real from another person that is

though while i’m thinking about it, i have to say i’ve gotten tired of bi discourse that prioritizes m/f relationships. 

from an empathy standpoint, i totally understand being bisexual and feeling alienated in lgbt spaces if, say, you’re a bi man who happens to be dating a woman right now. i get that it sucks. but you know what probably sucks more? being a bi man who happens to be dating another man and experiencing homophobia every time you participate in the real world. 

obviously i don’t support mocking a bisexual person specifically with regards to their sexuality (”pick a side” etc). and obviously i acknowledge that gay men and lesbians do levy those sorts of comments at bisexuals! it’s shitty! i don’t cosign that! 

but when i see someone crying on tumblr dot com about “you’re only validating half of our sexuality!!! and that’s just as bad as straight people who invalidate our same gender attraction!!” it makes my eyes cross. how can you possibly think that’s an apt comparison? how can you possibly think it matters? 

again i’m not advocating for open hostility towards bi people who have non-gay partners but the fact that some of you actually expect us “monosexuals” to VALIDATE you? to sit there and pat your back and say “gee brian, i’m so happy that you’re dating jessica. that’s really brave of you. you’re so valid.”?? fuck off. 

anonymous asked:

since you write huma fic, whats your favorite part about writing that ship? least favorite?

This is a really good question!!!

I think my favourite part is how REAL their relationship feels to me. I dunno how to explain it. When I was writing for DW and then CS, it still felt like I was separated from the story, you know? Not that it wasn’t relatable, just that I wasn’t connecting to it on a personal level despite how much I loved it. Huma is…different. I feel like I really understand and connect with them (at least with Harry) enough to be able to sprinkle some of my own life experiences in there with them.

OH ANOTHER THING is that I’ve watched the movie so often with my close friends that I’m almost certain we’ve analyzed every second of screen time they’ve had, and we’ve picked up on so many tiny,seemingly insignificant details that China and Thomas have put into the characters and I love being able to highlight them in narrative.

Least favourite I think is that I feel like I make Uma out of character sometimes; I don’t have as good a grip on her character as I do on Harry’s. I can see her actions clearly in my minds eye but I often have to write several versions of her dialogue before I get one where I can hear her voice too. Sometimes I don’t even quite get it, but I’m working on it!

NEEDLESS TO SAY I LOVE THESE TWO SO MUCH. Writing for them continues to be so much fun, even when I catch snags here and there.

Originally posted by chinamcclain

So, woody’s roundup was really great, but people started to just grab ANY deactivated URL- which was no bueno. It was only intended to target bad people, and taking innocent people’s URL’s was just…wrong. So the Woodysroundup blog deactivated, and now the actual original woodys (the ones with the bad people’s blogs) have started to change to that spongebob icon and the title “orgasm” on their blog.

Also, there’s a real gross person behind the Stinky Pete retaliation, and all the stinky pete icons you might see are people that are your typical “i love my waifu and 800 guns” people who just arent good.

UPDATE: Stinky Pete was banned from the site.what he did wrong was basically excuse another user saying “futa isnt transphobic” and “actually child porn is Good”, as well as say that nazis on this website arent something to worry about because “theyre a tad too cowardly to [be a nazi] in real life!”
The 9 Elements of a VILLAIN

If we’re being honest, one character is always the most fun to develop when you’re writing a new story. It must be the main character, right? The person you’re going to follow throughout the story, the one that means the most to you?

Nope. It’s the villain.

Villains are just FUN. You get to creep into the darkest corners of your writer brain and conjure up the most unashamedly detestable human being you possibly can. 

This is how we look when we begin creating a villain. 

But sometimes, it can be difficult to to make sure they’re fully believable humans. So here are the nine elements that have helped me out when developing these terrible people … 

1) Hero’s Shadow:

The relationship between the main character and the villain is the most important one in the story, because it is the source of all conflict. Without the villain causing trouble, the main character wouldn’t have the chance to be a hero. Without that trouble, the main character’s weaknesses wouldn’t be pressured, which means they couldn’t change. The villain is a condensed and magnified embodiment of the inner weakness that the hero is battling. They’re the SHADOW of hero, the example of what will happen if the main character goes down the wrong path. Both are facing the same problem in different ways. For example Darth Vader and Luke.  

2) Conflict Strategy:  

In the pursuit of stopping the hero from achieving their goal, the villain is going to attack them on 1) a personal relationship level 2) a societal level and 3) an inner level. They’re going to attack the people around them, they’re going to cause consequences for the community surrounding them, they’re going to get into their head and plague them. Because the hallmark of a villain is that they’re the person who’s perfectly suited to attack the hero’s greatest weakness. Villains should have a distinct set of tactics to destroy the main character, on at least two levels. 

3) Flaws: 

This one’s expected. Of course a villain has flaws, it’s in the job description. But flaws do not equate to ‘He kicks turtles every morning before breakfast’ or 'His favorite hobby is butterfly stomping’ or, more within the realm of possibility, “He wants to kill the hero”. These are evil actions, NOT flaws. A lot of villains, particularly in movies, will be given horrible things to do without any explanation for WHY they do them. And it’s pretty easy to give them reasons: just give them human weaknesses! That’s it. Whether the actions they take are as small as theft or as big as blowing up a planet, these actions stem from recognizable HUMAN FLAWS. So like a main character, a villain needs mental and moral flaws.  

Yup, even Maleficent has human flaws. And she’s a dragon part of the time. 

4) Counter Goal: 

All characters exist because they want something. And what do villains want? To get whatever the main character wants (for very different reasons), to stop them from reaching their goal, or another goal that directly conflicts with the hero’s goal. As long as that big tangible thing they want locks hero and villain in battle, you’re good. Think 101 Dalmatians: Cruella and the good guys are fighting over the puppies.  

5) Surface Motivations:  

Why is it that villains always have a team of followers? Because villains never outright state their true motivations. They always have a cover story, and that cover will paint them as righteous. Villains want to look like the good guy. So their real Hidden Motivations are defended by twisting perceptions of Good & Evil, by portraying evil acts in a positive light, by indulging their followers selfish emotions and desire to feel like “one of the good guys. " 

Take Gothel for example: she’s a loving mother who wants to protect her daughter from all the world’s darkness. (Sure you do, Flynn stabber.)  

Surface Motivations never stand up to logical scrutiny and a functioning moral compass, but giving your bad guy a compelling argument against your good side always makes things more interesting, which brings us to …

6) Counter Statement:

The main character needs to learn some kind of truth that will enable them to fix their lives, overcome their weaknesses, banish their ghosts. It’s whatever statement about "how to live a better life” you want to prove with your story. Your villain has other ideas. They don’t agree with that statement, have other beliefs about living life well, and represent an argument against it. For example, Voldemort: “there is no good and evil, there is only power, and those too weak to seek it." 

