sun. Don’t feel up to posting a picture of yourself? You can always follow it as a lookbook for fashion inspo.

Uchiha Family Analysis Ep. 21

I have been a quiet Sasusaku shipper for a while, but I want to share some of my thoughts about the current episode. We haven’t gotten the Uchiha family together in a while, so I wanted to celebrate this episode with my interpretation of some key scenes. I had a lot of feels in this episode so this is a long read 😂😂.

Sasuke Reunites with Sarada: In this scene, obviously, Sasuke is regretting not being able to recognize Sarada after they had reunited after so long. He’s obviously been too caught up in his mission and never imagined that Sarada would unexpectedly appear in front of him. Not only that but he threatened her with a sword and saw the fear in her eyes and her Sharingan activated. Maybe a part of him imagined that when they would finally reunite as a family, he would be free from his mission and duty and they can finally all be happy together. Accidentally threatening his daughter with a sword was not his dream of their reunion and he is angry and regrets this lost chance.

Unfortunately, he knows that he doesn’t have the luxury to comfort her because of the looming threat over their heads, so he pushes her away to protect her. He questions Naruto about why Sarada is here, which Sarada interprets as her father not wanting her to be there. 

Sarada doesn’t understand the Uchiha connection and how their hearts are connected even with distance, a distance needed in order to protect her. She starts attacking him and questioning whether he cares about his family at all, and Sasuke is shaken by her words and how he is being misunderstood in that way. Sarada resents him, which he expected, but was not prepared for. 

Especially having her in front of him unexpectedly and given the situation of their reunion, Sasuke is being consumed by guilt and simultaneously a longing to return to his family after seeing Sarada all grown up.

Sasuke and Naruto discussing Sarada: Like Naruto had said before he had left on his mission…

Sasuke is so misunderstood as a character because his intentions in this scene are pure, but he struggles with communicating these intentions with the people he loves (in this case Sarada). He is being so selfless in this scene, giving up the opportunity to be next to his family to protect them and the village, going on the mission alone so that Naruto wouldn’t have to leave his own, while keeping it a secret so that Sarada won’t unnecessarily worry about him and his safety. Even if he is misunderstood and Sarada resents him, it is more important to keep her future and Konoha’s future safe (bright). 

Side Note: I was also livid that the Kage Summit was not animated as well. That scene was SO important, especially for those who didn’t read the manga, but what can we do about SP? I am trying to remain positive. Obviously, it happened before this scene which is right before he is leaving on his mission. Naruto asks only about Sarada, which means that Sakura is well-aware of his mission and his reasons. Plus, I kind of liked how they highlighted Sasuke’s relationship with Sarada and his reasons for keeping it a secret from her.

I had mixed feelings about this scene. I find this scene sad because Sasuke almost ended the world in order to fight for his family, and now that he finally has one, he is unable to be there with them because of his mission to keep them safe. It’s such a sad circle because Itachi pushed Sasuke away to protect him and the village and now he is doing the same with his daughter, all along with the additional knowledge of how it hurts to be on the other end being pushed away. He understands Sarada’s resentment well and has regrets about not being able to be there for her, but I feel like he is trying to convince himself of the importance of his mission in this scene and how everything will be okay if he keeps them safe from the outside while Sakura is there to take care of and protect Sarada from the inside. He obviously trusts and has faith in Sakura to take care of Sarada when is away (a part of him maybe even believing that Sarada is better off in Sakura’s care than his own because he will never fully forgive himself for his past), but he is trying to conceal the part of him which regrets not being there next to them.

Sasusaku Reunite: His regrets are further elaborated when Sakura enters.

Here is where the Uchiha connection/Sasusaku connection is beautifully portrayed. First off, when he asks Sakura the same question about why she’s here like he did about Sarada, unlike Sarada, Sakura just smiles at him being well experienced with Sasuke’s method of communication. Just one look, and she understands that Sasuke is worried about why they are here near him where danger looms when they should be safe in the village.

