Happy Valley


supermacaquecool  asked:

wanna share what you like about mavis?

Sure! I can’t put my thoughts into words very well but I’ll try.

Well, first of all, I like her design a lot. She seems to be the character with the most round forms in the show (even her mouth is shaped like a circle like half the time she is on screen). It makes her look friendly and unthreatening, even if she isn’t constantly smiling. Her turtleneck is a nice touch, and, along with the absence of a nose, sets her apart from other characters with a similar body build like Percy. Her character design is unique without being too complex, which makes her easily recognizable without making her stand out too much in a crowd.

At first, I thought she was just going to be Brady’s love interest in The Forgotten, but, like many other background characters in Clarence, she starts to develop a personality as we see her more in the show. She is headstrong and often does what she wants, even if it isn’t the appropriate response in the situation she’s in (she listens to music in what seemed like a haunted house, she digs her way out of a telephone booth…). She also seems to view the world around her differently than others. She isn’t scared of the haunted house in Spooky Boo, but seeing fire hydrants freaks her out (probably because she has associated them with the embarrassment she went through in The Forgotten, instead of associating it to Clarence or Brady?). She has her own language, but the other children seem to understand it and accept her; she hangs out with Chelsea in Spooky Boo or Guyler and Clarence in Bedside Manners. She is the love interest of both Brady and Emilio, but she isn’t interested in them and doesn’t force herself to be.

idk, the writers could have made her the weird kid that nobody understands, but she seems to have developped a personality that makes her unique and she is just a great character all together

Thanks a lot for the ask! I had fun writing this

a-lost-narnian  asked:

how about chapi?

Yess thank you, I was hoping for a musumeyaku ask to come! *-*

Why I like them
She came such a long way from her debut as a musumeyaku top - being able not only to pull off cute young ladies on stage but go as far as to portray a proud, benevolent Queen or a self-assured, independent warrior as well. She has incredible strength in her. I also love her personal style, the quiet manner she speaks in - and her smiles are the cutest.

Why I don’t
This is not really a problem with Chapi but - seriously? About 10 minutes stage time per show nowadays? We need to see more of her.

Favorite show/scene
This has to be the Queen from 1789, I am so sorry. I know I always keep mentioning 1789 but the trainwreck that musical is, it allowed Chapi to showcase her talents so well. From the always gambling, careless and selfish Queen to the resigned, proud Ruler and Mother (even if I don’t always agree with the way they handle her arc, to be fair), she had the chance to bring a character through such a development that isn’t given to many woman characters/musumeyaku. 

Favorite outfit

Originally posted by marie-isidore

Antoinette’s white dress is Everything. 

And this outfit from Golden Jazz was also amazing.

Wakaba!Olympe and the Queen. I also liked Alice and Lewis Caroll 

Non-romantic OTP
I just want her and Wakaba to interact a lot on stage, okay? I think it works. Otherwise definitely the warmth between her and Masao as it is now is adorable.

Unpopular opinion
Especially in the beginning I felt like she had a better chemistry with Mirio on stage.

A wish for them
A nice run on Tamakichi’s side - a chance to wipe the floor up with her in their upcoming shows, more stage time. 

An oh-god-please-don’t-ever-happen for them
One more show where she has 5 lines.

5 words to best describe them
“Benevolent Goddess of the Moon”

My nickname for them

Give me a sienne/og and I’ll tell you…

everything you need to know about stranger things (spoiler free)

Netflix-original drama stars award-winning actress Winona Ryder as Joyce Byers, who lives in a small Indiana town in 1983 – inspired by a time when tales of science fiction captivated audiences. When Joyce’s 12-year-old son, Will, goes missing, she launches a terrifying investigation into his disappearance with local authorities. As they search for answers, they unravel a series of extraordinary mysteries involving secret government experiments, unnerving supernatural forces, and a very unusual little girl.

Netflix Original Series. I shouldn’t even have to say more and you should be interested because when Netflix does something they never let you down. Netflix out does themselves with this one, they go above and beyond.

If Steven Spielberg and Stephen King had a baby with the creative directors of Silent Hill and every 80s film you ever loved this is what would have come out of it. I was hooked in the first 10 minutes of the show because there is just absolutely nothing like it on tv or on any platform. The Duffer Brothers are also writers of Wayward Pines so if you are a fan of that you will be a huge fan of this, small towns and every jump scare you could possibly think of is what this show has.