Although your argument isn’t very convincing, Voldy. I mean, you’re living in the back of some guy’s head.

7) Characterization: 

This is everything on the surface of the villain. The way they speak, the way they look, the way they act, their role in life, their status and power. This is the facade they project for the world to see, a calculated effort to control how they are perceived. This is closely connected to that surface want, because that surface is what they wish people to believe about them. Over time, the reader and the other characters are going to be able to see through this mask and see what it conceals. My favorite Disney example of this is Mother Gothel: on the surface she’s this bubbly mom who loves Rapunzel and wants to protect her from the harshness of the world. 

You can think of this as the text … 

8) Hidden Motivation: 

And this is the subtext. That surface motivation they want the world to believe is a mask concealing their true motivation, which is always rooted in their flaws,  selfishness, and skewed beliefs. 

9) Ghosts, Justification, Self-Obsession: 

These three are closely related, so they get counted together.
Like main characters, villains have GHOSTS: events from their backstories that knocked their worldviews out of alignment, that marked the beginning of their weaknesses, that haunt them still. Because these happened, the originally benign person allowed themselves to turn into someone who could occupy the job of "villain” in a story. Usually, these events are genuine misfortunes and are worthy of sympathy, just like the ghosts of a main character. Think of Voldemort growing up in an orphanage talking to snakes.

BUT! When it comes to ghosts, the major difference between a hero and a villain is HOW THEY DEAL with these unpleasant past events. Both have suffered, but react to suffering in very different ways. A villain will be consumed by these events, obsessed with the real (or imagined) persecution or disadvantage they’ve endured, convinced that all personal responsibility is nullified by their status of injured party. Past tragedies become a talisman that grants immunity from decency. 

This scene from A Series of Unfortunate Events sums it up.  An adult makes an excuse for a terrible person by saying he had a terrible childhood. And Klaus replies: 

Yes, maybe they’ve both lived through tragedy. But THE KIDS aren’t hurting others because of it. 

Because villains, who are constantly victimizing heroes, are completely convinced that THEY are the true victims here. No matter what they do, no matter what they are, they blame everything on that ghost, whether it was another person, society, or circumstances. And later they blame the hero, who they see as the REAL villain. For example, Frollo from The Hunchback of Notre Dame:  

“It’s not my fault, I’m not to blame”

So! WHY are villains like this?

SELF-OBSESSION! Yup, villains spend an unhealthy amount of time thinking about themselves and their plights and their plots. Think of any villain and it’s not hard to see the inherent narcissism behind everything they do. Like willingness to take action is the nonnegotiable trait of a main character, self-obsession is the trait that all villains seem to share. 

So! Developing villains in this way has worked out for me so far. If it looks like it might be helpful for you, give it a try.

And in the spirit of creating someone to torment our main characters and ruin their lives, here’s one more maniacal laugh for the road:

list of psychotic delusions

 persecutory

  • feeling that one is constantly being followed / stalked
  • feeling that one is secretly being spied on by family, partners, friends, others, pets and / or inanimate objects
  • feelings of fear over being kidnapped (usually by a stranger)
  • feeling that one is constantly being watched (by unknown entities or known entities)
  • feeling that one is being ridiculed by family, partners, friends and / or others
  • feeling that one is being spied on or monitored by the government, FBI etc.
  • feeling that family members, partners, friends, others, pets and / or inanimate objects are secretly conspiring to kill oneself
  • feeling like is being or will be poisoned by others

other paranoia related

  • feelings of fear over being abducted by aliens
  • feeling that there will be an imminent disaster (earthquake, fire, plane crash etc)
  • feeling that others can read one’s mind
  • feeling like the world is ending or about to end
  • feeling like one’s thoughts are being stolen out of or planted into their minds
  • feelings that the world isn’t real and is fake i.e. a set of some kind with actors or a computer simulation etc (different from the truman show delusion)
  • feeling that inanimate objects are somehow sentient
  • feeling like other people do not really exist, are dead or have been in a terrible accident

grandeur

  • feeling that one is a god or deity
  • feeling that one has magical powers i.e. mind reading, control over the weather etc
  • feeling that one is indestructible or unimaginably strong
  • feeling that another person or other people (usually celebrities) are in love with oneself

bizarre

  • feelings that one is dying, is already dead or does not exist (cotard delusion)
  • feelings of different people being a single person (fregoli delusion)
  • feeling like one’s reflection in a mirror is some other person (mirrored-self delusion)
  • feeling that family, partners, friends and / or pets have been replaced by identical fakes (capgras delusion)
  • feeling like the world only exists inside one’s head (solipsism delusion)
  • feeling that one is living in a reality TV show (truman show delusion)
  • feeling like one has an identical doppelgänger with a different (usually malicious) personality and life (subjective doubles delusion)
  • feeling like other people swap identities with each other without changing appearance (intermetamorphosis delusion)
  • feeling like one doesn’t belong to one’s body or doesn’t own parts of one’s body (somatoparaphrenia delusion)
  • feeling like a person, place, object, or body part has been duplicated or transported somewhere else (reduplicative paramnesia delusion)

a delusion is a belief or impression maintained despite being contradicted by reality or rational argument, if you are experiencing one or more of these delusions you may have a psychotic disorder or a disorder with psychotic symptoms

I may update this post regularly, so check back to see if it has been updated!

2

Lucy: ok but for real if you think I’m going to saddle my children with the all the baggage a Dragneel last name entails you have another damn thing coming!!!! I know I had issues with my own last name but this is just ridiculous. Natsu, our kids are going to be Heartfilias, ok? 

/// I’m a proponent of any kids Lucy and Natsu having being Heartfilia-Dragneels, personally, but FT is just being absolutely ridiculous lately 

Here’s the full transcript of Mark talking Darkiplier in the livestream

(Time approx. 3 hours, 52 minutes to 4 hours, 4 minutes into the stream. And, yes, this took forever). Thought you’d like this, maybe.

