I heard somewhere that on Tumblr at least, support for Sense8 has gone down. I know that people are tired and depleted, but I urge you NOT to give in. We still have work to do before admitting defeat. And if you are still tempted to give in, consider this:
Fight for truth. Netflix has lied. Its time for them to be held accountable to that.
Fight for justice. This cast did not even get the consideration of a phone call when the plug was pulled on a show they poured their heart and soul into. Fight for them! Fight for Lilly and Lana, who spent a decade putting this story together. Fight for them!
Fight for love. Netflix simply cannot understand the vast amount of global love this show has generated. To them, it boils down to numbers, but to us, this show is about peace and love, acceptance, and diversity. Fight for that!
Fight for the conclusion to this beautiful story that we deserve to have, and our cast deserves to tell. Netflix owes us this when they did not even have the decency to give proper warning to the creators before letting them film a season finale with an open ending. Fight for that!
And we are still fighting on Facebook and Twitter and also Instagram. You can’t look at a post of theirs without seeing Sense8 comments first and foremost. We are still a dedicated bunch, and we aren’t ready to give up.
Our new Global Cluster account on Twitter (and now Tumblr), has already done projects to raise awareness to our cause. Plus, we are nominated for a major poll we are currently winning in! Emmy nominations have been sent out, and Sense8 is on the ballot!
So please, do not give up! No matter what microscopic chance there is, I’ll take it because this show is too important to let die like this.
Because I know some of y’all will need hope right now:
The Writer’s Room opened for Season 5 on April 4th, 2017:
On April 5th, 2017, Aaron Ginsburg liked this tweet:
Who are Desmond and Penny you might ask? Why, they are these people:
and yes, that is Henry Ian Cusick. This is a still from the show Lost and I’m going to give you a brief run down of their relationship:
Before he became stranded on the island, Penny and Desmond were in a long-term relationship. However, due to Desmond’s fear of commitment, they stopped seeing each other. After Desmond went missing in 2001, Penny refused to give up hope and started to search for him. She winds up interacting with Charlie Pace and realizes that there were survivors of the plane crash.
She and Desmond manage to get in touch with one another via phone, although the signal is horrible. She uses that phone call though, to track his location to an area near the Island. She picks up the lifeboat that Desmond and several others are aboard. After the rescue, Penny and Desmond get married and have a son!
I’m now going to ask you to watch these videos of the phone call and and their physical reunion:
All in all they were separated for 8 years. Now….let’s have some fun imagining Blarke in this situation.
Bellamy and Clarke not able to communicate with each other for years? One or both of them thinking that the other is dead?
Clarke calling Bellamy and getting no response?
And then one day….she manages to get through, and the line is static-y (like above) and it’s hard to hear, but they manage to talk for a bit and it’s just long enough for those on the Ark to locate her position and finally land.
The scene opens on the Swan-Jones house. We go into the house. It looks different than before – actually well-lived in now. Books and toys are scattered about and pictures hang on the walls. The camera pans past some of these pictures. There are obvious ones hanging like Emma and Killian’s wedding photos, Emma and David by the Sheriff’s car, but there are new ones, as well. Emma and Hook in the hospital room cradling a small bundle, happy and exhausted grins on their faces. There’s Henry in a graduation robe, flanked by both Emma and Regina. There’s a shot of Regina with a mystery character we haven’t seen together, clearly at their own wedding. There’s even Belle with Gideon, smiling happily. Basically, a few years have passed, and it’s been a good few years.
We hear a squeal, and the scene turns to Emma and Hook preparing a child for bed. Emma’s phone rings, and she learns that there’s a crisis on the docks. Looks like it’s a job for the Sheriff.
“Sure you don’t need backup, love?”
“Please, after the demagorgon last month, this is gonna be a cakewalk. Sure you can handle bedtime?”
“It’ll be a cake walk.”
They kiss, and Emma goes off to save the day. Because she’s Emma Swan, ass-kicker extraordinaire.
We stick with Killian and little Swan-Jones. It’s story time, and the kid holds up a “Once Upon a Time” book. They begin to flip through it, and we realize that this book is different. There are new stories than what we’ve seen.
“Your brother’s been busy, but how about I tell you about a story that isn’t in your brother’s book.”
The kid’s eyes go wide. It’s interested.
“You see, Once Upon a Time, your Aunt Regina…”
And there we go. It’s a new season. The season is literally this story featuring everyone who is coming back. There can be flashbacks within flashbacks. Emma doesn’t die. She’s off kicking ass. We learn that most everyone gets their HEA/HB. If there’s a season after that, it’s another story. The series ends with Hook telling the kid to go to sleep, tomorrow is a big day, after all.
“It’s your Mum’s birthday.”
If we get JMo to come back, the scene cuts to her party at Granny’s. Everyone is there. Henry is wearing a college sweatshirt. Snow and Charming are there. Regina is being her fabulous self with her love interest, who we meet in the story, by her side. Emma, surrounded by her family and friends, blows out the candle. We go full circle.
Warning: This story contains major spoilers from the season finale of Once Upon a Time. Read at your own risk!
