sacred shape


Best Actor in a Supporting Role

  • Nahuel Pérez Biscayart, BPM
  • Willem Dafoe, The Florida Project
  • Armie Hammer, Call Me By Your Name
  • Richard Jenkins, The Shape of Water
  • Barry Keoghan, The Killing of a Sacred Deer
  • Michael Stuhlbarg, Call Me By Your Name (runner-up)

Honorable Mentions: Lucas Hedges, Lady Bird // O’Shea Jackson, Ingrid Goes West // Tracy Letts, Lady Bird // Jason Mitchell, Mudbound // Benny Safdie, Good Time

My 25 Favorite Films of 2017

It’s hard to believe that 2017 is already coming to a close. Here’s my 25 favorite films from the year!

25. Girls Trip

Perhaps it’s the Bridesmaids or The Hangover of 2017, Girls Trip is a fun, buddy comedy about a group of women who try to rekindle their friendship during a trip to New Orleans. Queen Latifah and Jada Pinkett Smith are always reliable and Regina Hall is an underrated lead, but it’s breakout star Tiffany Haddish that gets the biggest laughs. 

24. All The Money in the World

All The Money in the World is a good film on its own, but what makes it historic is what went on behind the scenes. Ridley Scott pulled off the impossible by replacing its disgraced star Kevin Spacey with Christopher Plummer with only roughly a month ahead of its original Christmas release. The film is based on the events of the 1973 kidnapping of John Paul Getty’s grandson. All The Money is a highwire thriller, but it’s Plummer’s brilliant, cold-hearted performance that steals the show. 

23. Okja

Korean director Bong Joon-ho behind such films as The Host and Snowpiercer debuted this gem. Okja follows a girl’s battle to protect her “superpig” from a juggernaut company that plans on turning her pet into food. This action adventure was easily one of Netflix’s strongest original films to date. The stellar cast includes Tilda Swinton, Paul Dano, Jake Gyllenhaal, Steven Yeun, Lilly Collins, and newcomer Seo-hyeon Ahn. 

22. Battle of the Sexes

Emma Stone and Steve Carrell face off as Billie Jean King and Bobby Riggs in the most historic tennis match in history. Battle of the Sexes is a fun, empowering, nostalgic sports dramedy from Little Miss Sunshine’s Jonathan Dayton and Valerie Faris. 

21. Stronger

Based on the incredible true story, Stronger follows Jeff Bauman and his struggle for normalcy after surviving the Boston Marathon bombing. Time and time again, Jake Gyllenhaal proves to be one of Hollywood’s most under-celebrated actors today as he arguably gives the most challenging performance of his career. Tatiana Maslany (Orphan Black) also deserves praise for her raw, emotional supporting role. Stronger is a powerful, moving biopic that reminds us that there’s always hope even in the darkest moments. 

20. Split

After releasing numerous duds, it appears that M. Night Shyamalan is finally making a comeback. Split kicked off 2017 with a wild psychological thriller surrounding the kidnapping of three young women who’ve been imprisoned by a man with multiple personality disorder. James McAvoy gives a memorable performance as he channels well over a dozen personalities. 

19. Wonder Woman

Wonder Woman broke the glass ceiling on many fronts: one being the first female-lead superhero blockbuster and such a blockbuster was directed by a woman. Gal Gadot made her big-screen debut as the Amazon princess in Batman v Superman: Dawn of Justice, but she absolutely nails it in her first solo flick. Many have considered this film to be the strongest film in the DC Cinematic Universe yet. 

18. Alien: Covenant

Ridley Scott certainly kept himself busy this year. In the latest chapter of this deep-space horror franchise, a colony ship makes a fatal detour on a planet filled with our favorite aliens. Accompanied by an all-star cast, Michael Fassbender is on double duty with two fantastic performances. While Prometheus settled the groundwork, Alien: Covenant returned to its heart-pounding roots that made these films such a big success. 

