Miz Beulah Fowler and Miz Ruthie Wyandotte, 13 x 10.5″ each, mixed media on Rives BFK Tan paper. I posted Beulah when I finished her; now she has a friend. And today I begin work on my 2016 calendar: Chickens of Distinction. Oh – and I have no idea what breed Beulah is; her owners didn’t know either. Can anyone here help me ID her?
“Imagination and Objects of the Future”, 1975-1976.
Complete suite of 10 drypoint etchings, lithographs, and screenprints, 6 with collage, from the French edition of 250, edition 238/250, each signed and numbered in pencil in the lower margin, with accompanying title page, introductory texts in French by the artist and publisher, on BFK Rives paper, engravings printed by J.J. Rigal, Paris, lithographs printed by Desjobert, Paris, all published by Merrill Chase Publishing Associates, Chicago, contained in the original paper folders with text in French. Titles are as follows: “Spectacles with Holograms and Computers for Seeing Imagined Objects”, “Liquid Tornado Bath Tub”, “Liquid and Gaseous Television”, “Intra-Uterine Paradisiac Locomotion”, “Breathing Pneumatic Armchair”, “Cyclopean Make-Up”, “Melting Space Time”, “Anti-Umbrella with Atomized Liquid”, “Cybernetic Lobster Telephone”, and “Biological Garden”.
Intaglio ink relief print of a cassette tape…. the texture of music. I ripped open a cassette, and wanted to capture the texture of another “obsolete” musical device. A reminder that this is what we used to listen to music at one point in time.
i intaglio wiped the parts of the cassette tape, ran it through the press, and this is the beautiful detail and texture i got, simply from the inside of a device we used to use to play music, an obsolete technology that held sound in rolls of tape.
This is part of a series of prints i did, where i took musical devices, dismantled or dissected them, and pulled print images from them.
“Cassette Tape.” from The Texture of Music Series. Intaglio relief print on Rives BFK Paper. 2015.