season 4 music

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Apart from the opening theme and the songs performed at the end of each episode, Twin Peaks season 3′s first music cue occurs when Bobby Briggs sees Laura Palmer’s portrait. The song played is Laura’s Theme.

The Music Tells The True Story.

I’m listening to The Final Problem soundtrack again, because, even though we all know how the episode…resulted…the music is gorgeous and actually tells the TRUE story. THIS is why I need to make this post. 

I Had No One is Eurus explaining why she did what she did, why she became what she became.
And what do we hear at the very beginning of the song?

John’s theme. 

John’s heartbroken, lonely, lost chords are playing over a slow violin melody, in a scene where a character who isn’t related to John’s character in any way is explaining why she felt alone and NEEDS Sherlock to be complete.

If we’re going with the most probable theory that The Final Problem is John’s bleeding-out hallucination after being shot, he villainizes his love for Sherlock because as we know…John hates himself. He thinks he’s a terrible person for falling in love with the person that saved his life, so in his literal dying moments he creates a horror-movie-world in which Sherlock ignores him and he has to stand there and take the abuse, because that’s what he thinks he deserves. 

But he can’t help but admit to himself that it’s true. He’s fallen in love. And so John’s chords at the beginning of the song are literally musically heartbroken.

The music tells the true story.

me before skam: the weekend??? who tf is that?

me after skam: His emotional, plaintive lyrics often express feelings of hurt and deal with subject matter such as sex, drugs, and partying.Hermione Hoby of The Guardian characterizes The Weeknd’s songs as “narcotised-slow jams” and delineates their message as “partying is an existential experience, sex is fraught with alienation, and everything registers as unreal and unsettling”. The Guardian’s Paul MacInnes interprets The Weeknd’s trilogy of mixtapes as “a rough trajectory of party, after-party and hangover”. Anupa Mistry of the Toronto Standard observes throughout his mixtapes a “cast of supine, stoned zombie-women … whose legs willingly part after being plied with substances and who morph into threats only when [he is] coming down and feeling vulnerable”.The Weeknd viewed that, by singing vulgar, ignorant lyrics in an elegant, sexy way, he is paying homage to R. Kelly and to some degree Prince.

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4x03 Bellarke List Scene | Music ❤ composed by Tree Adams ✨