You’ve got your classic E.T. style kids who want to find their missing best friend, but for once they are SMART. It’s not like kids on tv today who run and hide under their bed from things that are coming to get them. It’s the kind of kids who THINK and are intelligent, they are the brilliantly witty and have well thought plans that actually work. All of the young actors in this are fantastic.

Meet Eleven. The most brilliant and amazing girl you will ever see in a television show. She is the hero of this entire show and the most precious girl in the whole world. Telekinetic Warrior Hero. Millie Bobby Brown as Eleven is just outstanding. The emotional weight and gestural acting that carries every scene she is in all combine into one of the best performances of any character I have ever seen. She is haunting and brought me to tears. 

Joyce (Winona Ryder) is so good in this role she will kill you in every scene, the way she feels and her acting is just so good. I was crying every time she was crying and I am sure you will be too once you get attached to the story. She is stunning in this role. She will tear your heart out and get you hooked right off the bat.

Did someone say brothers?? Are you looking for your next brother show?? Older brother losing his mind when his little brother goes missing?? Jonathan played by (Charlie Heaton) is so fantastic and emotional charged. He’s smart, thoughtful and incredibly kind but most importantly he wants to find his brother Will played by (Noah Schnapp). Will who is missing for the entire 8 episode series absolutely destroyed me, he was so good and just smart in every way possible. He never stopped thinking about how stay safe and not get himself killed, he is the first child in a tv show I have ever seen that actually didn’t go hide but instead he went and knew how to protect himself. Jonathan will do anything to save his brother and he also makes him mix tapes to teach him the best kind of music. It’s honestly the cutest thing in the world.


Stranger Things is a show that will surprise you and hit you hard, if you don’t find it in the first episode you will find that it hits you really hard during one of the episodes and it is life changing. Before you start asking ‘is it about aliens’ the answer is no. This show is not about aliens, think more Fringe Science and other worldly but not ‘out of this world’ This show’s roots are in mystery, true horror and nostalgia for the ‘80s. 

I’m not going to spoil anything but the monster of the show is very Silent Hill mixed with Slither. It was alot if you aren’t used to horror but after a while you will get used to it. This show is the best thing to happen in so long so please don’t pass it up. Check it out, watch it and love it. You’ve got everything from ladies, to diverse best friends, brothers, supernatural horror, other dimensions, time and space, family and best friends loving Lord of The Rings and D&D together.

The acting, directing, writing, design style, soundtrack and production is better than most movies today and will knock your socks off. This show is something everyone needs to see, and it will change the way you see tv. The story is original, the writing is all original and everything about it is so fresh and new it’s so different from anything that is on today. 



They're gonna make television history?

Just like every other Sherlock fan who entertains spoilers and was following SDComicCon news, I’ve been thinking about Amanda Abbington’s comment about this season being so groundbreaking (while Sue Vertue is in the background doing the most epic eye-bug). Now, we know AA is known for blurting and ill-advised comments on Twitter, but I also think they must have prepped her pretty hard if she was the one they chose to do the cons and so much of the post-s3 publicity with them.

When you back up Vertue’s reaction with Mark Gatiss’s facial shift as BC talked about s4 and got to straying beyond the presumably safe topics of hair and coat, that does start to look like neon arrows pointing at “relationship” as the real (character arc) theme for s4.  Fans, of course, immediately jumped on the TJLC bandwagon and threw their hands up with a mighty shout of “CONFIRMED!!!”

I’m not going to parse all that we so far have gotten from the con and setlock in the light of tjlc—there are dozens of other fans just on my dash doing that. No, what I’m going to wonder about is in the other direction. Bear with me a moment here because I want to poke at things a bit.

No matter whether the s4 secret is johnlock on the screen (in whatever flavour you’re envisioning) or not, what AA said was “television history.” And I don’t see putting two men together doing [sex] as all that groundbreaking any longer: other shows, including Ben Whisaw’s recent “London Spy” have been there. Effects on a tv show? Hasn’t Doctor Who been going there for 50 years now? See, I’m having trouble finding something implicit to just making a tv show, absent plot developments, that qualifies for this. Even if they go really modernist in plotting, a la “Parade’s End”, or even further timey-wimey, these developments aren’t going to be the kind of novel that merit’s AA’s breathless gushing. And they’ve so freely admitted to the appeal of “all a speculation in the mind of Victorian!lock” that I’m fairly well convinced that they’re not going there, either.