I’ve bolded stuff I find especially interesting.

~~~~~~~

Mark: Long ago, a long time ago, I liked to do these scary edits because I just felt like doing scary edits and this is how Darkiplier got born. And then what happened was over time Darkiplier became less and less about the scary figure and more about this romantic figure, and it always rubbed me the wrong way. And I kind of shied away from Darkiplier for a while. And I really really really- if I was going to bring Darkiplier, and when we thought about this, we thought, okay there should be a Darkiplier route. And that was there from the beginning, and so when I wanted to do it I wanted to do it my way, and I wanted to do it right, and I wanted to have this unending level of creepiness. And at the same time, I didn’t want to step on the toes of Antisepticeye because I know there’s a big fan base of that, and I didn’t want to get in the way of that at all and I really don’t care that there’s more than one dark personalities of people. But when I saw the opportunity to have this character here, I spent like 8 hours editing this, like just meticulously every single RBG. This is a layer, we green screened this one, I color corrected it, I separated the RBG layers I added the shakes and glitchiness every frame. I worked on the voice, too. The voice took me the longest to figure out. Like the shakes! And my computer was dying this whole time cause I put my effects on here.

Tyler: The amount of time you had to spend rendering this.

Mark: And so, the audio’s actually three separate layers. It would have been two, but Kathryn helped me out on that one to make it more clear. It’s a normal pitched layer that’s edited, echoed, reverbed, mastered, and convoluted which means it’s just thrown off to the left and right, and then it’s a deep layer of that. But then to make it really come together- it didn’t live without this center channel that wasn’t convoluted but was centered. But getting that voice right was so pinnacle, so paramount to what I wanted to come out of this. And we did like thirty minutes of shooting various versions of me talking to the camera and I wanted to pick the exact dialogue that really kind of gave away my idea of what Dark is in not a terribly obvious way.

Tyler: The other thing, this was supposed to all be one video.

Mark: But YouTube annotations, this new version doesn’t allow you to link the same video multiple times, so these are literally the old videos that I first did when Darkiplier first came about, like, these are the ones, especially this one here, and then this is my cheap knockoff Darkiplier.

Amy: Canon Darkiplier.

Mark: Canon Darkiplier. And I’m going to readily admit something. I joked about Darkiplier because it didn’t seem like something people wanted to take seriously, and I’m okay with that on certain aspects but it had diverged into multiple different facets and multiple different personalities, and everyone had their own version of Darkiplier, and I thought it was hilarious that, “Hey, here’s my version of Darkiplier, and he’s an idiot.” Like, he’s just this weird emo kid. And then I stepped back from that, like, I stepped back. And you can even- in that time, when I was doing those videos, in this era, I was not very happy. I was kind of… I was pessimistic about a lot of things. And I felt like that bled through in a lot of things I did. And that’s why even October of last year I literally made Darkiplier an emo character. And then when we were getting to this, I thought about it like very carefully and I thought back to why I did it originally, and I did it originally because, well, Darkiplier wasn’t even a thing. Darkiplier was not a thing when I was making those videos. I just wanted to make some creepy stuff. And then I thought about that, and I was like if I want to make a statement about who this is, I need to own that and I need to put something out there that is not ambiguous, because I realize that’s where I went wrong. I didn’t have a solid character so obviously, people would come up with their own versions, they would fill in the gaps where they saw fit. So, when I made this I had to embrace it fully and fine-tune it down to exactly where I wanted. When you choose the “fake” choice carrying through to this one, I really wanted that to come through, except at the end to this video, where it gets silly, but that’s because the real me comes in and the real me’s an idiot. And I’ve actually watched this over and over again because I’m listening to the takes I put in here and I’m listening to my inflection and my tone, my demeanor and I’m imagining like how to refine it better next time when I bring him back, like how to do it better.

Tyler: I remember now, I set up the table.

Mark: Yeah, you did. You set up the table we had to change it out for clear glasses because the green screen was reflecting through. But yeah, even this, like the intersplices of anger, and this is me getting real deep in the meta of Darkiplier, like if that’s even a thing that can be- let me just pause it here. I don’t read too much into this but if there’s something that I want to take seriously, I want to actually do right. So, in my mind, Darkiplier is an entirely different person from me. But, much like Warfstache, doesn’t obey the laws of physics. He exists in another world entirely and bleeds through into this one. This is sounding really nerdy of me.

Tyler: I remember the Warfstache talk.

Mark: So Completely unironically, Darkiplier is a completely separate entity from who I am. But, he admires what I’ve accomplished, and he’s very much… people picked up on this, and people thought it was really creepy, because it’s what I wanted. He’s a social manipulator. He is literally, 100% manipulative. He leads you into this false sense of security, and he wants you to trust him because he wants to take advantage of you. That is literally what I wanted for Darkiplier. And how creepy and scary that actually is from the surface. Especially in this first bit, where he says, “If dinner is what you want, then I can provide.” And I wanted this to come across in a seductive way while also masking, like, this burning rage inside that breaks through the suave nature of it. That was my clue to reveal he’s not your friend. He’s not here to help you. He’s here to use you. And that also came across when I was thinking about, like, the effects. Like, his image shatters, he separates because he’s not entirely kept together, you know what I mean? So, I wanted like the drastic impacts of the rage pulling back suddenly to the calm nature and the demeanor and this last one, I was thinking was especially telling. It’s not me trying to break through, it’s his shell cracking.

Kathryn: I love that.

Mark: Yeah? It’s my favorite of all of them.

Kathryn: That’s one’s my favorite. I have legitimately just gone and watched that bit.

Mark: Yeah?

Kathryn: It’s really good.

Mark: Oh, thank you.

Kathryn: I really like that.

Mark: Yeah. And number 1 the visuals work hard on this one, but nailing the audio- that high-pitched ringing that a lot of people were like wow that really hurts my ears, that was by design. That was supposed to hurt because listening to him- a lot if inspiration for him comes from G-man from Half-life 2 and 1, like this weird interdimensional person that seems human but is obviously not and doesn’t obey the laws of physics, and is just like this shell of a person that’s in a suit. Not a suit, literally a human suit, and is trying to figure out how to puppet it right that you believe him, but he’s really good at it. And that’s where the scariness of Darkiplier, I think, really comes from, is because he seems like someone you can trust, and he will manipulate you, and take advantage of you, and literally use you, and to me that’s terrifying. Like that’s the antithesis of what I want to be and so if I’m going to make an opposite version of me, he’s gonna be the fucking worst. Like worse than any romantic story can ever bring about. He’s fucking awful.

Amy: It was convenient, though, I like the way it goes from Relax to this, like the video “Relax,” because then people were not expecting this. But it’s so nice to have it on Valentine’s Day. It works so well.

Mark: And then came the bullshit transition that we had to do. So, this is comical in a way.

Amy: It doesn’t drag it though.

Mark: Yeah it doesn’t drag. You get the scary. Tyler’s here-

Tyler: In Mark’s suit, which I have fit in, but not the pants.

Mark: He didn’t fit, we forgot to get a tie, like, we printed out a mask, and I looked at this and was like I could try to make this creepy, and then I went, I objectively can’t. Let me throw in some punch sound effects.

Tyler: I have to make sure, cause-

Mark: He couldn’t see shoot.

Tyler: No, I couldn’t, and I had to keep moving the mask cause there was one time we did this that the mask ended up completely on the side of my head and I was just like, hey Mark, you can’t touch my face.

Amy: The convenient thing about this, though, with all the glitches is that you can hide stuff with it.

Tyler: Yeah, and there’s a reason I never let go of Mark I have no clue where anything is.

Mark: Yeah, oh man. Oh, this, oh my god. Oh, and secret Easter egg- you know who Dark is because he doesn’t have a shadow. Totally intentional and by design.

Amy: His toes are missing too, but.

Mark: Shh he doesn’t have toes he’s so scary.

