rise of the guardians concept art

so guess who basically got to draw rise of the guardians fanart for concept art homework?! (THIS SOBBING NERD

RotG has been on my to-watch list for some time now, and i’m so glad i finally got around to seeing it (for actual school purposes, no less)! here is real bb jack frost hanging out in my version of bunnymund’s gorgeous easter warren. 

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| the aesthetic from video games concept arts part 3|
| i very love the concept arts from video games!|
| Edits made by me :)|

ROTG Art-book arrived!

So stoked! It was such a blah/gloomy day and I needed this to perk me up
(along with chatting with my bestie, but Skype is being a puke right now, ugh!)
Loving the artwork, it’s always amazing to see concept art and designs, especially of fav characters.

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Every DreamWorks ‘Art Of’ Book…Ever

The Art of DreamWorks Animation: Celebrating 20 Years of Art,

The Art of Prince of EgyptChicken Run: Hatching the Movie,

Shrek: From the Swamp to the ScreenSpirit: Stallion on the Cimarron,

The Art of Wallace & Gromit: The Curse of the Were-rabbit,

The Art of Bee Movie,   The Art of Kung Fu Panda,

The Art of Madagascar: Escape 2 AfricaThe Art of Monsters vs. Aliens

The Art of How to Train Your DragonThe Art of Shrek Forever After,

The Art of MegamindThe Art of Kung Fu Panda 2,

The Art of Puss in BootsThe Art of Madagascar 3,

The Art of Rise of the GuardiansThe Art of the Croods,

The Art of TurboThe Art of How to Train Your Dragon 2,

The Art of Mr. Peabody & ShermanThe Art of Penguins of Madagascar

and last but not least, The Art of Home

Q&A: Guillermo del Toro announces ‘Trollhunters’ season 2

Last Christmas, sometime while you either weren’t looking or were solely focused on graver matters, Netflix released what’s shaping up to be its most-watched children’s series ever, from one of the industry’s most whimsical storytellers — and if the show’s demographic-dashing storyline didn’t catch your eye the first go-round, you’re being summoned by the storyteller himself to catch on for season 2.

Trollhunters comes from Guillermo del Toro and marks both a first for the filmmaker — a bingeable creation for Netflix — and a return to form by way of a long-standing history with DreamWorks Animation, where Del Toro cut his teeth in the medium. EW can exclusively reveal that, following the successful run of the first 26 episodes, a second season of 13 episodes will arrive later this year, with production already long underway for season 2.

The show follows the adventures of Jim (Anton Yelchin, who recorded the first season before his death in June), a teenager-turned-warrior called upon by an underground civilization of trolls to defend their way of life from both humans and evil trolls alike. The returning cast includes Charlie Saxton and Lexi Medrano as Jim’s cohorts Toby and Claire, Kelsey Grammer as his troll mentor Blinky, and Clancy Brown as the series’ big bad, Gunmar.

What’s important to know about Trollhunters and its expansive world-building is that despite the show’s impending viewership pedigree, its stunning visuals shouldn’t be construed as simply for kids. As Del Toro himself tells it, Trollhunters is for kids in the same way as Pacific Rim and Hellboy were for kids — which is to say, they straddle the optics of genre in a way that much (although definitely not all) of the director’s work does.

To announce season 2, Del Toro spoke with EW about the validation of renewal, how the show will handle the loss of Yelchin, and where the series — and Del Toro himself — will go from here.

ENTERTAINMENT WEEKLY: It seems like you have some news to share.
GUILLERMO DEL TORO:
Well, we got very good news about how many people were watching the series, but we got confirmation that the next episodes are a go. We’ve been working on a second season for a while now because we knew that if everything went right, we could proceed. We’re going to go ahead and now continue, rather than start, because we’ve been doing it for more than a year. The reality and the beauty of this is that we can continue not only the storyline and the characters, but we have a huge swath of work from Anton that allows us to continue Anton through more than half the season.

