Maslany has to shoot some of her most challenging scenes opposite a tennis ball or a mark on a wall. “I can’t look down by an inch or else the eyeline’s off, and I’m looking at my nose, or I’ve put a glass of water through my face. It’s specific, technical things that I’m keeping track of. And that I have to be present the same way that I would be if there was an actor next to me. Except now I have to imagine the actor next to me.” (x)
Do you have a link to the video with the table read? The one in the last post?