first off: i’m not a lawyer. this is all accurate to my knowledge but i’m not formally educated or trained in most of this, i just work around it and pick some stuff up
look i’m currently suffocating under crushing debt so i was like ‘hey i’ll see if there are any magazines taking submissions’ cause i may or may not get chosen but at least its something i’d be doing anyway and timelines and genre restrictions never hurt a girl
i ended up on this page (upwork) looking for “ghostwriters” and it’s laughable to downright insulting.
such as: “Hello,
I produce [REDACTED].
So if you are looking for a recurring job as a freelance writer you came
to the right place!
Here is what I need: Someone who can be a good researcher.
Don’t plagiarize. All books are run through plagscan and copyscape. They
need to be 100 percent original.
Timeliness - The faster you produce these (with quality) the more jobs
you will get.
This job will be recurring if you do a good job.
I will pay a maximum of $10 per 1000 words.
Lastly, by accepting this job, I will own all the rights to the book.
This includes characters, places etc. I own all the rights.
there were SO MANY OF THESE. look. i work in intellectual property for my day job. so here’s the thing: if you, a creative, does a “work for hire” agreement, like the one above, that means anything you produce under this agreement does not belong to you. you have effectively “sold” your intellectual property aka the story and all is defining characteristics - people, places, plot.
WORK FOR HIRE AGREEMENTS ARE NOT BAD! i see a lot of pushback against them on tumblr which is baffling to me because in the real world they’re how many creatives make money - by selling their creativity. with tv shows, for example, their characters and plots and what not do not belong to the creator of the show. they belong to the network of the show because they paid for them. writers of episodes don’t own the creative content of those episodes - the network does. because the writers are “work for hire” aka they’re getting paid specifically for their creative content.
work for hire agreements are usually the most advantageous when the payer is hiring the creator for the execution of a project rather than the creation of it. for example: hiring a writer to create a story out of a detailed outline, or an artist to draw something under strict specifications. the more creativity aka intellectual property the creator must generate and ultimately sell the rights too, the higher the pay should be for the work. (should. i’ve seen instances where pay is less but something else is gained - like different rights or credits - and that’s equally as acceptable as long as it’s what the creator wants. the creator should gain something equal to the value of what they are selling. obviously)
so the idea that $10 per 1000 words of pure original content is in any way shape or form acceptable is absolutely ridiculous. most literary magazines, which pay way more, get some form of publication rights but you the author retain all ownership rights. they’re not paying you for your intellectual property, only their right to display it without you suing them for infringingon your rights as a creator and owner of original content.
know your worth. know your value. i don’t know how many of these ridiculous ads actually get takers, but please do not answer any of them.
your ideas and writing and talent are worth more than pennies
Not trying to be ignorant, genuinely trying to be educated. What makes LaLa Land a racist film? I understand the Moonlight vs. LaLa Land argument over why putting down Moonlight is racist, but what about the film LaLa Land itself is racist?
You have a dull manchild whitesplaining a historically Black genre to anyone who will listen the entire movie and trying to dictate what is and isn’t “true jazz” and if that wasn’t bad enough the only black character is portrayed as a sellout to the genre. Also, it’s a movie about film and music in Los Angeles without any LGBT characters or POC characters outside of John Legend. Talk about misrepresenting a whole industry and a city. I’m oversimplifying it because I really don’t feel like going into it today, but there’s a million think pieces out there from reputable critics with really valid points that range on everything from the film’s racism to its horrid writing of the female character. Google is your friend.
I don’t normally engage in fandom discourse, but I see a lot of people saying “I don’t want blizzard to say who the canon lgbt characters are in Overwatch, because I think it’s better for fans to have their own headcanons.” And I 100% disagree.
Representation in a game that reaches people all over the world, many of whom are from a homophobic subculture that might otherwise not encounter any queer characters in any of their other media, is more important than your ships.
Shipping is not why lgbt characters are necessary. They are necessary because real, actual lgbt people exist and now more than ever need to be normalized in media. Subtext alone is not enough. We need to be allowed to exist as more than a head tilt and a wink, as more than something that has to be coded and guessed at like we’re some sort of dirty secret.
basically, If your ship is more important than real life representation on a global scale, I really think you’ve missed the point, and maybe you should think about your priorities. :\
Honestly? I’m tired of seeing people justify Yurio’s behavior by saying “Oh, he’s fifteen.”
