polari-magazine

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Stella Polaris
Paris, France
Canon EOS 60D

How would you describe your point of view as a photographer?

Somehow I try to capture the essence of what I see, the places I visit to make them mine, and be able to plunge into the very moment I took the picture and feel what I felt again. I think photography is an intimate practice but I like to share my works with other hoping they could be inspired or affected as I did.

I believe beauty is something subjective and this is what I try to photograph through my travels. I’ve had the chance to visit different National Parks of the USA, and really feel what nature is. Being surrounded by such a variety of landscapes makes you realize what you are as a human-being while questioning your place on Earth and what you aspire in your life on many levels. 

When I take pictures, a sort of melancholia goes through my mind because I know my subject is not eternal and what I see won’t be the same tomorrow. Hence the idea of immortalizing the moment with a photograph. I truly believe that nature is part of us as we are part of her, and we need to be conscious of that. Photographing nature is a tribute to its greatness but also a way to encourage people to respect it. 

Tumblr: @stellapolarisphotography

SUBMIT TO WANDER

Some records are all tracked – drums, piano, vocal – and kept. The Beekeeper was very much like that. It’s very much ‘no make-up, no airbrush, no nothing’. And it’s not one of my favourite records because of that.

Because I really do like a good airbrush. I’ve learned that about myself.

The Beekeeper is really more like a whole b-sides experiment, because the arrangements weren’t hammered out. That’s why I think my reaction to that with American Doll Posse became ‘alright, now, let’s do a band record’. And it was a very different kind of approach. It was micromanaged, but it was very much about becoming a band mentally, not a singer–songwriter. It was about leaving all that behind. And now, with the new record, it is about embracing the writer and the singer again along with the musicians and arrangements.

—  Tori Amos, Polari Magazine - May 9, 2009

Diploid Love, Brody Dalle - Album Review 

This is a wonderful solo debut from a musician who is willing to grow and try elements that she never has before.

Read more: www.polarimagazine.com/musicreviews/diploid-love-brody-dalle/

When you’re first making records, you haven’t tasted the tip of the devil’s wand. But on your tenth album you’ve done more than taste it. You’ve enjoyed it, and you’ve gotten ill from it. And I think the song ‘Curtain Call’ covers that. Sometimes you don’t realise that you’re being totally and completely absorbed. So you stop your message, and your questioning of control. Sometimes you think that you’re in a place of power, and yet you don’t realise you’ve signed up to something that is going to make sure your message is either broken or not put out.
—  Tori Amos, Polari Magazine - 2009
polarimagazine.com
Every Line Has Two Sides: An Interview with Edward FIrth

Polari Magazine are running a series of features about graphic art and illustration this week. I guess they’re saving the best til last, because look who they kicked off the week with.

Issue #2 of Pound Shop is nearly finished… and so am I.

The Battleworld continues!! This month we see an alternate version of Mutant Magazine? Sort of. Meet Magazine of M, the Mutant Magazine of the House of Magnus!!! This issue is completely focused on the HOM reality, while still maintaining staples like Arcade TV and Sage Investigates. This is why some of our Mutant Columnists might sound a bit different… or maybe even replaced altogether!! It’s just a little fun one-issue deal to shake things up a bit, remember you never know what (or when) to expect in the next Mutant Magazine! Click HERE to read the FULL FREE ISSUE!!! Enjoy! 

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Star Axis is a monumental work of land art that’s forty years in the making - Ross Andersen - Aeon  

The idea came to him one day in 1971, as he was looking over a series of drawings, a schematic of the Great Pyramid’s celestial alignments. ‘I was already involved in celestial geometry through the prisms,’ he said, ‘and I was thinking a lot about star dynamics, mostly in relation to the sun. When I realised there was this 26,000-year cycle of precession, and that you could actually experience it, incrementally, by walking up through a tunnel, the sculptor in me lit up immediately. It wasn’t good enough to just know about this experience, or to make drawings of it, I had to walk through it. And in order to walk through it, I had to build it.’

Read the full article at Aeon Magazine

LGBT History Month Heroes – Day 3

To celebrate LGBT History Month, 2013, Polari is publishing a daily series of LGBT Heroes, selected by the magazine’s team of writers and special contributors. Today focuses on Sally Ride, the pioneering astronaut, physicist and author.

Read more: www.polarimagazine.com/lgbt-history-month-2/lgbt-history-month-heroes-day-3/