shakespeare & sons

4

Stay, Roman brethren! Gracious conqueror, Victorious Titus, rue the tears I shed, A mother’s tears in passion for her son: And if thy sons were ever dear to thee, O, think my son to be as dear to me! Sufficeth not that we are brought to Rome, to beautify thy triumphs and return, captive to thee and to thy Roman yoke, But must my sons be slaughter’d in the streets, for valiant doings in their country’s cause? O, if to fight for king and commonweal were piety in thine, it is in these. Andronicus, stain not thy tomb with blood! Wilt thou draw near the nature of the gods? Draw near them then in being merciful. Sweet mercy is nobility’s true badge. Thrice noble Titus, spare my first-born son!

Tom Hiddleston as a stepdad...

Originally posted by letlovebyourenergy

A/N: Had this idea for a character at first, but then I thought about what I always ask myself when I have to make hard decisions: “what would Tom Hiddleston do?”. And now here I am.

Writer: Jess

  • Tom getting a little bit scared when you tell him you have a little boy
  • You know, purely because he doesn’t know how is gonna be to date someone who has a kid
  • Him asking if you’re okay with waiting until he’s ready to meet your son
  • And you actually thinking that it’s gonna take a long time for him to adapt to the idea of being a stepdad
  • But no, he’s a nice guy and he kind of realize that he really does like you and that a kid shouldn’t make him that nervous
  • So he tells you he wants to meet your son - once you two are already on a certain kind of serious relationship
  • Tom knows that kids needs stability, so that was one of his concerns, you know? His relationship with you not working out and him walking out of your life after a short period of time, leaving your son confused
  • Alright, so you finally tells your 4 years old son that he’s finally gonna meet your boyfriend
  • Tom and him gets along pretty well - which is actually a big surprise for you
  • Them bonding over comic books
  • Tom reading them to your son
  • “You know, I can ask Thor to come meet you someday if you want to”
  • Tom taking you two out to watch plays
  • Him reciting Shakespeare to your son before sleeping
  • After a long time, Tom not caring at all if someone (aka paparazzi) sees him walking around with you and your son
  • Your son calling him dad once
  • “Look dad, ice cream!” while he’s running at a park
  • Tom finally asking you what happened to his father, and you telling him the whole story
  • Having to wake up Tom so he can go to bed when he falls asleep on the couch with your son, while watching cartoons
  • Tom teaching him to like and drink tea
  • You being constantly afraid of breaking up with Tom someday, because you know, your son is really attached to him now
  • Tom being okay with your son sleeping between you and him when he’s scared of something
  • And actually smiling at the sight of him curling up next to you and you hugging him
  • Tom hugging you two
  • Giving him ice cream sometimes, even though he knows you forbade your son because he was getting a cold
  • Both him and your son getting a cold and you taking care of them
  • Tom waking up in the middle of the night to check on him and cover him with his blanket
  • You doing the same with Tom
  • Tom taking you and your son to the set of his next movie
  • Your son calling him dad all the time now
  • You telling your son not to do that
  • Until Tom says “it’s okay, I don’t mind”
  • Tom accepting and loving your son as his own

shakespearian kids modern!au:

  • hamlet.

“ To be, or not to be: that is the question.

Whether ‘tis nobler in the mind to suffer

the slings and arrows of outrageous fortune

Or to take arms against a sea of troubles

and by opposing end them. To die, to sleep

no more, and by a sleep to say we end

the heartache, and the thousand natural shocks

that flesh is heir to. ”

anonymous asked:

The minigolfing with Steve and Clint was the best! Could you write more of them interacting as father and son, seriously, I can't get enough of it!

Clint, Steve discovered, had never really had dogs so much as he adopted strays for as long as he could hide them or until the animal decided to part ways. (We’re more like buddies, Clint said, I feel kinda weird thinking it was owning. They just sort of wandered into my life for a while, you know?)