Yes, he’s fifteen and you’re literally reducing his character to nothing but his age.
You’re making it sound like he doesn’t have a personality, doesn’t have motivations, doesn’t have a history, like his entire character is just being fifteen years old.
As though Yurio is nothing but hormones and pubescent rage. If that’s truly the case, I don’t think that makes for a very good character?
But it isn’t because see, that’s the point - being smol and angry and completely and utterly rude is Yurio’s personality (at least at this stage of his life). It’s time to stop waving it off as his being fifteen and accept that that’s what he is.
And yeah, let’s say it altogether: Yurio has been acting like a complete brat recently. It’s time to stop running away from that fact and pretending that everything is fine because the anime is making this pretty clear. I like him but I’m honestly growing sick of his attitude.
Disrespecting his elders, superiors, his fans, his rivals, his rivals’ fans, insulting people left and right, kicking people, rubbing his success in other’s faces - they’re all things that he does and do you really want to wave that off as an “age thing”. “Oh, he’s a kid, he doesn’t understand.” Really, now? I mean, I’m sure that there are 15-year-olds out there like that and who can relate to that, but 90% of them also realize what they’re doing and do it on purpose.
I think we can hold him responsible for those things at the very least? He’s in full control of his actions, even if he’s young. And see, I’m not saying that you can’t like him - I think he can be very likable. But it’s time to stop pretending like he’s an innocent little angel who never does anything wrong when he’s badmouthing someone literally every episode (usually for no good reason). It’s time to accept how violent and rude he can be and how flawed he essentially is.
And see, here you could say “That’s because he had a difficult past!”. To be honest though…? We don’t know. Maybe he did! Maybe he didn’t. ‘Maybe’s don’t get us anywhere though, so we can drop that argument. We just don’t know.
And then I’m sure some people are willing to say “But he still deserves to win the Grand Prix because he worked hard for it!”. Oh, he did, didn’t he? Just like
literally every other skater in this show?
There is not a single person in the six who qualified to the Grand Prix Finale that didnot work hard. Maybe we don’t see it, but JJ wasn’t born with his skills either, Chris spent at least ten years perfecting his skills, we know how hard Phichit worked to get his performance across to people and similar can be said for Otabek. And Yuuri? We know just how much Yuuri had to go through to get there - not just physically (although he practiced a lot as well) but mentally.
Literally all of them deserve that gold medal in similar amounts.
Sure, Yurio worked harder this season, that’s true. But it’s not like his work is not paying off? He got two silver medals and for a debut that’s good. It was also mentioned that he got gold in a different competition (Guang Hong was there too). And he broke a world record for God’s sake. And he still has the European championships ahead of him. Not to mention, like another ten years of competing in the Grand Prix Final. He has plenty of time to see his work pay off. It’s not time for him to win yet. Certainly not with that attitude.
And then some people go “It’s a competition judging your skills, not judging your personality!” Yes, that’s true. But this competition exists within an anime which is created by real life people which decide who wins and who loses. And do you really think they will let the brat get away with what he does just because he ‘worked hard’? Nah, mate. I can already see his fall during the Free Skate. It will be painful and glorious.
But that’s a good thing! Because that’s what will make Yurio grow! Maybe even help him grow out of his violent tendencies and into a more humble skater who can win with grace. Think of Victor. How did he act when he won? Certainly not like this, and we all know that Victor knows he’s amazing, but that doesn’t mean that he shows it like an arrogant ass at every step of the way. That’s where Yurio’s character needs to go - in the direction of humility and modesty. Because what’s a victory worth if it will simply fuel his ego and his unacceptable behavior?
At the end of the day, being fifteen isn’t an excuse and narratively speaking, it’s time for Yurio to learn a lesson.
Losing to “that pig” Yuuri would certainly be a good opportunity for that.
I love Yurio but it’s high time for some character development. We’ll love him all the more when he grows as a person.
so, the kiss was huge and its being widely discussed
but like, the kiss happening or not happening is not even that conclusive to it being canon. like someone has said already, they have been canon for some weeks now, but this episode RLY cemented it, and it was beyond the kiss. like
man. thats canon.
(specially the last pic. their gazes, victors hand behind yuris head to protect it from the fall, yuris hand clutching the back of his coat, i wanna die)
and i have the BIGGEST soft spot for yuris mental monologue during his performance. he doesnt put victor on a pedestal anymore, he says victor is inexperienced and an idiot, and he wants to surprise him and go beyond his expectations, and its so endearing. victor lost his cool bc he was worried, and he shows how deeply he cares for yuri. every new episode, theyre growing and i DONT KNOW WHAT TO DO. im so hyped this is bad.