How did you approach the show following the loss of Anton?From the get-go, even in the first season, we knew we wanted to preserve as much of the performance of Anton as possible, both from an artistic and a human point of view, and also simply because I think it’s a tribute to what we think he brings to the role of Jim. From the beginning when we planned the writers’ room, we set out a map of 52 episodes, and created arcs that break every 13, and those were planned four years ago. So we have been recording Kelsey Grammer, Anton, Ron Perlman, Clancy Brown, everybody involved in the series for years and years. And there was a break in the arc in the right episode that allows us to preserve all the work that Anton did that was phenomenal. At the end of recording sessions, Anton did one of the most complex episodes and then he looked at the pilot, complete, and there was a great moment in which he was able to see the work and do a really complicated episode in which he did multiple voices and we were all so proud and so close when we lost him. And now I can tell you, we’re not only going to second season, but we’re going to be able to preserve a really large part of it with Anton’s voice.

Does his passing change anything in your initial plan, or are you sticking to it?Actually, coincidentally, we have an event in the last episode Anton did which allows us to sort of change his voice slightly, so the character stays — but we didn’t plan this. It was pure serendipity that we had that in the works. The beats of the second season have been set for years, and as of now, we have not altered or needed to alter a single beat.

Since Trollhunters is meticulously mapped out and you’ve been working closely on it for years, let me ask: what surprised you at the end of season 1 that you perhaps didn’t anticipate?This is a series in which I am collaborating with a guy I admire tremendously, which is Marc Guggenheim, and with Rodrigo Blaas, who has been my partner in this whole adventure. I think the thing that surprised me—but it was episode by episode—was how emotional I felt about things that we had put on paper, that we had put in pencil. We had a unique endowment. I really think Trollhunters was done in a way that I have never experienced because, unlike a $150 million animated movie, we were working with TV budgets, but we said, “We have to be ambitious to look and feel like a movie. We have to be much more ambitious than our budget.” And what was really surprising is that I promised, and offered, at every creative step, to protect my team from notes and interference. I said, “This is going to be a show done by creators.” And as we started to deliver , what I found very moving is that you ended up seeing people, seeing animators go the extra mile to animate really well. You saw cinematographers going the extra mile to light really well. We had layout and story guys going the extra mile because they knew… most of the time, the story and storyboard departments on an animated project think of the work as disposable. They know that a sequence they do is going to go through 20 incarnations. And I promised them, you’re not going to come back a month later and find out that you need to do five versions. And everybody felt this is being delivered on. We are working with freedom, so let’s go the extra mile, first time around. And it made a huge difference in the quality of the show, because our budget, monetarily, was the same, but our budget, humanly, was enormous.

Let’s talk season 2’s story. If you didn’t proceed on a second season, the cliffhanger sending Jim to the Darklands would have been brutal. I’m working with one of the best producers in animation. His name is Chad Hammes, and Christina Steinberg, whom with I had worked a couple of times in the past at DreamWorks. And we said from the beginning, we have to bet that we’re going to deliver something really good, and we’re going to get the 52. So part of the thing is, we’ve been animating and blocking, and we have a much stronger second season already in the process. We made the decision based on binge-watching, you know? As we were going through the first season — which really is two seasons because it’s 26 — I started watching the animatics, three or four in a row. I would cancel my flight and stay. I would take three episodes with me. And I started naturally finding how much, at the end of every episode, I wanted to watch the next. And we said, if we can maintain that rhythm, that sort of addictive pace, through 26 episodes, we’re going to get a second season.

Is Jim in the Darklands all season long, or is it just a quick visit?The Darklands are quite an ordeal in themselves. They are not a light walk in the park. They are not a one-action sequence and we go away. There’s a good in the Darklands. We have character recalls that were introduced in the first season that you didn’t know how they’d pay off, or you thought you’d knew how they pay off, and you reencounter them and go, “Oh, so this is who the mysterious lady that gives supernatural powers to Angor Rot is,” for example. She becomes quite a character in the second season. You reencounter a character I love — I won’t tell you who — but we reencounter that character now in the Darklands. We resolve a lot more of the backstory of Blinky and AAARRRGGHH!!!, for example. And of course, the Mexican dentist comes back.

