anyone else get irrationally annoyed when u see smthn describing tim as the “”“nerd”“” of the family? like nah son catch him skippin classes bc there’s a skateboarding competition downtown and the winner gets an Xbox. the kid’s filthy rich he’s probs at least ONCE paid someone to do his homework for him. how many times has bruce gotten a call from a teacher like “Mr Wayne uh your son was supposed to turn in a paper today but all he gave me was an index card that said ‘words are meaningless and we are all gonna die one day’. Please talk to him the board is concerned.”
Just been rewatching this scene from Big Hero 6. Look at Callaghan when Krei does up his cufflinks and just before he talks - You can see his face twitch! It’s such a subtle bit of animation but holy shit! You can see the hatred just bubbling over!
Since [getting married], yes they’ve been through the fire. They will go through trials and tribulations like any good couple do but at the root of it all, those vows mattered and they will come to remember those and stick by them in the long term. There will be a happy ending.
Why the SPN mixtape scene from 12x19 is screenwriting gold, and should be taught to the next generations of screenwriters everywhere - analysis
20 seconds. Two lines of dialogue, three gestures, a couple more camera angles. Episode 19, season 12 of a genre TV show “Supernatural”. A single strike of screenwriting and cinematic genius. The mixtape scene.
Robert Berens and Meredith Glynn, I bow before you.
This scene should be used as an example for future screenwriters how you can put maximum of meaning into minimal time and dialogue. Should be analyzed and taught at universities everywhere, how to achieve the most using the least. How to write for TV, where you only have less than an hour to built something spectacular.
Let’s just peel off all the layers of these 20 seconds of footage and these 13 words. 13 WORDS.
(Cas knocks, Dean doesn’t say anything. Cas opens the door, apologizes for disturbing Dean in his room, and then takes a cassette tape out of his left inside coat pocket, and puts it on the desk, while tapping the label on it that says “Deans (sic!) top 13 Zepp traxx”.)
Cas: Um, I just wanted to return this.
Dean: It’s a gift. You keep those.
13 tracks. 13 words. The future. So number thirteen is important for the future. I mean, are you trying to tell us something here, writers?
(Dean takes the tape, oustreches his arm, and gives it back to Cas. We see Cas’ hand grabbing the tape, and putting it back into his left inside pocket.)
That tiny scene is ENORMOUS from the perspective of the narrative and the characterization. Let’s see what we can get out of it. (Prepare yourself: it’s gonna be long. Damn, how much meta can you write based on 20 seconds of television and two lines of dialogue?) (Hint: A lot.)