season 9[1]

2

“We had a bonding moment! I cradled you in my arms!”

Klance

Voltron

Keith cosplayer: @kimberlycosplay

Lance cosplayer: @tsuntsunmisaki

Photography: @brilanimagery

Location: @katsucon
2017

Hiccstrid Appreciation Post

Okay so like many of you know now, Hiccstrid became official in RTTE S4.

I just would like to say some words about my ship I followed since 2015 now. 

Since the premiere of S1 all we had in mind during the serie was “When will we get this Hiccstrid kiss?”. Don’t lie, lot of us were like that and me too. Now that we finally get this Hiccstrid kiss, I would like to send a big thank you to the producters and especially John Telleguen who had to endure us during all those time during we were complaining.

I want to thank them too for not put Hiccstrid official since the beginning because if we think about it, it would have been a little strange and we certainly will not be able to appreciate this two as much as we do know.

So thank you to make this incredible evolution of Hiccup and Astrid becoming a couple cause this is this evolution that I enjoyed the most as many of you I think.

Hiccup and Astrid are such a beautiful couple cause they were best friends firstly and they became more than that. It’s an healthy relationship because of that. They’re acting like friends and not as a stupid couple when they had difficulties to deal with protecting each other during the last episodes of S4 for example. They speak about how they feel and don’t stay in their own and I really appreciate that cause as Hiccup said: “It’s what makes us, well, us.”

Also, I noticed, since I watch the serie, that the physical contact were really a good indicator of their relationship’s evolution. And I adore it. 

So I will let you with those images from S1 to S4.

S1 : “But I still have you.”

S2 : “What took you so long?”

S3 : “I can’t imagine a world whitout you in it.”

S4 : “There will always be a Hiccup and Astrid, always.”

<3

#Outlander Rewind: The Making of Outlander: Sassenach, part 2

[E]stablishing the concept of the show required finding and staging their Craigh na Dun, Dahl says. But that task was not an easy one. “In Scotland, there are plantations and they’ve planted the trees in straight rows, so a forest doesn’t look like a forest,” Dahl explains. Locales near their stages were less than impressive, so the team traveled farther out and found their “magic” spot near Rannoch Moor, Perthshire. Steele’s team created the twelve- to sixteen-feet-high standing stones from foam with a hard coating and carefully erected them on location so there was no impact on the ground, which used to host actual historic stones.

“For the scene where Frank and Claire go out there first thing in the morning, we filmed all the stuff at dark,” Dahl reveals. “We actually had a gigantic light on a crane, and that’s how we made our sunrise come up. I feel like that one scene really helped us make it look more like rugged Scotland. I think it’s one of the more beautiful sequences that I’ve gotten to film in the last few years.”

- The Making of Outlander: The Series


“Ron did not want a special effect [for the stone touch]. He really wanted to do everything non– science fiction. We were trying to figure out how to do the car [metaphor], and came up with this idea of putting the car on a gimbal and then shoot 800 frames per second. Poor Caitriona, we put her in that car and spun her around so many times.” 

—John Dahl on the car crash sequence

andimeantittosting reblogged your post and added:

Regarding Sam’s past as an “enlightened California college student”, as you say, there’s also the fact that that was over a decade ago. Even if he had been the sort of straight ally to join a GSA and put some work in (as opposed to just not being homophobic) - and I don’t think that that would have been a top priority for him in his college years - the landscape around sexuality has shifted, and I doubt Sam has found time to keep up while hunting. No matter how “enlightened” he once was, it’s likely that 12 years later, his understanding is a little outdated. Also? It makes me, as a queer person, uncomfortable, when in fic, good-straight-ally!Sam has to explain permutations of sexuality beyond just gay and straight to closeted-having-gay-panic!Dean, often having to go so far as to explain that Dean might be bi. It’s something about the idea that a queer person would need a straight person to interpret or bestow their identity upon them. This is not an articulate explanation, but hopefully someone understands what I’m getting at.

If you don’t mind I’m starting a new post (the original one here) because the original one was getting long and we’re slightly digressing from the original topic :)

About the first part of your addition: I think that when Sam ran to California (it was two years before the pilot so around 2003, right?) he was rejecting an identity and embracing another. Sam has always seen things in a very all-or-nothing way until quite recently. Either in or out. His “have you considered something with someone who understands the life, like a hunter” is very telling - Sam himself hasn’t considered something like that for a long time. When he basically asked Dean to have a life with Lisa, he was projecting his own desires into Dean - getting out of the hunting life, have a relationship with a civilian in the whole white-fence, apple-pie kind of life.

Anyway - when Sam chose Stanford over John and Dean, he wasn’t just choosing not to be a hunter anymore and to pursue a “civilian” career. He was choosing to belong to a different culture altogether - basically rejecting the culture of a semi-rural America, with a huge emphasis on a “us/them” mindframe, heavy Christian tones, etc, for the culture you’ll find in a place like a California college. 