The Final Battle led to a lot of loss during Sunday’s two-hour season finale of Once Upon a Time.
After the curse hit, Henry (Jared Gilmore) found himself in a Black Fairy (Jaime Murray) run Storybrooke where Emma (Jennifer Morrison) was locked up in a mental hospital, unaware she’s the savior and refusing to believe in fairy tales.
It turns out, the Final Battle is not an actual fight, but a battle for Emma’s soul. The Black Fairy hopes to crush Emma’s belief, thus causing all the realms in Fairy Tale Land to crumble and disappear — and she nearly achieves her goal, too. Though Emma initially returned to her old life in Boston, Henry was able to convince his mother to return, saving everyone’s lives.
But it’s Rumple (Robert Carlyle) who actually breaks the curse. Furious that the Black Fairy imprisoned Belle (Emilie de Ravin), Rumple killed his mother, thus ending her spell, returning Emma’s memory and bringing everyone home to Storybrooke. Unfortunately, the Black Fairy had already commanded Gideon (Giles Matthey) to kill Emma. Instead of fighting back, Emma decides to sacrifice herself rather than kill an innocent. But, in a scene echoing the season 1 finale, Henry’s kiss resurrects Emma.
Though the storybook was burned, it reconstitutes and subsequently ends. Yes, it’s the end of this book, but not their story. Everyone gets to keep living happily ever after together. And yet, in a flash to the future that echoes the pilot, a young girl named Lucy (Alison Fernandez) shows up at an adult Henry’s (Andrew J. West) door, exclaiming that his family needs his help. She’s the same little girl whom an adult Henry in the Enchanted Forest employed to protect the storybook when a darkness came for him in what turned out to be a flash forward. What does this mean?! EW turned to executive producers Adam Horowitz and Edward Kitsis to find out.
ENTERTAINMENT WEEKLY: Many of the cast we’ve known over the last six seasons are not returning. Can you talk about how the story will be changing moving forward? ADAM HOROWITZ: Just on a conceptional level, it’s the same show. We’re trying to tell the same kind of stories and honor the DNA of what Once Upon a Time was from the very start. But I think we — Eddy and I — felt that as we approached season 6, the time had come to close the chapter on a lot of the stories we had been telling, which was the impetus behind this season finale, and open some new chapters. While there are some characters returning and some not returning, it’s still the same universe, and it’s still the same kind of storytelling. It’s just that we’re going to be coming at it from a little bit of a different angle. It’s not going to be necessarily Storybrooke-based. EDWARD KITSIS: Also, what we see is, a new hero is leading us into a new world, which is an adult Henry Mills. We saw that in what we realize are flash forwards, and then at the very end, Henry has grown up and he looks like he left home. He was an Author writing everyone else’s story, so to me it looks like he left home to find his own story and then something happened, and now he’s got to be the hero. HOROWITZ: It’s a little bit of the continuity between the two iterations of the show, which is Henry. Henry has been the heart of the show from the beginning. Jared was amazing, and we couldn’t love him move; watching him grow up has been amazing. Now, we’re going to see what that character becomes in a 10-years-older version. But he’s still going to be that character and still carry that essence of the show and be the center of the family that’s at the heart of the show.
You gave so much closure to so many stories, how do you plan to reconcile that with some people returning next year but not others? Does that change their happy endings? KITSIS: What happened to these people, those are episodes, those are things we will probably want to show. For us, we felt creatively it was time to end a lot of these stories. What we’re really interested in is, as we said, it’s like a new book. So we’re starting with new stories. Although it’s going to have some of the people that we’ve loved for six years at the center of it, we are going to meet new people and new worlds.
Will we see an influx of new characters and other fairy tales? How will you branch out in that sense? HOROWITZ: Hopefully when you see the premiere, that will become super clear, so we don’t want to give too much away right now other than to say we do intend to branch out, we do intend to also stay with some of the characters we’ve been with. It’s about how do you honor everything that’s come before, but also widen the canvas a little bit? KITSIS: Open the world up. HOROWITZ: That’s the goal of season 7. In addition to the people that we’ve already announced who are coming back as regulars, and who are not, there will be more regulars we’re adding to the mix. KITSIS: As we completed one journey, what we want to do next year is take people on another one. The DNA is still the same, which is fairy tale characters in the real world in search of hope. We still have Henry, we still have Regina, we still have Hook and we still have Rumple, and we still have people are that are going to come in and out that we know, but we’re going to meet a whole new universe and a new group of people. So for us as writers, we’re also excited to do that. Probably you’re going to see a world with no magic in it on one side, very similar to the way we did in season 1.
Thematically, what are you hoping to explore that’s different than what the first six seasons were? KITSIS: We always say that Emma was a character looking for her family and finding hope. I would say that Henry was the heart of the truest believer, and what we saw at the very end is he no longer believes. Henry’s loss in faith and the idea of belief is the jumping off point. The DNA of the show remains, and always will be, of hope. Each character was always looking for their happy ending, and that is no different than anyone in the real world. HOROWITZ: One of the hardest times to have hope in anyone’s life is when you’ve lost belief or faith in something. That is a jumping off point for where we are for the next season, which is, how do you deal with questioning faith and belief and finding hope again?
