Probably won’t make reblogging/posting self insert art a common occurrence because I feel kinda weird about being so out there about it, I’ll mostly add them to this album. Also, if you’re an artist, I’m still buying ATM.
The necropolis is one of the best preserved and extensive of its kind in the world. This city of the dead contains tumuli, sarcophagi and house shaped tombs lying stretched along both sides of the road extending 2km to the north. Most of about the 1200 tombs were constructed with local varieties of limestone. The extent of this necropolis attests again to the importance Hierapolis had in the Antiquity. It is worth taking one’s time to wander amongst the tombs, that date from antiquity to early Christian times, and marvel at the ostentation that these residents of Heirapolis afforded to their tombs. It has a fairyland quality.
The amphitheatre is built of stone blocks, located on a flat ground, and is exceptionally well conserved. The amphitheatre of El Jem is the third amphitheatre built on the same place. The belief is that it was constructed by the local proconsul Gordian, who became the emperor as Gordian III.
Merlin: “This is a track and report mission only. Do you understand, Eggsy?”
Eggsy: “Yeah, yeah I got it.”
Eggsy’s on a track and report mission–which means he’s not allowed to engage with the target sO he’s not allowed to talk to Harry YET cuz we don’t exactly know what happened YET anD IT’S aSDFGPAINFULADAEOINF
okay let’s just say they’re in the tube—train? ahaha
The construction of the temple, which was the main religious sanctuary of the city, started in the last half of the 2nd century AD. The preserved inscriptions indicate that emperor Hadrian was responsible for its commission.
The temple stands on a many-stepped podium and was built of marble. It is surrounded by a peristasis in a pseudodipteral arrangement, originally with 15 Ionic columns on its long side and 8 on the short side. The podiom itself measures 33 X 37 meters. Nowadays, only the columns on the western and northern side are still standing.
The temple was dedicated to two deities. Zeus - the ruler of the Olympians - was worshipped in its aboveground section, and the underground part of the building was the place of Cybele cult. Stylistically, the part dedicated to Zeus was built in accordance with the Greek patterns and the underground section - with the Roman ones as the barrel vaults are clearly visible.
The battle scenes depicted on the walls of the building come from much later period. They were made by the Tatars and illustrate their lives and battles fought in the 13th century AD. Nearby the entrance to the temple grounds there is an enclosed area where some interesting fragments of temple decorations are collected. Opposite the temple there are the remains of a small bouleuterion, but its history remains unknown.
The Porta Nigra was built in grey sandstone between 186 and 200 CE. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier. It serves as an entrance to town.
In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.
Although little is known for definite about the history of Qasr al-Abd it is widely believed to have been built by a Tobiad notable, Hyrcanus of Jerusalem, head of the powerful Jewish Tobiad family and governor of Ammon. Credence for this theory is gained from the fact that the Hebrew name ‘Tuvya’ or 'Toviyya’ (Tobias) is engraved (טוביה but in a more Aramaic script) above the adjacent burial caves of Iraq al-Amir, which share their name with the nearby village.
The heavily decorated two-storey stone structure (measuring about 40 metres by 20 metres, and 13 metres high) is a rare example of Hellenistic architecture in Jordan. In the 1st century AD, Flavius Josephus described it as, “A strong fortress, which was constructed entirely of white marble up to the very roof and had beasts of gigantic size carved on it; and he enclosed it with a wide and deep moat”. The castle is built from some of the largest single blocks of any building in the Middle East, with the largest block measuring seven by three metres. However, these blocks were at most only 40 centimetres wide (making the building relatively vulnerable to the earthquake which destroyed it).