Have you seen American Sniper? If you haven’t, good for you. Anyway, at the very beginning of the movie you see the protagonist as a kid, living with his parents and his younger brother someplace in rural Texas. There’s a scene where the protagonist’s father makes a speech to his sons that was exactly John Winchester’s worldview expect with muslims instead of monsters. There are the civilians, the monsters and the protectors. In the movie, the father uses the metaphor of sheep, wolves and shepherd dogs: common people are sheep, who are weak and in danger of being harmed by the wolves (terrorists and whatever). “Real men” are the shepherd dogs, who defend the weak from the wolves. I immediately compared that to John Winchester’s view of the world as divided in civilians, monsters and hunters. Of course there was also a huge layer of toxic masculinity - if you’re weak you are not a real man and you are a disgrace.

Now, in the Winchester family the focus was on monsters and not on muslims, but their lives were mostly spent around a rural or semi-rural America. It’s clear that urban and suburban lives were alien to the Winchesters as they grew up.

Season 1 shows us how Sam and Dean deal with the universe they’ve grown up into: Sam has rejected it outright, even physically removing himself from the rest of his family and enrolling in Stanford. Dean, on the other hand, has a very different approach and it’s probably harder to read for a viewer that is more like Sam than Dean.

I think it’s not a coincidence that many fans, in my opinion, have a fairly mistaken view of Dean in the earlier seasons. In the earlier seasons we see a lot of things from Sam’s point of view, and Sam misunderstands Dean a lot, and a viewer that shares Sam’s mindframes would easily make the same mistakes as Sam.

Basically Sam, the straight “enlightened college boy”, does a lot of judging of Dean - Dean who, in Sam’s eyes, embraces that very culture that Sam rejects. I think that a viewer who is, like Sam is, straight, middle-class (Sam’s permanence in the middle class was very short-lived but he embraced that kind of identity strongly), liberal, would make the same assumptions as Sam regarding Dean - i.e. that is shares that rural-American, close-minded, American Sniper-y mindset. But the way I see it, Dean in 2005 identifies with a culture of its own. Sam rejects a dominant culture for a different dominant culture, while Dean rebels to a dominant culture by embracing a subculture, if it makes sense? Dean can’t just drop everything and leave, we know how the whole abuse thing has worked on him. But he develops his own way of dealing with the culture he’s grown up in, and a lot of that way is centered about the fact that he is not straight. Straight doesn’t just mean ‘that experiences attraction to individuals of a gender different than one’s own’. It’s a concept that reels in ideals of normativity, “normality”, socially accepted, socially sanctioned.

This brings us to the second part of your comment - in my opinion, Dean has always known he’s not straight. @f-ckyeahfutbol has been talking about it better than I can, but I believe that a huge part of Dean’s personality the way we seen it formed at the beginning of the show is based on the fact that he has his own ways of rebelling to social normativity. He identifies as a freak, with the whole baggage that brings along. He suffers from the loneliness that that entails but also takes pride in his being different. He takes pride in his belonging to a subculture of sorts.

You make an excellent point in pointing out that queer discourse in the early 00s was very different that the current one. If season 1 took place now, I’d say, there is a chance that this boy doesn’t know about queer theory and the labels and identities that exist in the current queer discourse. So I’d say that there is a chance that Dean might not embrace the label bisexual because he is not up-to-date with queer theory and the words that are used now.

But Dean has been in his early twenties in the early 00s. The early twenties are to queer people what teenage years are for straight people, in a sense - straight people are exposed to societal and mediatic messages that help them shape their identity in relation to themselves and others during their teen years, but queer people lack that kind of messages in their teen years - like, there are seventy-five billion movies and shows about straight kids falling in love, but none about queer kids (at least not in the 00s).

So a Dean in his early twenties would have built his identity in relation to sexuality. And he would have found less labels to pick from than one has today, so to speak. Not too many years ago the “bisexual” label was an umbrella identity for many different experiences, that could be summed up as “not straight nor gay”. Asexuality was included in that, too.

I think that Dean always knew he wasn’t either straight or gay. We don’t know if he would have used the word bisexual to describe himself in 2005, but I think that he would have identified with the definition of the word.

I think Dean has always known he was bisexual, so yeah, I agree with you about the trope in fics and headcanons where Sam teaches Dean about queer things. I think it’s a result of fandom being made mostly by straight women - they project their allyship and knowledge of queer theory over the straight character, Sam. In general there are multiple issues in fandom(s) due to a majority of shippers being straight women and the trope of “clueless Dean, wise Sam” is one of them (not the most problematic). I tend to see Dean as a lot more aware and self-aware than most fans seem to believe (not just in regards to his sexuality), and I tend to see Sam as less skilled in reading Dean than a lot of fans seems to believe, too. I mean, I believe there are multiple elements in the show that support my interpretation, but I am too exhausted and slow at the moment to make a list.

In conclusion, I have no idea how knowledgeable of queer theory Sam is, but I’m sure Dean knows more than him.