ride one

silverbutterfly17  asked:

Tell us how Steve managed to cause a disaster on his bicycle, only hours after he was banned from using motorized vehicles.

you must know steve pretty well, because that is exactly what happened.

the morning after throwing yet another motorcycle at a supervillian, steve woke up early and decided to go out and get bagels. not at all unusual, except that his favorite bagel place is in brooklyn. so naturally steve decided to just bike there.

tony keeps a dozen or so bikes in the vehicle garage, and pretty much every one of them is weirder than the one before. one is a concept made by ferrari; another one is made from bamboo and was a gift from an MIT student whose research he funded. one appears to have some sort of rocket engine attached. with selections like that, you can see why steve chose the oldest, plainest bike in the group.

what steve did not know was that this was the Deathbike.

see, when tony was 14 and starting at MIT, he wasnt licensed to drive and needed a way to get around campus quickly. so, like many other college students, he got a bike. a very nice, high-end bike, of course, but otherwise perfectly innocuous. (it was a bit too big for him. he insists it wasnt, and that he’s not short.)

tony rode it home and painted it black.

within the first month of owning the Deathbike, tony ran into two people, was run into three times by other cyclists, and just barely missed being hit by a car. tony refused to admit that either 1. the bike was cursed or 2. he was just a terrible cyclist, and instead painted a tiny white skull on the side of the bike for every collision, and rode it for the rest of his time at MIT. somehow, he survived, and no one was seriously injured. (he admits that there may have been a few broken bones. but he paid the medical bills, so it was fine.)

by the time steve took the bike out, there were twenty-seven little skulls.

steve knew none of this, and headed out on the sidewalks aboard the Deathbike. he made it a block or two on thankfully empty sidewalks before tony’s modifications kicked in.

little 14-year-old madman stark, drunk on alcohol and puberty, decided that his two-wheeled killing machine didnt go fast enough. so, using the genius and lack of foresight the stark bloodline had given him, he made some changes. and now the Deathbike has a little electric engine that kicks in after a certain speed, which basically increases how fast the bike goes per pedal. tony says the fastest he was ever clocked on it was about forty mph–but insists he could have made it faster, except he didnt want to make it too bulky.

steve was doing fifty miles an hour by the time he was six blocks from the tower.

since steve is himself, instead of maybe slowing down when he realized how fast he was going, he decided to see how fast he could get. and it turns out that a supersoldier on a bike built by teenage tony stark can go plenty damn fast.

a traffic cam on the brooklyn bridge clocked him at nearly 115 mph.

but dont forget–this is the Deathbike. it earned its name, and would fulfill its mildly inconvenient legacy regardless of who was riding it. 

also, its tires were never built for that kind of stress. 

steve turned around the corner of the block where the bagel shop is going some eighty-odd mph (having slowed down to turn), and hit a heap of cardboard. if he’d been going slower, or if the wheels had been in better shape, he might have been able to brake in time. as it was, he was still going pretty fast when he hit it. and since the universe loves to laugh at steve, the pile of cardboard was shaped pretty much like a ramp.

steve and the Deathbike went airborne.

somehow, the early morning commuters failed to notice captain america hurtling through the sky on the worlds most sadistic pedal-powered monster, so when he landed in the bed of an old metal pickup, nobody checked on him when he didn’t pop right back out. instead, the Deathbike, steve, and steve’s shiny new concussion remained right where they were, in blissful unconsciousness.

when steve finally woke up, he was somewhere in southern virginia, and there was a very confused pickup truck driver wondering how the heck he’d wound up with a giant man and a bike in his truck.

we would have made steve bike back, but we didnt want to tempt fate. instead we sent a quinjet.

the Deathbike was unscathed.

steve is not allowed to use bicycles any more. 

Took me about a year of waiting, but today the Dro-m’Athra Senche is finally mine \o/

Diane Guerrero photographed by Magdalena Niziol

I have a strong beauty background and I really wanted to capture Diane in a way that meshed my love for beauty photography with her personality and strengths. Diane is a striking, strong woman and I wanted that to come through in the images

a long post about the message of the blurryface era

all the blurryface music videos (and heathens) seem to be pretty different from the rest but all of them have the same theme, which is that connection with friends is the best way to cope, and no one is really alone.

heathens/heavydirtysoul - these two music videos parallel each other closely as i talked about in my last post. both start with tyler in a dark and unfamiliar place. he is sad and withdrawn. then, he sees josh. josh is drumming furiously and doesn’t notice tyler. 

in both music videos tyler is represented by dark motifs (rooms, clothes, etc.) while josh’s motifs are glowing and bright. heathens - he’s drumming on a glowing box, which eventually becomes the stage on which he and tyler play. heavydirtysoul - his drums spark flames with every hit; they grow larger and eventually consume tyler as well. 

both videos reach a climax in which tyler and josh interact with each other for the first time. the light (heathens) and flame (hds) grows to a blinding maximum and the two are rocking out together. josh is no longer ignoring tyler. tyler is no longer withdrawn; he is interacting with josh and for the moment his anxiety is gone. it’s a release but it’s not a painful one. he is coping. 

and then in the end everything is back to normal - no yellow suit, no light, no flames. tyler is still there alone. blurryface is as present as ever. and the implication is that he has imagined josh. this is why josh didn’t notice tyler both times. he was merely an attempt for tyler to find someone to relate to. a cathartic figment of imagination. an imagination of light that tyler hasn’t found yet. 