17. It

Very rarely do remakes exceed its predecessors, but the 2017 remake of Stephen King’s It really deserves praising. Bill Skarsgård managed to make Pennywise his own with his terrifying interpretation of the murderous clown. That being said, the film heavily relies on the tremendous cast of young actors including Jaeden Lieberher, Sophia Lillis, Finn Wolfhard, Jack Dylan Grazer, Wyatt Oleff, Chosen Jacobs, and Jeremy Ray Taylor. Filled with good scares and disturbing imagery, It will have a new generation afraid of clowns. 

16. Darkest Hour

Gary Oldman gives a transformative, Oscar-worthy performance as British Prime Minister Winston Churchill in Darkest Hour. The film takes place during the chaotic transition period the United Kingdom face in the midst of WWII and gives a glimpse of Churchill’s bumpy start to his successful era of leadership. Darkest Hour is a captivating drama with sprinkled humor throughout. 

15. Get Out

Part horror, part thriller, part social satire, Get Out marks the directorial debut of funnyman Jordan Peele. An interracial couple is put to the test when the black boyfriend visits the white girlfriend’s family, but once he gets there, he’ll learn that her family may have something sinister planned for him. While it’s sort of hard to explain it, Get Out is a unique, thought-provoking, movie-going experience unlike any other in 2017 that’s carried by a strong cast and an intriguing plot. 

14. The Wedding Plan

Chances are you haven’t heard of The Wedding Plan, but it’s one of the most relatable films of the year. This Israeli romantic comedy follows an anxious bride-to-be who decides to keep her wedding date after her fiancé dumped her just weeks before and literally relies on faith in order to find a groom before she walks down the aisle. Yes, the plot’s that zany, but Noa Koler’s heartwarming and heartbreaking performance truly carries the film. 

13. Dunkirk

It’s been three long years, but Christopher Nolan returned with an immersive war flick Dunkirk, which depicts the underdog WWII rescue effort of the British military that was surrounded by German troops. While there isn’t exactly a straight-forward plot, the incredible cinematography, editing, and sound design keep audiences on the edge of their seats. 

12. War of the Planet of the Apes

An epic conclusion to one of the strongest trilogies in recent memory, War of the Planet of the Apes was a rare reboot that actually exceeded its predecessors. For three films, Andy Serkis brilliantly humanizes the lead ape Caesar as the climax escalates the brutal battle between human and ape. 

11. The Shape of Water

If Beauty and the Beast and Creature From The Black Lagoon had a beautifully weird baby, it would be Guillermo del Toro’s latest film The Shape of Water. The story surrounds a mute janitor who forms a relationship with a creature trapped in the laboratory she works at and her personal mission to help him escape. She doesn’t even speak a word, yet Sally Hawkins gives one of the best performances of the year and she’s joined by a spectacular supporting cast including Octavia Spencer, Michael Shannon, Richard Jenkins, and Michael Stuhlberg. Visually stunning and emotionally enthralling, this is del Toro’s best film since Pan’s Labyrith

10. Call Me By Your Name

An emotionally complex film, Call Me By Your Name tells the story of a romance that blossoms between a 17-year-old boy and his father’s 24-year-old research assistant. In the wake of the #MeToo movement, such an inappropriate relationship would/should be frowned upon, but as viewers, you sympathize with Elio and Oliver not just because they’re likable characters but for the powerful performances that came with them, particularly from breakout star Timothée Chalamet. 

9. The Killing of a Sacred Deer

The closest thing to an Alfred Hitchcock film in 2017, The Killing of a Sacred Deer is a suspenseful, psychological thriller that virtually no one saw. The film follows teenager who gets brutal revenge after a doctor failed to save his father’s life. Newcomer Barry Keoghan, who you’ve might have seen in Dunkirk, gives a unsettling, outstanding performance. Between this and his last film The Lobster, writer/director Yorgos Lanthimos is proving to be a filmmaker Hollywood should watch out for. 