Steve had never had a dog at all. Even if he hadn’t been allergic, he could never have afforded one. (Since he woke up in the twenty-first century, he had made more pathetic excuses than he could count in order to pet as many dogs as he could.)

So when he saw the flyer, he sent a photo of it to Clint with the caption “Your free Saturday isn’t free anymore. Sincerely, Dad”

Clint had shot back a “You strike me as more of a ‘Pops’, Pops.” But showed up bright and early Saturday morning to the ASPCA event with Steve. 

They looked at all kinds of dogs. (Steve was pretty sure that Clint was right, there was enough room in the Tower for all of them, but he was also sure Tony -and more importantly, Pepper- would evict the two of them). 

Clint wasn’t sure if he liked the Boston Terrier or the Jack Russell more. Steve really liked the Golden Doodle, but was a sucker for the Pitbull with the big brown eyes. 

Their indecision didn’t matter, though, when they came upon the Labradors. Six years old, brothers. Separating them wasn’t an option.  (It was hard to find them a home that wanted one adult dog, never mind two).

Pops, he signed.  I think we found our dogs.

Smartass., Steve replied.  I think we did, too.

They took the long way back to the Tower, stopping to pick up dog beds, dishes, collars, leashes and a bag-full of toys.  (Puck liked the grunting hedgehog the best.  Moth carried his blue-and-green polka dot pig all the way home).

anonymous asked:

I was thinking, isn't it strange that Shakespeare's son was called Hamnet? Is it possible that he wrote Hamlet after his son's death, and that's why the father/son relationship is so important in the play?

It’s curious, but maybe not strange. 

Shakespeare’s twins were named after his and Anne’s friends and neighbours, Hamnet and Judith Sadler (they called their son William in return – isn’t that sweet?). Hamnet – and the related forms such as Hamlin, Hamelot and Hammond – was quite a common name back then (both as name and surname).

Shakespeare’s son Hamnet died in 1596 (aged 11). Hamlet was probably written in 1602 (earliest possible date it was written is 1599), so it was definitely written after Hamnet’s death. 

From some of the contemporary accounts we have, there appears to have been a Hamlet before Shakespeare’s one (most likely written by Kyd), that also had a protagonist called ‘Hamlet’, which is, in turn, an anglicised form of the earlier sources where the character is named Amleth. So Shakespeare wasn’t responsible for choosing the name Hamlet for his protagonist; that is, the main character isn’t named after his son. It’s also important to remember that in the essential details most of the father-son theme is present in the play’s sources and weren’t added in by Shakespeare.

Of course, it is possible that when Shakespeare came across his sources for Hamlet that he was drawn to it by the nominal similarity between his son Hamnet and Amleth/Hamlet and because of the father-son theme. Some scholars have argued that, since Shakespeare’s father died in 1601, the play might be an exploration of father-son relationships prompted by the death of his own father. Perhaps both deaths influenced the writing of the play. 

In the end, this kind of thing is pure speculation. No doubt biographical circumstances do contribute to an author’s work, but no play can ever be boiled down to the details of an author’s life. Father-son relationships are extremely important in Hamlet, and Shakespeare’s father and son died within a few years of the play being written. It doesn’t necessarily follow that father-son relationships are important in the play because Shakespeare’s father and son died within a few years of the plays being written, although it may have influenced the author’s thoughts in some wise.

List of shibboleth names

by which the privileged judge their inferiors

A

Abbe Suger (French pronunciation: syoo-zheh, British: soo-gehr)

Chinua Achebe (chin-oo-ah ah-chay-bae)

Chimamanda Ngozi Adichie (chim-ah-man-da nnnn-go-zeh ah-dee-che)

James Agee (a-jee)

Anna Akhmatova (onna ock-mah-taugh-vah)

Louis Althusser (lou-wee al-too-sair)

Jerzy Andrzejewski (yer-zhay ahn-zhay-ev-ski)

Roger Angell (angel)

Jean Anouilh (~ahn’oo-ee)

