shademag

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A shout out, note of admiration, and congrats to these girls who are taking over the world, but also friends who have inspired me so much. Apryl and Azha run a wonderful zine called Shade Magazine which you should most definitely check out. Name Inspired by the film Paris is burning, It’s a creative platform that’s all about offering representation for people of color and others who are often left out of the creative scene. I love and cherish these two so much and am so excited for them to sell their first printed zine, Sassy, this weekend in Brooklyn at the Girl Artist Takeover show!!!

Spread this positive body of work like wild fire and send my friends all the best of vibes. 

*Photo from their shoot with thankyoufortheflowers

* Girl Artist Takeover art show curated by tyrathezombie 

*Shade Magazine 

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- Jared, The Brown Queer Project

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“Beauty standards are so damaging and it’s hurtful and destructive that colorism operates with such whiteness, in cultures across the world. I hated myself before I even had the concepts to know what I hated about myself. I know this story is repeated amongst many people of color in any generation. I imagine other illustrators of color went through a similar battle as me — why not create the reality of life as I personally know it? I draw from what I know and I sit and eat and sleep beside the most powerful black and brown women, who hurt and live and love like I do. Who are more than their bodies, who are more than their ideas, who are like fully realized and functional  and complex people.”

-Mohammed @

mojuicy.tumblr.com
mohammedfayaz.com
facebook.com/mojuicyart

READ THE FULL INTERVIEW HERE

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Love,
Azha & Apryl

SHADEMAG 2014

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Los Ángeles

I recently went to see Damian John Harper’s debut film, Los Ángeles, at the LA Film Festival. The film’s subject matter sparked my interest as it dealt with the Zapotec community in the village of Santa Ana del Valle. My mother is a Zapoteca de Oaxaca so a lot of the imagery and themes hit close to home for us. Los Ángeles depicts the hardship of indigenous migration to the U.S. in hopes of providing for family back home. A story about a young man unfolds as he becomes involved in gang activity thinking this will assure his safety in the states. After seeing Harper speak I was disappointed that this film had not been conceptualized and directed by a person of color. Harper is an American, Colorado born anthropologist who took interest in the people of Oaxaca. White people’s inclination to document indigenous communities is something I see far too often. Despite Harper’s background I was pleased to see the representation of actual Zapotec voices as those in the film were not trained actors and instead people of the community in Santa Ana del Valle. I saw my family in a lot of the people on screen and overall it dealt with realities that otherwise do not get represented. Though I take issue with the dynamic between white anthropologists and indigenous communities the film made me nostalgic for Oaxaca and reminded me how blessed I am to be brown. It encourages me to document my mother’s story and continue to fight for the rights of my roots.

For more information on the film visit http://www.losangeles-film.com/index.html

-Apryl SHADEMAG,2014