anonymous asked:

JJ seems to be getting a hard on for sam. Do they usually pay this much attention day after day to one actor or only when they're paid to do so?

JJ has relationships with a lot of actors and covers them with a degree of exclusivity and/or access. They’ve been known to push public narratives by request. It’s not a one-man show, though. Jared Ng sold JJ to a digital media company years ago and they’re in the business of churning out dozens of photo galleries per day because every click in a gallery is another hit. Very good for revenue, which is why you’ll see a lot of self-referencing and re-use of mixed in with new posts. If you see a hyperlink referencing an earlier post of theirs and click, that’s another hit, too. It’s all very circle-jerky to keep the news in house. 

Welcome to the 2006 Swifties project!

Starting tomorrow (10/31/17) the project will begin and swifties are welcome to join along and use the #the2006swiftiesproject !

What is the project?

Starting today, 11 days until the release of Reputation, we will be posting one photo of ourselves per day starting with a photo from 2006. Then tomorrow will be a photo of us in 2007, ect until Nov. 10th when we will be posting a photo of ourselves today!

Why 11 days?

To represent the 11 years of Taylor Swift!

How do I join?

Simple! Post your photos using #the2006swiftiesproject and tag @the2006swiftiesproject and we will reblog them!

Any other questions please feel free to send them in whenever!

@taylorswift @taylornation

Timeframes on Tumblr

150923 Instagram mentions T.O.P on latest update!

We are thrilled to announce that the Instagram community has grown to more than 400 million strong and is even more global, with 75 percent of our community living outside the US. To all the new Instagrammers: welcome! Among the last 100 million to join, more than half live in Europe and Asia. The countries that added the most Instagrammers include Brazil, Japan and Indonesia.

Instagrammers continue to capture incredible photos and videos from all corners of the earth (and even the solar system). We’ve seen the first surface image of Pluto and the Champions League celebrations, as well as striking locales like the white pools of Turkey and a Namibian desert ghost town. These are just a few of the more than 80 million photos per day shared on Instagram.

Also, the most followed accounts that joined in the last 100 million include David Beckham from the UK (@davidbeckham), Caitlyn Jenner (@caitlynjenner) from the US, Indonesia’s Raffi and Nagita (@raffinagita1717), German soccer player Toni Kroos (@toni.kr8s) and South Korea’s T.O.P (@choi_seung_hyun_tttop). When Instagram launched nearly five years ago, 400 million seemed like a dream. Now, we continue to strive to improve Instagram — helping you experience the world through images and connect with others through shared passions.

hello friends


everyone seems very confused to how SM is releasing f(x)’s Red Light teaser photos so this is just to clear it up! They’re releasing 13 teaser photos of one member per day, starting at 9AM KST and ending at 9PM KST. The photos are dropped by the dot on the hour :D

Since they started with krystal’s teaser photos first, then ssul’s, i’m assuming that the photos are released by age (seniority in the group). So if this is anything to go by, the order that the photos are being released in is: krystal, sulli, luna, amber, victoria.

have fun guys don’t die we’re all excited dammit. (guys please do correct me if anything here is wrong!)

J Seabra, 19 years old.
I’m from Portugal and currently studying painting. My favorite types to shoot are candid, portraits and travel photography. Though I mostly work with my Canon camera, I’m really into analogic and other more tradicional methods.

You can see my work here 
In 2014 I’m starting a project that will make me shoot everyday and post one photo per day. I really hope you enjoy my work!