8. The Disaster Artist

If you haven’t seen The Room, it’s a 2003 film that has earned a cult following because it’s so incredibly bad, it became unintentionally hysterical. The Disaster Artist is about the making of that film with James Franco starring, producing and directing the film. Franco manages to earn big laughs and also give a transformative performance as the infamous Tommy Wiseau. With tons of A-list cameos and a brutal glimpse of the film industry, The Disaster Artist made the making of a painfully bad film painfully funny. 

7. The LEGO Batman Movie

Not only was this a great animated movie, it was also a great Batman movie. The LEGO Batman Movie allows its self-awareness to drive the narrative that examines Batman’s relationship on a psychological level. Filled with tons of fun Easter eggs and references to previous Batman films, this LEGO movie will leave you nostalgic and laughing til it hurts. 

6. Lady Bird

Actress Greta Gerwig makes a strong directorial debut with this down-to-earth coming of age comedy about a Sacramento teen transitioning into adulthood. In film after film, Soirse Ronan shows that she’s one of the best actresses in the millennial generation and Laurie Metcalf, who may win the Oscar playing her heartfelt but judgmental mother, shows that she’s one of the most under-celebrated actresses of our time. 

5. The Big Sick

The greatest romantic comedy since Silver Linings Playbook, The Big Sick is a rare film because it feels authentic and real… and that’s probably due to the fact that it’s based on the stranger-than-fiction true story behind Kumail Nanjiani and Emily Gordon’s relationship. Nanjiani essentially stars as himself (which he does a terrific job) and has great chemistry with his co-star Zoe Kazan. Ray Romano and Holly Hunter give hilarious, heartwarming performances as the parents who meet Nanjiani as their daughter is in a coma. From the culture clashes, the comedy industry, to the modern era of dating, The Big Sick feels more relevant than ever and can resonate with any audience. 

 4. Coco

Disney/Pixar has a gift of continuously melting people’s hearts. And they do so again with their beautifully-animated latest, Coco. Miguel is an aspiring musician in a family that has banned music after his great grandfather abandoned them for pursue stardom. And after being transported into the Land of the Dead, Miguel must track down his ancestor in order to return home. The importance of art is obviously a theme, but the heart of the film is about family, pursuing our dreams, and the significance of leaving a legacy. Coco is rich with a cast of lovable characters, great music, and a satisfying ending that may leave you in tears. 

3. Three Billboards Outside Ebbing, Missouri 

Three Billboards Outside Ebbing, Missouri may be a mouthful, but it’s also masterful work from writer/director Martin McDonagh. Frances McDormand gives an Oscar-bound performance as grieving, no-nonsense mother determined to pressure the police to solve the murder of her daughter. She is accompanied by a strong ensemble cast which include strong supporting performances from Sam Rockwell and Woody Harrelson. Three Billboards is the only film this year that will make you laugh, cringe, and anxious all at once. It’s the closest thing to Fargo since Fargo… and the Fargo TV series. 

2. Baby Driver

Edgar Wright, the mastermind behind Shaun of the Dead, Hot Fuzz, and Scott Pilgrim vs. The World, finally found commercial success with Baby Driver, a terrifically-edited heist film with the greatest film soundtrack in recent memory. Aside from the uncomfortable fact this will go down as Kevin Spacey’s last great film, Ansel Elgort proves he’s got the chops for a leading role. With lots of well-choreographed action sequences and even some laugh, Baby Driver is absolute fun and is why we go to the movies. 

1. I, Tonya

Who would have thought that it would take a dark comedy to make Tonya Harding look sympathetic? I, Tonya is a unique, Goodfellas-like biopic that gives multiple, not entirely reliable perspectives surrounding the infamous attack of Nancy Kerrigan. Margot Robbie offers a layered, grounded depiction of someone who was painted as a cultural villain. Allison Janney also knocks it out of the park as her cruel yet hilarious mother. The works of director Craig Gillespie and screenwriter Steven Rogers have spanned decades, but their collaboration here is the best of their careers. Combined with great editing and an awesome soundtrack, I, Tonya is a rare film in 2017 that isn’t just another remake, sequel, or ripoff; it skates on its own. 

