printing museum

Happy Valentine’s Day!

With a couple posed in a loving embrace, encircled by large pink hearts, a reference to the frivolity that characterizes French Rococo painting, Kerry James Marshall’s Study for Vignette meditates on beauty, love, romance, and harmony in the black experience. Learn more about the work. 

[Kerry James Marshall. Study for Vignette. 2004. Crayon, gouache, and pencil on paper. The Judith Rothschild Foundation Contemporary Drawings Collection Gift. © 2017 Kerry James Marshall]

“I just decided when someone says you can’t do something, do more of it.” - Faith Ringgold

Faith Ringgold’s Freedom Woman Now (Political Posters) from 1971. In honor of International Women’s Day. See more of Ringgold’s works at mo.ma/faithringgold

(Cut-and-pasted colored paper on board. The Abby Aldrich Rockefeller Endowment for Prints. © 2017 Faith Ringgold/Artists Rights Society (ARS), New York)

Happy birthday José-Guadalupe Posada

José-Guadalupe Posada was born on this day in 1852. Posada used images of skeletons and #calaveras, or skulls, in his satirical cartoons. He once said, “La muerte es democrática, ya que a fin de cuentas, güera, morena, rica o pobre, toda la gente acaba siendo calavera,“ or, “Death is democratic, because when it comes down to it – fair or dark, rich or poor – everyone winds up a skeleton.” See more of Posada’s work at mo.ma/2k00bNd

[José-Guadalupe Posada. Calavera of the Cyclists (Calavera las biciletas). c. 1889-1895. Relief engraving. Larry Aldrich Fund]

2

Day Dress

Girolamo Giuseffi

c.1906

The appliquéd and cutout stylized flowers—either peonies or plum blossoms—are drawn in an Art Nouveau style, which was prevalent from 1890 to 1914. The dramatic sleeve silhouette along with the great amount of ruching and hand pin tucking throughout the bodice and skirt make this a very expensive garment, perhaps part of a trousseau.

The period from 1900 until the outbreak of World War I in 1914 was an era of beautiful, extravagant, and ultra-feminine clothes. The high-collared bodice and the soft, draping trained skirt were worn over an S-shaped corset. The corset pushed the bust forward and the hips backward, creating an S-curve in the silhouette of the body.

Indianapolis Museum of Art

“Interno del Colosseo” by Giovanni Battista Altadonna

Italian, 1850s

albumen silver print from glass negative

Metropolitan Museum of Art

Happy first day of Spring!

Spring Angel C is one of eight screenprints from Gary Hume’s Spring Angels series, in which imagery is based on the artist’s photographs of concrete angels on the ceiling of the Catholic Cathedral in Brasilia. The spring color palette is based on leaves and cuttings he brought into his print workshop from the countryside.

[Gary Hume. Spring Angel C from Spring Angels. 2000. One from a portfolio of eight screenprints. Gift of The Contemporary Arts Council of The Museum of Modern Art and the Jacqueline Brody Fund. © 2017 Gary Hume]