and what these songs mean in relation to the videos is clear. “all my friends are heathens” - there are so many people here going through the same thing as me, and while the general public considers us freaks, we are all here together and ready to stay that way. “can you save my heavydirtysoul” - implies desperately trying to find a way out of the situation. imagining salvation so fervently that it manifests as almost reality. salvation, here, is josh and the flames. 

lane boy - this one is kind of similar to heathens and heavydirtysoul in that it starts with tyler, alone and contemplating, in the dark. but this time he’s worried about what he has done to become successful, and whether it’s good enough, and whether fame will change him and limit him. all these worries are new to the band, because they’re at the beginning of their rise to fame at this point. and in the video the dark road in the woods symbolizes that they’re in the dark and they’re being careful. stay low they say. 

and then they’re playing on a stage, and everything is forgotten, and they REFUSE to stay low. if you notice in the video the moment tyler sees josh on stage, that is the moment he breaks his silence and starts to dance. to me this video represents that even though not everyone in the crowd might like what the band is doing, and even though there are critics behind that stage and out in that world, being able to play in front of thousands, together, tyler and josh, is worth it. at the end of this video is the realization that having each other means much more than success. 

stressed out - i think this video illustrates the point the most obviously, but it does a great job handling the dichotomy between wanting to grow up and not wanting to grow up. obviously tyler and josh would rather hang out with each other, with no responsibilities, and make music without having to worry about how it is going to be received. and part of the music video is the deliberate denial of reality, and the fantasy of regressing into teenagerhood. but the last part? that’s the acknowledgement that they’re not always going to be kids and life will not be easy. tyler is walking down the street, alone, and without the backpack and the tricycle. this is a sign he’s maturing. and blurryface, he’s there too. i think that entire scene is representative of coming of age.

ride/fairly local - like heathens and heavydirtysoul, i think there’s strong evidence these videos parallel each other. both take place in an isolated location and make use of very polarized (no pun intended) environments. ride - the daytime and the nighttime. fairly local - the icy house and the red hallway. 

so in ride, i think it’s really important that the verses and the bridge take place at night. this is where tyler is doing all his worrying. he doesn’t know what his place in life is and what his relationship to others is. who would you live for, who would you die for, would you ever kill? he’s overanalyzing. he’s in the dark, both literally and metaphorically, about everything. and he doesn’t know where he stands with anyone. he can’t see. he’s wearing dark glasses at night. josh is nowhere to be seen. and then the chorus is where he lets up. he acknowledges that there is a lot to worry about and a lot to analyze over, but he can still enjoy his life. even though he’s hurling through the unfamiliar course of life he can still take the time to look at the things that he loves. and the light comes on, and he can look at the beauty that’s around him, and he can see that there are people and things that mean a lot to him even though he’s questioning it all. 

and then we have fairly local, where the majority of the video takes place in an icy house. the whole video seems very disconnected from the rest of the world. it’s freezing and desolate, both tyler and josh seem to ignore each other, and their demeanor is cold and apathetic. they’re trying very hard to remain unemotional, closed off, unable to see the damage they do to themselves and others. but that denial of their own feelings - that’s where blurryface manifests. he’s what’s causing their isolation, he’s there in the red hallway, changing into something darker and darker as tyler and josh continue to distance themselves.

and a thing i like about fairly local is that the quiet and desolate atmosphere of the video completely contradicts the lyrics of the song. “im fairly local, ive been around, ive seen the streets, youre walking down.” “the few, the proud, and the emotional.” he’s talking about the fanbase, and josh, and jenna, and everyone he’s been able to connect with. and the sense of group mentality and empathy are completely antithetical to the cold, quiet video that they represent breaking out of that atmosphere. 

tear in my heart - this one is an oddball. all the music videos from this era have the common thread of using human connection as a symbol of coping with blurryface. most videos choose to represent that with the relationship between tyler and josh, but this video uses tyler and jenna instead. i think the content of the video is pretty straightforward, and a lot of people have dived into this theory, but the scene in which jenna beats up tyler is important. a common interpretation is that this scene actually represents jenna beating up blurryface. blurryface doesn’t give up without a fight, of course. wrestling with such a character, such a deeply rooted part of your thoughts, is going to cause some distress. there is pain involved in battling your own mind, but the pain is a sign that you are able to fight, that you’re doing it. sometimes you gotta bleed to know that you’re alive and have a soul. but it takes someone to come around and show you how. jenna and tyler’s love for each other is what gives tyler the power to challenge blurryface, but he won’t be able to do that without some pain involved. 

and now i think i understand why blurryface is the name of this strange part of everyone’s brain. the literal opposite of the word blurryface is of course clear face. as in being able to see people’s faces clearly. blurryface is the opposite of seeing people for who they truly are. blurryface is the opposite of joining people who are fighting the same battles as you and really connecting with them. the opposite of blurryface is friendship and truth, and we must always find comfort in the fact that we are not alone. there are always people out there for you. and that’s how you defeat a demon. 

dont ๐Ÿ‘ say ๐Ÿ‘ youre ๐Ÿ‘ a ๐Ÿ‘ twenty ๐Ÿ‘ one ๐Ÿ‘ pilots ๐Ÿ‘ fan ๐Ÿ‘ if ๐Ÿ‘ sundays ๐Ÿ‘ arent ๐Ÿ‘ your ๐Ÿ‘ suicide ๐Ÿ‘ days ๐Ÿ‘