re creation

Steven Universe Theory: White Diamond Is The Enemy

SPOILER ALERT: THIS THEORY CONTAINS SO MANY SPOILERS. You have been warned!

As of January 6th, 2017, we have been officially introduced to three diamonds: Yellow, Blue and Pink. But what about White?

Personally, the most interesting theorizing for me has been originating from the Pyramid Temple, and here’s why.

First of all I want to point out something that no one has before: The Pyramid Temple is the first place we see the Diamond Authority symbol. That’s right. The new symbol. The symbol made after the shattering of Pink Diamond. The symbol that everyone believed made its debut in ‘Jail Break,’ was completely visible in season one, episode eight. Don’t believe me?

The symbol is first seen to the far left as the gems are entering the temple. It is surrounded by what looks to be a sun, and rays of light. Seem familiar? A certain light with a song of some sort? That’s right. The corruption song, revealed to us in both Lapis’ backstory and Centi’s drawings.

The second time the symbol is more clearly visible, after Steven has ‘touched the magical thing he is definitely always never supposed to’ and the gems land in the center of the temple.

(Do I have your attention yet?) What this means is that this temple was created after the war…at least, after the shattering of Pink Diamond, and the re-creation of the Diamond Authority symbol. What exactly is the purpose of this temple? I’ll get to that in another theory.

I will be referencing SliceofOtaku’s ‘Source of Corruption’ theory…so feel free to go check it out!

After the gems enter the temple, before Steven messes with the magical thing, we are introduced to another mural, one that has been used in many theories thus far.

The mural introduces us to four main beings, three being what is assumed to be diamonds, and the last, Rose Quartz. Just barely out of sight, we can see the sun and the moon on opposite ends of the mural, so we can assume that the mural is meant to be read, or translated in a counterclockwise manner. We are also introduced to an unbelievable amount of hands, and small black figures that we assume represent humans, or crystal gems. Again, we’ll get back to a lot more information on this mural in another theory. The main focus is the center mural, the one with Rose Quartz.

Many have speculated that this mural is depicting Rose Quartz fighting against a Diamond. Others have speculated that this is Lapis Lazuli because of the wave like structure beneath her, but that theory has essentially been proven wrong, and it is safe to say that this is in fact a Diamond. But which Diamond?

Many theorized that this was Yellow Diamond or Blue Diamond, because of the triangular symbol on her chest. Others have speculated that this is just a universal symbol of a Diamond, and it could be Pink Diamond, and that this mural was the depiction of the last battle between Pink Diamond and Rose Quartz. I think differently.

White Diamond is and has always been the top of the Diamonds. This is shown by her symbol constantly being at the top of the Diamond Authority symbol, and her mural on the Moon Base shows that she has the most colonized planets and moons by far. Some would argue that she is the ‘oldest’ of the Diamonds. Regardless, she is definitely at the top of her game, even though we have little proof to show it.

When Yellow Diamond was first introduced, fans were in awe. I myself thought that she was just an epiphany of beauty, authority, and everything that a personified diamond would be. She was Yellow Diamond.

When the world was introduced to Blue Diamond, we were given a different aspect of the Diamonds entirely. Diamonds had feelings. Diamonds could be distraught. Diamonds could be vulnerable. Diamonds were capable of the same earth-shattering, depressing emotions that we humans are.

Later on in “That Will Be All” we see that even Yellow Diamond is troubled by the loss of Pink. Even though the two Diamonds are handling the situation very differently, the two still feel the loss of a close figure, some might even say a sister or a lover. Yellow attempts to console her fellow Diamond and encourages her to get back up and be the leader that she needs to be. Yellow has obviously continued her responsibilities as a Diamond, but Blue just hasn’t. Instead, she’s focused on keeping Pink’s legacy alive, and it has made her a shell of what she used to be. Yellow is obviously trying to pull her fellow Diamond from this pit of despair, and return her to her authoritative figure. But where is White Diamond? Surely the head of the Diamond Authority wouldn’t want a fellow Diamond wallowing in despair forever. Wouldn’t she?

Even though Yellow is trying to encourage Blue to stop mourning over the loss of Pink, she’s still there. She’s still concerned about her fellow Diamond. She’s present, and accounting for all of Blue’s latest activity. White Diamond is essentially nonexistent, but she’s not shattered.

