separate sets

who the fuck manages to eat three set separate meals at three set times of the day. who the fuck does that. i eat however much i’m hungry for whenever i’m hungry, which could be anywhere in the range of once a day, six times a day or constantly snacking, depending on the weather, how much i’ve slept, the phase of my menstrual cycle, how annoyed i am, how well i’m dressed, how much work i have to do, how much food i see that day, how gay i’m feeling,

Mega Vocabulary List

Ready for the ultimate challenge? If you’ve been following from the start, then this year’s worth of vocabulary shall prove a mighty challenge for you - see how many words you can remember. Otherwise, if you’re new, here is a very long list of vocabulary to get you started! Good Luck! 

  • : Dream
  • 여행: Travel
  • 시험: Exam
  • 계획: Plan
  • 찾다: To find
  • 기분: Feelings
  • 쉽다: To be easy
  • 고민: One’s worries
  • 의자: Chair
  • : Car
  • : Book
  • 탁자: Table
  • 도시: City
  • 건물: Building
  • 잡지: Magazine
  • 나라: Country
  • 가방: Bag
  • 선생님: Teacher
  • 나무: Tree
  • 창문: Window
  • : Door
  • 의사: Doctor

Keep reading

5

wanted to share my fav gayest official art of kurama and hiei

So I think I’ve seen people discuss this before–the idea that Viktor is Yuuri’s coach, as well as his boyfriend/fiance/husband/whatever you imagine their relationship becomes post-season 1. I’ve seen a lot of meta about how Yuuri has to disconnect the idea of Viktor-as-Idol from Viktor-as-Person (And I’ve even written some of that meta myself) but I can’t recall seeing a lot of meta about Yuuri having to separate Viktor-as-coach from Viktor-as-lover.

Coaches are in charge of you. There’s a power dynamic there that is hard to ignore, and Yuuri knows that Viktor would never take advantage of it. That’s not what this is about. But there is a somewhat natural human reflex, shall we say, to reacting negatively to someone saying No you’re doing this wrong or You need to do better

Of course Yuuri understands that this is what a coach does. The only reason Viktor is saying these things is because he wants Yuuri to improve. But it’s difficult all the same.

I think there are a lot of times, especially once Viktor retires for good and becomes Yuuri’s coach, and they’ve been together for awhile and Yuuri doesn’t have the constant swirling thought of He’s leaving soon to occupy his thoughts like he did that first summer in Hasetsu–there are a lot of times when Yuuri has to actually put effort into separating Viktor into two separate people–or at least two separate sets of motivations.

“That was the sloppiest Salchow I’ve ever seen,” Viktor says, and Yuuri has to grit his teeth and nod and do it again, and not react to it like he would if Viktor had just said something like Dinner was horrible because that’s not what’s going on. Viktor isn’t saying these things to hurt him, and moreover Viktor is not talking to him as his husband right now.

Sometimes, after particularly frustrating practice days where nothing seems to be going right and Viktor never seems happy, Yuuri has to hang back and put himself back into a mindset that’s safe for home–one that won’t make him bark at Viktor for putting the forks in the dishwasher the wrong way. Because it’s not the forks–when Yuuri says Why can’t you put the forks in the dishwasher the right way what is actually trying to come out of his mouth is You’re my husband and you keep telling me I’m doing bad and it hurts, and he knows he can’t say that, because Viktor is a good coach. He’s an amazing coach, but he comes from the Yakov Feltsman School of Brutal Honesty.

Yuuri knows that he wouldn’t feel nearly so torn up if it was Yakov telling him these things. But Viktor’s voice is the same one that laughs with him over dinner, and whispers to him in bed, and to hear that voice continually tell him he’s not quite good enough is difficult.

But then he gets home, and Coach Nikiforov has dropped away to be replaced by Vitya, Yuuri’s husband, who smiles at him when he walks in the door and says, “Welcome home, Kitten,” and Yuuri can’t help but melt into him.

“I think practice went really well today,” Viktor tells him over dinner. “Your Lutz is looking good. It’ll be an amazing program by the time we leave for Skate America.”

“You think so?” Yuuri murmurs, and what he wants to say is then why didn’t you say that at the rink, but he knows. He knows why.

And Viktor, his husband, looks up at him and beams and says, “Darling, you know I always think you’re amazing.”

And maybe, eventually, Viktor rolls over in bed and puts a hand on his hip and murmurs, “You know that everything I say in practice is meant to help you improve, right? And that I’m never trying to insult you, or hurt your feelings? I love you just as much as your coach as I do as your husband.”

“I know,” Yuuri whispers, and kisses him.

