I think, even is PIpi isn't classified as a service dog, she probably is one in a way to Jen. Like a therapy dog. Lord knows she would need one to deal with this PR bs, and the egg.
I believe Jen is stressed. She certainly looked stress. And he didn’t look all that concerned with her discomfort. So at least she has Pippi - her sweet dog who helped soothe Jen after her private pictures were stolen.
Jen needs a friend. Even if half of this is correct, Jen is dealing with some pretty controlling and domineering people in her life
// So around Victorian times photography was already a thing but well, not really accessible to many since- well. Expensive and not fast to develop but universe of Bloodborne is also so much more developed compared to history so can’t really 50/50 those two universes. I won’t dig that deep about techniques of photography at the time, like a daguerreotype being one of the earlier methods before negatives.
There are frames around hunter’s workshop and lady Maria has got a photo in frame, correct me if I am wrong but it does seem like one. I found some photos of the doll by google search but I can’t recall which game location those could be found? I just believe around their time it’s kind of a thing to have photos taken.
Which leads to the another quirky thing about Marylin. She has never had a picture taken of her. Perhaps once she applied Byrgenwerth she might have appeared in some group photography but she never really had access or owned any. But goodness, she would value the possibility of having memories printed on paper. She would collect photos of random people she finds, for aesthetics before trying to convince to have photos taken.
Headcanons for cp going through the 'preteen boy crazy boy band' stage? I feel he'd get paler and scribble mustaches and eyebrows and doodles on the posters to mess with her 😂😂
Joker brings her the news paper that he winds up in for his crimes so she can read that instead of magazines with the boys in them.
He promises to get her favorite singer for the club so she’ll be so happy with him, but the kid never shows up. Joker is there to be the hero and make her feel better even though he put the kids body in the river.
When shes not looking Joker replaces a photo she has of her favorite band on her wall with a picture of him and Harley.
He’s always trying to pull off elaborate heists to impress her, making sure it winds up on the news for her to watch.
Constantly gifting her with stuff to show no one else besides him is able to.
‘Accidentally’ runs over apl the cd’s that just happened to be in the driveway with the purple lambo.
So PM was actually at the sayes event? Where can I find the pic of them together?
I have not seen a picture of them together there. Just seen a picture of her on a balcony ( on the events twitter homepage) and read people’s message that he has been sitting on a staircase. Do not want to look at either her or him for the time being. She has sold a fake picture of herself and it makes me disappointed. Regarding PM, he is simply too ridiculous, against everything I stand for and disgusting in my eyes.
Once Upon a Time adds Jane the Virgin star in mystery role
Once Upon a Time has tapped Alison Fernandez for a mysterious role in the upcoming season 6 finale, EW has learned exclusively.
The actress, who played a younger version of the titular character on Jane the Virgin, will appear in the season finale, with potential for more episodes should the show be renewed for season 7.
Details on her role are being kept under wraps, but TVLine recently reported that the ABC fairy tale drama was looking to cast two roles in the finale: a formerly hopeful-turned-cynical leading man and a mischievous 10-year-old. Fernandez would seem to fit the latter role, while the recently cast Walking Dead alum Andrew J. West would fill the former — though we have a theory on that character.
In addition to her role on Jane the Virgin, Fernandez’s credits include Fresh Off the Boat, Orange Is the New Black, and Law & Order: Special Victims Unit.
Jason: yes, you love Stephanie, we know, you love Stephanie so much, she’s the light of your life, you love her so much, you just love Stephanie we KNOW, you love Stephanie you fucking love Stephanie okay we know, we get it, YOU LOVE STEPHANIE FUCKING PATRICK. WE GET IT.
I have a klk question, and I apologize if you've answered it before, but, do you find any significance in Ryuko taking a big bite out of an unpeeled lemon in her introduction? Like, was it just meant to make her seem hard? Or like, does it have some subtext I don't understand? Is she ever seen eating lemon/drinking lemonade as a background thing? I've always wondered about this. Thanks.
I gotta be honest with you: I’m atrocious at talking about symbolism. There’s a reason that my hundreds of essays hardly ever mention it.
So… I haven’t especially covered this before, but I can provide some Thoughts.
First and foremost, the lemon scene has been largely understood as a homage to FLCL, a coming-of-age anime worked on by Gainax—the studio that Hiroyuki Imaishi and Masahiko Otsuka left to found Studio Trigger, which is the team behind Kill la Kill.
In the first episode of FLCL, Naota, the protagonist, refuses to drink the rest of the sour, “Lemon Squash” pop that his friend Mamimi didn’t finish. He claims that he “[doesn’t] like sour drinks” and proceeds to toss the can aside.
However, at the end of the episode, Mamimi offers Naota the sour pop again, and his reaction changes. While he repeats his sentiment—“I told you, I don’t like sour stuff”—Naota doesn’t toss the can aside this time, instead guzzling the drink down.
So, when Ryuko, the protagonist of Kill la Kill, begins the first episode of her show not just forcing herself to consume something sour, but does so purposefully, without flinching… there’s probably something there. Kill la Kill’s director Imaishi did work extensively on FLCL, after all.
But what exactly is meant to be conveyed in either series is entirely dependent on how the “sour” symbol is understood.
On the one hand, the “sourness” could be a symbol of “first love.” For Naota to accept the drink in FLCL would be to accept an “indirect kiss” from Mamimi, who had been drinking from the can previously. The “first love” idea seems supported in Kill la Kill, with Ryuko noting, after Mataro steals her lemon (at least in the original Japanese script), “You’re that eager to learn what first love tastes like?”
Mataro: Bitch, don’t try to be all witty! I’ve had my first kiss!
And with the idea of “first love” comes the idea of childishness. Though it may have some… Unfortunate Implications, in both FLCL and Kill la Kill, it could be said that getting into a first romantic relationship is a sign of growing up. The fact that Naota initially refuses to taste “first love” represents his initial refusal to come of age—and the fact that Mataro in Kill la Kill insists that he has had his first kiss (or “get[s] way more action than [Ryuko]!” in the dub) represents his desire to seem “grown-up” and experienced.
Ryuko’s utterly blase eating of the lemon would then also imply that she has had romantic relationship(s) in the past and is not afraid of them.
However, with all of this, the “sourness” could simply be a larger metaphor: a metaphor of adulthood, maturity, that kind of stuff. Naota deciding to take in the sourness at the end of the first opening episode signifies that his show is going to feature his coming of age—something he initially didn’t want anything to do with, but that the story is going to push him to experience regardless. Ryuko immediately biting into a lemon could then signify that she’s already come of age, but—and more likely, considering Kill la Kill’s ending—it could also signify that she’s not afraid of the hardships, challenges, and “sourness” that comes with coming of age.
In this way, I also see the “sourness” as a bit of a metaphor for moving forward rather than running away. The lemon pop in FLCL is first featured when Naota struggles to tell Mamimi that his brother is seeing someone else—a hard, difficult, “adult” situation that’s not fun and not comfortable. Naota throws the can away, perhaps representative of how he wants to run away from this problem. At the end of the episode, though, Naota has revealed the truth to Mamimi, and he then drinks the pop, signifying that there’s no more running away: he’s growing up, whether he likes it or not.
But disregarding the FLCL tribute, a character introduction that features the character biting into a raw, unpeeled lemon is powerful on its own. It tells audiences right away that this character is badass—whether her lemon-eating is because she’s not afraid of growing up or hardship or “first love” or because of any other reason, you shouldn’t mess with this chick.