We can tell that White Diamond is not shattered/bubbled/missing because:
- She is still present in the Diamond Authority symbol.
- She is not mentioned as a bubbled or shattered gem.
- She is not being mourned over like Pink.
- There are no gems that we have seen bubbled that resemble a Diamond.

Of course, this is only a theory, and it is entirely possible that White Diamond is shattered/bubbled/missing, but I feel that it’s highly unlikely. I mean with that many colonies to run at once, (and certainly more since the war) I think anyone would qualify as ‘missing.’

So what does any of this have to do with White Diamond being the enemy? I’ll tell you. White Diamond shattered Pink Diamond.

That’s preposterous! Why? How? Where?

Rose Quartz shattered Pink Diamond! It’s fact!

No. It’s not. Just like media, it’s what they want you to believe. But who’s they? The higher-ups. The leaders. White Diamond.

Rose’s sword was made to destroy a gem’s body, never the gem. Rose would never shatter someone, as stated by Steven, and I think I stand by that. Of course everyone says that she had to do what she had to, and that it was true, but I just don’t buy it. I think Rose ‘poofed’ Pink Diamond, but nothing more.

Let’s go back to the mural.

Here we can see Rose battling a Diamond. But what is that in front of her? A diamond. A pink diamond. Could this be the actual Pink Diamond? Yes!

It has been made clear that White Diamond is the leader of the Diamond Authority. She wouldn’t care about a small rebellion. Not near enough to come to earth. So what would make her come to earth? Pink Diamond. The well-being of a fellow Diamond. As soon as Pink Diamond is ‘poofed’ or shattered, things get super real for the Diamonds. The rebellion isn’t a game anymore. One of their own is in danger, and that’s enough for White Diamond to put an end to it all.

Rose Quartz proved that this rebellion wasn’t something that could be handled with a snap of their fingers. The Beta Kindergarten was proof of that. As stated by Peridot, the Beta Kindergarten was Homeworld’s scrambled attempt to generate extra soldiers on the ground, mid-way through the rebellion. This wasn’t Homeworld’s attempt. This was Pink Diamond’s attempt. Jasper further reiterates this fact by her emotional speech about her purpose being to fight from the very beginning, because of what Rose Quartz did to her colony, her planet and her Diamond.

Rose Quartz has always been presented to us as a lovely, beautiful being. I personally can’t imagine her harming another gem, not to mention the being that created her. I think Rose Quartz ‘poofed’ Pink Diamond, holding her hostage, and was using her as a means of negotiating with Homeworld and the rest of the Diamond Authority. This is when White Diamond joins the war.

White Diamond finally travels to earth, and brings reinforcements with her. In a final attempt at ending the rebellion, and the gem colonization of earth, Rose Quartz negotiates with White Diamond alone.

It is common knowledge in the real world, that only diamonds can cut diamonds.

Depicted in one of the first murals ever given to us, White Diamond delivers a shattering blow meant for Rose Quartz, but instead strikes the bubbled and defenseless, Pink Diamond, and shatters her gem for good. Infuriated, distraught, and bent on revenge, White Diamond blames Rose Quartz for the death of her fellow Diamond, and who would deny it? The very leader of the Homeworld gems and the Great Diamond Authority.

At an unknown time period afterwards, Homeworld gems are called to retreat, and the three remaining Diamonds join together to create the corruption song. Sadly, many gems are unable to escape, left on earth as corrupted gems, mere shells of what they used to be. Thus, ending the rebellion and the colonization of earth. White Diamond returns to her duties as a Diamond, while Blue and Yellow mourn for their fellow Diamond.

Of course, gem activity does not come to an immediate halt after the rebellion, the Pyramid Temple and the Cluster being examples of that, but we’ll try to figure that out in another theory.

As for White Diamond’s involvement in future episodes of the show, I feel that she will be the last villain Steven and the Crystal Gems face. The show revolves around empathy, and I feel that both Blue and Yellow will be able to be won over by Steven’s compassionate nature, or at least they will think twice about what actually happened in the rebellion. Perhaps in some sort of argument within the council itself, White Diamond would angrily admit that she was the one that shattered Pink Diamond, or in a battle between the Crystal Gems and the Diamonds, they discover Diamonds can’t be shattered by normal gems, and the Diamond’s whole worlds would be changed forever. Homeworld gems would be changed forever. All because of the one Diamond above them all.

