prima ballet


Prima ballerina Misty Copeland channeling famous ballet artwork by Degas for Harper’s Bazaar, March 2016. Photographs by Ken Browar & Deborah Ory.

Dresses worn, top to bottom: Valentino, Carolina Herrera, Oscar de la Renta, Alexander McQueen.

Maria Tallchief, 1963, first Native American prima ballerina, in costume for The Firebird, photo by Jack Mitchell. She was born in Oklahoma (Osage name: Ki He Kah Stah Tsa) but moved with her family to Los Angeles to see if she and her sister Marjorie could be dancers in the movies. She was cast in Presenting Lily Mars, a Judy Garland vehicle, but she didn’t enjoy the work. At age seventeen she moved to New York and got a job with the Ballet Russe de Monte Carlo (which, despite its name, was by that time an American company) because she could dance but also because she had a passport. Many of the dancers with the Ballet Russe were Russian emigrants without passports who therefore could not tour in other countries. Later, performing in New York, the Times’ critic noted, “She has an easy brilliance that smacks of authority rather than bravura.“


Our Black History Month spotlight on Tribeca selections helmed by black directors continues today with Nelson George’s A Ballerina’s Tale, a gorgeous and graceful documentary portrait that details the trail blazed by prima ballerina Misty Copeland.