~~~~~~

.

The 5 Elements of a LIKABLE Main Character

“I don’t like your main character. He’s kind of obnoxious.” my beta reader laughingly told me, after reading the first chapter of my novel.

On the surface, I looked like this: 

Inside, I looked like this: 

Aloud, I said “Oh, well, he’s kind of hard to understand. He changes by the end.”

Inside, I screamed “How could you not like him?! Do you have a heart?! Is there a void where your soul should be?! Are you actually a Dementor that’s really good at makeup? Well, I guess this is what the Dementors are doing after getting kicked out of Azkaban!”

Outside: “But I really enjoyed it!” *Hugs between broken writer and Dementor in disguise* “Thank you for reading!" 

But you know what? That person that might be a soul-sucking cloaked demon creature? They were right. The character was unlikable, or more accurately, there was no reason to cheer him on. There was nothing to make the reader connect with him, relate to him, transfer themselves into his story, feel affection towards him. 

And if the reader doesn’t connect with the character through empathy? Nothing else in the story can work. Everything relies on this one fictional person. The basic definition of story is "A flawed hero with a goal overcoming obstacles to reach that goal, and how that journey changes them.” So without character, you don’t have story. Without empathy from the reader, you don’t even have character. 

So what is empathy when it comes to characters? 

It’s the process of a reader transferring their own lives onto the character. When this happens, the character’s goal and inner desires, values and weaknesses, everything about them, become proxies for our own. We learn of a shared piece of human nature between us, something we have in common on a significant inner level, and suddenly we want to see this character succeed. Because now, they are us – and we want to see ourselves succeed in real life. We feel what they feel, we experience what they experience.  

The best way to sum up character empathy in my opinion, is this quote from C.S.Lewis: “Friendship is born at the moment when one person says to another ‘Really? You too? I thought I was the only one!’”

That’s empathy. 

Which doesn’t mean the character has to be an angelic little cherub …

There are characters that operate in a moral gray area, there are characters that are downright awful, there are characters that shouldn’t be lovable …but we love them. So this is NOT saying that a main character has to be a perfect angel that rescues baby squirrels when they’re not busy volunteering at the local soup kitchen, it just means there’s something WORTHWHILE in the character that persuades the reader to stick around. We need a reason to relate with that at-first-glance unlikable character. Just as we have flawed people in our own lives who we can forgive and love.

A good quote for this one would be this, by G.K.Chesterton: “That’s the great lesson of Beauty and the Beast; that a thing must be loved before it is lovable.”

So how does a writer accomplish a good empathetic connection?

Luckily for us, establishing this only takes a little planning in the beginning of the story. Certain elements foster empathy, elements which you can give to your character and display in the story. Making sure to incorporate a few of these will ensure that first connection between reader and character. A connection which you, the author, will then be able to grow. It’s this tiny first note of shared humanity which deepens into those important links we hold with characters. We’re living people, they’re imagined and comprised of words on a page; yet these people can be friends to us, family, mentors, role models, and become some of the most influential people in our lives. 

And how does that begin? Evoking empathy. 

And how do you evoke empathy? Well here are the characteristics that human beings instinctively identify with and admire … 

– Courage (This is the one EVERY main character should possess. Gumption to pursue what they want separates main from background characters.)

– Humor (Wit charms us without fail.)

– Goal-Obsessed 

– Hard-working  

– Noble motivations

– Loving

– Loved by others

– Kind 

– Treated unfairly

– In imminent danger, physically

– In imminent danger, emotionally

– In a sorrowful situation

– Smart/Expert at something

– Suffering from psychological weakness  

– Haunted by something in their past

– Dissatisfied with current state of their life

– Lacking something like love, friendship, belonging, family, safety, freedom, etc

It’s a good plan to give your main character at least FIVE of these empathetic little “virtues.”

If this sounds like a resume, that’s kind of what it is. “Dear Potential Reader, I’m applying for the job of Main Character of this book series. I aspire to consume your every waking thought and drastically change your life, for better and worse.” It’s a diagram of the worthwhile traits of the hero, the characteristics that win us over, which promise the reader “If you follow my story, knowing me – and experiencing the story through me – will be well worth your time.”

These traits will be displayed in the set-up of the story, the first ten pages or so. But the story CANNOT stop to let the character exhibit these winning behaviors; the story must KEEP PROGRESSING, every empathetic element must be shown with a story reason for existing within a scene. Like exposition, empathy needs to be added in subtly, as the story motors onward, slipping into the reader’s knowledge without them noticing. If it’s a scene created for the express purpose of convincing the reader “This character is lovable! Love them! I said love them!” then it will be glaringly obvious and the reader will feel the exact opposite. (They’ll also feel that way about the author, incidentally.)

Now! How does this work? 

Harry Potter: 

Harry is the poster child for being treated unfairly. Yet in the face of the abusive treatment of his childhood, Harry is courageous. He does not succumb to the Dursley’s relentless campaign to stamp the magic out of him, and become a proper Dursley; though this would’ve won their approval, put him in their good graces, and made his life exponentially easier – but he didn’t do it. He knew they were wrong, knew what was right, and refused to become like them. So heck yes Sorting Hat, there is “plenty of courage, I see”. He was loved by his parents, by the three that dropped him off at his Aunt and Uncle’s, and by the majority of the Wizarding World. He’s also snarky, loving, and in constant danger. 

Judy Hopps: 

Every reason why we care about Judy is established in the first few scenes. She’s courageous. She’s funny. She’s loved by her parents. She’s motivated by noble values. Definitely goal oriented, hard working, and smart. She’s also in imminent danger, and being treated unfairly.

If we took out the pieces of the story meant to evoke our empathy, what would happen? 

Nobody would care. Judy Hopps would have been an annoying, smug, and consumed by ruthless ambition. Harry Potter would have ceased to exist because everything about him is empathetic. 

Establishing these early allows us to begin the process of temporarily transferring our lives into a story. Or in the case of some life-changing stories, not temporarily transferring, but letting them become part of our souls forever. 

Yup, having your story connect with a reader forever starts with just a little empathy. Pretty useful.

Oh, and speaking of souls, give me mine back, Dementor reader. I learned how to make people like my characters. Now you’re out of the Azkaban job and the beta reading job. 

