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Criss’ acoustic version of “I Dreamed a Dream,” from Les Misérables, was intimate and sad, even heart-wrenching in its sincerity. And in a first for the National Symphony Orchestra, they played a song from The Book of Mormon, as Criss (and even Reineke, for a little bit) sang the hilarious “You and Me (But Mostly Me).”

While both Criss and Wolfe were great on their own, they were even better together. Their version of “Suddenly Seymour” from Little Shop of Horrors was upbeat and rowdy, while “Falling Slowly” from Once (with Criss playing guitar) was intimate and intense. It was easy to see that Criss is most comfortable with a guitar in his hands and singing in a more folk style. Their encore, “Take Me or Leave Me” from Rent was fun and sassy—a perfect sendoff for the audience

LOOKING FOR A GUIDE TO GETTING OFF PSYCHIATRIC DRUGS?

Check out the new BOOK VERSION of Harm Reduction Guide to Coming Off Psychiatric Drugs!

Only $8 here from Pioneers Press!

The Icarus Project and Freedom Center’s expanded 52-page guide gathers the best information we’ve come across and the most valuable lessons we’ve learned about reducing and coming off psychiatric medication. Includes info on mood stabilizers, anti-psychotics, anti-depressants, anti-anxiety drugs, risks, benefits, wellness tools, withdrawal, detailed resource section, information for people staying on their medications, and much more. Written by Will Hall, with a 14-member health professional Advisory board providing research assistance and 24 other collaborators involved in developing and editing. The guide has photographs and art throughout, and a beautiful original cover painting by Ashley McNamara.

National Cash Register Company, NYC, NY
Photo by Samuel H. Gottscho, 1939

Image via Museum of the City of New York (Print Available)

Fantastic 1930s commercial display design.

From MCNY:

National Cash Register Company, Associated Press Building, Rockefeller Center.

Darren Criss owned the stage with his near-palpable charisma and his fantastic acting of the song. With his energetic opener, the fun “I Love Betsy” from Honeymoon in Vegas, by Jason Robert Brown, to the emotional intensity of “The Streets of Dublin” from A Man of No Importance, by Lynn Ahrens and Stephen Flaherty, he showed off his legit Broadway chops, yet with his own pop twist.