BK: This wonderfully crafted family photo conveys so much about the individual characters. Wing and Wei as their own unit; Opal looking eager to please; Su radiating confidence and a hint of mischief; Baatar Sr. leaning on the strength of his wife; Huan enveloped in ennui and Baatar Jr. standing in the shadow of his father.
MD: One of the best parts about creating Book Three was developing Su Beifong and her family. In the early development of Korra, Bryan and I had the idea of an elite Metal Clan, which evolved into Su’s family. We wanted Su to be very different from her half-sister, Lin, so we gave her a more outgoing personality and five children. In order to tie the Beifongs to the main story line of rebuilding the Air Nation, we decided that Su’s daughter, Opal, should be one of the new Airbenders. Twins seems to be an ongoing theme in the Avatar world. We had the elderly Lo and Li in the original series, fraternal twins Eska and Desna in Book Two, and now we have identical twins Wing and Wei, the jocks of the Beifong family.
Original storyboard sketch by William Ruzicka. Finished design by Angela Song Mueller. Character tones by Sylvia Filcak-Blackwolf. Background painting by Emily Tetri. Su concepts by Bryan Konietzko. Su designs by Bryan Konietzko and Christie Tseng. Beifong family designs and expressions by Bryan Konietzko, Angela Song Mueller and Christie Tseng. Cleanup by Evon Freeman. Color by Sylvia Filcak-Blackwolf.
Shot on a Kodak Icarette camera using Kodak film in 1929, this photograph - showing the inside of the original Pennsylvania Station in New York - won a $250 prize. It was included in the enlargements category.