Trust, but Verify

I saw a post about common human sayings being weird to aliens, and another post about the concept of being a “rules lawyer” and finding loopholes and adding fine print being foreign concepts to aliens, and it made me think of one of my favorite axioms, “Trust, but verify.”  A Russian proverb made famous by Ronald Reagan in the context of nuclear disarmament, it is a pithy distillation of a very real trend among humans.  If a prisoner behaves well and presents themselves as worthy of trust, we will release them, but only on the condition that we verify, via check-ins with a parole officer.  

On a personal level –

“Human-Clark, why are you installing a camera in your room?”

“Well, the doors on this ship don’t lock.”

“… and?”

“I need to make sure no one messes with my stuff.”

“But… every member of the crew has sworn the same oath, to support and respect each other.  No crew member would take from another!”

“Well, yeah.  I’m just making sure.  Can’t be too careful.”

– and on an intergalactic level.

“Ambassador Human-Terrance, why are human ships in these systems?”

“They’re making sure the unaffiliated systems aren’t building their navies.”

“Ambassador, even the unaffiliated systems signed the Polaris Accords.”

“I understand that.  We’re just making sure they abide by it.”

“Have you received intelligence that they are violating the treaty?!”

“Not at all.”

“.…?!?!?!”

So that’s another contradiction in humanity.  We’ll go up and hug the two-ton predator animal and call it a “good kitty”, but we also install cameras and spy on our closest allies on the off chance they might betray us.

Ivonne’s Marvel Masterlist

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anonymous asked:

I'm 14 going on 15 and I hate how so many people who take a character that was just my age, and make creepy art and fic about him. I'm about to turn his current age and have been propositioned since I was 11 and was always told that adults who try things like that are perverts. So why is it when a bunch of 20 somethings pushing a teen who is around my age into a sexual relationship with an adult and do explicit crap, it's not perverted and gross? What about the teens who are feeling sexualized?

First off, thanks for writing me and being polite in your message. 

The first thing I want to address is this: you should never be made to feel sexualized. Unless it’s with someone you want to be sexual with, like a crush of yours. Even with someone you consider a crush, if you don’t want to feel that way and don’t want to do anything that can be considered sexual (be it even a kiss), you should never feel forced. This is not just now because you’re a teen, this is something that all of us go through and need to keep in mind even in our 20s, 30s and so on.

I’m so sorry that you feel that way in real life because some adults are absolutely disgusting. They are. Adults that prey on children are absolutely disgusting and horrifying and you should call them out, tell your parents or your teachers or the police. I’m not kidding here. I know it’s hard and you might feel like you’re going to be made fun of, or that they won’t believe you, or that they will side with the adult, or that will belittle you and tell you it’s not a big deal. If you tell someone you trust, they won’t do all those things. Go with your guts. Tell, even if someone only threw nasty words at you or catcalled you (and I really hope you never went through anything heavier than that). In those cases there won’t be much that you can do, but telling someone will help.

What I can tell from your message, is that you (subconsciously or not) equate sex with generally being nasty and perverted. This will probably be unnecessary, but I’ll say it anyway: sex is not inherently gross or disgusting or creepy. If you feel that it is, then it means you’re not ready to enter a sexual relationship, and that’s perfectly fine and normal. I won’t tell you that that’s only because of your age, because some people never (or very rarely) show any interest in sex (it’s called asexuality and it falls under the LGBT+ spectrum). Whether you do end up growing to want sex or not doesn’t matter here. 

What matters is that now you clearly don’t want to see sex and anything to do with it in your fandom experience and that’s fine. Tumblr offers you ways to make your experience better and show you only the content you want to see. Block any nsfw tag. Don’t follow blogs whose description clearly states that they post nsfw (like mine). Tumblr is a big and scary place if you just take everything it throws at you (be it ship hate, nsfw stuff, etc). The thing with it is that it can’t cater to everyone’s tastes, so you have to be active about blocking the stuff that YOU don’t want to see. Other 14-going-on-15 year olds might be okay seeing nsfw fanart and posts and that will be their Tumblr experience, but you should definitely take measures to protect yourself from what you don’t want to see. 

Now, the thing about Otayuri is that no matter how you twist it, it’s not illegal to ship it, even in a sexual way. You should definitely read this post about it, because the thing is, as much as we can project our feelings and real-world stuff into anime characters, they’re not real. 

I assure you that if Yuri on Ice was a flesh and bone show things would be different. I don’t really watch any current TV shows with teens in them so I can’t speak for what other fandoms do with their ship, whether they’re sexualized or not. I can only speak for this silly and amazing anime that’s been consuming my life for the past seven months or so.

Anime and cartoon characters are a safe way to explore things about real life. Whether it be sex or depression or anxiety or simply falling in love, we can all identify with an anime character and see our flaws, our fears and our history in them.

The thing you have to remember is that we (I’m speaking for the slightly older part of the fandom since I’m in my twenties) have been Yuri’s age. We’ve very likely had crushes on boys or girls that were a bit younger, our age or slightly older (like Otabek is). So I think for most of us, shipping Otayuri is a way to remember what it feels like to be a teen and be in love/have a huge crush. We will never be that age again, and maybe there’s things we regret not doing, crushes we wish we had confessed. By shipping Otayuri in an active way (meaning: drawing fanart or writing fanfiction) we can explore things we experienced as teens (or wish we had) and pour a little bit of ourselves in Yuri’s (or Otabek’s) character. 

Those things might involve anything from simple fluff or rough sex, because, accept it or not, some people at 15 or 16 were (are) having sex of all kinds. Sweet, loving, rough, vanilla, kinky, you-name-it sex. So not to explore that aspect in a healthy way (through fics or fanart) would be lying about what reality is, it would be denying that we ever thought about or had sex at that age.

Much like with blocking tumblr content, you can choose what kinds of fanfiction you read. Only read General and Teen and Up tagged things, read about fluff and about falling in love in a sweet innocent way. Read anything tagged “Ace!Yuri” (it means asexual, the thing I was telling you about before). 

But please understand this: when we sexualize Yuri, we’re mostly sexualizing our (often past) selves. Not other teens, not other real-life people. Yuri doesn’t exist in real life, and many of us see bits and pieces of ourselves in him. When we write about him we really write about ourselves, be it because we want to see how we (maybe a little sassier and bitchier version of us) would have confessed a crush to our best friend, or would have handled the aftermath of having just shoved our gloved fingers in said best friend’s mouth in front of thousands of people. Fanfiction is a study about versions of ourselves that never existed, but might as well have.

Another thing I need to make clear: Otabek is not an adult. I assure you that the morning of your 18th birthday you won’t feel like an adult. You’ll feel like the you from yesterday and it will be anticlimactic af, you’ll be like “That’s it?” and yeah, it will be it. Just because the law in some country or state says that 18 is the age of consent (which is set to 16 or 14 years old in many other countries) it doesn’t mean that you’re automatically an adult at that age. You can be 18 and have had sex since you were 14. You can be 18 and completely uninterested in sex. You can be 18 and have a 15 year old mental age, or you can be 16 and be mentally more mature than some 20 year olds.

