propose scene

Alex Danvers: “Seriously. Marry me, please!”

Oh my god I am actually crying. EVERYTHING HAPPENED SO FUCKING FAST. I NEED TO PROCESS THIS OMG. OKAY SO FIRST LET’S TALK ABOUT EMMA IN NEVERLAND. SHE NEARLY FELL OVER BUT SHE’S LIKE “NOPE MY HUSBAND NEEDS ME” AND EVERYONE’S LIKE “WTF” AND SHE’S JUST SAYS “KILLIAN?!” AND THEN SHE FUCKING SHOVES THAT LOST BOY

LIKE NO ONE’S KEEPING HER FROM HER TRUE LOVE AND IN THE BACKGROUND KILLIAN AND TIGER LILY AND FIGHTING THE OTHER BOYS. I MEAN WHO NEEDS SWORDS WHEN YOU’VE GOT HANDS RIGHT?!?! AND THEN THEY OVERPOWER THE LOST BOYS (APPARENTLY 3 VS 20 AND THE 3 WIN) AND THEY COME BACK TO STORYBROOKE IN LIKE TWO MINUTES. IT’S LITERALLY IN-AND-OUT.

SHE’S ALL WORRIED FOR KILLIAN’S WELLBEING AND GIVES BACK THE HOOK AND EVERYTHING AND I’M STILL REELING FROM HOW QUICKLY THAT HAPPENED LIKE IT FEELS LIKE A FUCKING DREAM I CAN’T

AND THEN HE APOLOGISES FOR EVERYTHING AND IS ALL “I SHOULD HAVE NEVER EVEN CONSIDERED RUNNING AWAY” THAT SPEECH OMG IT WAS WHAT I WANTED FOR AGES AND EMMA’S REACTION LIKE “IT’S FINE I FORGIVE YOU I DIDN’T REALLY GIVE YOU TIME TO TALK” AND I WAS LIKE YASS

AND THEN SHE’S LIKE WE GOTTA PATCH YOU UP AND HE’S LIKE “W8 I NEED TO TELL YOU SOMETHING” AND YOU SEE HER APPREHENSION LIKE “WHAT’S GOING ON WITH THIS GUY HE’S HURT AND HE’S PUTTING OFF GETTING BETTER KILLIAN R U OK”

AND THEN

AND FUCKING THEN

HE PULLS OUT THE FUCKING GODDAMN RING, MAKING ME SCREAM LIKE A FUCKING PTERADACTYL AND REGINA AND HENRY ARE MY SPIRIT ANIMALS IN THIS SCENE, NOT WANTING TO BE A THIRD WHEEL

AND THEN THE FUCKING SPEECH THAT WE WERE ALL CHEATED OUT OF IN THE FIRST ENGAGEMENT HAPPENS. YOU KNOW WHAT I’M TALKING ABOUT. THE ROMANTIC SPEECH THAT HAPPENS BEFORE EVERY FUCKING ENGAGEMENT THAT NEEDS TO BE PLANNED AND BEAUTIFUL AND I WAS SCREAMING AND CRYING JUST LIKE EMMA

LOOK AT HOW SHE LOOKS AT HIM THIS IS THE LOOK OF TRUE LOVE PEOPLE PASS IT ON. THIS IS THE LOOK OF HAPPINESS AND I CAN’T EVEN. AND KILLIAN IS LIKE “I WILL ALWAYS BE BY YOUR SIDE NO MATTER WHAT” AND I WAS FUCKING BAWLING AT THIS POINT BECAUSE THIS RIGHT HERE IS MY OTP 

AND THEN HE GETS DOWN ON ONE KNEE AND IS LIKE “WILL YOU MARRY ME” AND AT THIS POINT I’M BASICALLY A HOT MESS

AND THEN THE YES HAPPENS

AND YOU SEE THE LITTLE LAUGH OF RELIEF/PURE HAPPINESS THAT HE DOES WHEN SHE SAYS YES AND HER SMILE IS SO WIDE AND BEAUTIFUL AND OML THIS SCENE IS LITERALLY EVERYTHING I EVER WANTED.

