rock columns

Oh my goodness, I just realized something???

Dick Grayson is a safety net for everyone else in DC.

Allow me to explain:  

So everyone knows how Dick’s parents died: Tony Zucco was a rude jerkface who sabotaged the wires for the Flying Graysons’ trapeze act, the ropes snapped, they fell to their deaths right in front of poor baby Dick’s teeny little eight year-old eyes, we all know the story. But the thing about this situation is that most acrobats would use a safety net in case they fell. The Flying Graysons, however, chose to do that particular act without a net in order to create more excitement. So they died because there was no one to catch them. Dick’s family died because they had no safety net

Cut to a little over a decade later, and Dick is Nightwing. He’s been with Batman, he’s been a member of several teams, and he’s met so many other superheroes in the DC universe that practically everyone is a friend of Nightwing. He has helped nearly everybody at some point or other, so he’s known for lending a helping hand to anyone who asks. Out of all the many, many, many superheroes in the universe, Dick himself is known as the one any person can go to for help no matter what. There’s never any doubt when it comes to Dick. He will always and without question be there for anyone who needs him. He’s their rock. 

In fact, Dick is probably one of the only characters besides a few prominent heroes like Batman and Superman who everyone can rely on. Everyone has their own reputations, whether it be a good or a bad one. Bruce’s is being dark and broody, but Dick’s is being trustworthy. Everyone can vouch for him. Dick can always be trusted, no matter what. It even says it right here:

And in this panel too, Superman tells Dick that he is the single person who in every place in the multiverse can never be corrupted:

See? Dick is one of the only guys whom every single hero knows he/she can trust and that this is something that will never change. Because Dick is good. Dick will never let anyone down or betray them, it’s just not in his DNA. If anyone is ever in need of help, then you can bet your little tush that Dick Grayson will answer the call, no matter what it costs him. He saves everyone who needs it and is willing to catch them when they fall. Like a safety net. Dick catches people. That is his legacy. He couldn’t save his parents from hitting the ground, but you can trust that he will bust his butt and try his hardest to ensure that from now on he will keep that from happening to anyone else. 

And ever since the Flying Graysons fell, Dick kind of has a thing with falling. It’s a conquered fear, one of which he confronts every day as he soars above cities and saves those who can’t save themselves. But he can’t stand the thought of falling without a net to catch you, so subconsciously that is the role he fills. He has become a metaphor for DC’s safety net, as in he is the one character who everyone can trust to save them, whether they be civilians or other heroes. They can always trust that they can go to him for help when they need it, and Dick in turn will always be ready to save them. He is the one holding his arms out, ready to catch people when they fall and support them for as long as they need him to. He refuses to let anyone down. Dick is DC’s rock, the one column that will never topple over no matter how hard you try. He is a safety net, prepared to catch people when they fall and ready to help them to fly again. Dick’s parents had no safety net, so Dick is going to make sure no one else will have to be without one as long as he’s there. And that my friends, is my epiphany of the day. 

okay but it’s so important to do little things for yourself that help you feel comfortable in therapy. like for some people thats bringing stuffed animals or blankets or their journal, but for me it’s spending the first five minutes showing my psychologist cool rocks ive found/bought since i last saw her. it helps me relax and gives my hands something to do throughout the session. theres no such thing as a “stupid comfort item/habit.” sometimes you gotta start your therapy talkin about what happened on your favorite tv show. sometimes u gotta show your therapist pictures of your pet or ask for a pic of theirs. it’s okay.

being comfortable in therapy is the first step towards significant progress.

the most compelling story behind a song is the inspiration of “Rich Friends.” Gourley remembers being at a friend’s birthday party when Harry Styles showed up – “Who the f— do we know that’s friends with Harry Styles?” he questions – and gifted their mutual friend a 1950s Gibson guitar. “We were all sitting there, the dickheads in the corner, like, ‘I could use some rich friends.’
Electric Century's Mikey Way & David Debiak Talk Debut LP & Overcoming Addiction
In a rare interview, former My Chemical Romance bassist Mikey Way discusses future plans with post-MCR project Electric Century, a collaboration with longtime friend David Debiak, which has already seen him through dark times: addiction, rehab, and now, a fresh outlook on life.