White Diamond.

I hope you guys enjoyed my theory on White Diamond and I’ll be working on other theories soon!

nmeskel  asked:

I know you get a lot of hate, but have you ever had constructive debates with people who genuinely disagreed with you?

a few weeks ago I had a 2 hour skype with a YouTube “skeptic” that I found really productive. but I wouldn’t call it a debate, it was a genuine conversation with the intention of understanding each other. While there’s a lot we still don’t agree on, I got a lot of insight into why there’s such a surge of “anti-SJW” content on YouTube (which is why I reached out to him) and he gave me lots to think about in terms of content creation. We’re trying to find another time to talk and have even discussed the possibility of making a video together. Both of us walked away pleasantly surprised by how the conversation went and I think there’s a lot of value in sharing what lead us to talk offline that others could potentially gain something from. Prior to that I’ve spoken offline to another person who’s made response videos about me after I made a copyright claim against him and he respectfully asked if we could settle the dispute amongst ourselves. We talked for a few hours over Skype and have since kept in touch online via Twitter and Facebook, even though we regularly disagree (he’s a fan of playing devil’s advocate which I hate.)

Aside from that, sure I’ve had a number of conversations with people who disagree with me in my personal and professional life that could be described as “constructive” in the sense that while it ended in an impasse we’ve moved on because life goes on. The thing is it’s impossible to agree with anyone 100%, Heck, my husband and I disagree all the time. But I think everyone has to decide what their personal line is. There are some “disagreements” that boil down to “I don’t think X deserves the same rights as Y” and I don’t see that as up for debate.

For me, my biggest issue is people using “i disagree with you” as an excuse to accuse me of saying things I haven’t said and make personal attacks. Those are people I’m not interested in engaging with. I don’t think name calling or false accusations (i.e. “why do you hate all white people?”) are productive, so I prefer not to waste my time on those. Sadly, those are the folks who almost CONSTANTLY hit me up on social media “wanting to debate” when in reality they aren’t interested in a constructive conversation, they just want to bait me into going onto their channel and driving traffic to their videos, which I’m also not interested in doing. Hope that answers your question.

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Pearls For Our Girls ; They’re Done!

A smaller project but still… we were in dire need of pearls for our ‘upper east side posh’ sims 😉. Click on the pics for better quality! They’re very blurry but I don’t know why… Why tumor?! Why?!?!?!😭😜) I took the pearl necklace that came with the vampire GP apart and created a nice pearl necklace. Small shout-out to these enthusiastic peeps❤️ @eenhoornsims@martinessimblr​ @standardheld (whom I can’t tag 😕… weird) @aflutters-simblr@nibbsnz​.Hope you guys like them!☺️ And of course everyone else!!!

Just Pearls; a version with (as it says :P) just pearls in the vampire palette and the Spring Colors of 2017.

With Amulet; a MM texturen of a rhinestone. 

Technical details:

  • New Mesh. Mesh-edit of EA’s Pearl necklace so; credits to EA.
  • Base Game Compatible.
  • All LOD’s. LOD 0 (highest resolution) 1200 poly’s = to standard EA value.
  • Custom shadow map.
  • Made with Sims 4 Studio Harmony 3.0.1.3 tested in both OS (Windows and Mac).

Terms of Use:

  • Don’t claim my creations as your own!
  • Do not (re)upload my creation to other sites. You wouldn’t like it either.
  • You can recolor my creation’s just DON’T include the mesh. If you like me to see your recolor’s @# me!☺️
  • Do NOT put a url shorters to re-direct to MY original mesh.
  • Give credit, where credit is due. 
  • I do not own/made patterns and/or textures UNLESS stated otherwise.
  • You can convert them to The Sims 1/ 2 / 3 but let me know first.

Download the version you like or the merged file.

Download (SFS - No AdFly)

And last but not least…Enjoy! Let me know what ya think! ☺️

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Jean-Michel Basquiat and Madonna photographed by Stephen Torton, 1982.