I DIDN’T EVEN KNOW I NEEDED THIS EXACT SCENE UNTIL IT HAPPENED. AND I DIDN’T KNOW I NEEDED IT TO HAPPEN IN THIS WAY. THE ANGST IS OVER; THE TRUE LOVE IS BACK; AND CAPTAIN SWAN IS FUCKING ENGAGED WITH TRULY NO WALLS, NO SECRETS THIS TIME AND I CAN’T I’M GOING TO PASS OUT FROM THIS

THIS IS MY OTP. MY FUCKING OTP OVERCOMING THE ODDS AGAIN AND AGAIN. MY OTP GETTING A FUCKING WEDDING AT THE END OF THE SEASON AND MY OTP BEING FUCKING BRILLIANT IN GENERAL IT PAINS ME HOW MUCH I LOVE THEM GUYS I CAN’T.

I need to lie down for a while. 

2

in which adrien & marinette attend a wedding reception and marinette notices how adrien looks at the bride and groom wishfully.  ( ͡° ͜ʖ ͡°)

//sorry for the lack of art lately! i’ve been swamped with work but i’ve been thinking about my whole wedding au and the events leading up to it….including proposal *stuffs my face in a pillow and screams while thinking about their proposal scene*

7

Let us, once more, simply appreciate and admire the gift that is Colin O’Donoghue on Once Upon a Time. He brings so much to this character - his portrayal of Killian Jones so perfect and beautifully nuanced. The way you can feel how Killian feels simply by the look in his eyes. From exasperated acceptance, to determination, to shock and amazement. And don’t even get me started on the reunion/second proposal scene that could’ve had a gifset all to itself showcasing Colin’s ability to make you feel effortlessly (that smile/giggle moment tho!!). Like we are truly blessed to have this talented guy playing such an important character on this show. So truly blessed.

Lucky you, I’m drunk watching TSoT again, cuz i went thru the.list and realized hey what other episodes matter, right? Here we go: The game is, drink whenever you wanna forget s4 and that Mary was never given the chance to be a true villain and mastermind of the Moriarty network thus invalidating her relationship with John and solidifying Sherlock and John’s true love:

- There’s gotta be a faster way to steal gold.

- All Sherlock texted was “Help,” and Greg brought friggen helicoptors. He’s worse than John.

- Aaaaahhhh…I almost forgot what good cinematography looks like.

- Why does Mrs. H say “you always live alone”? Goddamn EMP, get your filthy paws off my favorite episode.

- Oh sure, one of the main characters got married in this episode, but we’re not gonna show tge ceremony at all, and his first word spoken will be “Sherlock.”

- I hate Mary but she’s so pretty and I love her dress

- David looks like he knows he’s gonna be a Surprise Parent in 9,783 fics.

- When will we see Harry. When will we see John’s bedroom. When will we see the truth. Why is my tequila pink.

- Goddamn every time Sherlock and Mary interact it’s so purposefully easy. They work. They’re like siblings. She’s so smart. TST would have never happened. Goddammit.

- Whenever I’m about to do something uncomfortably sociable I imagine Mycroft saying “Minnngling…?”

- Okay, I get the Greg and Molly thing. He stands so close…

- It bothers me that the Best Man Proposal is the only scene we see the kitchen from that angle. Seems like a different flat.

- God fuckin damn I love the editing of this whole fucking episode. I need a sandwich.

- John flirtily saying “Nnnyess?” while Sherlock is freaking out about the best man thing is downright indecent.

- John trying not to cry during the speech is cruel. Let the man feel.

- Their entire friendship is contained in John saying “wait til I sit down.” And the fact that John reacts to everything in this speech a millisecond before Sherlock says it. Cuz he knows what he’s gonna say. Cuz they’re meant for each other. I hate this episode.

- There is a man bleeding out, Sherlock, control your libido.

- He said, abOut the stag night: “There’s hoyrs if material here, but I’ve cut it down to the really good bits.” I SEE YOU, MOFTISS. WITH THE EDITING PUN. GIVE US THE GAY BAR SCENE.

- I need 12 minutes of the theme i dubstep, please.

- Sherlock gets so much campier when he’s drinking. AND SO DOES JOHN.

- The most interesring thing about the knee grab “I don’t mind,” line is that it was clearly ADDED IN POST. They organized time to sit Martin Freeman behind a microphone to more clearly Insert. That. Line. Whyyyyyy. Releaseee meeeeeee.

- Sherlock drunkenly realizing his hand was behind John’s back is EVERYTBING.

- “WITH A GHOST MR. HOLMES.” Okay so let’s not acknowledhe thT this while thing mirrors TAB or whatever. So mucb fake death in tbis show. I wish s4 was fake, cuz that was a death if ive ever seen one

- Okay, tbis is definitely a two sandwich problem

- WHIP IT OUT, SHERLOCK

- I like how Sherlock basically says “no more murder and mystery” and then in ten seconds it turns into a murder mystery. SUCK IT, MARY.