New interview with Mikey and David!
Black Veil Brides' Andy Biersack to Host 2017 Journeys Alternative Press Music Awards, Fueled by Monster: Exclusive
Andy Biersack, the singer of hard rock band Black Veil Brides, has been chosen to host the 2017 edition of the Journeys Alternative Press Music Awards (APMAs), Fueled by Monster Energy. The show will return to Alternative Press’ home base of Cleveland on July 17. Other details are yet to be announced.
Fueled By Ramen Pop-Rockers Vinyl Theatre Announce New Album, Premiere Four Glistening Tracks
Milwaukee-based rockers Vinyl Theatre share four new songs -- "The Island," "30 Seconds," "My Fault" and "New Machines" -- ahead of the May 12 release of "Origami," their sophomore album for Fueled By Ramen.

Check out the Billboard premiere of some new Vinyl Theatre songs off their upcoming album ‘Origami’ HERE! You’ll be able to pre-order ‘Origami’ starting tomorrow, February 10th!
Harry Styles' 'Sign of the Times' & The Virtue of Patience
Harry Styles has dropped a bonafide piece of art that took months to complete, and did so on his own terms. It’s a subtle win for him, and for his audience.

Fans waited for over a year to get a solo single from the One Direction leader — and the wait was worth it.

It never made sense for Harry Styles’ debut solo single to be released in April 2017.

Not because there’s anything wrong with this particular month — it’s just been a surprisingly long time coming. It’s been over two years since Zayn Malik pursued a solo career and made One Direction no longer whole. It’s been nearly 17 months since 1D released its final album, Made In The A.M., before parting ways for an indefinite hiatus. And it’s been much longer than either of those time periods since Styles established himself as a potential superstar residing within the boy band structure, ready to pounce upon pop culture once he deigned that it was time to go solo.

How long have we known that Harry Edward Styles had the voice, stage presence and charisma to become a star? Haven’t we waited a half-decade – since first seeing that mop of hair and the smile underneath– for this moment to arrive?

With “Sign of the Times,” Styles more or less explains the reason for the wait. This is one of the more ambitious opening statements in pop this decade, an ostentatious and essentially verse-less stab at something both immediate and timeless. My colleague Andrew Unterberger already broke down everything that “Sign of the Times” is — defiantly rock, proudly bombastic and impossibly British included. One thing that it isn’t, though, is undercooked, which is perhaps its most important trait of all.

Imagine for a second that you are Harry Styles, and that it is the end of 2015. One Direction has just released its fifth album (and first since becoming a quartet), and will not tour behind it. Your former group-mate Zayn has teased an insanely anticipated solo debut after leaving One Direction that March. Your fellow members have each expressed interest in striking out with solo projects, yet you know that the focus is squarely on your next move, as the 1D member with (arguably, but sorta obviously) the highest profile and most name recognition. You have just spent five years in the biggest pop group of the 2010s, and the world is starving for your next step.

Imagine how many offers Styles must have turned down to perform, collaborate and hurry his solo career into existence. Imagine the discipline it must have taken to wait this long to drop a finished first single, without teasing any new music to the several million Directioners anxiously awaiting your arrival and constantly messaging you about it on social media. At the time of One Direction’s final album release, Styles was 21 years old, and could have jumped the gun on becoming a rock star with the support of most labels or managers. To wait until this moment to get this right, Styles had to be uncompromising.

And that’s what “Sign of the Times” is: resolute, determined, wholly committed to its messaging and sound, radio trends be damned. Although it wears its influences on its sleeve (RIP, David Bowie), nothing about this single bends toward someone else’s expectations. “Sign of the Times” sounds effortless, but to arrive without any incomplete features is an accomplishment in a music industry where pop artists are expected to produce new music at an unsustainable rate and buckle at least in part to what everyone else is doing (while still remaining original, of course). Throw in the fact that Styles was a huge name before releasing a shred of solo music, and the patience and attention to detail of “Sign of the Times” is a pretty remarkable feat.

Will “Sign of the Times” be a hit? Who knows, but that’s sort of beside the point. Styles has dropped a bonafide piece of art that took months to complete, and did so on his own terms. It’s a subtle win for him, and for his audience. Harry took his time, and got it right.
Fleetwood Mac's 'Rumours' Turns 40: 11 of the Best 'Go Your Own Way' Covers
Before throwing amorous lyrical shade became standard chart-topping fodder, there was "Go Your Own Way."

Lea Michele/Glee
By the time Glee went off the air in 2015, there were few songs that hadn’t been showcased. But a second season episode, titled “Rumours,” was devoted entirely to the Fleetwood Mac album’s songs. Whether you A) loved the show B) pretended you didn’t watch the show but secretly did, or C) protested its existence, Lea Michele’s take undeniably did it justice.