Meanwhile, what will Toby and Claire get up to while Jim’s gone?Well, the second season gives a chance for them to become Trollhunters on their own, but the two worlds are constantly linked. We find out some of the surprisingly complex politics in the world of trolls in regards to the Darklands, and the arc is really very beautiful in the second season. Very heroic, I would say.

RELATED: Hear more of the latest TV news from this week

Is there a single piece of Trollhunters merchandise you hold most dear?We created a couple characters to pitch the series to Jeffrey , and they were done in 3-D, and Jeffrey gave them to me after the consumer products department was done with them, and they were really battered. They were missing a hand, a nose… they were really broken. So I bought some epoxy clay and I repaired them and repainted them in my garage. Now they are on my desk because they were always two of my favorite three-dimensional pieces when we were pitching the series. It’s AAARRRGGHH!!! with Toby in his hand, and one of my favorite characters, which is Not Enrique.

The show is unofficially tracking as Netflix’s most-watched kids’ series ever. What does that mean to you considering this is not just a project, but one of deep passion for you?All of my life I’ve been doing animation. I did it as a teenager. That’s how I started. I started doing clay animation. I went and did this really prolonged sort of internship at DreamWorks for six or seven years, getting my footing on Puss in Boots, Kung Fu Panda 2 and 3, Megamind, Rise of the Guardians… and I really feel that it’s a world that is integral to who I am. If you know my collection, a large portion of my collection is original Disney concept art, and a large portion of my library is an animation library. Forty minutes or more of Pacific Rim was basically animation. I was directing an animated movie within that movie. And I think it’s not a side interest. I know how integral it is to who I want to be as a storyteller and the rest of my immediate future.

Do you feel pulled more towards family-friendly fare now?I’ve done movies that I would definitely not recommend to children. But I’ve done movies that I wholeheartedly always thought they were for young kids. Not 7 or 8, but certainly 10 or older, like Hellboy or Pacific Rim. I really wanted them to have heroes and adventures that were un-ironic, not post-modern, and heartfelt. I think in many ways, the Charlie Hunnam character in Pacific Rim is a little bit like Jim. He’s not a complicated guy. He’s good-hearted. They don’t need to be complicated by post-modern winking or ironic satiric logic. They are really earnest and heartfelt.

What’s coming up next for you?I’m finishing The Shape of Water, and that is not a kids’ movie at all. I would never dream of that. And I want to finish or continue other projects that are of a completely different nature. The thing is, I am not a brand. I am an acquired taste. And as such, I don’t want to be defined by what I’ve done, but what I do next.

Trollhunters season 1 is currently available to stream on Netflix.

pokemonmasterjames  asked:

What's the villain in Genji like? I know you probably do t want to spoil anything, but do you think you could at least provide some insight into his or her goal?

Hey there :D I have a few sets of different villains, so I’ll try to describe what I know so far.

The Earth Kingdom High Council. This council, the leadership of the Earth Kingdom, have a history of serving their country and striving for the greater good. They have illustrious achievements and a record of public service, and all five are intelligent and capable. They are a team and have worked together for a decade or more, and they would do anything (ANYTHING) to achieve their goals and maintain the facade of a strong and unified Earth Kingdom. Of course, though, their commitment to their mission has resulted in a lot of moral ambiguity and pretty despicable choices. They don’t see themselves as evil or villains, but instead see themselves as the five guardians of the Earth Kingdom’s people. Unfortunately, each one of them has become attached to their position and group-think and prejudice are creating an unhealthy environment of extreme beliefs. Their major goals include:

  1. Make the Earth Kingdom Army the greatest in the world
  2. Retake the United Republic
  3. Dominate international politics and rise to hegemony for the protection and prosperity of the Earth Kingdom
  4. Use the Avatar as a tool in achieving their goals