I think she was perhaps choosing her words poorly and more likely means making Sherlockian history. And that’s a different thing.

Here, anything tjlc has plenty of room to cover new and novel ground, following on TPLOSH, certainly, but moving further to accomplish what Wilder was held back from. A big splash in Sherlockian circles, yes; I’m not sure the casuals really will be that historically dazzled but perhaps that’s a failure of the crew’s imagination in terms of popular involvement in the Sherlock canon. And I don’t really feel as though the element of surprise is of the scale that their responses merit: we all know and a huge portion of the casuals know and recognize that the relationship between our two heroes is close and the heart of the story. It’s been there since the beginning, and I’m not sure it’s exciting enough, groundbreaking enough or hidden enough to merit the reactions I’m seeing and hearing.

Parsing the writers’ comments for the true situation is like listening to the nighttime for the moment that dog isn’t barking. We have to find the negative space in the tease, because that’s where the real hints lie. Remember how they made that one comment back in s1 about not going into the whole drugs thing because that’s not the right connotation for Sherlock Holmes today? One comment, we all bought it, and we’re all still reeling from the s3 reveal of, oh no, the drugs.

I feel the same way about the family thing. Pointing us at Moriarty for the villainy that drives the mysteries but hinting at a family history hanging over both Sherlock and Mycroft is just their kind of bait and switch. One line in s1 commentary about having a childhood headcanon for the brothers’ relationship problems but that they decided not to do that…and we were again blindsided by Holmes parents in s3 and intrigued by the hints of steel in Mummy. We know they dipped into Baring-Gould for William Sherlock Scott Holmes and Sherrinford, we know that we’ll see “lots more of Mycroft,” and we know MG doesn’t mean in the fat suit. BC said that he and MG still have 26 pages of dialog to shoot together, and that’s a lot compared to all of their previous interactions summed together.

I wonder if the real surprise is that they are going to give us what no one really has before: the childhood of Sherlock and Mycroft Holmes and what made those men what they are in canon and in every adult rendering in popular productions. And it’s going to be shocking and horrible, because that’s what’s going to make Sherlock growing up into that better-balanced, caring man we already know from canon all the more triumphant. I don’t know if it’ll mean making Mycroft the actual Big Bad (I sorta hope not) or killing him off or in cahoots with The Moriarty; I don’t know if it’ll mean that someone is a twin with Sherrinford (but I think that “never twins” line has an absolute ring of promise to it) or who and what Redbeard is. But I do think that if there’s something they’ve been tiptoeing towards all these years while desperately pointing in any other direction, I think it’s more likely to be this than just two men finally getting together. I think that if the two men get together in this show, it’ll be backgrounded, uncommented, simply accomplished as another production detail while our attention is on the foregrounded story about what made Sherlock Holmes.

I think that just might make a bit of history, even though I think that it’s still likely to be of more interest to Sherlockians than to the history of television itself. But also, pretty damned smart.

But her “wounded doe with a spine of steel” act should actually be quite appealing to Jon. This lady goes to parlays, to battle planning sessions, rides across the snowy and cold North to secure allies, jumps off towers to rescue herself and is so close to the Battle of Winterfell that she literally gets there five seconds after the castle is taken. Oh, and she killed someone. She is as close to a fierce warrior woman as she could get while having no fighting skills. She is certainly no longer the type of lady who sits over her needlework, waiting to be rescued from her tower of villainous captivity.  In fact, from Jon’s point of view Sansa might even come across as a self-rescuing, fierce, contrarian redhead with a killer instinct and an inability to trust his commitment to her cause. Who occasionally likes to question the depth of his knowledge.

zachthegay69  asked:

Hey choromatsu who's your favorite brother?