Diane Arbus (dee-ann)

Hannah Arendt (hahn-ah ahr-ent)

Martha Argerich (mar-tah herr-each)

Eugène Atget (oo-zhenne at-zhey)

Augustine of Hippo (aw-gus-tin)

Autechre (aw-tekk-er)

Richard Ayoade (eye-oh-wah-dee)

B

Angelo Badalamenti (bottle-ah-menti)

Walter Bagehot (badget)

Balliol College (bay-lee-uhl)

Donald/Frederick Barthelme (barth-uhl-me)

Karl Barth (bart)

Roland Barthes (bart)

Tom Beauchamp (beachum)

Walter Benjamin (ben-yameen)

John Berger (berdger)

Bishop Berkeley (barkley)

Hans Bethe (beta)

John Betjeman (betch-uh-mun)

Joseph Beuys (boyz)

Hieronymus Bosch (Flemish pronunciation: heer-rone-nee-mohse boss)

Tadeusz Borowski (tah-de-yoosh borr-off-ski)

Anthony Boucher (rhymes with voucher)

Tycho Brahe (Danish pronunciation: too-ghoh brahhh)

Broad Art Museum (brode)

Hermann Broch (~hair-monn brohhh)

Burgundy Street, New Orleans (burr-gun-dee)

Steve Buscemi (boo-semm-ee)

Bowdoin College (boh-din)

C

Gonville and Caius College (keys)

Menzies Campbell (ming-iss)

Thomas Carew (carey)

Vija Celmins (vee-yah tell-midge)

Michael Chabon (shay-bonn)

Jan Czochralski (yann choh-h’ral-ski)

J.C. Chandor (shann-door)

Dan Chaon (shawn)

Chyron (kai-rawn or kai-run)

Cimabue (chee-ma-boo-ee)

Karel Čapek (kah-rell chap-eck)

Michael Cimino (chee-me-noh)

Emil Cioran (chore-ahn)

Ta-Nehisi Coates (tah-nuh-hah-see)

Alexander/Andrew/Patrick Cockburn (coburn)

Paulo Coelho (~pow-lu kuh-whey.l-you.)1

J.M. Coetzee (koot-see)

Robert Campin (com-pin)

William Cowper (cooper)

Cré na Cille, Máirtín Ó Cadhain book (~kreh neh kill-eh)

Mihaly Csikszentmihalyi (me-high cheek-sent-me-high)

Countee Cullen (cown-tay)

Marie Skłodowska-Curie (skwoh-doaf-ska)

Alfonso/Jonás/Carlo Cuarón (al-fone-so/ho-nas kwah-roan)

D

Gerard David (Flemish pronunciation: ~hhheer-ahrd dahh-fidd)

The Dalles, Oregon (the dolls)

Guy Debord (ghee du-borrh)

Louis De Broglie (duh broy)

Giorgio De Chirico (Italian pronunciation: ~dee kee-ree-koh)

Richard Dedekind (between day-dah-kin and day-dah-kint)

Wilhelm Dilthey (dill-tai)

Alfred Döblin (deu-bleen)

Don Juan, Byron character (jew-un)

Gerrit/Gerard Dou (dow)

W.E.B. DuBois (duh-boyz)

Andre Dubus (duh-byoose)

E

Chiwetel Ejiofor (choo-we-tell edge-ee-oh-for)

Cary Elwes (ell-wiss)

Paul Erdős (~pal ehr-deush)

John Scotus Eriugena (era-jee-nah)

Leonhard Euler (oiler)

F

Nuruddin Farah (Somali pronunciation: ~nour-oo-deen farr-ah)

Colm Feore (column fury)

Ferdydurke (fair-deh-dure-kuh)

Paul Feyerabend (fire-ah-bent)

Johann Gottlieb Fichte (feesh-tuh)3

Ralph/Ranulph/Sophie/Joseph/Magnus/Martha Fiennes (rayf finezzzzzzzzzzzzz)