What canon has shown us, is that Yuri and Otabek are much closer to each other’s mental age than the 2 years + a few months difference they share. I encourage you to find posts about why there’s no power imbalance between Yuri and Otabek, because they compete in the same sport and they have had similar experiences in life.

In conclusion, if you feel irked about nsfw fanart and fanfics and discussions when it comes to this particular ship, please don’t read it/watch it. But what I can assure you is that none of us are trying to sexualize you or your peers. When we sexualize pixels on a screen we don’t see those pixels as a flesh and bone version of a human, we only see an idealized character whose age we are or have been and whose personality and experiences we want to safely explore.

Also really important: when we write/draw NSFW, we don’t write/draw it for teens to read. I repeat: WE DON’T CREATE NSFW CONTENT FOR TEENS. We’re not your parents or guardians, we write NSFW for whoever feels like they can handle seeing nsfw content. If you’re a teen that goes on the nsfw tag and then complains about it (I’m not saying that’s what you did here, I’m speaking generally), it’s only your fault for going in a tag that you weren’t comfortable to begin with.

TL;DR: 

  • Speak up if you feel sexualized IRL in a way you don’t like;
  • Learn how to use tumblr safely, block tags, understand that tumblr doesn’t do those things for you. Make your fandom experience exactly the one you want to see;
  • Don’t trust adults who tell you this ship is somehow illegal: it’s not;
  • Understand what’s behind fiction and fanfiction as a way we have to explore real life things (often too personal to write about as ourselves, so we project those things in characters we like);
  • Understand that adulthood is not something that happens from one day to another;
  • Learn to discern what content is meant to be consumed by a teen and what content isn’t;
  • Be safe.
Truths of the Types: In Class

ESTJ - is probably scolding people who cheat in class but does the exact same thing and thinks no one knows even if they all do

ENTJ - is probably debating with another person in class for no reason and feels superior even if the topic they’re debating about is not really impressive or worth debating about tbh

ENFJ - is probably hugging every one of their classmates & smiling at their profs and acting like they love them but actually talks about them behind their backs with their real friends

ESFJ - is probably asking the professor questions they already know the answer to, just to make a scene while being flirty to make sure they receive a high grade from them

ENTP - is probably pretending to be interested but fails and uses phone instead to take pics of their professor & classmates for future memes to post online

ISFJ - is probably pretending to pay attention to the professor while they use their phone which is hidden by their book, tweeting about how boring the professor is, as well as stalking and judging their facebook profile

ISTJ - is probably listening intently and smiling, but is actually judging the professor and fighting the urge to raise their hand and say that the way they teach is wrong

INTP - is probably sleeping in the corner with their hoodie over their head with earphones on, which the professor obviously doesn’t have control over anymore

INTJ - is probably sitting in the front of the classroom and isn’t making eye contact with anyone, even the professor, but is actually getting extremely energized by the topic (but doesn’t show it ‘cause they don’t feel)

INFJ - is probably making eye contact with their professor and nodding their heads but is actually overthinking about what their friends truly think about them even if they’re sitting right next to each other

INFP - is probably biting their nails or putting googly eyes on random inanimate objects to amuse and entertain themselves so they won’t fall asleep in class

ENFP - is probably shouting out comments for every line the professor says to make the lecture not so boring, but gets shushed by ESTJ

ESFP - is probably whispering something to their seatmate but since they don’t know how to whisper, they end up getting shushed by ISFJ

ESTP - is probably competing with ENFP, as they shout out comments & ask questions to the prof, who everyone feels sorry for, 'cause they’re having a difficult time answering their smartass questions

ISTP - is probably wondering why the hell the professor is even a professor

ISFP - is probably not paying attention to the professor and is flirting with their crush through text/chat using too much heart emojis

trauma doesn’t often feel like trauma is ‘supposed’ to feel. it feels like indifferent detachment, watching from outside yourself because nothing can hurt you there. it feels normal, just how people interact, so why are you making a big deal about it?  it feels like a joke – just how kids play, just how adults tease, just how some relationships work.

you wake from nightmares five years later and still wonder if you made it all up.

trauma can look like bad behaviour. like the stubborn refusal to get better, to stop self-destructing. trauma is putting yourself in harm’s way because you don’t really mean it, or because it’s funny, or because you just want to feel something, or because you just want to stop feeling. it’s wanting to destroy and reassemble yourself into another person entirely, so your real life can begin. because this isn’t real. because really bad things don’t happen to people like you.

trauma is the constant feeling of being an impostor. it’s the drive to survive twinned with the impulse to make yourself more sick in more ways. to hurt yourself to prove how bad you feel, or to punish yourself for exaggerating. you want people to believe what you’ve been through, to tell you your feelings are real, that your memories really happened. but when people do take you seriously, you play it off as a joke, apologize for bringing the mood down.

you go on and on about how it wasn’t that bad. you seek permission to still love the ones who hurt you, because it’s the people closest to us who can hurt us most deeply.

you can feel like the people who hurt you are the only ones who really knew you. in low self esteem, you can mistake cruelty for honesty.

there will always be people who have been through worse. that doesn’t make what happened to you okay.

there will always be people who don’t believe you. that doesn’t mean you are lying.

at some point, you have to take yourself seriously. you have to make a life you can stand to live. it’s the only way to survive.

sorry but it’s 1 am and I feel some type of way, a yearning for a more simple time in my life when I wasn’t on the chase for something and was 100% unsure of my self but just kicked back and headed into the unknown, when I had a boyfriend by my side who wasn’t at all what I wanted and I’m unsure if I ever loved, but who I spent spring and summer days drifting away with in his cute little suburban neighborhood, only a bus stop away from mine.

and now it’s all gone by so fast, and here I am 2-3 years later, still a little unsure of myself. the picture is clearer and the ride is rougher than I could’ve ever imagined. relationships and every other outcome got so much more intense and real that I felt compelled to build walls around myself. life is hard. flash forward another 2-3 years, and I imagine it’s only going to get harder. I just want to bathe in simplicity once in a while but there’s no real passion in there. 

13 Reasons Why controversy

Because the response to 13 Reasons Why has been so controversial, I’d just like to point out some things.

As explained in 13 Reasons Why: Beyond the Reasons, the suicide scene was shown BECAUSE they wanted it to be painful for the audience to watch, as well as the rape scenes. Not because they wanted to be gruesome or inconsiderate, but because it is REALITY for so many people in the world and a lot of people like to pretend these things don’t exist or shield themselves from the reality of it; they ignore it because they’ve never gone through it, so they don’t care so much. So then when they see these scenes, they will be made uncomfortable and see what people are really truly experiencing and that it is not something that should at all be sugarcoated or ignored. IT IS REAL.