Better hang out with brothers who don’t think I’m the worst

-Mod Choro

anonymous asked:

Who's your favorite character from star vs the forces of evil? And why? :)

i think just star herself! shes very funny, i relate to her quite a bit, and i love the fact that she has elements of a mary sue parody but shes also a fully realized character with flaws and fears and she isnt like, mocked for being self-indulgent and silly and girly. something im getting real tired of is “strong female characters” who are just too cool for school and never have any fun and only show weakness and vulnerability if its for a love interest, and star so isnt that while still being a destructive force of nature. shes a character type im glad we’re starting to see more of, and someone i wouldve probably been obsessed with if id grown up with this show!

hello everyone i’m sorry i’m doing another text post i’ve done quite a lot of those lately but i just wanted to give you a heads up that tomorrow night in atlanta is my last 5sos show and i go home monday, at which point posting and updating will return to normal! i’ve also got some really cool ideas for the blog when i get back to get it up to date (like my sad and lonely events page) and i’ll finally have time to put my gallery back together after it was deleted! (and i went through today and tagged all of the posts i missed tagging from the past two weeks by the way)

(also in case you were wondering i’m also going to do a video montage of all my videos of michael drinking water when i get home because….why not)


Eryka x Elise | The Spook’s Ultimate Love….For Her Copper

A long time I have loved the sunned mother-of-pearl of your body.
I go so far as to think that you own the universe.
I will bring you happy flowers from the mountains, bluebells,
dark hazels, and rustic baskets of kisses.
I want to do with you what spring does with the cherry trees.

- Eryka reciting Pablo Neruda’s poem, “What Spring Does To The Cherry Trees” to Elise (real or not is up to one’s own imagination!)

[Laura de Boer x Clémence Poésy, “The Tunnel”]

The fact that Eryka’s an avid reader, loves poetry, and has a very complicated profession. The fact that, like Eryka, Elise is also a bibliophile, and a very unique character. They share a lot in common. Their personalities compliment each other. The ultimate kicker is the fact that both are one half of their twin siblings whom they’d lost during their childhood. 

Love kick-arse characters who also happen to be bookworms, too! How often do we come across that, aye? Cheers, Mr. Ben Richards!

Now, bring back Eryka Klein in S3!!

The sleepover comic requested by @knightofbloodcancer!

Please click on it to see what they are saying, lol.

(Edit: I forgot to mention, the reason that UF!P@pyru$ is so smol is because that’s the only way they could force him to come to the sleepover. Edge is just kinda small on accident lol)

Eight fat skeletons is a lot .-.;;;;;;;;;;

i joined an artist’s society thingy in my city? 

so now i can have my art in a gallery, and i can network with other local artists. i also said i might volunteer at the gallery. u guys im like officially an artist now or whatever

Oddly Pair

N/A: What happened? I don’t know. How the fic did go from there to there? No clue. How – No idea. But – Just take it.

Title:  Oddly Pair

Author: Rea Treoni

Rating: T

Paring: Klance

Disclaimer: I don’t own any Voltron related character. They belong to DreamWorks Animation Television and World Events Productions and Studio Mir. (I guess?? Does Netflix counts?)

“So, what’s the plan?”

Lance froze at the words and slowly turned his head just enough to see Keith over his shoulder. “My plan was to follow your plan!” The Blue Paladin exclaims, turning body full and stomping towards the short teen.

Keith’s jaw opens in shock, his left eye already twitching with irritation. “Oh, I’m sorry, I forgot. Here’s the plan: Punch Lance in the face.”

Lance frowns and pouted. “I don’t like this plan.”

The Red Paladin raises his arms up in the air. “Lance!” exasperation drips from his voice, hands flexing and un-flexing without a pause, as if choking something.

Most likely Lance’s neck.

Lance raises his own hands in defense. “Look, buddy, I don’t know what gave you that idea but –“

“You literally screamed ‘Follow me!’ and started to walk away!”

“Since when you listen to me!”

“Since thirty minutes ago when you declared you had a plan to return to our lions that are on the other side of this damn planet!”

“Well, that was your mistake.” The choking moves from Keith’s hands only seemed to increase by the second.

Lance let out a sigh and looked up, watching how the purple sky in the alien planet they crashed changed to a pink color. It has been a pattern that he noticed it happened every five minutes or so. He wonders if it could be used as a method to calculate how many hours has been since they crashed.

And how many hours since he ate. Not having a plan made you hungry.