I know people are angry over how dramatic this next scene was and how it seemed like Sakura was ignoring him, but I personally didn’t interpret it that way. This scene just KILLED ME with feels. The way I interpreted it, Sasuke is regretting how everything went down with his reunion with Sarada. He is struggling with his emotions after seeing his wife and daughter after so long so he shoots his wife a look…

If there is one person who understands Sasuke and his silent pleas for help, it would be his wife Sakura. Sakura obviously misses him after all this time apart (Ino vacation date reminiscing scene) but she selflessly puts her daughter and husband’s feelings first in this scene and holds back her own. She’s the emotional anchor in the family and Sasuke is lucky to have her because she understands Sasuke’s true intentions better than anybody else. I find it beautiful that the Sasuke who keeps to himself has truly allowed himself to depend on another person. That’s why he trusts and depends on Sakura to take care of things with Sarada when he’s gone and here again he is pleading for her help. Sakura sees in his eyes her husband’s love and longing for their family. She coped with the distance better than Sarada because she understands the Uchiha connection and how Sasuke and their family are connected by hearts even through the distance. Despite being away from each other so long, their connection and bond is stronger than ever and one look from her husband and Sakura immediately understands his pain, regret, and apology in regards to Sarada and their family. Being the amazing wife she is, she wants to put her husband’s worries to ease (like she’s done all this time when he was away) so she shoots him a quick smile, takes over and walks past him to Sarada to comfort her in his stead.

Additionally, the way I interpreted it, the reason why the scene was edited to seem dramatic with her walking past him was because it represents the current disconnect Sasuke feels from his daughter. Obviously, the Uchihas’ hearts are connected even with the distance which Sakura understands, but Sarada is too young to and Sasuke doesn’t expect her to.  As Sakura is walking passed him, his feet remain planted to the same spot because while Sakura can walk passed him and comfort Sarada, he is “stuck” in the same place. She has questions about his absence which he cannot answer. He just threatened her with his sword and saw the look of fear in her eyes, but he cannot comfort her with answers without fully disclosing the truth about his mission and putting her in further danger. When Sasuke sees Naruto outside of the village, he tells him to deliver an apology in his place to Sakura. Uchihas value family bonds more than anything else, his family is obviously always on his mind, and Sasuke is trying so hard to conceal how much he needs to be next to them. He longs to be with his family, next to his wife and wants to run over to Sarada to embrace her, but there needs to be a distance between them until his mission is complete. 

When Naruto questioned him if Sarada’s resentment towards him was worth it, he convinced himself that if it meant he can keep his family safe and the future “bright,” that’s only thing that mattered. However, as he looks back to Sakura hugging Sarada, you can see the look of regret on his face. He is her father and should be able to comfort her in her time of confusion like Sakura is doing, but he can’t be honest to Sarada and there for his family in the present without compromising his mission to keep them safe. 

He is trying to convince himself that this is what is best situation in order to keep his family safe, but he is affected by Sarada’s pain and the distance from his family as much as Sakura and Sarada are, if not more. It is heartbreaking how he blames himself for his family’s pain due to his absence, even if his absence is to protect them.

I frankly don’t understand claims that Sasuke doesn’t love or care about his family. This episode proved that he is willing to sacrifice everything in order to keep them safe and protects them at the cost of his own happiness. Of course, that’s expected from a Uchiha who always puts family #1.

  • bioware: what do you mEAN you don't like liara
  • bioware: you hear that your LI is jealous because u talked to liara once
  • bioware: aw you rejected her again too bad she's still into you regardless
  • bioware: guess what
  • bioware: in order to advance the plot u have to have mind sex with liara. twice
  • bioware: lol even though shep shut her down and romanced someone else they will continue to talk about how amazing and beautiful she is over the next 3 games
  • bioware: oh look at all this content and scenes specifically for liara
  • bioware: i see you used renegade options to reject her again...
  • bioware: it's ok there's like 9 other chances bc obviously you weren't thinking straight that time lmao
  • bioware: player
  • bioware: pLAYER
  • bioware: DO U LOVE LIARA YET
5

Gotta get back, back to the past, Samurai Jack~

Sandra just finished up this awesome papercraft art last night, she absolutely loved the new episodes and had to do a face off between Jack and Aku. 