Secondly, for those saying it’s disgusting for them to show these scenes, THERE ARE WARNINGS AT THE BEGINNING OF THE EPISODES THAT SHOW RAPE AND/OR SUICIDE TO NOT WATCH IF IT WILL AFFECT THE VIEWER IN ANY WAY. These warnings are given specifically so that if you are not comfortable watching or believe it would cause a trigger, you should not even watch. So the fact that people are bashing the show for showing these scenes in relation to them being a trigger, the warnings are already made very clear in the beginning. They did take this step to make sure it wouldn’t just pop up and be any sort of triggers. The producers knew very well to be wary of that.
The show also worked with a lot of psychiatrists, psychologists, and leading experts in teen-suicide prevention. Though this still may not be enough for you to think they did everything right, they again did have the warnings. They are very aware that it could cause triggers and put some people in danger, but THAT IS WHAT THE WARNINGS ARE FOR. DO NOT WATCH IF IT COULD DANGER YOU. VIEWER’S DISCRETION IS ALWAYS ADVISED.

THE SHOW WAS NOT CREATED FOR ENTERTAINMENT PURPOSES. IT IS TO SPREAD AWARENESS FOR ALL THE ISSUES (suicide, rape, bullying) AND POINT OUT HOW LITTLE THE SIGNS CAN BE AND HOW MUCH MORE CAREFUL AND HELPFUL EVERYONE IN THE WORLD NEEDS TO BE TO THE PEOPLE AROUND US. As also talked about in Beyond the Reasons, they want to promote teaching boys the proper ways to approach a girl and gain permission to become intimate with her, always getting the YES to teach boys respect for women. This is very important because as most people know, it has always been extremely hard for rape victims to get help because of the “what were you wearing” “were you flirting” “did you lead him on” “did you directly say no” arguments that are so wrongfully executed—instead, 13 Reasons Why knows that this is an issue, as somewhat shown in the scene with Mr. Porter as he questions Hannah. So in the after show, they speak about how parents need to be teaching their children more about consent and less about just protecting yourself, covering up, etc. They are aware that the real issue is with proper consent, and that is a very important message to get across.

Coming from someone who has battled depression and suicidal thoughts and attempts, I must also point out that EVERY SINGLE PERSON, EXPERIENCES, THOUGHTS, REACTIONS, ETC ARE DIFFERENT. What one person suffering depression thinks may be different than another. Hannah Baker’s story is very unique in many ways yet also extremely relatable in many ways to many, many people and girls around the world. JUST BECAUSE YOUR STORY MAY BE DIFFERENT DOES NOT MEAN HERS IS INCORRECT OR LESS/MORE THAN ANOTHER’S. There are a lot of people who can relate to feeling as though you are NOTHING and of no worth to the people around you, just a burden that only disappoints everyone and makes their lives worse. This is a very real state of being and depression and feeling of complete worthlessness that people can reach in their lives, especially some young teenage girls, like Hannah Baker, and even myself, that will lead to suicidal thoughts, attempts, or completely following through with, like Hannah. They believe the world and their loved ones would be better off without them. Again, as someone who has attempted suicide as a teenager and worked for years to fight depression and overcome it, I can say that while the suicide scene did make me uncomfortable and was extremely painful to watch, I was not offended. I knew of the warning at the beginning of the episode, read it, and continued to watch because EVERYONE HANDLES THESE THINGS DIFFERENTLY. I UNDERSTOOD the purpose of including the scene and making it so graphic and realistic. IT’S REALITY, THIS IS HAPPENING TO PEOPLE EVERYDAY AND IT SHOULD NOT BE SUGARCOATED OR SHIELDED FROM THE WORLD; it needs to be made more AWARE OF by those who like to turn a blind eye to it, but it is exposed WITH WARNING. So again, if some feel as though a scene like this would be a trigger, IT IS ADVISED YOU DO NOT WATCH. Everyone is affected differently and they did not just insert it with no consideration for the affect it could have on those battling the same wars as Hannah.

To say Clay was an easy solution and could have saved Hannah by loving her—no, he could not have saved her by just loving her, that is not what this story is even saying. Hannah does explain at the end of her last tape as she exits the school that some people cared, but she felt it was only mediocre, not enough for her to want to stay and feel NEEDED and truly LOVED. So no, they are not saying Clay could have kept her alive by simply loving her, or that love can save someone, it is much more complex than that. What they are saying is that people can care, but not showing how much they truly care can affect someone in the ways it affected Hannah. It was not just one boy’s love that could have saved her, but the love and care of many people, for them to show that they truly cared about her being alive and DID NOT see her as worthless, an object, just another person on earth. She needed to feel as though they NEEDED her to stay, that they genuinely cared about her as a person and that her life was truly worth something, because she did not feel it was. When Clay says he could have kept her alive if he wasn’t so afraid to tell her he loved her, he simply means he could have given her a sense of hope, a sense of belonging on the earth, that someone truly, whole-heartedly valued her life and her as a human being, not an object.

The actress who plays Jessica also explained that she reached out to a family member who is an actual rape survivor, and she stated that she was pleased that the show was “not shying away from the ugliness” of these scenes because viewers will see what these people really go through–again, another topic that is usually sugarcoated and instead needs to be addressed.

13 Reasons Why is a unique way of telling the story of a teenage girl who committed suicide, and the reasoning for bringing it to screen was MOSTLY to promote awareness and shine light on things that are not talked about enough that the youth suffers every single day, things adults see as “normal teenager struggles,” “small stuff,” “it only feels like the end of the world and really isn’t,” etc. This show is being spread more than even expected, and that is a very good thing for those who are in need of help and have parents or peers that once ignored their problems and will now tend to them.


**an issue cannot be tended to/made aware of/more properly prevented if it is just sugarcoated rather than slapped in people’s faces (those who don’t realize how severe it is) like this show does. it can really change things and leave an impact.

**if you are at risk for triggers and do not feel you are currently healthy enough to watch this show, please take care of yourself and do not watch. or, skip episodes 9, 12, and 13 and read up on them instead. these are the episodes that can be triggers for those at risk, if you weren’t yet aware.