Madonna and Basquiat dated for a while, but his heroin addiction ended up pulling them apart. “He was an amazing man and deeply talented. I loved him,” she said. “When I broke up with him, he made me give all [his paintings] back to him. And then he painted over them black.” She regrets giving the art back, but felt pressured to do so since it was something he had created. (The Howard Stern Show, March 2015)

Madonna: “Basquiat was my boyfriend for a while, and I remember getting up in the middle of the night and he wouldn’t be in bed lying next to me; he’d be standing, painting, at four in the morning, this close to the canvas, in a trance. I was blown away by that, that he worked when he felt moved. And they gave jobs to everyone. Keith would meet kids on the street and ask them to come stretch his canvases for him. Basquiat had every B-boy and every graffiti artist in his loft. He was constantly giving everything away. I think they felt guilty that they became successful and were surrounded by people who were penniless, so they shared what they had. They were incredibly generous people, and that rubbed off on me. You stay inspired that way. I could never work in a recording studio where you have this lovely view and a beach and the waves are crashing. For me, it’s all about being in a tiny room with little windows. It’s almost like you have to be in a prison. And you can create beauty when you’re in that sort of deprived environment, which is a re-creation of your formative years.”

“I remember having conversations with Keith [Haring] and with Basquiat about the importance of your art being accessible to people,“ she recalled. “That was their big thing—it should be available to everyone. It was so important for Keith to be able to draw on subways and walls. And Basquiat used to say to me, ‘You’re so lucky that you make music, because music comes out of radios everywhere.’ He thought that what I did was more pop, more connected to pop culture than what he did. Little did he know that his art would become pop culture. But it’s not like we really had discussions about the meaning of art. I remember hearing them talk about those things.”

(Interview Magazine, December 2014)

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…for the femslash february challenge with @deanthomasfinnigan

week one: f a v o u r i t e   f / f   p a i r i n g s
cho CHANG x luna LOVEGOOD

Kaneki and Touka: Parallel Journeys, Part 3

Link to First Part here.

Link to Second Part here.

Touka’s Self-Reconciliation

When we meet Touka again, 3 years later, she practically glows with human kindness.

Thankfully, her feelings of impotence have not convinced her to erase the admirable human side she had been developing, because she has had the support of the remainders of Anteiku and their hybrid viewpoint. And since that is a hybrid viewpoint, the Ghoul side of her has resurfaced as well, as we find out at the end of the Tsukiyama Family Extermination arc.

Her re-acceptance of her Ghoul self is reflected through the regrowth of her kakuhou and being able to use her kagune again. But while she has brought herself to kill people again, it is not a revenge killing, as it was with Kusaba, but a commitment to violence in order to save a friend. Like Yoshimura before her, she is peaceful when she can be, but when a friend is endangered, she’s willing to fight. A true spiritual Half-Ghoul; something she proves again when she helps rescue Hinami from Cochlea.

And the symbol of this reconciliation is her creation of :re. As Tsukiyama points out, it is a second Anteiku; a second symbol of human nature and Ghoul nature co-existing. And just as Yoshimura created Anteiku as a home for the prodigal Half-Ghoul close to his heart, Touka created :re as a home for the prodigal Half-Ghoul close to hers.

Kaneki’s Self-Reconciliation

Kaneki’s struggle to reconcile his two selves, however, is still ongoing. At the end of the first series, in Kaneki’s mind his Ghoul self comes into direct contact with his Human self, and the Ghoul realises what a great mistake he’s made in abandoning the Human. But the Human sees the virtue in the Ghoul self as well. 

They embrace, and they fade away together, to merge into one.

To merge into Haise, whose hair is both black and white to symbolise the co-existence of the two selves. As Haise, he seems, like Touka, to have mastered this balance. Simultaneously, a kind and gentle soul…

…And someone who is willing to fight when it’s called for, especially when it’s to protect his loved ones.

However, the transformation is not yet complete. Haise still fears sliding back full-swing into the Ghoul World, reluctant to use his kagune. Rather than his two selves being in union, they are fighting for dominance. He sees his past self as the demonic figure in Yamori’s chamber, and it frightens him.

The reason that he has adapted so badly compared to Touka is that the pain the Ghoul side of himself brought him was so extreme, he tried to shove it away entirely, locking away his memories. Being raised in the CCG with its strong prejudice against Ghouls only made his self-denial worse, to the point of crying when Urie calls him a Ghoul.

