I’ve been noticing lately that A LOT of fic writers like to erase jason’s mental illness in their writing and I’d just like to point out that, by doing that, you’re erasing a huge part of his character. jason todd is not just some misunderstood bad boy who secretly loves classic literature and makes bad puns and just wants to feel loved. is he all of those things? absolutely. I’d even go so far as to say those things are all essential to his character. but jason is also canonically mentally ill. and (especially in more recent canon) it is implied that jason knows that he’s mentally ill. a lot of jason’s character development comes from his journey through the process of piecing together his past with his new personality and mentality. to write jason as neurotypical is to completely ignore an important aspect of his character, not to mention denying representation to mentally ill fans who relate to jason and see their own symptoms reflected in him.
friendly reminder that jason todd is mentally ill.
“…you feel no remorse for the dead. You do whatever you can to forget them. You abandoned your family without a word. You can’t control yourself. Half the time you run away from leadership, and the other half you act like some untouchable martyr, crowned in guilt, the only person who’s really giving herself to the cause. Look around you, Mare Barrow…”
i can’t believe to this day taylor swift does not understand or recognize the Profound Impact™ her fourth studio album RED has had on this fandom..like imagine ignoring your best work??? quite iconic, really
Album: The White Album – released November 22nd, 1968
“While John was busy experimenting with sounds, Paul started and finished the recording of ‘Blackbird’, a lovely new composition which featured his own lead vocal, double-tracked in places via an overdub, accompanied by his acoustic guitar and a metronome gently ticking away in the background. It was a straightforward recording – no reductions necessary – and was perfected by the 32nd run through, just 11 of which were complete.
There was one other addition to the four-track tape: chirruping blackbirds, courtesy of “Volume Seven: Birds of Feather”, from the Abbey Road taped sound effects collection, the doors of the trusty green cabinet already being open during this evening for raidings by John Lennon. “I taped that on one of the first portable EMI tape-recorders, in my back garden in Ickenham, about 1965,” recalls Stuart Eltham.
“There are two recordings, one of the bird singing, the other making an alarm sound when I startled it.” Six mono remixes of the song were made before the session in studio two ended, the sixth being ‘best’.”
- The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years 1962-1970. Mark Lewisohn