“I mean, honestly, Mullet, if you’re not going to be any useful here, the least you could do is being quiet or formulate a working plan! There has to be a brain among all that hair, no matter how tiny it is and another thing – OUCH! WHAT GIVES, DUDE?”

Lance speech was abruptly interrupted as he let out a cry of pain.

“Did you just throw a mango at me¡?” The tall teen screams, rubbing the sore spot on his forehead.

“Hell yeah I just throw a mango at you! I may not be able to choke you but I can throw you mangos!”

“You’re insane!”

“Results of spending more than half a day with you!”

“That’s just rude, man.”

“Your entire existence is rude to this universe!”

“Oh, yeah¡? Well your face is rude!”

Keith curses the universe’s taste of humor for sending him through a black hole with the most annoying person he has ever met in his life. Not only that, but as the lions got closer to the unknown planet’s ground, both of their lions decided to eject them. Luckily for them, the lions did have something close to a GPS, making it easier to their paladins to trace them with their helmets.

Unluckily, they had to walk all other there.

Even more unfortunate, they hate each other.

Alright, Keith thinks, hate is a strong word, but if Lance said one more time a pun with his own name, he has no problem on crossing the line between right or wrong.

The Red Paladin sighs to himself, blocking Lance screams and shouts and focusing on massaging his temple. They had no way to contact the others, they didn’t had enough supplies on them and who knows how long their journey would be until they reach their lions, even worse, they didn’t even know the kinds of habitants the plant has, making  dangerous and unpredictable.

“Keith! KEITH, MOVE!”

The sudden change of tone made Keith to snap back to reality just as the wild creature on his side pounced without a pause at him. Before Keith had the chance to reach for his bayard on his side, a body slams itself with his, sending them both rolling down the hill they were walking on.

After what seemed like an eternity, they came to a stop. Lance’s body was heavily press on top of his. With a grunt, Keith raises his arms in attempt to move his teammate.

“Lance, get off of me, already.”

He got a groan as an answer.

“Lance, you’re not made of feathers, move already.”

“Gimme a fucking second, you ungrateful mullet.”

If the fact that Lance, PG rating talking Lance, just said a really big bad word wasn’t enough to tip Keith off, the crack on Lance’s voice in the middle of the sentence definitely did the trick.

“Lance, off, now.” He says again, but with an entire different purpose now. As gently as he can from his position, Keith moves his arms and hands enough to push Lance of him and roll him over.

It took quite an effort, since Lance didn’t seem to cooperate and just leaned heavier on Keith’s grasp. Keith studied his fellow Paladin’s face as he slowly lowered him to the ground. Lance’s face was scrunched in pain and discomfort, letting small whines and grunts from his pursed lips.

And okay, if Lance face was hard to look as he curls in pain, because seeing Lance’s face other than smiling is just bizarre and wrong, as Keith lowers his gaze to his abdomen, he realizes Lance has every right to be in pain.

Keith breathing hitches at the sight.

A long deep gash rest itself on Lance’s right side, cutting diagonally the part of the suit that is not protected with hard armor. Blood falling from it feely and Keith is panicking because just stay inside the body where you belong!

Keith inhales a breath. “Oh, fuck.” He exhales before starting his chanting. “Oh, fuck, fuck, fuck, fuck.”

Keith was never a PG rating guy like Lance, anyways.

“You just had to push me. You just had to get yourself stab. You just had to be the hero. You just had to be stupid, as always. Of course you had!” Keith complains, as he works furiously on Lance’s wound.

“You’re an ass.” Lance coughs, opening one eye to stare at Keith.

Keith huffs. “Yes, I am,” He agrees, and has to suppress the eye roll as Lance’s eyes widen in surprise. Keith’s gaze softens. “A grateful ass. Thank you, Lance.”

The injured Paladin cracks a small smile but full of Lanceness on it. “Eh, you know: teamwork and that cheese.”

Hands still working on the wound, Keith allows himself to smile back, trying to recover as much normalcy as he can and trying not to think of the outcome this may cause.

That smile quickly vanishes when he sees Lance blinking tiredly and dropping his head back to the ground.

“Hey,” Keith calls ignoring how his heart suddenly appears on his throat, “Hey, no. no nap time. Stay awake. Lance! LANCE!”

