sarah the spy

If Katie McGrath were on Wynonna Earp

Reblog with any ideas you have plotwise!

So I think Katie would make a badass morally grey spy-type character who eventually develops brotps with Dolls and Wynonna and a relationship with Doc and Rosita? (Maybe she can use her real accent!)

TURN, Hewlett, and Why He (& Characters Like Him) Matters

It’s no secret that I love Edmund Hewlett. That’s basically the opposite of a secret, as is the fact that I’ll be pretty crushed if season 4 reveals that, yepp, he really did sail back to Britain and will not return.

But the thing is: my dread is not just about him, per se. I’ve weathered the loss of a favorite character many times before. Who hasn’t? In Hewlett’s case, however, I think the show itself stands to suffer without him — or at least, without the narrative role that he plays so well.

This post is kind of rambling and naturally a bit verbose, but take it, I suppose, as a justification of my sorrow at the possibility of a sans-Hewlett season 4 by way of an exploration of his thematic role in TURN’s narrative and a defense of that role’s importance to the heart of the show. Because for as much love as Hewlett gets, he’s got plenty of detractors as well: critics and fans alike who don’t see the point of the Anna/Hewlett plotline or understand Hewlett’s purpose beyond “local obstructive bureaucrat.” To which criticism I humbly submit the argument that Hewlett & his plotlines absolutely have a point, thank you very much, and that he has in fact proven to be among easily the most moving and successful articulations of a theme TURN has continually tried to reinforce:

That neither the audience nor the characters can side wholeheartedly with only one side of the war, because there have always been sympathetic and admirable characters on both sides, muddying the moral waters and forcing the characters to grapple with loyalty to ideals vs. loyalty to people.

In other words: although TURN ultimately portrays the patriots as the protagonists, it’s also increasingly made a point of forcing its patriots to confront the fact that they do not have any kind of exclusive claim to decency, morality, or sympathy. Quite the opposite, in fact.

And Hewlett is not the only permutation on this theme, but he’s a pretty dang significant one.

Keep reading

Alright, if you haven’t seen Chuck you are missing out.  First of all I love Zachary Levi and I love the Chuck/Sarah pairing that keeps you on the edge of your seat.  BUT what makes me enjoy each episode is Adam Baldwin.  I can’t get enough of him and it makes me want to rewatch Firefly. Like look at this beautiful idiot.  He’s so great at playing the gruff on the outside and inside with a teeny tiny little bit of heart. A gun loving, shoot first ask later character that reminds me a little of Jayne. 


2014 Book Genre Challenge - January, Historical Fiction

Above are some of my personal favorites from the genre! If you don’t see any you might like, look below for some links to lists of historical-fiction novels!

  1. A Great and Terrible Beauty - Libba Bray
  2. Pride and Prejudice - Jane Austen
  3. The Book Thief - Markus Zusak
  4. A Countess Below Stairs - Eva Ibbotson
  5. The Season - Sarah MacLean
  6. A Spy in the House - YS Lee
  7. Scarlet - AC Gaughen
  8. Prisoners in the Palace - Michaela MacColl
  9. Grave Mercy - Robin LaFevers

Goodreads Lists

If you have any questions about the Book Genre Challenge or you want to join, look at this post HERE! Any questions, ask me HERE! I hope you find something you’ll enjoy reading and have fun doing the 2014 genre challenge!

-Renuka, eternal-books