**also feel free to stop by my inbox and talk to me if you need someone to talk to, or just would like to speak more on the subject.

anonymous asked:

lmao muslim women only wear hijab because koran says that women body is dirty and you can only show your body to your father or man. koran control women. i'm happy that i'm human who independently and made independently decisions. not follow some misogyny book writen by man god who thinks men are better than women. religons are shit. believe in yourself not in some god man.

first of all, thank you for hiding behind the anonymous icon and judging me for a small piece of cloth i put on my head, it just proves how ignorant you are <3 

now let me tell you a few things about the quran (yes, quran not Koran),  all too often, people read the quran selectively, taking phrases out of context,  use it for whatever point they want to make and i think you’re one of those people. unlike what you believe, islam is not a religion where women sit and take orders, actually I do not know of another religious tradition in which women were so central, so present, so active in its formative history, from the first years of islam women scholars taught judges and imams, issued fatwas, and traveled to distant cities. Some made lecture tours across the Middle East. the real question here is “Are Men and Women Equal Before Allah?” and any person with a brain, who read the quran knows that the answere to this question is YES  just one example is the verse 4:43 from sourat a’nissa’ ( the women), it starts by saying men and women are created “from one soul.” So the Koran starts from the assumption of absolute equality in creation.

“what do you think about all violent thing in writen in koran? murder, rape, violence, about men controlling everything women do? “ wow what kind of quran did you read??? bc the quran i read wasn’t like this, it was quite the opposit actually, the principle reason of fighting in Islam is self-defensive  “To those against whom war is made, permission is given (to fight), because they are wronged; and verily, God is most powerful for their aid…If God did not defend one set of people by means of another, then monasteries, churches, synagogues, and mosques, in which the name of God is commemorated in abundant measure, would surely have been destroyed…” (22:39-40)

Further, Muslims are commanded not to be aggressive: “Fight in the cause of God those who fight you, but do not transgress limits; for God loveth not transgressors” (2:190) In addition, when the enemy inclines toward peace, Muslims are commanded to cease hostilities: “But if the enemy incline towards peace, do thou (also) incline towards peace” (8:61). The guiding principle of Islam with respect to non-Muslims is one of tolerance and mutual respect, plain and simple: “God does not forbid you from dealing kindly and justly with those who do not fight you for (your) Faith nor drive you out of your homes: for God loveth those who are just.” (60:8)
now let’s talk about hijab. Muslim society prizes female modesty.  Hijab frees women from being thought of as sexual objects of desire or from being valued for their looks, or body shape rather then their minds and intellect.  No longer slaves to consumerism, hijab liberates women from the need to conform to unrealistic stereotypes and images dictated by the media.  Women wearing hijab have expressed that dressing modestly and covering their hair, minimises sexual harassment in the workplace. The aura of privacy created by hijab is indicative of the great value Islam places upon women. Hijab can be a symbol of piety and it can be a sign of great inner strength and fortitude.  A woman wearing hijab becomes a very visible sign of Islam that’s why,  in the last 30 years hijab has emerged as a sign of Islamic consciousness.  Many women see wearing the hijab as indicative of their desire to be part of an Islamic revival, especially in countries where the practice of Islam is discouraged or even forbidden.

whew that was long, sorry if i made many mistakes english isn’t my first language (not even 2nd), thank you.

Hey Voltron Fandom, what the fuck?

I’m going to get straight to the point, you guys are self-destructive and are going to kill the fandom over your petty arguments and stupid self-entitlement. There hasn’t been a day since the beginning of the fandom that everything has just been peaceful for once (and I’ve been here since it’s birth) You all should be ashamed of yourselves, fighting online and hurting real people over fiction (this is not specifically towards ships btw) And I’m putting my foot down at all of this bullshit and trying to stop it

This is pretty lengthy so everything is under the cut

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Boku No Hero Academia Light Novel No.2 Translations

Commence Study Groups!

そろそろの勉強会: Chapter 1, Part 2 [click here for part 1] [Part 3]

(t/n: for some reason I found this quite hard to translate, but it was a quick short part before they switched back to yaomomo and gang, nonetheless enjoy the bakushima! p.s dont forget to read part 1!!! ^_^)

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Surprises (Tom Holland Imagine)

Originally posted by tomhollandhollaatme

request: “Do you think you can write a tom holland x reader where they are dating and she surprises him on set in his trailer…” (requested by anon)

short summary: ^^^with a funny lil twist lmao

length: 1.4k words

warnings: i didnt label this as smut bc it’s not inherently smutty and i didn’t rlly  write any legit smut in here, this is mostly fluffy shits.

A/N: i didn’t put the whole request above bc i didn’t wanna spoil the whole thing but the anon knows who they are hope u like it bud kinda short but eh also sorry i suck at titles


“Thanks Harrison,” you smiled gratefully as he led you into Tom’s trailer on set.

“Of course, Tom’s been whining about how much he’s been missing you so I’m sure he’ll be pretty excited for this surprise,” Harrison replied shaking his head. His phone buzzed with a notification. “I’ve gotta go, but Tom should have a break in around 20 minutes if I remember correctly.”

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Awarded*

Pairing: Chris Evans x Reader
Rating: Explicit  - 18+ only
Summary: Chris and Reader attend the Academy Awards together. At the Oscars after party, the actor surprisingly wants to leave sooner because he wants to have some quality time alone with his girlfriend.
Word Count: 2.9k
Genre: NSFW/SMUT
Warnings: dirty talking, slight Dom!Chris, lots of hickeys or love bites, oral sex (both receiving - 69), fingering, hair pulling, slight spanking, multiple orgasms and rough unprotected sex. [It wouldn’t be a shock if you wrapped your cock!]
Author’s Note: It can be read as a continuation of Halftime Show*.  Also, the “baby girl” pet name is mentioned, but it’s not linked to a Daddy kink in this fic.

Originally posted by adamisstillinhellthankstoyou

The Oscars, the greatest, most prestigious and most glamorous ceremony of all, gathered actors, directors, producers, costume designers and every hidden worker in the cinematographic industry for a moment of celebration of their art. Like every year since the ceremony that had awarded Cate Blanchett or Daniel Day Lewis, you stood by Chris’ sides and attended the shows with him for a moment of joy, creating happy memories.

This year’s ceremony - which wasn’t such a catastrophe - nothing changed between the dozens of photographers yelling out your boyfriend’s name, to the many laughs thanks to the host and the dinner held by the Academy, it was a blast and there you were enjoying the after party with Chris and some of his friends.

Even if you weren’t working in this environment quite tough, you were always enchanted to meet more people working behind the scenes of a movie that worked so well. The Vanity Fair Oscar parties represented moments of different encounters, sometimes either awkward or very interesting, but what you enjoyed most was having Chris next to you and telling you how much you looked gorgeous, wanting to introduce you to everyone he knew there.

Standing next to the bar with him in your sophisticated gown, your red lipstick outrageously showed off as you carried a flute of champagne close to your mouth and you noticed the way his beautiful blue eyes lingered on your lips and how his eyebrow raised so lustfully each time, your body would brush past him. The late evening consisted of quite sexy exchanged glances, stealing kisses and soft skin contacts that drove him crazy the whole time.

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