Lance groans as the black haired teen taps him anxiously on the cheek. “Jesus Christ, man, let a hero rest.”

“Allow you to rest in peace? No fucking way, Shiro will kill me, Hunk will crush me, and Pidge will somehow hack me and I’m not even a computer.”

Lance rolls his eyes weakly. “Not that kind of resting.”

“Yes, well, for now, not any kind of resting until I know you won’t die on my arms, so come on.” He declares, hooking both of his arms on Lance armpits and standing up, holding as much weight he can until he can get a better grip on the tall teen.

“Not gonna die, chillax.” A pause. “I think.”

Keith purposely ignores the last added comment. “No, you’re not.”

He’s not. Keith reassurance himself over and over again, like a chanting, as the walk through the alien jungle. Lance went quiet after a while, deciding that it was better to focus his energy on walking, or as much walking he could do. They both knew that with every step, Lance would go heavier on Keith’s side, but neither of them made comment on it.

They had tiny breaks, just enough to drink and eat a small portion on whatever they had on them to keep them going, but it anything, it only appeared to make Lance’s condition worse.

The shortest Paladin grits his teeth as he listens Lance’s raspy and elaborated breathing. That couldn’t be a good sign.

A sudden beeping caught both of them off guard and with a start, Keith realizes that it means that their lions are close enough to send Emergency Signals. The teen lets out a light hearted laugh, as he walked a few more steps and he could finally see his precious lion, intact, not too damage, with Lance’s lion a few meters away.

“Lance, we did it! Crypod and food, here we come!” He announces relived to the limp teen on his arms, but only silence answers him.

Keith’s stomach drops.

“Lance?” he calls, small and uncertain, shaking softly his teammate in hope of a response. Lance face stays down, moving according to the shaking. “Oh, no. Oh hell no.” Keith swears before lowering the Blue Paladin to the ground.

Keith quickly checks the unresponsive teen’s pulse, and he bites his lips as he realizes that it’s barely there. Lance breathing became almost undetected and Keith was trying his best on not panicking.

And not succeeding.

“Alright, buddy, we’re close, okay? And I told you not to die on me, and I know you love to contradict me, but work with me for once? Would it killed you to do that?” A short pause. “Don’t answer that. No, on second thought, do answer that, so I know you’re still alive, come on.”

A few seconds passed with no answer.

“Come on!” he yells, pulling his helmet off along with Lance’s, “Lance! We’re close! Come on!” Keith doesn’t knowledges the angry tears that starts to fall on his cheek, nor the static and cracking voices coming from his abandoned helmet a few feet from him, nor the loud landing of something right behind them.

“I swear, I will let you win in whatever you want, but only if you wake up, come on, Lance.” He says, leaning closer to the unconscious teen, pressing forehead with forehead. “Come on, please, don’t do this to me. You can’t. Not again.” He whispers brokenly.

Keith suddenly heard background voices; calling for him and Lance desperate and in hurry, but all that Keith heard clearly was the small gasp that escapes from Lance’s lips.

Blue eyes met his and Lance smiles, barely stretching but a smile nonetheless.

“Aw,” he whispers, as if it was a secret for meant for both of them, and maybe it was, “You do care.”

And Keith sobs as he presses his face against Lance’s neck. “You fucking ass.”

“Eh, Pair of Asses, we are. Meant for each other it seems.”

If Keith wasn’t crying already on Lance’s shoulder, he could have heard the technically confession from his declared rival, but he didn’t’, and now he would have to wait five months until the official confession takes place.

But for now, both teens just enjoy the company, as the rest of the team finally arrive and start their rescue mission, because these two can’t be left alone without one of them almost dying.

Hope you liked it!

Tomorrow’s Yesterdays

After nightfall is hardest.

Well, no, walking home (back) from school is hardest.  He tends to try and sidle in between Adam and Alexa and avoid alleyways and hope they don’t notice.  They totally notice, but he can still pretend.  And, okay, he’s always more nervous than the others about getting left behind in some other timestream but that one he’s actually (sorta) confident they haven’t caught on to. Also, Adam is just as nervous about it, though for different reasons.

But night is still difficult.

Keep reading

Imagine cooking with Woozi and feeding each other spoonfuls of what you guys made.