satin tulle

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Dracula (2013/2014) - Katie McGrath as Lucy Westenra wearing an evening dress with red satin corseted bodice and long skirt of red satin, white tulle and organza. Lace elements accent the bodice and the skirt. The accessories include red satin opera gloves, white fabric flowers and ruby jewellery (pendant earrings, brooch and bracelet).

The costumes were designed by Annie Symons.

Aesthetic: Runaway Bride

Beaded slips, tulle overlay, satin ribbons, velvet hair bands, baby’s breath, mused hair, delicate updos on the verge of coming undone, wet cheeks but not from sadness, starry eyed, tear clumped eyelashes, rosebud lips, blushing roses, thread thin dress straps falling of a shoulder

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etsyfindoftheday 3 | 1.11.16

limited-edition tulle wedding gowns // lavanda | orchidee by carouselfashion

just stunning. these bridal confections bring together airy fabrics and sparkle and subtle hues for beautiful, feminine wedding day perfection.

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etsyfindoftheday 3 | 2.23.16

ursa // fairy tale wedding gown by milamirabridal

be still my heart. this wedding gown truly is a fairy tale come true — unique blue tulle skirt, satin bodice with sheer sleeves, top and back, and a smattering of incredible silver star sequins for a constellation look that is swoon-worthy.

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Tonner’s Miss Piggy vinyl dolls, 2009 Fall/Holiday Collection

from left to right w descriptions:

First Mate Piggy: Dressed in her famous “Pigs in Space” outfit (including appliquéd stars and the embroidered logo) with silver gloves, silver tights, silver zip-up boots, a silver faux leather belt and a golden brown-blonde wig. 16" tall.

We Wish You a Merry Piggy: Dressed in a party dress with a satin bodice and sash, tulle skirt with glittering polka dots, and faux fur collar and cuffs; including a matching faux fur hat with mistletoe detail, knit gloves with gleaming ring, pantyhose, satin ankle-strap shoes, and signature faux pearl necklace. 16" tall.

Galia Lahav “Corina”
Corina is a princess ball gown with a tiny sweetheart corset and a full skirt. It is made of silk satin tulle, french chantilly lace and delicate appliques that adorn the train of the full voluminous skirt. The gown is entirely decorated with clear crystals and has long sleeves.

dMedium: Cream silk taffeta, satin, tulle, cording and tassels and black silk ribbon

Date: c.1865

Country: Scotland

Bare shoulders were typical of 1860s evening gowns, as in this sumptuously adorned example. Full skirts created the illusion of a narrow waist. Cage crinolines had replaced layers of petticoats as the way to maintain a skirt’s fullness, and many women (as well as men) enjoyed the flirtatious, ankle-revealing swing of a crinoline.

@doxiequeen1 This made me think of you!! And yours is much prettier! 

French (Paris) ca.1865 Silk brocaded taffeta, tulle, satin and blond lace

Evening dress in two parts. Bodice and most of skirt of white satin with self figure of broad ribbon serpentines with crossing sprays of highly decorative flowers and fruit including pomegranate; bodice with low rounded neck in front, lower edge cut in tabs, sleeves elbow length with white chiffon forming top slightly puffed portion; skirt front of white satin cut straight with flounce of knife pleats along bottom edge, fullness of skirt at back in soft pleats, pleated puffs on side, bows of white satin finished with tassels of silk and artificial pearls, artificial pearl fringe along front edges of overskirt. Some additional trimming originally on dress, but now missing.

Provenance: Purchased in Paris between 1858 - 1861 by the parents of Fanny Crowninshield