Choose A Mandala & Discover What It Reveals About You

Okay, I want you to do a little exercise with me. Close your eyes, take a deep breath 3 times. Open your eyes and look over the graphic below. Choose which mandala speaks to you personally. Which one are you drawn to?

Now scroll down, find it and find out what it means…

My Top Ten Films of the Year:

These were the movies I had the chance to watch in theaters/online and by no particular ranking or order.

  • Call Me By Your Name 🍑 - This is most likely my #1 pick cuz everything just works in this film. The age gap might be uncomfortable for some people, but I saw something natural in the chemistry between the two main characters that didn’t feel remotely predatory or pedophiliac. 
  • The Shape of Water 💦 - LOVE this movie. Del Toro knocks it out of the park again much like Pan’s Labyrinth. I bet money this will win Best Production Design for the Oscar.
  • Raw 🙎 - It’s more of a coming of age film to me instead of a shock and extreme horror film it advertises to be. Nonetheless, it’s not for the faint of heart and squeamish, but a good directorial debut and pushes the boundaries of filmmaking.
  • The Killing of a Sacred Deer 🦌 - Original story but not everyone’s cup of tea which I could understand. The ending will leave you SHOOK to the core.
  • Lady Bird 🐦 - 2017 proves to be the year for coming-of-age films, but this one had lovable characters, a bunch of them really, that were properly given the proper right amount of time shown onscreen to breathe and unfold. All of whom intersect the life of a teenage girl that we can all relate to when we were younger where we didn’t know our place and purpose in life.
  • Logan 💔 - It’s literally Marvel’s version of The Dark Knight. So emotional too!
  • The Disaster Artist 🎭 - Franco has been an underwhelming actor for me but this time, along with his brother, his role of Tommy Wiseau made me laugh but also at the same time, sad and sympathetic. Truly his best work to date.
  • Blade Runner 2049 🤖 - If Roger Deakins doesn’t win the Oscar for the cinematography in this film, I am seriously gonna protest.
  • Okja 🐖 - A very original story from Netflix. Heartbreaking yet powerful statement of the food industry in today’s society.
  • Thelma 👩‍❤️‍👩 - Yes, another coming-of-age film where a female college student tries to fit in and figure herself out - BUT with a twist. Unforgettable experience watching it for sure.

Honorable Mentions:

  • Baby Driver 🚗 - Fun and hilariously entertaining, with a distinct auteur trademark style which I hope to see more of in the future.
  • Get Out 🏃🏿 - A thriller that stands out from the rest which is the racial commentary it makes and truthfully may be one of the perfectly crafted screenplay of this year.
  • A Ghost Story 👻 - Like Sacred Deer, this is a film not for everyone, since it’s  slow paced and somewhat pretentious, artsy-indie filmmaking (literally there’s a five minute scene of Rooney Mara eating pie) but if you can get pass through that, I truly believe the story and overall message can be rewarding in the end to watch.
  • To the Bone 🍖 - Another Netflix film that I think tackles the subject of anorexia very well, despite the lame ending.
  • Loving Vincent 👨‍🎨 / Your Name 🇯🇵 - Ugh animation was so good this year but these were the two I actually watched and left quite a memorable impression on me.

Movies Still to be Seen:

 - mother!

