I got a lot of asks about this so I made a tutorial on how I was able to emulate the 80s aesthetic, please keep in mind I’m not an expert and what I put here is just what I personally did. I hope you guys like it and hope it helps
First, pick a picture with a strong difference between your focus and the background. The easiest ones will always be photo shoots with solid backgrounds.
Today I’m going to use this photo:
1) Open up your photo and select the Selection tool. Make sure it’s on plus.
2) Click and drag around your focal point until you have your background selected. Switch to the minus to remove parts if it selects too much.
3) Next, invert the selection.
4) Then add a vector mask by clicking the square with a circle in it.
Example: Your layer should look like this.
5) Double click the black and white box on your layer and this window will pop up.
6) Select the Refine Edge Brush Tool and make sure it’s on plus.
7) Zoom in and paint around the edges of the hair or finer details. If it adds too much, click the minus sign and repaint over the spot.
Example: The left half of her hair has been brushed over while the right side has not. You can notice a considerable difference bectween the hardness of the pixels. (also, feel free to adjust the Global Refinements/Edge Detection to your liking, just play around with the sliders and you’ll catch on quick!)
8) Click OK and review your image.
9) Reselect the black and white vector mask and change your PS colors to black and white. Using the brush tool, go in and paint back (or out) details. Or, use the Polygonal lasso tool to make a selection and fill it with black to remove or white to add. Here, I removed a section between her arm and her waist.
10) Finally, add a background color/pattern and add any psds/actions/etc.
Hello graphic makers!! You’re probably aware that there is a huge problem on tumblr with whitewashing. Or maybe you’re not. As a predominantly disney-based blogger, the whitewashing I personally see are from the disney fandom, so I’m going to use screencaps from those movies to show you several quick techniques so you’ll see just how easy it is to have your pretty bright and pastel colour palettes and not whitewash characters of colour.
Once again, I’m no expert- there are things about these layers I probably haven’t covered, so please try them out for yourself!
Layers 1-7 help your contrast. They are usually a pair of the former two groups I went over in my last post.
1. OVERLAY: Helps your contrast by boosting your lights and darks, while the more mid tone pixels aren’t affected as much. It does this based on the layers beneath it. “Screens” the lights, “multiplies” the darks. 2. SOFT LIGHT: Similar to overlay, but a “softer” effect. You can think of soft light as more transparent. 3. HARD LIGHT: You can look at hard light as an intense version of overlay, with much brighter colors and a much less transparent look. 4. VIVID LIGHT: This is the heavy metal version of overlay- think of it similar to color dodge and color burn. Very intense colors, good for finding interesting lighting and color combos. 5. LINEAR LIGHT: Crazy amounts of contrast and color is added here, even more than vivid light. so heavy metal 6. PIN LIGHT: This one is interesting because besides it also being an intense contrast layer, it can add random noise to the active layer. Apparently this is a combo of the lighten blend mode on the light pixels and darken on the dark pixels, but the noise effect is what makes it really interesting imo. 7. HARD MIX: You will turn this mode on and be like “no” but it is actually adjusting its fill will reveal another overlay-ish type layer. It throws the colors on the active layer towards a more primary color such as blue, or magenta. _____ 8. DIFFERENCE: This will invert your colors, taking into account the layers below. If colors are very close, they will be black. 9. EXCLUSION: This also inverts your colors, taking into account the layers below. If colors are very close, they are grey. Exclusion and difference are layers that would be good for graphic pieces, I haven’t really gotten used to incorporating them in my painting workflow. 10. SUBTRACT: Similar to the above layers, but more intense. You will notice that the darker you make your active layer with Difference, exclusion, and subtract, the lighter and more transparent looking the result will be. 11. DIVIDE: Divide, however, usually results in crazy highlights that are pretty opaque unless the layer is fairly light, and then it will begin to go transparent. ___ 12. HUE: Makes the lower layer take on the hue of the active layer. 13. SATURATION: The lower layers take on the saturation of the active layer. 14. COLOR: The lower layers take on the color of the active layer. 15. LUMINOSITY: The lower layers take on the luminosity, or brightness, of the active layer.
