roni horn

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Encased

A frame is not the only way to encase an artwork for display. More artists are experimenting with plastic resins or glass to create their pieces. The resin preserves the work, more so than a wooden frame would do. The results are often similar to prehistoric sap with various objects from leaves to bugs, found within them.

If it wasn’t for plastic resin, some of artist Peter Alexander’s works would not even exist, as his piece “Cloud Box” (1966) consisted of “introducing water vapor to the liquid resin during the casting process” which created the cloud within. The artist was actually able to ‘catch’ a cloud, or technically, create a cloud and trap it forever, thanks to the resin.

Another artist who tampers with their resin to create unique pieces is Michal Macku, who in 1989 began working with ‘gellage’, his own invention of combining collage elements and gelatin. Working with gelatin prints, the artist is able to reshape his photographs, “changing their relationships and endowing them with new meanings during the transfer”. He then combines this process with state-of-the-art technology to great his large scale glass gellages, which trap his images in a 3D setting, rather than flat like a photograph.

Roni Horn’s “Well and Truly” (2009-2010) plays with illusion, where the work at first seems like a container holding water, but inspecting the piece reveals the work’s true medium; a solid cylinder of glass. The artist emanates the characteristic of water, its changeability, by allowing air to come into contact with the top of the glass as it sets in its mold, creating a smooth gloss. The artist undermines “all certainty about [the piece’s] solid or liquid nature” changing the physical experience of the viewer.

Changing physical materiality is also present in Kirsten Baskett’s pieces, such as “Autonoma”. Baskett etches delicate images onto fine Japanese kozo paper, later encasing them in clear resin, and the once “fragile paper becomes indestructible and untouchable”. The artist sees her pieces as frozen in time, permanently available to view, but never to experience the true materiality of the object captured within.

-Anna Paluch

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“Water is a mysterious combination of the mysterious and the material. Imagine something that impinged on by everything, in contact with everything remains to this day mostly transparent – even crystal clear when taken in small enough quantities. Water is transparence derived from the presence of everything. Water is transparence derived from the presence of everything – that is water sifted down, filtered out through the planet Earth – Earth, aquifer that clarifies and realises purity.”

– Roni HornSaying Water”. Photographs from East of the Sun, West of the Moon by Gregory Halpern & Ahndraya Parlato.

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Just a little bit off the topic here
…but I’m struck by the similarity of these works by two different artists in two different mediums.  The interesting thing to me is that both artists developed this idea into series of water images.


Vija Celmins

Untitled (Big Sea #1), 1969

Graphite on acrylic ground on paper

34 1/8 x 45 ¼ inches

Roni Horn

Still Water (The River Thames, for Example), 1999

Photographic Print