Gustave Flaubert (flow-bear)

William Foege (fay-ghee)

Lee Fang (fong)

Michel Foucault (~foo-coh)

Gottlob Frege (got-lobe free-geh)

James Frey (fry)

G

Gallaudet University (gal-uh-debt)

Clifford Geertz (gurtz)

Alberto Giacometti (Swiss pronunciation: yah-coh-mett-ee)2

André Gide (zheed)

Giotto (jhott-oh)

H.R. Giger (ghee-guh)

Johann Wolfgang von Goethe (~ger-tuh)

Nikolai Gogol (goggle)

Witold Gombrowicz (vee-told gomm-broh-vitch)

Jan Gossaert (~yann ho-sight) aka ‘Mabuse’ (mah-buu-zuh)

Philip Gourevitch (guh-ray-vitch)

Antonio Gramsci (gromm-she)

Matt Groening (graining)

Alexander Grothendieck (groat-enn-deek)

David Guetta (gay-tah)

H

Vaclav Havel (vott-slav hah-vell)

Michael Haneke (hanukkah)

Margaret H’Doubler (dough-blur)

Seamus Heaney (shay-muss hee-knee)

Aleksandar Hemon (between heh-monn and heh-mown)

Zbigniew Herbert (z’beeg-nyeff herr-behrt)

John Hersey (hearse-ey)

Hesiod (he-see-uhd)

Hermann Hesse (~hair-monn heh-seh)

Guy Hocquenghem (ghee ock-en-g’yem)

homo sacer, Agamben concept (Italian pronunciation: oh-moh satch-air)

Houston Street, Manhattan (house-ton)

Joris-Karl Huysmans (zhour-ris karl weese-moss)4

Bohumil Hrabal (boh-who-meal h’rah-ball)

Alfred Hrdlička (German pronunciation: ~hairt-litch-kah)

I

Jean-Auguste-Dominique Ingres (angh)

Eugène Ionesco (Romanian pronunciation: ~yoh-ness-koh)

Luce Irigaray (loose ear-ee-garr-eh)

J

Roman Jakobson (jacob-son)

Jacques, Shakespeare character (jay-kwiss)

Erica Jong (zhong)

Seu Jorge (~sewe zhawzhe)1

Carl Jung (yoong)

K

Frigyes Karinthy (free-gesh car-inn-tee)

Keble College (keeble)

Kelis Rogers (kuh-leece)

Imre Kertész (imm-reh kare-tace)

John Maynard Keynes (kanes)

Omar Khayyam (high-yahm)

Krzysztof Kieślowski (krish-toff keesh-loff-skee)

Q'orianka/Xihuaru Kilcher (core-i-an-ka/see-wahr-oo)

Danilo Kiš (dann-eel-oh keesh)

Paul Klee (powell clay)

Stephen Cole Kleene (cleany)

Phil Klay (kligh)

Karl Ove Knausgård (Norwegian pronunciation: ~kahl oo-veh kuh-nauss-gahd)

Zoltán Kodály (zohwl-tahn koh-die)

Sarah Koenig (kay-nig)

Alexandre Kojève (koh-zhevv)

Tadeusz Konwicki (tah-de-yoosh konn-vitz-ski)

Jerzy Kosiński (yer-zhay koh-shin-ski)

Alexandre Koyré (kwah-ray)

Saul Kripke (crip-key)

Thomas Kuhn (coon)

Milan Kundera (Czech pronunciation: mill-ahn koon-der-uh)

L

Henri Lefebvre (luh-fevv-ruh)

Stanisław Lem (stan-ni-swaf lemm)

Jonathan Lethem (leeth-um)

Jared Leto (let -oh)

Primo Levi (leh-vee)

Marina Lewycka (leh-vitz-kah)

Mario Vargas Llosa (yoh-sah)

Peter Lorre (laura)

Jan Łukasiewicz (yann wu-kah-shey-vitch)

M

Magdalen College, Oxford/Cambridge (mawd-lin)