- BBC Sherlock shows John Hamish Watson coming up the stairs with groceries more times than it shows him embracing his actual wife. HMMMMMM.

- “We would never do that to John Watson,” with his deduction face on. They.are both in love with john, and he just confirmed it.

- “Oh wbat a niiiiight.” I hate this episode.

10

Kenshin: This is the most beautiful leaf. This is how I will live.

Kaoru: Live … in this new age.

Kenshin: Kaoru-dono …  Will you watch over it with me?

Kaoru: Eh?

                                                                       


In case you don’t know:

“The Japanese maple leaf’s meaning is very similar to the meaning of a red rose in the western world.

It symbolizes love, peace, and harmony. It is given to a lover as a valentine or as a gift of love”


I don’t care that I’ve already posted this. I’m posting it again!

I think this is one of the most beautiful scenes. The maple leaf scene, when Kenshin propose to Kaoru. tee hee hee.

  • Kara: Never let Maggie go.
  • Alex: Got it.
  • Kara: Maybe take her on a date or something-
  • Alex: (at the same time) Propose to her.
  • Kara: Alex no that's not what I-
  • Alex: (on one knee) *gives thumbs up*
  • Kara: what the fuck

anonymous asked:

I just came across one of your posts on love where you mention pride and prejudice in the tags- do you have any more explicit thoughts on what makes it good as a love story? I love p&p and I'd love to hear what you think if you have time!

I don’t have time at all but I can’t resist an invitation to talk about Pride & Prejudice.

P&P has tropes & plot structures that have occured plenty of times in romance before and since–the “misogynist with a heart of gold” that is Fitzwilliam Darcy, the general woman-rejects-man-then-later-accepts-him arc–but I think that it succeeds where a lot of other things with similar narrative structures fail.

the thing about this setup is that provides ample opportunity to showcase love as a transformative force. and fiction with this setup succeeds or fails, imo, on the strength of its success or its failure to do that. a lot of things written in this vein, including modernized or AU-style adaptations of P&P or things that were probably heavily inspired by P&P, fail because there’s no character growth and no transformation. the woman realises that she was silly to reject the man for her silly reasons (which were actually probably very sound) but doesn’t really change in any material way–the man is there to graciously accept her change of heart, but doesn’t change in any material way either. this, incidentally, is why I can’t get behind North & South in the way that I can Pride & Prejudice.

the appeal of Pride & Prejudice for me–and, presumably, the appeal of P&P to a lot of women who are into men, lmao–is that Darcy actually changes throughout the course of the book due to Elizabeth’s influence. we see this, of course, during the scene at Pemberley with the Gardiners, when he behaves w/ actual civility (in ways that are probably familiar to you and don’t need to be dwelled on), and Elizabeth is all,

Why is he so altered? From what can it proceed? It cannot be for me—it cannot be for my sake that his manners are thus softened. My reproofs at Hunsford could not work such a change as this. It is impossible that he should still love me.

but. okay. so what. anyone can change their behaviour for another person, anyone can act the way that they think they have to act to get the girl, so what? the real crux of this imo, and what makes it really compelling to me, is that I don’t think he changed for Elizabeth. because of her, yes, by his own admission, but from the time between her rejection and her arrival at Pemberley, I don’t think he ever thought that he was going to see her again. or at any rate I don’t think he planned to reform (or appear to reform) for the sole purpose of getting her to say yes to him. after she rejected him, he spent a lot of time, on his own, thinking about what she had said and looking back over his own behaviour:

The recollection of what I then said, of my conduct, my manners, my expressions during the whole of it, is now, and has been many months, inexpressibly painful to me. Your reproof, so well applied, I shall never forget: ‘had you behaved in a more gentlemanlike manner.’ Those were your words. You know not, you can scarcely conceive, how they have tortured me;—though it was some time, I confess, before I was reasonable enough to allow their justice.

so he realises, over a long stretch of time, that he was disrespecting Elizabeth, failing to pay attention to her actual feelings (during the proposal scene and before), and expecting his status to be sufficient in securing her acceptance. he realises this by reflecting on himself, at his own impetus, at some distance from Elizabeth, not expecting her to guide him through the process of becoming a better person, not expecting her to automatically love him at the end of this process. he examines himself, not because he’s being guided every step of the way by a Selfless Female Figure, and not because he expects reward, but because it’s the right thing to do. and I think that his behaviour and mindset would have changed even if he never saw Elizabeth again, even if she had said no to him again when he proposed for the second time. (which was a greatly improved proposal, btw–“one word from you will silence me on this subject for ever”? a vast improvement over launching into a proposal without noting the “cold civility” of Elizabeth’s manner. “you are too generous to trifle with me”? a far superior knowledge of her character to thinking that her refuseal was solely due to her “pride [being] hurt by my honest confession of the scruples that had long prevented my forming any serious design”.)

