1800s Week!

Tatiana submitted to medievalpoc:

The Jewish Woman of Algiers, Charles-Henri-Joseph Cordier 
(French, 1827–1905)

La Capresse des Colonies, Charles-Henri-Joseph Cordier 
(French, 1827–1905)

In his unpublished memoirs Charles Cordier cites the law of April 27, 1848 that abolished slavery in France and its colonies, writing: “My art incorporated the reality of a whole new subject, the revolt against slavery and the birth of anthropology.” In pioneering ethnography as a subject for sculpture in the nineteenth century, Cordier aimed to illustrate what he described as “the idea of the universality of beauty.” His busts often paired couples of the opposite sex but of the same race. This rare instance of matched busts of women was desired by the purchaser, a gaming club in Marseilles, that also commissioned the sumptuous Second-Empire pedestals from Cordier. 

The busts revel in the period taste for polychromy in sculpture, an international phenomenon sparked by artistic debates about the painting of ancient statuary and inspired by ancient Roman and Renaissance sculpture composed of variously colored marbles. On a trip to Algeria in 1856 Cordier discovered onyx deposits in recently reopened ancient quarries and began to use the stone in busts such as these. He ingeniously fitted enameled bronze heads into the vibrantly patterned stone, creating exciting though costly representations of Africans that appealed to the highest levels of European society.- Text Taken from the Metropolitan Museum of Art’s Online Collection

[mod note]

Met Museum’s Online Collection page for La Capresse des Colonies

Met Museum’s Online Collection page for The Jewish Woman of Algiers

anonymous asked:

honest i figure we wouldnt get anymore polychrome and youd just drop it like all your projects. no offense.

Mmm thanks for your unwavering support.


Tea Casket

ca. 1770

Containing two canisters for tea (green and black) and a larger one for sugar, this chest could be locked to secure its valuable contents; both tea and sugar were expensive commodities during the eighteenth century. The polychrome pastoral scenes and Italianate landscapes, combined with Rococo-style gilding against a pink ground, create an opulent effect.

Ancient Southwest: Peoples, Pottery and Place / University of Colorado Museum of Natural History

Ancient Southwest: Peoples, Pottery and Place / University of Colorado Museum of Natural History
February 21, 2013 - February 14, 2014

Curated by Steve Lekson, this exhibition features more than 100 rarely exhibited ceramics from the museum’s celebrated southwestern collection and takes visitors through more than 1000 years (AD 500-1600) of southwestern history. Photographs of ancient southwestern ruins by noted aerial photographer Adriel Heisey provide a visual and dramatic frame of reference for the exhibition.

Lekson explains, “The striking pottery on display illustrates the remarkable range of Native societies, and their dramatic stories. The exhibit offers a new history of the ancient Southwest based on recent research and new insights.”

With captivating and informative narrative provided by Lekson, the exhibition reduces one thousand years of what Lekson calls, “glorious, messy, and complicated human history,” into a short, coherent, and enjoyable experience that challenges the conventional views of the ancient Southwest.

The exhibition is divided into seven areas representing the primary cultural groups that defined the ancient Southwest: Hohokam, Early Pueblo, Chaco, Mesa Verde, Mimbres, Casas Grandes, and Pueblo.  Senior Exhibit Developer Charles Counter explains, “With an entire gallery devoted to a vast display of pottery and images of the limitless Southwest landscape, that has always been a part of the human experience in the Southwest, the exhibition will take visitors through the rises and falls, kings and commoners, war and peace, triumphs and failures of the ancient Southwest.”

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