This scene with adult Henry echoes the pilot, even down to Henry saying he doesn’t have a kid. Has something happened to him in terms of his memories or has he just become cynical somehow seemingly being separated from his family? HOROWTIZ: These are excellent questions that might be better answered— KITSIS: —in the teaser of next year. HOROWITZ: But they’re excellent and insightful questions.
Is the storybook that Henry charged his daughter with protecting in the Enchanted Forest the book we’ve always known, or a book with brand new stories within? HOROWITZ: It’s another excellent question, and without getting too specific about what that book we saw in the teaser is really about, what we can say is that Henry has grown up, he has remained true to what we’ve established and he is an Author.
Let’s talk about Lucy. Who is her mother? Is it Violet? HOROWITZ: Violet is in the montage at the end. When Henry goes to school, she’s waiting for him at the school. KITSIS: But that being said, unfortunately like a lot of us, your first love in high school ends up not being the person you marry. You end up leaving home and moving on. It is not Violet. Who the mother is, and who Henry fell in love with, is one of the things we’re really excited about next year. In the tradition of Snow and Charming, Henry and his wife are a very much Once epic romance.
Is there a Savior in this story? KITSIS: There could be. HOROWITZ: There very well could be.
Can you talk at all about this new darkness coming after adult Henry that we saw in the Enchanted Forest? Is this the introduction of the new antagonist for next season? HOROWITZ: It is. It looked pretty scary, so I don’t think it’s a new friend-tagonist. What we see in the season finale in those little snippets is, it’s a darkness that grown-up Henry has to deal with and has a big impact on what’s going on in season 7. We’re still at that we need to be slightly infuriatingly vague stage.
Since the show is going to be centered partially around Regina next year, what can you say about her drive or her story going into next season? KITSIS: I’d say she’s fighting for the people, just like a queen does.
The Evil Queen seems to be marrying Robin Hood. Will she play a role next season since Lana is sticking around? HOROWITZ: I would say, never say never.
Rumple seemed to get his happy ending with his family, but what do you plan to explore with him next season? The darkness is still inside and he’s just killed his own mother, so how has that changed him? KITSIS: We saw his happy ending with Belle, and they worked really hard to get it. What’s happening next in his life and what he’s going through is obviously what the story is. That one I don’t want to just fully tease yet. All this stuff is literally just being worked on. HOROWITZ: We really would love for the audience to be able to spend the summer living with the happiness that we’ve seen these characters get, because it’s real, and it’s meant to be real. It’s not meant to be something that we’re doing that we want to destroy and make all horrible, or whatever. We want these characters to have really earned this place of happiness they’ve found. But because we’re telling stories, we’re going to have issues to overcome in the future, and Rumple is no exception to that rule. To tell you now what it is would give away so much, so we’d rather have the audience really sit with what we’ve left them with for now.
Because you see Emma get her happy ending, and we know that Jennifer is only returning for one episode, a lot of fans are worried Emma is going to die. Do you want to say anything to the audience? KITSIS: Not really. There’s nothing to say. That is correct, she is coming back for an episode. Their happiness is real, and people should enjoy that. The thing is this: Right now, we’re not trying to take away the show we’ve done for six years, and we’re not trying to destroy people’s happiness right now, but we’re going to be telling a new version. But until they see that, they won’t understand what it is. So for us, we’d rather not whip people into a frenzy. HOROWITZ: I’d like to underscore that for a second: Really we wanted the audience to not think about what we’re doing as throwing away what came before, but building on and expanding from it, so that what happened and what they’ve lived with and what they’ve invested in all these years still really matters; it matters to us as writers and we know it matters to so much of the audience. We want them to know that we do really respect that and we really do approach the story from that level. We’re not just clearing a playing field and starting over willy-nilly. We’re trying to tell these new stories and expand our canvas, but also honor what’s come before.
Hook’s always walked a fine line of giving into his darker instincts over the years. Is that something you might delve into again moving forward? KITSIS: That’s definitely a part of his DNA, but we’re hoping to tell new avenues of story for the characters. The lessons they’ve learned on the show, like we don’t want another year of Regina wondering whether or not she should be evil; that’s been settled. When the dwarves bow to her, they bow to her as the queen. She’s no longer the Evil Queen. So we want our characters to move forward. But like any of us, once you get a hold of one issue, there’s always three others.
Can you talk about how you’ll be handling flashbacks next year? HOROWITZ: We do intend to keep a flashback component to the show and we hope that how we do it is fun for the audience.
Now that you have this new direction, do you have a better sense of your endgame? HOROWITZ: Our goal with the show remains the same, is the simplest way to put it. It’s that question you always get asked, which is, “Do you know exactly what the end is going to be?” KITSIS: We knew for this chapter, we have ideas and we are creating a new chapter. We’ll see how that goes. We’re excited about the new journey. We think it’s very much Once Upon a Time. At the same respect, we are excited that we got to see those happy moments from our characters in the finale and really build to that.