Lui è Elio. Torno in via San Lorenzo. A sinistra un artista di strada canta Clandestino, canzone di Manu Chao, a destra noto una striscia blu. Sono una serie di quadri raffiguranti mari in tempesta e barche: una barca a quadro, non di più. Clandestino e barca, mi incuriosisce la connessione, e la seguo. Così incontro lui, vestito di eleganza con un volto che sa di esperienza e vita vissuta. Accetta in un attimo, senza esitare. E in venti minuti mi regala anni di esperienza, profondità e consapevolezza. Ci mette poco a mostrarmi un’altra sua opera. È un libro, in copertina ci sono due figure: sono sue. Gli chiedo di descriversi come fosse quelle figure, di diventare quelle figure, e lo fa: …sono giovane, insicuro e senza certezze, perso in un vagabondare incerto…qui invece sono sereno, presente e stabile, finalmente ho trovato il mio terreno: la pittura, la strada. Credo rappresenti il percorso della Vita. Nell'incontrarlo mi accorgo abbandonato alle sue parole, un po’ come fossi su quelle barche che a prima vista parlano di solitudine, ma trascinato sulle onde sento solo comprensione e accoglienza. L’impressione è che si tratti di una solitudine riassaporata attraverso il ricordo. Ri - cor - do= ri do al cuore. Mi piace vederlo come un processo cognitivo di riconsegna al cuore. E lì, tra i passanti, mi dimentico di tutto, nel vedere quel volto che poco prima appariva oscuro, ma che in realtà accoglie e impreziosisce ogni parola. Ho insegnato Architettura all'Università, e ora sono qui, per strada…sai, nella strada incontri il peggio, il disdicevole. Ma anche il sublime. Il fascino della Strada, per come la vedo io incontri la vita. …non ti dimenticare di te, nelle foto che fai. Perché fai una sola foto al giorno? Perché non voglio vivere un solo giorno di quest’anno senza farlo. ah…splendido…un po’ come leggere una poesia: ne puoi leggere una, poi devi respirare. Me ne vado, non ho bisogno di ricordare, è già tutto lì. 

Solo voy con mi pena, Sola va mi condena, Correr es mi destino, Para burlar la ley, Perdido en el corazon, De la grande Babylon, Me dicen el clandestino, Por no llevar papel.

This is Elio. I’m back in Via San Lorenzo. On my left a street artist is singing a song by Manu Chao, Clandestino, on my right I notice a blue line. It’s a series of paintings depicting sea storms and boats: one boat per painting, no more. Clandestine and boat, I’m intrigued by the connection, and I follow it. So I meet him, clothed in elegance,  with a face reminding me of knowledge and life lived. He accepts right away, with no hesitation. And in twenty minutes he gives me years of experience, depth and self-awareness. It takes him very little to show me another work of his. It’s a book, on the cover there are two figures: he made them. I ask him to describe himself as if he were one of those figures, to become those figures, and he does it: I’m young, insecure and with no certainties, lost in an uncertain meandering… whereas here I’m serene, present and solid, I’ve finally found my field: painting, the street. I believe it represents the path of Life. In this encounter I find myself lost in his words, as if I were on one of those boats, which at a first glance have a lonely look about them, but carried away by the waves I only feel comprehension and welcome. The impression is that it’s a kind of loneliness savored through memories. Memory, Ricordo:  Ri - cor - do = Ri do al cuore, I give back to the heart [TN: The word ‘memory’ in Italian is 'ricordo’,  from the Latin verb recordari (=to remember): ’re’=back, again and 'cor’=heart, as the heart was considered to be the home of memories]. I like to see it as a cognitive path bringing the memories back to the heart. And there, among the passers-by,  I forget everything, looking at that face that just a moment earlier had appeared dark to me, and which is instead welcoming and enriches every word. I’ve taught Architecture at university, and now I’m here, on the street… you know, on the streets you meet the worst, the unseemly. But also the sublime. The appeal of the Street; as I see it, you meet Life.  Don’t forget yourself, in the pictures you take. Why do you take just one photo per day? - Because I don’t want to live a single day of this year without doing it - Oh, wonderful… it’s just like reading a poem: you can read one, then you need to breathe. I leave, I don’t need to remember, everything is already there.
Solo voy con mi pena, Sola va mi condena, Correr es mi destino, Para burlar la ley, Perdido en el corazon, De la grande Babylon, Me dicen el clandestino, Por no llevar papel.

Traduzione a cura di: Marta Pini