Come say hi to BHP at SGCI, before all this deep fried food kills me. Also, bonus points for donuts, and the free 8am breakfast (free food, that’s where the real artists at).
1. Thomas Lucas doing his rad demo. You weren’t allowed to attend if you didn’t have social media to document it on. So 2017. Bonus points for whoever spots the amazing @anniebissett in the crowd.
2. Meeting @catclawpress Kelly had me at a loss of words momentarily, rare BHP stupefied moment.
3. Sidecar press
4. Oldschool tumblr hangout with @knmacneil Kate and @wnussbaum William, talking 2011 tumblr and how y'all fell off along the way. It’s not like it used to be anymore.
6. Casual printing on a Subaru engine block converted to a press. Longer crank shaft, and the thing is ready to go into mass production. Forgot the guys name, but the motorblock-press is all over insta. Do your social media thing ppl.
Going through the stones that were moved to storage after we lost our shops to a fire last September. (2016 that is. We = The Royal Institute of Art in Stockholm, Sweden).
The idiot movers that were lucky enough to land the contract for moving our shops packed those stones in actual moving cartons, creating wobbly stacks of overloaded boxes.
On a rainy day some weeks ago I stacked all the stones on palettes, like they should’ve been stacked from the very beginning. Took the opportunity to take some sweet detail shots.
This is a print created with a waterless lithography technique. In order
to created this limited edition print, the original drawing, created
with a variety of traditional and digital techniques, was separated by
color and transferred on to three aluminum plates. The surface of each
plate was then buffed with silicone, which adheres to the open areas of
the plate. Once the silicone was dry, the images were washed away with
acetone, leaving the surface of the plate open. The silicone acts as a
mask in order to keep ink from sticking to non-image areas.
three color print, the yellow plate was printed first. Rubber-based ink is
rolled over the plate, then sent through a printing press in order to
transfer the ink onto paper. Once the first color was try, the next
color, black, could be printed next. Finally, the red-orange was
Unlike commercial printing, the ink on these prints
have a glowing quality to them that is created with the overlaying of
If you have any questions regarding this process, feel free to shoot me a message! If you’d like to support me and my work, please reblog or purchase a print from my Etsy shop.