2

Can we talk about the museum scene for just one moment? She’s looking for the tiny little remains of when people loved and remembered her. She’s trying to capture what she used to be, the amazing and worshiped goddess of her golden years. And all she has left is a statue and jewelry, both which are displayed as a curiosity. Watching this, I actually felt sad for her, even disregarded the fact that she’s killing people to survive. It is so human to be afraid of being left behind and the more time passes, the more human she becomes and the closer she is to disappear. It’s tragic and heartbreaking and I know I should feel less sad about her but god, this scene broke me.

most underrated parts of Beauty and the Beast 2017

•  Maurice cuz he is just the best dad in the world and imagine his pain when he had to leave his wife for saving his baby daughter! 

•  Audra McDonald’s amazing parts 

•  How in the midst of all this sorrow Can so much hope and love endure? 

•  Maestro Cadenza loosing some of his teeth in the battle (appearing with all of them in the finale haha)

•  Forever can spare a minute

Beast’s look when Belle leaves to save her father. Gave me the fucking chills 

• The Prince’s laugh in the openning scene (I mean it’s Dan fucking Stevens and he’s gorgeous)

 •  Belle’s kiss on Beast’s forehead SHE KISSED HIM come on

•  When the master lost his mother, and his cruel father took that sweet, innocent lad and twisted him up to be just like him, we did nothing.

Atomic Blonde

The plot in Atomic Blonde is like the writer took an entire bag of cold war era spy tropes, dumped them all into a script, then tried to playact being a serious writer. It is neon lit, minimal on character backstory, and has some random actors in random parts. The plot exists so Charlize Theron can beat up and shoot men. Also so she can hook up with Sofia Boutella, wear gorgeous fashion, and perform some amazing fucking fight scenes.
Also this movie’s song licensing budget must have been obscene.

I loved this movie. I loved this movie so fucking much from the bottom of my cold dark heart. The fight scenes were so fucking good. So fucking realistic looking and brutal. There are bruises compounding throughout. Charlize’s face is right there in all the action cuz she’s doing so much of them. She can’t knock people out with one punch because that doesn’t really happen in real life, so she wails on dudes till they stay down.

This movie is gorgeous. The plot is convoluted nonsense. The action is the best thrill. I fucking love it.

I literally just cant. Sometimes are you guys hit by the fact, that Lexa the stoic Commander, with the wisdom of generations, fell in love with a smol girl who fell from the sky? She bared her soul to her, and she protected her, and improved and changed her entire life and the ways of her people for that small bi bean?

She was so beautiful. And strong. And just…. Powerful. She moved us all. She inspired so many of us. She inspired hundreds of thousands of us to revolt against the media and their view of the lgbtq youth. She changed the lives of so many

For me, the most powerful yet heartbreaking scene was one of her very last happy moments. That smile, that smile she gave Clarke as she leaned down to kiss her on the bed. Do you guys remember? That smile. It was like… Seeing her for the first time. Happy. Relieved. Satisfied. She looked so beautiful. And raw. And fucking amazing.

I miss her so much

anonymous asked:

okay J, now that the writers queerbaited the fuck outta us, it's time for you to work your magic and give us a longer version of the "belated valentine's day prom". PLLLLLLLLLEEEEEEEEEEEEEEAAAAAASSSSSSSSEEEEEE

A continuation of this – http://queergirlwriting.tumblr.com/post/157525909609/man-i-would-fucking-love-to-get-a-scene-where-kara

She calls it a pet peeve. But it’s not.

It’s a trauma.

She calls it a pet peeve. But it’s not.

It’s a need.

It’s a need because she was fourteen and high school was amazing because Eliza held her hand and Eliza snuck her dad’s cigarettes down from the house and they crawled into the bathroom of the basement and giggled, their lips so close – Eliza’s lips looking so soft – as they blew the smoke out of the small vent so Eliza’s parents wouldn’t catch them.

But it wasn’t the smoke that Eliza’s parents caught.

It was the card.

The card, the card, the card.

The fucking valentine’s day card.

The betrayal that ended everything.

Because her father called her downstairs with the phone still in his hand and her father smacked her across the face with the back of that hand and her father gave her ten minutes to pack her things and to get out of his house and to never come back because she is filthy and she is ungrateful and she is selfish and she is wrong, and her mother cried but her mother didn’t stop him, and her face stung and her heart stung worse and her hands trembled but her face stayed dry because she would never give anyone the satisfaction of seeing her break for being who she is.