I got a request to explain how to apply a doodle gif texture, and since I couldn’t find a tutorial, I decided to make one myself! I will be explaining (with lots of pictures) how to apply the hearts gif shown in the banner. I used the hearts gif from this doodle pack.
What you will need: photoshop. I use cc 2015. Difficulty level: ★★☆☆☆
Ever run into those kinds of scenes that would look lovely as a gif if the camera just didn’t move from the left to the right? Removing camera movement is actually not that complicated! In this tutorial I cover how you can remove camera movement with basic video editing.
Color Reference Guide to Recognize & Avoid Whitewashing
I’ve made a tutorial on how to color adjust to fix washed out colorings, but I noticed people aren’t always sure when their coloring needs fixing in the first place. So I’ve made a bunch of colorings you can use to compare your own to. It’s designed to help avoid whitewashing, but also help avoid over-correction.
If you’re not a content creator, you can also use this guide for reblogging as well. :)
Using the Guide
Each set comes in three: cool, neutral, and warm. If your coloring is bluer/whiter than the cool tone, consider readjusting.
Examples of what might be too pale/bright are beneath each set
There are various categories (daytime, night scenes, etc) for each type of scene you might encounter
Each coloring has a color palette beneath for the highlights, midtones, and shadows of the character’s face. If you’re having trouble eyeballing it, use the eyedropper tool to double check.
NOTES 1)For the sake of simplicity, I’ve used one character per category, but characters of color are not interchangeable. Identify the skin tone for the character you’re coloring and work with that. This is only meant to give a frame of reference for what is and isn’t whitewashing
2)If any of the colorings look different than what they’ve been stated as (i.e. the cool tones look too warm or some look way too dark to be visible) calibrate your monitor.It means your screen color and gamma needs readjustment.
Hey folks, Paul here for (a late) Tutor Tuesday! A few things to note:
A friend was over watching me make this… she and I joked that when I fill in for Meg, I should call it SUBSTI-TUESDAY. I like it!
The example image features my cat Calvin. If you’re wondering why the orb doesn’t have a reflection, clearly, it’s a ghost.
If you have any questions about Photoshop’s interface, feel free to send a message! That said, be sure to value artistic principles over software specifics–the software could change next week, but the principles are timeless.
Ever make a gif that is over 3MB and Tumblr won’t accept it? You want to make it smaller without affecting the overall quality? In this tutorial I go over a few methods that will allow you to decrease the file size of your gif without changing its appearance too much!
So I got a lot of messages after my first post asking me to explain layers, so I have put together a cheat sheet of the different layer types. The quickest way to become awesome with layers is to know exactly what each one does. Once again, I’m no expert, and these are just my personal definitions, so please try these out for yourself! LONG POST BELOWWW
THE LAYERS CHEAT SHEET PART ONE:
1. NORMAL: Aw yeah you know all about this layer its just your average layer 2 DISSOLVE: This mode “dissolves” some pixels, allowing the lower layer to show through. very pixel-y. Reducing opacity makes it dissolve more. ________ 3. DARKEN: Now the difference between darken and multiply are a little confusing, so I will explain them together. MULTIPLY is more of a glaze, while DARKEN favors the darks on all layers. So if you have a darken layer on, it tend to reduce/remove the lighter tones on the layer if there are darker tones below it, while darkening the darks. 4. MULTIPLY: A glaze that darkens the color of the layer below. It is great for shading. Reduces whites. 5. COLOR BURN: “Burns” the lower layer favoring a more saturated look. Marks made over white are not preserved. 6. LINEAR BURN: “Burns” the lower layer, with a little less saturation than color Burn. Also will preserve colors over white. 7. DARKER COLOR: I tend to avoid this puppy cause it does not darken on the RGB channel. (feel free to try him though!) ______ 8. LIGHTEN: Lightens the colors below. Favors lighter colors on lower layers. 9. SCREEN: Lightens the colors below, but much closer to the “glaze” analogy as above. Reduces blacks. 10. COLOR DODGE: Often used for magic-y effects, color dodge bumps up saturation and is very bright. 11. LINEAR DODGE: Much like color dodge, but less saturation. 12. LIGHTER COLOR: Once again, this is an outside RGB channel layer, so I don’t really use this.
