room: edits

There’s this elite thing, where everybody’s petrified of the idea that you could want your music to reach lots of people, but that’s what excites me. The idea of starting in a room and then bleeding out across humanity, the idea of one of my songs being on in a car while people are having an argument that really matters to them, or a song being on when somebody has that moment when they feel really alive. I want that. I don’t want unaspirational bullshit. There is no time for it in art. I come on stage and go: ‘This is what I do and I’m proud of it.’