sculptural drawings

9

I Am Not Responsible For Your Thoughts

My mom gave me a dress form she used to use when she would sell her aprons at farmer’s markets and I was able to use it for a recent art assignment. When I told her I wanted to use it for art, this probably isn’t what she had in mind…ha

I sat down with the mannequin and wrote all my thoughts I had about the LDS culture and how they teach “modesty” to their young women and how it plays into things like victim blaming and rape culture. Also drew inspiration from Barbara Kruger’s iconic “red bars/white text” thing. I would like to note: I don’t believe that ‘modesty’ as a concept is a bad thing, but how it is being taught to our girls and our boys is. If anyone has any questions or wants to discuss it, feel free to drop me a line.

I had more to say about it than I thought I did and it was INCREDIBLY cathartic. I just hope it doesn’t go over poorly with my professor. Yay for private religious schools

Please don’t remove the caption

4

Misty Copeland, Harper’s Bazaar, and NYC Dance Project recreated stunning works by Edgar Degas in advance of our exhibition Edgar Degas: A Strange New Beauty, opening March 26.  


[All photographs by Ken Browar & Deborah Ory. Courtesy Harper’s Bazaar

Crossing Borders: Immigration and American Culture

As part of our Citizens and Borders initiative, we have launched a digital exhibition of works from MoMA’s collection by artists who immigrated to the U.S., often as refugees in search of safe haven. The works were chosen by staff across the Museum, and represent a range of mediums—painting, sculpture, drawing, photography, performance, film, design, and architecture—and a span of nearly 100 years.

We’ll be posting a selection of those works here over the next week, but you can explore all the works at mo.ma/crossingborders.

[Arshile Gorky. Garden in Sochi. c. 1943. Oil on canvas. Acquired through the Lillie P. Bliss Bequest. © 2017 Estate of Arshile Gorky/Artists Rights Society (ARS), New York]