As you probably have noticed, the second two groups are opposites, so if you have a good handle on one, you probably know exactly what the second group does! I will do the remaining groups next week as they do not follow this pattern.
Glad to be back at TUTOR TUESDAY, and a big thanks to Paul for taking over for two weeks! Big thanks to @wr3h for todays topic! I’m hoping to branch out more into styles/techniques in photoshop if y’all enjoy how this one went! I’m always open to recommendations, feel free to send them here or to my personal. Keep practicing, have fun, and I’ll see you next Tuesday!
Photoshop is used for all sorts of things, so there’s loads of tools and settings that will slow you down while you don’t actually need them. In this tutorial I cover performance settings, keyboard shortcuts and workspace layout.
The question people ask me the most on here besides “are you dead” is how to make gifs and how to make them look good. So I finally decided to make a tutorial how to go from this: (I know this tutorial is pretty long and I apologize for that, I just wanted to make a tutorial everyone can understand because when I was a beginner I always wished for more detailed tutorials on this topic.)
THANK YOU FOR 100,000 TUMBLR FOLLOWERS ❤️ Here is the video you’ve ALL requested, a photoshop drawing tutorial! All of my tips and tricks are listed in the video description on youtube! The finished drawing is HERE.
Please thumbs up this video on youtube to help support my channel! and of course please SUBSCRIBE! :)
Hello again guys! Here are some tips about brushes- once again, I’m no expert, so explore these points on your own! Some of these are a little more abstract, while others are to help deal with minor brush annoyances ;)
1. PHOTOSHOP BRUSHES are based on a “stamp” system, not a brush system like some painting programs. That is why photoshop brushes are great for things like chains and repeated patterns, but you have to fiddle with them a bit to make them look natural. 2. The first brush setting underneath the brush panel you must become familiar with is “transfer.” this tab plays with the opacity and flow of the brush. 3. As stated in previous tutorials, the essential hotkeys for brushwork are: [/]= brush size larger and smaller alt= eyedropper tool Numbers= opacity of brush Shift+Number= flow of brush 4. Brush icon not showing up/ behaving correctly? Usually one of four things: Caps Lock is on, Edit in Quick Mask Mode is on (which can be found on your left main tool panel), the brush blend mode is on a different setting (found next to opacity and flow), or you have something selected (crtl+d will do the trick). 5. DON’T knock the photoshop brush sets that come with the program. Many artists I know use these brushes while tweaking the settings. Consider utilizing settings such as dual brush and texture to make these ordinary brushes great. 6. Brushes with large amounts of detailed texture tend to pixelate and not work correctly when scaled down too far. 7. Trying to create a natural brush tip? Brush settings>Shape Dynamics> Angle Jitter> Control: Direction. This will make the brush more natural and dependent on how you stroke your pen. 8. Do you use a signature/watermark a lot? A certain shape or pattern? Make it a brush. 9. When changing things like opacity and flow in both the brush settings and the layer settings, Photoshop will sort of get “stuck” there, and you will see the number highlighted. Simply hit enter (don’t bother reaching for the mouse!) and it will go away. 10. Rotating the canvas will help you with your brushstrokes. Shift+R rotates the canvas in nice equal increments, and is a easy way to set the rotation back to 0. 11. Texture brushes just don’t look right? Make a selection, zoom out, and make the brush slightly bigger while you paint. Think of them as big sponges, not brushes.
Thanks again guys! I have a lot of tutorial requests from you, and I’ll be working through more soon!