Touka equally fears Kaneki slipping back in the Ghoul World after seeing what it has done to him (and the own pain she felt because of it), and it’s her principal reason for not trying to bring back Haise’s memories. She believes him to be better off in this not-quite-there state, lest he regress dramatically (as indeed he later does).

(And of course Tsukiyama wants Kaneki back in the Ghoul World, because that’s where he is.)

But to Haise’s surprise, the mental image of the devil within changes into that of a child.

A white-haired child. The Ghoul self he was hiding from was as vulnerable as the human side he treasured. Haise re-examines his perspective, and seeks to understand the part of him he was suppressing. Beginning to understand the Ghoul inside of him is an important part of Kaneki’s development, but it takes him to darker places before brighter.

The confrontation with Eto, the reflection of himself - the Half-Ghoul who strayed from Anteiku into the Ghoul World to fix the world herself - brings Kaneki to a crucial revelation about himself.

Kaneki had always believed that the Ghoulish side within him was something that came about with the implantation of Ghoul organs into his body; indeed he initially tried to carve them out in the hope it would make him human again. However, with the flood of recaptured memories, Kaneki remembers that his life characterised by violence had begun long before that. He had been in the ‘Ghoul World’ even when he was human. The stream was poisoned from the source, and there was no escaping what he saw as his tragic fate - so he embraces it, seeking to at least do something positive with his Ghoul abilities before he can destroy the violent monster he so detests for good.

The white-haired child had represented the major memory Kaneki had been suppressing all along, an ability he possessed that was foreshadowed by the existence of Haise. It represented that he had his Ghoul nature even when he was a child - as foreshadowed by the ‘Black Goat’s Egg’, suitably written by his doppelganger - and so, though it is red in actuality, in the monochrome style of manga, his hair turns black as he accepts the Ghoul as an irremovable part of himself. Black hair was the colour of his human self, but the Black Reaper is the most Ghoulish of Kaneki’s personas - it represents how the distinction in Kaneki’s mind has been utterly obliterated, and he can no longer see where the Ghoul ends and the human begins. 

This destruction of the boundaries could be a positive thing for his character, if he didn’t despise himself for it. His hatred for himself is symbolised by slicing his doppelganger in two - although, of course, she survives, and reforms, because the Ghoul within Kaneki cannot be destroyed so easily.

Another thing about doppelgangers; according to legend, when one first meets their doppelganger, death will soon follow. And that is exactly what Kaneki believes. But this is a conviction that is thrown off balance when Kaneki comes to interact with someone who has been a Ghoul since their birth, and who has dived into the human world as well. Someone who has managed to demolish the boundaries between her Ghoul and Human sides in a far healthier manner.

Though Kaneki believed himself to have been part of the Human World, his past was characterised by the Ghoul World in his mother’s abuse long before the attack by Rize. And although Touka believed herself to have been part of the Ghoul World, her past was characterised by the Human World in her father’s kindness long before she went to school. Seeing Touka again is what triggers Kaneki’s self-doubt over his initial goal. Seeing such a healthy specimen of Half-Ghoulness - having now seen her both kindly serving customers in :re and breaking into Cochlea to save Hinami - makes him start to question his self-hatred.

Then, in his mind he speaks with Hide, and recognises that the Hide he is talking to, urging him to live on and demonstrating Human kindness to the highest degree, is a mental conjuration. Which makes that Hide part of Kaneki’s own mind. And if that’s true, then Kaneki can be Human too, after all. Human and Ghoul - he’s always been both. So he doesn’t have to hate himself anymore.

His hair turns white once more to represent the new peace he has found with his Ghoul self, and to call back to the self-confidence and determination to change the world that the first Shironeki possessed. With Ghoulish hair and a Ghoulish eye, his face is lit up by a Human smile. He’s finally mastered the way of the Half-Ghoul.

And that is precisely what makes him the One-Eyed King.

And where does Kaneki wake up after all of this?

In :re, the home of the half-Ghoul.

Kaneki has finally returned to Anteiku.