Here’s a link to some concept art of them -  http://mackydraws.tumblr.com/post/164313551289/legend-of-genji-heres-a-look-at-some-of

The Red Lotus. The Red Lotus is back and better than ever! They have spent decades grooming sleeper agents and infiltrating world governments, major corporations, and influential institutions, and they seek to dismantle the established global order through terrorism and espionage. The organization’s goal in the time of Korra was global anarchy, and Zaheer thought this could come about by destroying the Avatar… but after his defeat he realized the Avatar’s power was “limitless.” During his years in prison, Zaheer often meditated into the Spirit World to lead his disciples, and the organization’s mission evolved with his own enlightenment. Now, the Red Lotus seeks to use spiritual power and the Avatar Spirit to bring the world into a new age of equality and freedom. They will do whatever it takes and are developing new technologies to make this a reality… 

Onyx Incorporated. Onyx Inc. was founded by a number of small engineering groups in the Earth Kingdom that wanted to stay competitive with Future Industries. The corporation branched out from traditional technologies to create new weapons, advanced military jets, television sets, better phone systems, and now, the most advanced computing machines in the world. They are the largest and richest company in the world with Future Industries in second place. Onyx Inc. has a seemingly infinite number of contracts with the Earth Kingdom and their work is heavily subsidized by the government. An Onyx television set (sometimes called a colorset) can be found in nearly every home these days, and they have major control over networks and channels. They want to maximize profit, and the easiest way to do so is sell more weapons and tanks… so the leadership is naturally invested in stirring up trouble and encouraging conflict. They have relationships with a number of key stakeholders in order to influence global politics.

Various Rebel Groups. The Earth Kingdom is about to fall into another civil war as people fight to reclaim the political rights that have slowly been stripped away from them. There will be a number of independent rebel groups that will fight for dominance, and each will probably do terrible things in pursuit of their goals. 

Various Actors in World Governments. The leaders of the world aren’t as benevolent as Lord Zuko or Tenzin. We now see a generation of politicians who view the world as fiercely competitive, and there will be a lot of interference in the Earth Kingdom Civil War on many sides… ultimately leading to a World War.

So, I didn’t doodle as much as I had wanted to when we were flying on Singapore, though they had excellent service and the stewardesses were incredibly polite.
I saw some concept art of Pitch prior at the airport when I was checking messages on my phone and wanted to attempt a version similar to one I saw, creating a character and personality to go with it in my head.
(which Pitchy isn’t amazing for a name, but meh, it’s staying and I plan on drawing more of him at some point. Just love the look and couldn’t resist the snaggle-tooth! Will play around with his appearance a bit too.)

My husband ordered me the Rise of the Guardians Art book and I can’t wait for it to arrive!
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PLEASE do not repost/claim credit or steal this image. If reblogging, do not remove my username and sight source. Thank you so very much!~<3

look at this smugass bishie cinnamon twist fuckchicken. i despise him.

i’m hardly a fan of ROTG, in fact i saw it in theatres and disliked it immediately. but thats being harsh because there are some things done well in the movie, unfortunately jack frost isn’t one of them. he just looks and acts like such a pander to the teen girl fans, a demographic i’m part of, it was just so tiresome.

above all im upset because he looked a lot more interesting in concept art

In some of my favorite Star Wars fics (such as Allegiance by @kaelinaloveslomaris or Where Our Intrepid Hero Doesn’t Get Away by @littlesparklight ), sometimes Vader and Luke communicate via a telepathic Force bond thingamajig.

Considering the way Vader’s Force presence is often described as being almost alive (and exceedingly protective/possessive of family), I always end up picturing something like DreamWorks’ concept art for Pitch the Nightmare King from Rise of the Guardians.

So by contrast, I wondered whether Luke’s Force presence might look young and bright and a little vulnerable in comparison. And the background is what I tend to imagine the inside of at least one of their minds to look like. I don’t really know why.