Eventually, Yuuri realizes that it’s a good thing that he’s compartmentalized Viktor like this. Sometimes Viktor annoys him to the point that he can barely see straight, and sometimes he and Viktor get into pretty heated arguments in the middle of the rink, but it’s nothing that a coach and student wouldn’t fight over. They don’t fight about the laundry at work, and they don’t fight about work while they’re doing the laundry. In the end, it helps Yuuri to keep a professional air about him, which is necessary when working with the love of your life day in and day out.

(And if once or twice, Yuuri and Viktor have had something that could be called hate sex in the locker rooms after a particularly bad practice? Well. Gentlemen don’t kiss and tell.)

2

hey hello here’s the car boys unifying theory, i made a fun corkboard with the thread everywhere just like them conspiracy theorists in the movies

spoilers for the finale of car boys & the stolen century arc of the adventure zone follow

the crutch of this theory rests on the the two endings being separate timelines: the boystos/separation timeline (the bad ending) [the ending shown before the credits, when griffin and nick are separated and set adrift in endless emptiness] and the candle in the wind timeline (the true ending) [the after-credits ending, griffin and nick stuck in the car together, perpetually fleeing from the blob through the time ring] {there is no good end}

the separation timeline / bad end

  • most of what happens in this timeline to the boys is based off this video by youtube user brockrin- which the boys have tweeted about so by my standards its canon plflfnfft
  • to sum it up- alone for an eternity in endless Nothingness, the boys become the bustos-  nick 1.0 and griffin 2.0- and attempt to go back and stop themselves in the past from fucking everything up, but fail
  • this timeline (im sorry for homestuck terminology but,) is a stable time loop, nothing ever changes- its them going around and around again trying and failing to stop themselves. its bad
  • but its important to note that griffin and nick were not the only ones in the time ring when they got separated- which brings me to Ball
  • Ball has qualities of both the ovo and the blob, as it has blob-like physics (even leading to the it hates water! revelation) and its roundness and fondness of rolling just like ovo
  • Ball becomes separated from itself. the white sections become the ovo, and the black sections the blob

the candle in the wind timeline / true end

  • now things get a little buckwild
  • the basic premise of this timeline is that nick and griffin stay in the waterproof pessima lx for , basically eternity, travelling through the time ring in an endless chase with the blob
  • the reason that they don’t break down like in the bad end is pretty much that being stuck in a perpetual expanse of time and space with a friend is infinitely better than being stuck there alone
  • this is where coolgames inc starts! essentially a way to pass time when youve quite literally got nothing but time. (and as nick said, there’s wifi in the void)
  • this is where the guest-o-matic in the cgi animations comes in! and, in addition, there is a “canon” connection with cb in the cook for cube cgi animation- perhaps the two timelines converging for just a second ? 
  • uncle buck from uncle buck
  • in the time ring we see countless galaxies pass by as they travel downwards- they travel through endless amounts of realities and planes as the blob pursues them
  • taking a moment here to explain something else integral to this- in car boys, nick has the power of creation, the ability to spawn and create objects in the game. griffin, conversely, has the power of manipulation, he’s much of the driving force behind important decisions and actions taken in the show. this becomes important
  • this is when touch the skyrim takes place- in a number of the universes they pass through down and down into the time ring, griffin takes advantage of these powers of manipulation to modify the word around them because like why not, its fun
  • what’s wrong with this dream, nick
  • as the boys + the blob pass through universe after universe in the time ring, the bob catalyzes the event in the original universe of Jon (taz) that originally creates the hunger- the blob merges with the inhabitants of that universe and the hunger is born 
    (note: this may be edited in the coming weeks as we learn more abt the hunger and its origin)
  • and the boys realize this- that the universes that theyre passing through are being consumed behind them- and they begin looking for a solution, which materializes in the form of the original taz universe, the homeworld of thb and ipre and all that. 
  • it’s also at this point that the light of creation really like, becomes the light of creation its- its nick? its nick. nick is the light of creation. this fact being proposed is what prompted me to make this theory in the first place
  • griffin shapes the world of taz and becomes the dm/narrator (note especially in recent episodes during the into to taz the narrator uses ‘we’ and ‘us’- as if he is part of this world and is involved in the story) and the two boys follow the ipre through the planes of existence in order to help them find a way to defeat the hunger/blob and save all of reality from the monster that they created
  • and i think its a canon thing that the light of creation is split into the relics? that happens. thats pretty sad i think
  • ..until we get to the present- the hunger descending upon what will likely be the multiverse’s final stand against the hunger in the main taz universe (the one with two moons and stuff). cant wait for the taz finale bros