Mannes College of Music (mannis)

Quentin Matsys/Quinten Matsijs (Flemish pronunciation: kvinn-tin mott-sayse)

Somerset Maugham (mawm)

Kazimir Malevich (may-lay-vich)

Thomas Mann (toe-mahs mahn)

Don Marquis (mar-kwiss)

Olivier Messiaen (oh-leev-yay meh-syonh)

Joel Meyerowitz (my-yer-uh-wits)

Czesław Miłosz (chess-waff me-woahsh)

Joan Miró (zhwamn me-roh)

László Moholy-Nagy (~lass-low moh-holy noidge-eh)

Robert Moog (mogue)

George Mosse (mossy)

Sławomir Mrożek (swah-voh-meer m’roh-zhek)

Ron Mueck (myoo-ick)

Harry Mulisch (mool-ish)

Edvard Munch (ed-vart moonk)

Robert Musil (moo-zeal/moo-seal)

Eadweard Muybridge (edward my-bridge)

N

Nacogdoches, Texas (nack-uh-dough-chis)

Natchitoches, Louisiana (nack-uh-tush)

Otto Neurath (noi-raht)

Bill Nighy (nye)

Anaïs Nin (ah-nayh-ees ninn)

Emmy Noether (neur-tuh)

Cees Nooteboom (sayze note-uh-bome)

Lupita Nyong'o (~nnnnn yong-oh)

O

Obergefell v. Hodges (oh-burr-geh-fell)

Máirtín Ó Cadhain (marr-teen oh kai-un)

Adepero Oduye (add-uh-pair-oh oh-doo-yay)

Jenny Offill (oh-full)

Claes Oldenburg (kloss)

Michael Ondaatje (awn-datch-ee)

The River Ouse (ooze)

David Oyelowo (oh-yell-uh-whoah)

P

Chuck Palahniuk (paul-uh-nik)

Wolfgang Pauli (pow-lee)

Charles Sanders Peirce (purse)

Samuel Pepys (peeps)

Jodi Picoult (pee-coe)

Max Planck (plonk)

Plotinus (ploh-tine-us)

Anthony Powell (po-uhl)

John Cowper Powys (cooper poh-iss)

Principia Mathematica (prin-kipp-ee-yah)

Annie Proulx (proo)

Marcel Proust (proost)

Joseph Pulitzer (puh-litz-ur)

Q

Qatar (cutter/gutter)5

Quinnipiac University (kwinn-uh-pea-ack)

R

Ayn Rand (well-fare recipient)

Sławomir Rawicz (swah-voh-meer rahh-vitch)

Satyajit Ray (Bengali pronunciation: ~shut-uh-jeet rye)

Steve Reich (raish)

Tom Regan (ray-gun)

ricercar (Italian pronunciation: ~reach-ur-car)

Rainer Maria Rilke (rhine-er mahr-ee-a reel-kuh)

Nicolas Roeg (rogue)

Theodore Roethke (ret-key)

Wilhelm Conrad Röntgen/Roentgen (vill-helm rhont-gn)

Klaus Roth (roath)

Mary Ruefle (roo-full)

Ed Ruscha (roo-shay)

S

Edward Said (sigh-eed)

Antoine de Saint-Exupéry (sanh-eks-oo-pear-ee)

Luc Sante (sahnt)

Leonardo Sciascia (shah-shah)

Schlumberger (slumber-zhay)

Bruno Schulz (schooltz)

Martin Scorsese (score-sess-ee)

Henry Scrope, Shakespeare character (scroop)

W.G. Sebald (zay-bald)

Chloë Sevigny (sevv-un-ee)

Choire Sicha (corey seeka)

Charles Simić (Serbian pronunciation: simm-itch, but often called simmick)

Victor Sjöström (Swedish pronunciation: veek-torr hhhwhere-strome)

Theda Skocpol (scotch-pole)

Josef Škvorecký (yoh-zeff shkvore-etz-ski)

