Old one I took of Rae Morris a couple years ago now while driving home from Festival No.6. One of many shots I’ve been sitting on for too long, I’m going to start posted older shots from my film archive over the next few months.
"I wanted people to be able to feel the discomfort and awkwardness of feeling misunderstood. (…) At the end, the spiralling stops and I’m no longer in the chains of the statuesque stillness from before, but moving more freely and dancing.
To me, that symbolises an acceptance and shy confidence knowing that it doesn’t really matter if people know you or not.”