Honestly what did I ever do to deserve Hannibal like there are A LOT of good shows out there that I love and adore but WHAT did I do to deserve murder art? Biblical motifs and classical music? Rich, gothic cinematography? Violent romance? Did I mention the fucking M U R D E R. A R T.
Like ugh it just tickles me in such a specific way nothing else will ever appeal to me in the exact way that Hannibal does
I never noticed that he actually took the shot for Carolina.
He stepped in front of her to take the bullet for her and he never even hesitated. Because that’s what he does, isn’t it? He’s the big guy, he does the heavy lifting, he gets things done, and he protects his team’s back. So of course he doesn’t think about letting himself get shot to save Carolina.
Imagine how much it must have taken to turn him from that, into this:
so this might be Too Angsty for this blog sorry but like
Maybe we should stop telling young LGBT+ kids who have come out their family and faced horrible rejection and hatred that their family will “come around eventually.” Maybe we should stop encouraging them to continue to picture their parents as some sort of Wise Beings who will Learn Someday and No Longer Hate Them.
Because not everybody’s parents “come around,” and not everyone wants their parents to come around. Parents are regular people who are capable of just as much evil as any other person, even if it’s directed at their own children. Parents are no magically enlightened people who will slowly come to understand homophobia/transphobia from their child’s struggles.
And telling some vulnerable child who has just been told by their parents that they’re going to hell, sinning, a freak, unloved, hated, or a mistake or whatever else that “Don’t worry!! Your parents hate you now and want you dead but someday maybe they won’t think you’re the scum of the Earth and everything will be hunky dory :)” isn’t going to help that child.
When you’re grieving the loss of your parents’ love, the last thing you need to be told is to “be patient.” Any parent who tells their child that they are unwanted and unloved has forfeited their right to patience.
Especially because what if the child’s parents don’t come around? What if the 13 year old who came out to his parents as a trans boy waits and waits for his parents to decide to help him pay for surgery, for years, thinking that they’ll “come around” because “no parent could hate their kid that much” realizes that his parents won’t help him with hormones, won’t help him with surgery, won’t call him by his real name, won’t use the right pronouns, and continue to misgender him? What happens when he has to come to terms with the fact that his parents won’t “come around,” that he’ll have to find a job and move out if he wants to be himself, that his parents won’t want to see him get married or keep updated with his life. Do you just tell him to keep hoping? Hoping that one day his parents will say “sorry we’ve been transphobic shits all these years. Buy you a beer to make up for it?”
Because I know I don’t want my parents to come around anymore. There isn’t anything they can do to me to make me want to forgive them, to make me want to have them in my life any more than I absolutely have to for my own survival. And if they did “come around” and try to apologize, I wouldn’t want it.
STOP SAYING YOU DONT WANT EL TO GROW OUT HER HAIR!!! I KNOW THAT HER HAIRCUT WAS AN ICONIC LOOK, BUT YOU GOTTA LOOK AT IT THROUGH ELEVEN’S PERSPECTIVE. SHE NEVER WANTED THAT HAIRCUT TO BEGIN WITH. SHE WAS FORCED TO HAVE THAT HAIRCUT. CUTTING IT SHORT LIKE THAT AGAIN WOULD ONLY TRIGGER BAD MEMORIES, AND WHY WOULD YOU WANT EL TO GO THROUGH THAT? SHE’S BEEN THROUGH SO MUCH AND HAVING THAT HAIRCUT AGAIN WOULD ONLY REMIND HER OF ALL THE BAD SHE’S BEEN THROUGH. IT WOULD REMIND HER OF A TIME, WHEN SHE WAS LOOKED AT AS JUST AN EXPERIMENT INSTEAD OF AN ACTUAL HUMAN BEING. SHE DOESNT WANT THAT, SHE DOESNT WANT TO REMEMBER ANY OF THAT.
I am So Done with these criticisms I keep seeing like “It was good and all but Diego Luna didn’t work for me casting-wise, he was too wiry and soft-spoken, not action-movie enough” and I’m like??? SPY???? That’s the point????
Honestly people need to stop forcing the Hypermasculine Jason Statham Aesthetic bullshit irrelevantly onto characters that bear literally no comparison.