 - Dunkirk

 - Coco

- The Florida Project

 - The Big Sick (I realized it’s on Amazon Prime, so I think I’ll give that a watch pretty soon when i have the time)


My Top 10 Films of 2017

1. Phantom Thread 

2. Lady Bird

3. Call Me By Your Name

4. The Florida Project

5. The Killing of a Sacred Deer

6. Loveless

7. The Shape of Water 

8. I, Tonya

9. The Beguiled

10. Good Time 


lesbiankeanureeves top 10 movies of 2017

  • God’s Own Country (dir. Francis Lee)
  • Thelma (dir. Joachim Trier)
  • John Wick Chapter 2 (dir. Chad Stahelski)
  • Get out (dir. Jordan Peele)
  • The Killing of A Sacred Deer (dir. Yorgos Lanthimos)
  • I Am Not A Witch (dir. Rungano Nyoni)
  • Okja (dir. Bong Joon-ho)
  • Columbus (dir. Kogonada)
  • The Shape of Water (dir. Guillermo del Toro)
  • The Villainess (dir. Jung Byung-gil)
Practical Magic: Circle Casting

If you’re brand new to witchcraft, you’re probably seeing this phrase left and right: casting the circle, or circle casting. For some, it seems fairly obvious, because casting circles is often represented in pop culture, from the Devil’s Traps in Supernatural to the circle of brooms in Practical Magic. 

However, what purpose does casting a circle serve? How do you cast a circle? Why does it have to be a circle and not, say, a square? And do I always need to cast a circle when working magick?

Well, we’ll take this in small bits!

Why should I cast a circle?

A circle serves several different purposes in witchcraft. For some, it’s a means of protection. To others, it’s a means of magnifying ritual energy. For still others, it encourages slipping into meditative consciousness. Whatever the reasons for the tradition, it remains a rather good way of getting the spell started.

In terms of protection, the circle acts sort of like a bubble. After all, it’s not just a cylindrical wall. When a witch casts the circle, he or she is envisioning the energy rising up from where it had been cast on the floor and forming a dome over the ritual space, and below the floor to encase the space in a bubble of intent. For many witches, this forms a sort of shield from outside spiritual influences, and to enter the circle after it’s been cast would require cutting a doorway into it.

As you cast your spell or work your rite, the energy you send out interacts with your altar, your tools, yourself, and your ritual space. The circle acts sort of like a can of soda that’s been shaken up. It holds in all of that energy, allowing it to increase in concentration and potency, allowing it to continuously interact with all ritual components, including the witch casting it. When the rite is done and the circle is opened, it sends all of that energy out into the world with extra force and intent, allowing it to more effectively do as the witch desires. This is particularly useful for rites and spells intended for someone else, or for spells intended to cause large changes.

Furthermore, casting a circle is usually the first or second act done in a spell - often a witch will cleanse a ritual space by asperging or smoke cleansing before casting the circle. As a result, casting the circle is an ideal start to a rite because it begins to set you into the state of mind you need for spellwork. By channeling intent and starting up the circle, you get your magical energy moving so that by the time the ritual starts, you’re already warmed up (like an athlete taking a couple of laps around the track so she can be warmed up and ready to go for practice or for the game). 

Why does it need to be a circle instead of another shape?

This largely is rooted in tradition. If you really feel that a different shape is more sacred than a circle, you’re welcome to use that instead in your practice - some cultures believed in triangles being the shape of perfection. However, in most cultures and beliefs, the circle is a rather sacred shape. We see it everywhere, the only shape that can truly be called perfect - no corners, no sharp edges, no beginnings, no endings. It is a symbol of eternity, and reflects the shape of Mother Moon and Father Sun.

The circle also has another impact in witchcraft in that it can be seen as a fertility symbol - representing the full womb. 

When casting a spell and beginning with a circle, you’re creating a sphere of energy - a magical manifestation of the principle of “as above, so below.” In a sense, you’re not casting a circle, but instead casting a sphere. It allows you to encompass your ritual space in a way where the energy can flow smoothly and freely like water. In general, other shapes don’t allow this kind of movement. Just like in Feng Shui, corners collect energy, prohibiting it from moving freely and causing it to grow stale and potentially sour into negative energy. Without the corners, you don’t have to worry about stale energy.

Do I always need to cast a circle in order to work magick?

