Most notable, however, is the way she regains a physical symbiosis with Jamie beyond their sexual connection. These are the moments that Sam Heughan’s and Caitriona Balfe’s choreography is remarkable not only because it looks natural and effortless but also how they bring a bittersweet poignancy to their rare moments of peace out in nature (kudos to the script by Shannon Goss and director David Moore). One night, Claire finds Jamie on the deserted deck, staring up at the large, bright moon. When she approaches him from behind and gives him a sweet kiss on the cheek, I realized I couldn’t remember when that had last happened. “Is it really just you and me,” she asks, to which he replies, “You and me and the man in the moon.” Then, he turns and envelops her in an embrace as they kiss again and she leans against his form, the two of them looking up at the sky together. There are about six consecutive actions in one fluid movement, almost as if they were dancing in place, and epitomizes the connection that comes with time, effort, and emotional need.
Later on, they speak of this connection and how they still can’t explain it, but that night under the moon, it is explained for us. Claire tells Jamie of how men had just landed on the moon in 1968 and describes what it looked like: barren but beautiful, a new world of firsts for man to discover. She then recites a portion of the children’s book Goodnight Moon which Brianna had loved to be read and later recite, and the parents share their collective loss and individual heartache: Claire because she remembered what it was like to be in the presence of their child; Jamie because he can only imagine and believe.
Their relationship is structured in the same way, unencumbered by the limitations of time and space. It is almost hyperreal, as if they could see or sense inside the matrix of how things connect - in society, in nature, between two people - and that makes each moment together more viscerally felt. Now that Claire has crossed time and space to return to Jamie, the moon in all its ancient cosmic permanence represents this metaphysical connection they share that cannot yet be explained but must be believed. As Captain Raines (Richard Dillane) quotes from Shakespeare’s Hamlet, “There are more things of Heaven and Earth, Horatio, than are dreamt of in your philosophy,” so Jamie and Claire are one step closer to the cosmos than other humans, so their paradigm of the world is substantially deeper and richer.
All The Stars In The Sky In Outlander 03x09, The Doldrums - Brooke Corso - PopWrapped