Now both Kaneki and Touka have destroyed the boundaries between their two selves - also represented by the mixed membership of Goat between Anteiku, Aogiri, CCG, and independents - they have saved themselves, and now that they have saved themselves, they can save the world.

a thought

this is the last chance to defeat the Hunger, right? i’m pretty sure both barry & lucretia have said something along those lines, anyway.

but why? why is this planar system the end of the line? i’m sure the Hunger consumed plenty of them before arriving at the ipre’s world, and theres surely plenty after. so - and i don’t remember if this has been confirmed in any way yet - the ship must have been broken somehow.

let me remind you: barry fell out of the sky and died. lup is dead in a cave (presumably guarding her relic, and she couldn’t have been in there before the blast or else there’d’ve been no trace of her at all, just black glass - but this is off-topic). taako, merle, magnus, & davenport remembered nothing. lucretia said re: the relics’ creation that she was against it and was ‘overruled’. she had a holy symbol specifically to keep out lich!barry and, necessary or not, acting or not, she was basically shit-talking the red robes the entire podcast.

let me remind you: this is a ship powered by love and friendship.

so: this disagreement was enough to crack or sever the bonds they’d formed over one hundred years. one hundred fucking years. their soured relationship couldn’t fuel the spaceship, so either they landed and couldn’t lift off again, or the engine cut out mid-flight and they crashed. hell, maybe barry fell overboard. maybe that was the beginning, or maybe it was the end. either way they can’t escape this time - this world’s tech just ain’t enough. they’re stuck, and for the first time in a century they won’t live to fight the Hunger another day.

tl;dr; there was some major, MAJOR fucking falling out between the red robes and that’s what lead to a crashed ship and one very last chance.

Chicago-Area Home with Chic Cottage Style

Light, bright, and airy, this authentic re-creation of a French country cottage will leave you wondering why you ever doubted the power of white.

anonymous asked:

Remember that song Ishida posted a while back (Surender by Buzz Mothers) with Kaneki and Touka art. With all the convos going on and the Touken talk basically being the final boss, there is a piece of the song that's starting to make some sense (to me). "Perhaps it is because I have rejected peaceful days,after taking the meaningless detour,I laugh when I see her – tired from waiting – asleep in an acrobatic posture." (That last bit sounds like they are about to do the dirty)

You clairvoyant anons never cease to amaze me! I got this ask like a week ago and back then my reply would have been along the lines of “Lol, that would be great, wouldn’t it! Unfortunately I think that might be wishful thinking, since when you choose an already-existing song for your characters, there are always going to be lines that don’t necessarily fit.” But now that the dirty may be about to be done, I see it in a new light! Just for fun, I’m going to try dissecting that song’s relevance to Touken.

Lyrics translated by the wonderful sunset-tower!

Music here.

Surrender
by Buzz Mothers

The title suggests that Kaneki should surrender the hero act and just be honest with Touka about his feelings. This will become apparent in the penultimate verse.

What a sad person she is
All alone in this wide world

Touka has lost both her father and her brother and she goes on to lose Yoshimura, Koma, Irimi, Hinami - and of course, Kaneki. They all either leave her or are taken away from her.

What a pitiful person she is
That a person like me is her only saviour

Both Kaneki’s self-deprecation and hero complex shines through here. He laments that life has been so cruel to her that she can have faith in someone as damaged as him. 

Like a heat haze my determination wavers
Once again I’ve lost the tiresome battle without even fighting

I think these lines can be taken to refer to Kaneki’s crusade against Aogiri, especially since this was when Kaneki was playing the role of ‘saviour’ in order to protect Touka and others. He eventually gives up on his quest not because he’s losing the fight, but because his friends persuade him that he’s walking down the wrong path - especially Touka, who finally convinces him to return to Anteiku.

Disappointed, while I’m writhing in pain somewhere
she murmurs to me with a smile, “You’re lovely.”

But Kaneki goes back on his decision when he sees Anteiku under attack and throws himself into the fray. While he writhes in pain from Arima’s assault, he remembers Touka on the bridge expressing both disappointment in him and concern for his well-being. At the end of the manga, Touka expresses faith in Kaneki.

Tonight, I belong to you
Tonight, you are my monster
Tonight, I belong to you
Tonight, you are my monster

These lines could be coming out of either of their mouths. The term “monster” shows that they are accepting the sins and ‘Ghoulish’ qualities of the other. One night in the future (maybe next chapter!), they express their love and recall everything that has come to pass.