other things & honorable mentions

  • thanks to everyone in the mcelstuck & car boys discord for help with this whole thing! 
  • @rikki-tikki-taako​‘s explanation of how the true timeline boys are saved from the bad timeline: “what i’m getting at is why didn’t true timeline nick and griffin get separated and warped
    the true saviors of true timeline nick and griffin
    emoji car and miku car
    embodiments of crucial aspects of nick and griffins beings, their integrity largely untampered with(i don’t believe either of them ever god trashed), and bow i think of it relatively unscathed compared to the horrors introduced to everything else because there were always more important matters to draw nick and griffin away, they came just when nick and griffin didn’t have time to make the same mistakes as all the other timelines
    so in the midst of god trashing, their pillars distorting, they combined with their respective aspects and regained their conceptual integrity, in a way like pause error respawning frequently merged objects in beamng, the pause indicated by their seeming lack of awareness of having to merge with them”
  • @cinnamon-marthmallows​ originally came up with “nick is the light of creation”, the fact that spawned this entire theory
  • @goodraandyy​‘s infograph on the split timelines and commentary on the ball/blob/hunger that you should check out & reblog here
    “ball turned into the blob which followed nick and griffin towards the taz universe - however, it is not john himself, it was simply drawn to his misery and suffering and mistook him for nick and griffin. john then harboured the power of the blob to create the hunger storm, which took over the universe“
  • @horticulturelesbian​ created the car boys discord thank u so much kar
  • @cheshiure​ compiled the cb unifying theory google doc
  • @coneboyofficial made this beautiful image
  • @magehand​ for this image: 
  • @babylonian @griffins-tumbo

tl;dr

  • the two endings of car boys are separate timelines
  • griffin and nick in the bad/pre-credits timeline became the bustos, Ball became the ovo & the blob
  • griffin and nick in the true/post-credits timeline continued travelling through the time ring, coming up with coolgames inc and touch the skyrim
  • the hunger is born from the blob interacting with jon’s whole deal
  • taz happens, griffin becomes the dm, nick becomes the light of creation, the boys follow the ipre gang through the universes to try and find a way to finally defeat it

thanks everybody 

Strong reminder that cacti should NOT be wild collected

I’ll be grabbing some articles in a separate set of posts for better weight but till then I’m gonna start with this post here;

When people hear about plants that are poached by plant collectors to the point of being endangered/extinct we hear plants like orchid species, carnivorous plants like venus fly traps, sundews, and pitcher plants. One that gets thrown under the bus and forgotten in that word of warning though it always tends to be the succulents and especially the cacti.

Cacti are thought of as these plants that are utterly indestructible, taking on environments that many other plants cannot. This is true but it often comes at a price; most grow/reproduce super slowly in the wild and can take years just to reach sexual maturity, making them particularly vulnerable when mature plants are taken from their habitat and brought into horticulture. Also like other wild collected plants, there comes a huge risk of either bringing pests/diseases into domestic plant collections (via the poached plants) or making the collected plants all the rarer by killing them off from the pests/diseases that already exist in plant collections.

Except in extremely specific circumstances (a habitat being destroyed for urbanization/agriculture being one of those cases) cacti should not be taken from the wild, nor should they be purchased from sources which encourage the collecting of wild cacti. Leave wild cacti alone and enjoy/admire them from afar, and instead support responsible horticulturalists that sell cacti propagated from nursery stock (which do so from seed and/or cuttings). They may be smaller than their wild counterparts due to the difference in age, but they will reach that magnificent size with time, and will at least make sure that such old plants still exist in the wild in the first place.

anonymous asked:

hi!! i just wanted to know, when you paint, and you've done your blk/white values, how are you switching to color? a new layer with like Overlay settings or?? and then you paint on top of that right (but when i paint on top of layer settings and merge later, it loses the effect..)?

This example is from the WIP files of Morrigan here but it’s the process I pretty much apply to any digital painting I do. Here’s how my layer sets tend to look like (I color coded them just for u anon):

Breaking it down, first I have my b&w painting that I’ve usually done in a separate psd file (because if I keep it all in one file it gets kinda messy and difficult to manage after a while) and merged together and ported into a new file for coloring.

Then it’s just a matter of coloring stuff in and messing with blending modes until it looks nice. And yes you can’t merge alpha layers (i.e. any transparency) set to different blending modes because the mode will default to none and you’ll get some funky results. keep those on their respective layers. leave em alone. don’t touch em.

And then I make a new separate set of layers on top to get some more painting action goin on. Try different things to see what works best for you, but I find this sorta three-tier process pretty easy and natural to follow.