She calls it a pet peeve. Needing to be heard.

Because Eliza didn’t hear her. Her father didn’t hear her. None of her exes had ever heard her.

She calls it a pet peeve because no one has ever loved her enough to let her call it trauma.

Until Alex Danvers, that is.

Because she leaves Alex a card: she leaves Alex a card, and Alex will not give it to her parents. She gives Alex a card, and Alex will do nothing but love her back.

Or she hopes.

She’s probably stupid for hoping. But she hopes anyway.

James and J’onn help her with the set-up, and Winn whips together the dress at the last minute before running off on his own valentine’s excursion. James kisses her cheek before he leaves, as 8 o’clock approaches, and J’onn puts a hand on her shoulder.

“Alex cares for you, Maggie. Just as you are. Let her hold you up when you need it. You deserve that. You do. I promise.”

She gulps and she nods and J’onn squeezes her shoulder.

“He’s right, Maggie,” James tells her before giving the room one last glance. “It looks beautiful. And so do you.”

Maggie grimaces a smile at them, and they understand that she’s too nervous to speak, that she’s too terrified to move. They smile at her before they leave, and she hangs onto the hope that these people, these beautiful people, will still love her after tonight.

She doesn’t know how long she waits for Alex, because she can’t think. She can’t do anything but try to swallow her panic, surrounded by red helium balloons and candlelight and all the things that reminded her of the bruise her father left on her face and the welts he left on her heart.

She can’t do anything but try to focus on Alex, Alex, Alex. On hoping that Alex will be different.

This is a relationship, Alex had insisted. And it’s that statement, Alex fighting for her, for them, that is keeping Maggie holding on.

“Wow, you’re breathtaking,” she says when Alex walks in, because god, god, god, she is.

“Maggie, what is all this?”

Alex’s voice trembles slightly as she asks, and somehow, that warms the protective steel around Maggie’s heart. She smiles slightly, her voice softer now.

“It’s your belated Valentine’s Day prom.” She reaches for the corsage and sends James a silent thank you for running to the florist and picking up exactly what Maggie had described.

“May I?” she asks, and her body tingles with relief as her fingertips touch Alex’s wrist.

Alex exhales hard, exhales shakily, and steps around Maggie, and the back of the dress – god, thank you, Winn Schott – takes Maggie’s breath away. Again.

“I’m sorry. So sorry. I was too busy nursing my own wounds, and I forgot to look at the gorgeous woman in front of me and consider her feelings. You deserved all of this, as a girl. The pomp and the fuss. And you deserve an amazing romance with a woman who is absolutely crazy about you.”

She tilts her head and she stares up at Alex, because Alex is perfection, and Alex’s hands are warm in hers, and Alex makes the color red on Valentine’s Day a little less terrible, a little less traumatic.

But Alex is shaking her head and Alex is reaching her fingers up to run them through Maggie’s hair, to stroke her cheeks, to fuss with her blazer’s collar.

Maggie’s heart sinks and she starts panicking, she starts hyperventilating, but then Alex is talking, and Maggie wants to cry for an entirely different reason.

“Maggie, I… you deserve this. The pomp and the fuss. An amazing romance with a woman who is absolutely crazy about you. And I’m absolutely crazy about you. And that… that means… Maggie, that means you don’t have to make it all about me, all the time. I love that you… I love that you thought about me, I love that you did all this, but Maggie, you…”

She stops and she stares down at Maggie’s wet eyes for a long moment, and there’s nothing but unguarded love in her eyes, and no one has ever existed but the two of them.

“You have nothing to apologize for. You didn’t do anything wrong. Maggie, I… I heard you. I heard everything you said. And because I heard you, I… I don’t want you to just shove all that back down to make everything about me. Again. You did it while I was coming out, and I get it, and you’re so sweet, Maggie, but I don’t… I don’t want you putting yourself second for me, not anymore. I don’t want you burying your pain, your… trauma, Maggie, you were a child, that was traumatic, I… I want you, Maggie.”

She brings her fingers to a lips and kisses them, one by one, slowly, deliberately, all while keeping her eyes locked in Maggie’s, before she continues.