I can’t resist quoting this entire speech as an illustration of my point:

Painful recollections will intrude which cannot, which ought not, to be repelled. I have been a selfish being all my life, in practice, though not in principle. As a child I was taught what was right, but I was not taught to correct my temper. I was given good principles, but left to follow them in pride and conceit. Unfortunately an only son (for many years an only child), I was spoilt by my parents, who, though good themselves (my father, particularly, all that was benevolent and amiable), allowed, encouraged, almost taught me to be selfish and overbearing; to care for none beyond my own family circle; to think meanly of all the rest of the world; to wish at least to think meanly of their sense and worth compared with my own. Such I was, from eight to eight and twenty; and such I might still have been but for you, dearest, loveliest Elizabeth! What do I not owe you! You taught me a lesson, hard indeed at first, but most advantageous. By you, I was properly humbled. I came to you without a doubt of my reception. You showed me how insufficient were all my pretensions to please a woman worthy of being pleased. (emphasis mine)

my only quibble with this is that I would have wished this apology to occur before Elizabeth’s acceptance, but oh well.

of course, Elizabeth changes as a result of all of this too, and that’s part of the point of the book (Darcy’s is the Pride, but hers is the Prejudice). after she realises that she was wrong about Wickham:

She grew absolutely ashamed of herself. Of neither Darcy nor Wickham could she think without feeling she had been blind, partial, prejudiced, absurd.

“How despicably I have acted!” she cried; “I, who have prided myself on my discernment! I, who have valued myself on my abilities! who have often disdained the generous candour of my sister, and gratified my vanity in useless or blameable mistrust! How humiliating is this discovery! Yet, how just a humiliation! Had I been in love, I could not have been more wretchedly blind! But vanity, not love, has been my folly. Pleased with the preference of one, and offended by the neglect of the other, on the very beginning of our acquaintance, I have courted prepossession and ignorance, and driven reason away, where either were concerned. Till this moment I never knew myself.”

similarly, she attends to her shortcomings without outside guidance, and she doesn’t change for anyone in particular. this is important to talk about when discussing how P&P showcases the possibility of transformation, and the transformative power of love. of course, she doesn’t love Darcy at this point, and I’d argue that Darcy didn’t love her at the time of his first proposal either (he was perhaps passionate or infatuated, but real love involves respect for someone and a knowledge of them, and Darcy had neither). what’s really compelling about this for me, what really makes me care, god help me, about this straight white British couple, is that they don’t just go on loving each other w/o changing, they don’t even change because of their love for each other, but they arrive at loving each other through the ways in which they change because of their experiences with each other. and I think that this novel gets at, in a way that a lot of fiction based in the same general premise fails to get at, the concept of love as action, love as respect and mutuality, love as process, and love as transformation.

God damn it this is so touching I'm crying so much

This is the reason why Victor (and I) feel like it is a marriage proposal:

Yuuri: (To Victor) Please be my coach until I retire! (Subs)
Yuuri: Intai made, boku no koto, onegaishimasu!

Do you know what he uses in here
He uses boku no koto
Not boku no coach (looks weird but you get what I mean)
Boku no koto: It’s like please be mine

So it feels more like Yuuri’s saying: Until I retire, please be mine!

THIS SO GODDAMN TOUCHING DO YOU GET ME

Victor kisses his hand like a response towards his proposal.

Victor: (so gentle and lovingly) I wish you’d never retire.

Victor: (Yes, I’ll be yours forever)

DO YOU KNOW HOW MUCH I CRIED AM AND STILL CRYING OVER THIS SCENE NOW

EDIT: A little error up there. When Yuuri says “boku no koto” onegaishimasu, it’s like saying he’s entrusting himself to Victor’s care (which makes more sense now that I think about it, because I realized boku no koto is like about me. Credits to @miyukieijun for pointing this out!)