read this now

a month late for bi visibility day but here’s my bi flag book stack 💗💜💙

i came out to my best friend today and it was scary and nerve wracking but i feel like a little weight has been lifted off my shoulders!


I feel so unenthused about wrestling right now its so weird even though wrestling is probably at its most interesting and exciting peak for years. I just feel really disconnected from it?

anonymous asked:

sjjdjd ur icon is drawn by a pretty popular sh@ladong so u may wanna change it if u want the she!thers to stop thinking ur one of them ahsndbdnnjnxh

Yeah but it’s pretty so rip I guess

hi guys
so, things got a bit complicated. i plan to close my free readings for a while.
i was planning to do it at the end of the week on my bday and do sessions everyday till friday, but welp yeah things happened. they are family and health related, so i hope you’ll understand.
i’ll take all the requests still, but it’ll take longer for me to post the readings.

i feel like i’m letting you all down, sorry. 
hope you all are having a nice day, please please take care and stay safe 
with all the love ♡ 

i cant believe undertale’s already three years old!!

(pssst the pic is transparent!! click it) 


Life Was a Song, You Came Along  , by @rainbowninja

It’s embarrassing how long it takes Louis to recognize his own song. Niall had sung it as a bright, hopeful love song, and that’s honestly how Louis had always assumed it should sound. But this new voice, slow and rough, stripped of any backing instrument, has infused the lyrics with just the tumultuous mix of fear and defiance that Louis can remember so clearly from the night he wrote them.

It’s not a comfortable thing, to feel like someone is singing all your secrets back to you.

Louis is a songwriter trapped in a lie that could ruin his best friend’s career. Harry owns a record store, distrusts everyone in the music industry on principle, but loves Niall Horan’s newest album. A modern retelling of Singin’ in the Rain.

Harry/Louis | 31k | angst | hate to love | explicit (b!Louis)

Later, whenever Louis tells the story, he starts with Pitchfork. When questioned, he always argues that the day Pitchfork reviewed Niall’s album was the day things really started going to shit.

It’s not quite true, of course. The seeds of destruction had actually been sown months ago by Simon Cowell, head of one of the largest record labels in Britain and also, incidentally, Louis’ boss. Simon was the one who had pushed for Niall to be branded as a singer-songwriter: “you know, speaking from the heart. Just you and your guitar on stage, like all that Ed Sheeran bullshit? It’ll be huge.” Simon was also the one who told Niall to pass Louis’ music off as his own, using words like “gift” and “happy compromise.” And then, when they’d both initially refused, using words like “legal battle” and “PR disaster” instead.

Louis knows he should regret the album that resulted. Although Louis and Liam have a bit of a reputation in the industry as hit-makers, they mostly write pop songs for boy bands and X Factor winners, and Louis had never intended for the songs in his personal notebooks to see the light of day. He can’t bring himself to regret that they have. Which is why Louis can’t blame Niall, or the album, or even Simon (mostly). And every time Louis suggests blaming himself, Liam launches into an earnest monologue that Louis doesn’t have the heart to forestall.

Instead, Louis decides to blame Pitchfork. He thinks Pitchfork exemplifies the type of pretentious, name-dropping, overly metaphorical nonsense that makes for the worst kind of music reviewing these days.

So, you know, they probably had it coming.

(thanks to @melmanpur for the manip, the notebook manip is mine with @yourssincerelylarry font), the Harry/Zayn is unknown.)

 rereading pjo and missing these dorks

Commissions are open!