“All of you. And this is beautiful, this is amazing, but Maggie, I want you to feel able to just… to vent, and to scream, and to lose your cool, to cry. With me. Because I want you, Maggie, I care about you, not… not just what you can do for me. You letting me in, you letting me care for you, letting me comfort you? That’s the greatest gift you could ever give me, Maggie. You… you letting me love you.”

Alex stumbles to a halt and Maggie’s breath hitches as they both realize what Alex said, as they both lose themselves in each other’s eyes, in each other’s hands, in each other’s hearts.

“Danvers, you – Alex, I – “

Alex shakes her head with closed eyes. “You don’t have to say anything. I just… I want you to know that you’re cared for. That you’re safe. That you’re allowed to put yourself first, that I want you to put yourself first. That you have absolutely nothing to apologize for. That you’re perfect. That I l…”

She stares down at Maggie’s wide eyes and she licks her lips and she is Alex Danvers, dammit, so she dives.

“That I love you. Maggie Sawyer. All of you. And I just want you to let me love you, let me care for you, let me be here for you. Let me love you.”

Maggie takes one breath, and then another, and then one word escapes her lips.

The only word that matters in the entire multiverse.

Alex.”

And her hands are on the small of Alex’s bare back and Alex’s hands are tangling in her hair, cupping her face, her thumbs swiping across her cheeks, and Alex’s lips are soft and Alex’s lips are healing and Alex’s lips are heaven, and she’s never cried while she kissed anyone, she’s never cried in front of anyone without running out the door before the first tear could fall, but she’s crying now, and Alex is catching her tears with her thumbs and kissing them away with her lips, but Maggie doesn’t want Alex’s lips on her cheeks, her eyes – she does, she does, but later, later, because there will be a later, because Alex went to the dance with her, Alex didn’t give her note to her parents, Alex came to the dance with her and Alex is kissing her and Alex is holding her and Alex, Alex, Alex  – Maggie just wants, right now, Alex’s lips on her own, and she shifts, and Alex knows, because Alex knows her, and Maggie’s lips are parting and Alex is slipping her tongue in her mouth gently, gently, lovingly, and Maggie sighs into their kiss and Alex echoes it and their breathe, their heartbeats, their bodies, are indistinguishable as their bodies sway to music and to swaying lights and to the rhythm of their perfect kiss.

“I love you back, Alex Danvers,” Maggie’s whispering into her lips, and the tears dripping salt onto her lips are suddenly not only her own, and she pulls back, because Alex Danvers crying is heartbreaking, and Alex Danvers crying is beautiful.

Their chests are both heaving slightly and their lips are swollen and their bodies are flush against each other and their bodies are intertwined and their eyes refuse to leave each others.

“May I have this dance?” Alex asks her breathlessly, and Maggie smiles helplessly, because she knows her life will never be the same.

Because she knows that Alex means it when she says she loves her, and god, god, god does it feel good to be loved – and to love – like this.

anonymous asked:

Are you a fan of "Legend of Korra" or "The Last Airbender"?? If so, who are some of your favorite characters??

I haven’t seen “The Last Airbender” but I’m currently watching “The Legend of Korra“ I’m on season 2 and I love it so far!!

My favorite characters so far:

KORRA: BADASS BISEXUAL AVATAR

She’s so strong. Her muscles are 10/10 I thank the animators very much for her design. She could knock me tf out with one punch and I wouldn’t mind. Really loves the color red if ya get what I mean ;)

ASAMI: BABE WITH A HEART OF GOLD

She has every reason to be a bitch but isn’t??? Bless her beautiful heart and soul. I love her with every ounce of my being. Good driver™. She is sweet and pure but she is also smart and a badass who knows how to kick some serious ass even without any bending powers. (How is someone so amazing??) Is also very bisexual for the badass bisexual avatar.

BOLIN: CINNAMON ROLL

JUST LOOK AT HIM. He just wants love. He loves animals, he loves his friends, and he loves his brother. He’s doing a good job. Protect him at all costs.

LIN BEIFONG: TOUGH COOKIE

Amazing fighter. WOW. Total badass. She is a tough cookie and I love her. She sacrifices and protects. Also that scene with her not wanting to deal with the kids… relatable.



Least favorite character:

MAKO: Do I even have to explain… I’m so glad Korra upgraded from fuckboy to the beautiful goddess that is Asami Sato.