The simple answer is no. The more accurate answer is that it largely depends upon the tradition you follow and what brand of magick you work. There are witches out there who will absolutely refuse to cast any kind of magic without the protection of the circle. Meanwhile, there are witches out there who only cast the circle for esbats and Sabbats. What feels best for you should be what dictates how frequently you cast your circles.

In my case, I always cast a circle when I am doing a full rite. Since many of my spells are done on the fly (intuition is key for me, so I don’t always write out elaborate spells), I don’t cast a circle for every working I do. Instead, with some spells I make use of circle imagery in order to provide the same effect - the pentacle is basically a mini circle. If you’ve seen the picture I showed of the protection altar I made for a friend of mine, you would notice that I have the pentacle there, but on either side of the pentacle are crystals pointing outward - through the use of imagery, and by using the crystals to project the energy, I’ve managed to cast my circle in the process of casting the spell.

When I’m working in my kitchen, I never cast full ritual circles - the pots and pans provide the shape, and I can cast the circles in the bottoms of those utensils if I need to empower the food.

I do, however, recommend casting circles any time you wish to work with spirits or any time you perform divination or healing spells. This is as much for empowerment as it is for protection.

How do I cast a circle?

Casting a circle can be as elaborate or as easy as you feel it needs to be. It can make use of actually drawing a circle on the floor, or it can be entirely energetic and felt. Ultimately, like any aspect of magick, the circle should be cast in the way that you feel it should be. The guidelines I give here are exactly that: guidelines. Work with them however you feel works best for you!

Step One: Cleanse your space

Cleansing your ritual space is necessary for any magick, depending  upon your craft. When doing a ritual spell, I always cleanse with sage smoke or asperge with holy water. When you feel your ritual space is cleansed of all negativity, you’re ready to begin the casting of the circle.

In my practice, I go around the circle a total of three times. The first time is when cleansing the space. In addition to cleansing the room, I cleanse the circle in a clockwise direction, stopping briefly at each cardinal point to allow the smoke to linger in the space. For me, this helps begin the process of casting, and enhances the visualization.

Step Two: Physical Representation (If Any)

I don’t often draw a circle on the floor. This is largely because most of my magic is intuitive. However, when working with the coven, we sometimes do lay out a circle depending upon the rite we’re working. Especially for new witches who struggle with visualization, laying out a circle can be very nifty and helpful. As such, if you’re new to witchcraft, I do recommend laying out a circle if you feel it helps. If you’re still in the broom closet and want to cast a circle discreetly, you may have to rely upon visualization alone.

Regardless, there are a couple of ways you can lay out your physical circle. The first is to only provide representations at the Corners, or Cardinal Points - North, East, South, and West. If laying out the circle is ritualized for you, it is often recommended to start in the East and move clockwise around the circle. When providing only representations at the Corners, you can either place candles in each direction, or you can provide something that represents the element associated with it (a feather for air at the east, a candle for fire at the south, a glass of water at the west, and a jar of salt for earth at the north, for instance). My coven has considered casting spells at the beach, and we all loved the idea of taking tiki torches and setting one up in each corner, lighting them as we greet each guardian.

The other way of laying a physical circle is to actually draw out the whole circle in some way. If you’re at the beach or in an area where you can draw a circle in the earth, you’re set. But other times, you may be in an area where there’s a bit of foliage, or you’re indoors and don’t have the luxury of scratching a circle into your apartment’s carpet. Depending on what kind of surface you’re using, you can pour salt around the ritual space as a circle, or you can use a protection powder (such as ground eggshells, or ground cinnamon). If laying down something that’s granulated or powdered is a bad idea, because carpets, some witches will use ribbon instead.

One of my favorite moments with my coven was when we had cast a circle on a hill for a Sabbat rite. The hill was rather overgrown, and we were working in a small, grassy clearing. Since the rite was for Imbolc, we had decided that spring flowers would be beautiful. So we took flowers and laid them out in a circle around our ritual space.

