Uzo Aduba (CFA’05) was one of BU’s top sprinters long before she became famous for her Emmy-winning turn as Crazy Eyes on Netflix’s hit show Orange Is the New Black. Aduba, here in 2002, ran 55 meters in 7.07 seconds against a long-standing record of 7.03. Photo courtesy of BU Athletics

List of Lance’s random talents:

  • He can do that thing where you flip a water bottle and it lands standing (his record is four water bottles at once)
  • He’s surprisingly good at throwing things into other things backwards (i.e throwing a pen behind him and having it land in a cup, throwing something into the fridge, throwing something into the garbage behind him, etc)
    • Lance every time he successfully completes a trick shot: Someone call an exorciser because I have been possessed by the ghost of Michael Jordan!
    • Hunk: Michael Jordan isn’t dead..
  • (To add to the above: Lance cannot apply this trick to basketball. He is awful at basketball.)
  • Is almost always correct when he guesses the time
  • An excellent shot with a rubber band
  • Always stops a microwave before the timer runs out and it can beep
  • Can spin/roll anything between his fingers (pens, coins, etc.)
  • Can solve a rubix cube like it’s nothing, even while blindfolded

I’m so sick of Taylor Swift’s fans using the money, sales and awards card to ‘shut haters up’. You explain why she’s toxic, two-faced and a liar and they bring up all the money she made, all the awards she won, all the records she sold….


Donald Trump is a fucking millionaire, Bill Cosby won tons of Grammys and Emmys and Chris Brown has sold millions of records… so? What? Does that redeem them for being awful people?

Now, I’m not saying what she’s done is comparable to what literal shit (Trump) a rapist (Cosby) or an abuser (Brown) have done, I’m being hyperbolic to show a point.

Money and success don’t except her from criticism. Defending her wrongdoings with her accolades is just offensive tbh.

  • Lullaby
  • Kris Wu Yi Fan & Kevin Shin

Lullaby - Kris Wu Yi Fan & Kevin Shin

Paul McCartney and John Lennon writing “I Saw Her Standing There,” 1962

I looked this photo up after reading about it in Joshua Shenk’s Powers of Two: Finding the Essence of Innovation in Creative Pairs:

One late November afternoon in 1962, John Lennon and Paul McCartney got together to write at Paul’s house at 20 Forthlin Road in Liverpool. Their ritual was to come around in the afternoon, just the two of them, when Paul’s dad was at work. They would go to the small front room overlooking Jim McCartney’s patch of garden and sit opposite each other. “Like mirrors,” Paul said.

John sat on a chair pulled in from the dining room. He had his Jumbo Gibson acoustic-electric with a sunburst finish. Paul sat on a little table in front of the telly with his foot on the hearth of the coal fireplace. He played a Spanish-style guitar with nylon strings, strung in reverse for a lefty. In a photography shot by Paul’s brother, Michael, they’re both looking down at a notebook on the floor, filled with lyrics…

…Years later, Paul told his brother that he loved his photo of the “I Saw Her Standing There” writing session because it captured how it really was—”the Rodgers and Hammerstein of pop at work.” Writing “eyeball to eyeball,” as John said, they weren’t just frontmen for a rock group; they were composers working in concert.

There’s a Lennon/McCartney excerpt of the book over at the Atlantic.

Photo credit: Mike McCartney, image via britishbeatlemania

Filed under: The Beatles