On nights with no way home,
the only guide is the lonely light in her room

When Kaneki loses his memories, he loses the way back home to his old life and to Anteiku. The only guide and light of hope is Touka’s room, or more specifically her cafe. The “lonely” light of the room is a transferred epithet for the room’s owner, missing Kaneki.

On an unfamiliar street, burning alone,
a lonely light that is almost warm

Anteiku is gone and its successor is in a different location, so it is literally on an unfamiliar street for Kaneki. This adds to Haise’s confusion when he has no memories of the place itself and yet it evokes glimpses of his past. It is new but old, different but the same - much like how Tokyo Ghoul:re is to Tokyo Ghoul. The light is “almost” warm because while Kaneki is drawn to his past, he is simultaneously frightened of it. 

Perhaps it is because I have rejected peaceful days,
after taking the meaningless detour,

Very much Kaneki’s attitude after he regains his memories. Haise was a meaningless detour to him, a pathetic attempt to run away from his problems without actually dealing with them. As such, he allows despair to flood back into his soul, freezing over the warmth that defined Haise and discarding the false peace he felt during that time while facing his misery head on.

I laugh when I see her – tired from waiting –  
asleep in an acrobatic posture

Kaneki finally comes back to :re and Touka, who is naturally tired, since she has been waiting for a bloody long time. Personally I think the acrobatic posture’s just a bit of the song’s humour and doesn’t tie in with Touken, but feel free to read it however you like.

Tonight, I belong to you
Tonight, you are my monster
Tonight, I belong to you
Tonight, you are my monster

If I were to disappear,
buy a new notebook
If sorrow were to creep in at night,
lock it up within the five lines

The singer here advises his lover to transform any sorrow he causes her into poetry, the five lines referring to the structure of a tanka poem. Touka has zero interest in literature, but the basic meaning still applies: if something happens to me, please turn that pain into something beautiful and don’t let it destroy you. It fits pretty well with the creation of :re in response to Kaneki’s original disappearance, and I think Touka’s naturally going to be concerned that she might lose Kaneki again as soon as she has him back. He may say something along these lines to her, or even leave it to her as a ‘testament’ like the CCG do to mirror the Raid arc of the original series. His mentor Arima could never find anything to write because he could not think of anyone who loved him; but in Kaneki’s case, he’s going to finally understand how loved he already is.

Tonight, I belong to you
Tonight, you are my monster
Tonight, I belong to you
Tonight, you are my monster

Baby, the seasons will change again in the streets
It doesn’t matter, leave me behind

Kaneki offers words of inspiration for Touka in case anything does happen to him, advising her to move on as things will always change for the better as the seasons turn from Winter to Spring.

Aaah, I am anxious all the time
So be by my side and give me courage, always

But Kaneki’s own fear, not just for himself, but for all his loved ones leaks through, and he expresses his honest feelings and insecurities to her rather than trying to protect her with words. He asks for her to always be with him, extinguishing his loneliness for good, and to give him the strength and hope he needs to continue.

Baby I love you so bad

HE LOVES HER

Like a heat haze, the everyday wavers
I laugh, like I’m forfeiting happiness

Things in Kaneki’s life have always been subject to sudden change, and even the peaceful everyday he hopes to find is at risk. The very last line suggests Kaneki’s concerns about finding happiness in the fear that he’s just going to lose it all again - if this goes wrong for him, he feels as though he might not ever be happy again. He’s laughing because he’s happy, but simultaneously, he is frightened. Like he said in Chapter 119, if his life took a turn for the better, his first feeling would be fear that it would disappear.


So, that’s my reading of Ishida’s reading of the song. Obviously not a lick of this was intended when the song was written - this is just what I think Ishida saw in the song that made him choose it for Touken. 

some concept (i guess) for monoshift. shift asgore doesn’t have a front-facing sprite yet so i left him out.


Doodle: I honestly don’t know much about StoryShift at all other than that the creator has been practically shoved off the internet by bullies over dumb things and that they’re avoiding their own creation for mental health reasons.

Other than that though, I’m not sure how to interpret this–so I’d need someone who knows the AU to tell me what this is about (if anyone’s willing) and how this would change anything.