Whatever method you use, it is often easier to lay out the physical circle before casting it spiritually.

Step Three: Greeting the Quarters

The second pass around the circle is done as a means of welcoming the Quarters. If your tradition does not have guardians at the cardinal points, you may substitute as needed (welcoming the Faeries, or welcoming deity, for example) or you may omit this step entirely.

Starting at whatever direction is traditional for you (I always start in the north, but many witches prefer to start in the east), greet the guardian, welcoming it to the circle. I do this with an invocation and with the ringing of a bell. Something to the effect of:

I welcome the element of Earth to the North, that it strengthen the circle.


I welcome the Guardian of the North, that it may bear witness to my work. Come in peace and love, so mote it be!

You would move in a clockwise direction around the circle, stopping at each cardinal point and welcoming its guardian or spirit in turn.

Once done, return to the altar.

Step Four: Casting the Circle

My third pass around the circle is the actual casting of it on a spiritual level. Depending upon your tradition, you would do this with a staff, sword, athame, or wand. My personal tradition is flexible - cast it with your hand if you feel that is more effective. I do, however, often cast the circle with a wand - the quartz in my wand helps to empower the circle, and I love encouraging that as much as possible.

With whatever implement you prefer in your casting hand (some traditions emphasize casting hands, others don’t; in general, your casting hand is your dominant hand or whatever hand you use to write with most often; if you’re ambidextrous, this could be either hand), start with the point you began at. Point the implement toward the floor at that point (physical circles help with this - point at the border you’ve created) and begin moving clockwise about the circle, envisioning your energy flowing outward from you, through your implement/fingertips, to the floor and creating a barrier.

Personally, I always tend to see energy as being like slow, fire-like mist that glows blue. I see it coming outward from my heart, traveling down my arm, through the wand (glowing brighter as it passes through each crystal) and then passing onto the ground where it ignites like a little wall of fire. Every witch sees it differently. That’s just how I visualize it.

Some witches will see the circle forming a sphere on its own. Great! If you feel you need to shape the sphere yourself, you can do so. Once you’ve cast the circle, go back to the altar and lift the energy upward from the floor until it closes above your head, creating a dome, and then push it downward in the same manner so that the sphere encloses the space below ground.

Visualization is key.

Congratulations! You’ve cast your circle. Some traditions will mark this in the ritual format: “Here is the border where the circle is cast none but love may enter, none but love may leave” or “The circle is cast in the presence of Goddess and God, so mote it be!”

When doing a simple spell and casting a circle for it, I acknowledge the casting quietly before setting to my work.

In Conclusion…

As you can see, casting a circle is something that can be very elaborate or very simple. It can be required for all workings or it can only be required for some. I feel that the way you cast your circle is often deeply personal. For that reason, in the steps I gave as an example above are only some of the key parts of how I cast the circle without revealing any personal details of what I do for it when not working with the coven.

Every tradition, every path, every witch casts circles differently. If you are starting out as a witch, I greatly encourage you to create your own, personalized method of casting the circle. If you keep a Book of Shadows (as most witches do), the way you cast your circle should be one of the first things that you write down in it.

All that said, may all your circles be unbroken!

Blessed Be! )O(

Archangel Metatron oversees:

  • Evolution – The gradual development of something into a more complex or better form.
  • Enlightenment – The awakening of all wisdom; the ability to see life’s challenges and manifest them into a positive outcome for the good of the self and others.
  • Activation of the light-body – Your light-body is a network of light energy, sacred geometric shapes and symbols, which combine your physical, emotional, mental and spiritual bodies.
  • Your light-body radiates light-energy and electro-magnetically links your multi-dimensional self with the infinite universe. It connects you to cosmic consciousness energy through high electrical currents to help you manifest your hidden talents and souls purpose. As you activate, build and integrate your light-body, you gain the ability to re-organise your molecular structure, allowing your body to be less dense, and freer to express itself with the source of the universe.
  • Ascension – On an individual level, ascension is the process of changing one’s consciousness from one reality, based on one set of beliefs, to another. On a group or planetary level, ascension is the collective expansion of a state of consciousness (set of beliefs) to the point where that consciousness creates a new reality.