William Smellie (smiley)

Todd Solondz (suh-lawnz)

Aleksandr Solzhenitsyn (saul-zhuh-neat-sin)

Léon Spilliaert (Dutch pronunciation: lay-on spilly-art)

Strange, barony (strang)

Edward Steichen (shtike-inn)

William Stukeley (stoo-key)

Wisława Szymborska (vee-swa-va shim-bor-ska)

T

Gay Talese (tuh-leeze)

Chief Justice Roger Taney (tawny)

Nahum Tate (neigh-m)

Tchoupitoulas Street, New Orleans (chop-uh-too-luss)

Wayne Thiebaud (tee-bo)

Uwe Timm (ooh-veh)

Tzvetan Todorov (tsveh-tahn toh-duh-roff)

Colm Tóibín (~column toh-been)

Ernst Troeltsch (trolch)

Edward Tufte (tuff-tee)

Tulane University (too-lane)

Ivan Turgenev (yvonne turr-gain-yevv)

George W. S. Trow (like ’grow’)

V

Michel Houllebecq (he doesn’t care)

Joos van Cleve (yohss fon clay-vuh)

Ludwig Mies van der Rohe (meez fonn der roh-uh)

Rogier van der Weyden (~ro-kheer fon dur vay-dun)

Arnoldus Vanderhorst, ultimate namesake of Luther (vandross)

Vincent van Gogh (Dutch pronunciation: ~finch-ant fan hawh)

Antonie van Leeuwenhoek (ahn-toe-nee fon lay-when-hook)

Rembrandt van Rijn (remm-brondt fon rain)

Ludvík Vaculík (lood-veek vatz-oo-leek)

Johannes Vermeer (yo-hann-iss furr-meer)

Jones Very (jonas veery)

Vladimir Voinovich (vlah-dee-meer voy-noh-vitch)

Ludwig von Mises (fonn meez-ess)

Georg Henrik von Wright (fon vrikt)

W

Ayelet Waldman (eye-yell-it)

Quvenzhané Wallis (kwuh-ven-zhuh-nay)

Robert Walser (valzer)

Jean-Antoine Watteau (French pronunciation: ~vah-teau)

Evelyn St. John Waugh (eve-linn sin-jun wahh)

Max Weber (veigh-burr)

Simone Weil (zee-moan veigh)

Elie Wiesel (eel-ee vee-zell)

Garry Winogrand (win-uh-grand)

Ludwig Wittgenstein (vitt-genn-shtein)

Pelham Grenville Wodehouse (wood-house)

David Wojnarowicz (voy-nah-roh-vitch)

Hermann Wouk (woke)

Woyzeck, Büchner play (voight-zikk)

Joseph Wright of Derby (right of dahr-bee)

Y

William Butler Yeats (yates)

Yerkes Observatory (yer-keys)

Yoknapatawpha County, Faulkner setting (yolk-nuh-pah-taw-fa)

Z

Robert Zajonc (zai-unts)

Slavoj Žižek (slah-voi zhee-zhek)

Andrzej Żuławski (ahn-drey zhu-wavv-ski)

1 Portuguese has a much more complicated phonetics than English & so these are especially approximate.

2 Because Giacometti was from the Italian-speaking part of Switzerland a kind of second order snobbishness has descended on the pronunciation of his name. Most people who would judge you pronounce it as you would in Italian (jah-coh-mett-ee) but an inner-inner circle insist on correcting even these people with the Swiss-Italian pronunciation listed here.

3 The pronunciation of the -ch as soft instead of hard, unlike every other instance in German, was contrived after the philosopher’s death to avoid a near-homophony with that language’s word for ‘fuck.’

4 The last syllable doesn’t have an English equivalent but rhymes with the French pronunciation of Jean’s.

5 The first letter (qaf/qof/ق) has no equivalent in English or any other Western language and is more glottal than either of the sounds starting these approximations.

More? Better phonetic versions?