The Killing of a Sacred Deer (Lanthimos),The Florida Project (Sean Baker). Good Time (Safdie), Call Me By Your Name (Guadagnino), Happy End (Haneke), Thelma (Joachim Trier), Bright Sunshine In (Claire Denis), Wonderstruck (Haynes), You Were Never Really Here (Ramsay), The Shape of Water (Del Toro), Heartstone (Guðmundsson), Let the corpses tan (Cattet/Forzani), 120 bpm (Campillo), Columbus (Kogonada) are all coming to the local film festival in November (among almost 100 films), now i have to decide and plan which to see. At least 10 of these (if not all of them) will be a must see for me. So excited, finally some quality cinema time coming. 

all movies watched in DECEMBER 2017

bold: rewatched

Axolotl Overkill


Call Me by Your Name



Eat Drink Man Woman

Good Time

I, Tonya

In the Loop

Man of Wire

Maps to the Stars

Only Lovers Left Alive

Personal Shopper

Queen of Earth

Repo Man


The Boy and the Beast

The Killing of a Sacred Deer

The Little Hours

The Shape of Water

Three Billboards Outside Ebbing, Missouri

Valerie and her Week of Wonders

What We Did on our Holiday

Young Adam


i feel it coming pt ii SMUT***

Pairing: Sirius Black x Reader 

Warnings: unprotected sex, underage, language, skinny dipping (?), alcohol, sleep talking, lmao are you actually reading this? bless you, you beautiful human bean ( ͡° ͜ʖ ͡°) 

A/N: alright, this is the third time i’m posting this, and if Tumblr decides to devour it I will dramatically throw myself into the void and never return….. also, shout out to The Weeknd and Daft Punk, as well as JK Rowling, who will forever own my soul. 

When you and the Marauders go camping in the Forbidden Forest, temptation consumes you and you find yourself sneaking off to the Black Lake with Sirius Black for a late night dip. Things get sexy. Don’t read this to your children. 

Strangely enough, kissing your best friend was not as weird as you imagined. Rather, it was like fire whiskey; delicious and intoxicating, and you’d happily get drunk off his lips. His kiss was fire and when his lips danced against yours, the whole world burned. 

You had never kissed James like this. Well, except for that one time when you were both eight and you were sitting in your treehouse and he leaned across and gave you a chaste and innocent peck on the lips. But you both recoiled quickly as though it were taboo and wiped your mouths because it was James and, as far as your eight-year-old-mind was concerned, boys had cooties. But mostly because it was James

Now, you’re sixteen and you’re kissing Sirius Black but you’re not recoiling, even though it’s Sirius. Rather, you’re grinding on his groin and swallowing his moans while your fingers search hungrily beneath his shirt because it’s not weird. 

Perhaps this isn’t weird because the thought of kissing Sirius Black was never weird in the first place. Maybe you just convinced yourself that Sirius was your best friend and nothing more because girls constantly crawled all over him and he invited it. Maybe having to watch as he chased pretty girls was painful in a way you could never describe so you never addressed it in the first place. Maybe you subconsciously dismissed that part of yourself to some corner in your mind to collect dust with everything else you shelved in secret. 

Maybe you were just in love with Sirius Black and it took a drunken kiss in the Forbidden Forest for you to realize.

You can’t help but moan against his lips, because his kiss pours fresh air into your lungs and it is then that you realise you’ve been holding your breath the entire time. He revives something inside you, something greedy and fired with lust, and your arms wrap around him, pulling him closer, and your head feels as though its spinning. You kiss him and it feels like he has reached into your ribcage and plucked every single one of your heart strings so they sing just for him. 

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