perspective writers

I hope one day, you will find sunshine in the darkness of your void. By then, you will realize that the sun was always right behind your back. You just need to shift your focus.
—  Lukas W. // Perspectives
Ways to Improve Writing Skills

1. Read. Even things outside of you preferred genre. The best books I’ve ever read go beyond the structure of the genre and touch well on things that are usually better handled in other types of writing. Reading also shows you more examples of characterization, scene structure, etc., and don’t be afraid to critique the book as you work through it.

2. Critique. Being helpfully critical of other writing is sometimes easier than working with your own, because you only have to work with what’s in front of you (like a reader of your story would). This can help you better prioritize what needs to be fixed first to last, plus you can get better at picking out problems and figuring out how to fix them.

3. Observe. In public, and maybe sometimes private, take some time to notice your surroundings and how people go about their lives. This can help with creating better description and a more natural setting/flow to scenes.

4. Talk. This is more useful for ideas, but find someone to bounce things off of. It doesn’t have to be anything big and they don’t need to know the whole story, just take one question like “How would you react if you suspected your friend was kidnapped?” and listen to what they say. The answer may not work in your story, but it can give you a new perspective that writers always need.

5. Take a break. And do some of the things above. When you return to your work, you may notice a difference in writing skill, even if it’s only on a tiny part of the piece. Breaks allow your brain to synthesize what you learn and let you recharge your energy, usually resulting in more confidence if handled correctly. 


Good luck with your work and if there are any questions, drop them in my ask box and I’d be happy to answer.

The Houses as Space Things

Hufflepuff: 

The vast expanses of darkness where nothing seems to exist. Silence. There’s no sound in space, so everything is quiet. Vast. Empty. It’s a terrifying thing. A calming one. That expanse is opportunity, is hopeful, is promising. It’s gentle. Quiet, empty, infinite…maybe. It’s a place for fear, and contemplation, and wondering. A place for pausing, for thinking, and travel, and doubt. A place for the in-betweens, the moments where there is nothing significant, and yet everything is breathtaking. So large, so powerful, so undefined…and yet when we wonder over space, it’s one of the last things we ever care to think about.

Ravenclaw: 

Miles upon miles of stars. Each with their own stories, each labeled by us as we look into the sky and point at them. The constellations shift with perspective, just as everything always does. At a point, the stars are no longer familiar. Unnamed. New. Brimming with potential. Perhaps we’ll learn them some day. Perhaps we’ll tell new stories. Stars are burning things, are deadly, and yet we hold them close: for beauty, for sharing, for stories. Because of the stars, we wish to explore. We tilt our heads back and yearn, yearn, yearn. How easy to forget that we are down here, and they are light-years away in all of their burning brilliance.

Gryffindor: 

Galaxies and the potential for exploration. The names that we come up with for the things we have already seen and the others that we wish to discover. We dream of spaceships and other life. Of galactic battles, and new homes, and communication. There are dangers, they come with the prospect of space. Death. Failure. Loneliness. But we push. We build, and we dream, and we tell each other about what we will discover. The books, the movies, the theories, they pile up as though we already know, as if we were already there. Far away is an unknown, and we strive for it, reach for it. “What’s out there?” we ask each other. We wonder if we’ll ever know, and yet we continue to dream about what the universe holds.

Slytherin: 

The planets that are nothing like our own. They might be round, with dirt, and moons, and atmosphere, but they are not Earth. No. They are not Earth. Some might be red while others lack water. Ringed, cold, burning, gaseous, tiny. They are not Earth. We name them, it’s what we do, it’s how we pretend to know them, but they are not Earth, will never be Earth. And yet, despite this, we love them. We love the possibility, the challenge, the risk. We love to strive for something that is not possible, not yet. For “Not Earth,” but maybe still ours, in its own way. Maybe one day we won’t be here, but out there, on a yellow planet with different creatures and weather we can’t imagine. The possibilities are endless as we look to the other planets. Not Earth. It’s the possibilities, the differences, that make us strive to one day set foot upon their surfaces.

I just stumbled on an article complaining about how much the Mystic Messenger DLC “cost” for what you get and honestly I have to sit down and do some deep breathing. I seriously cannot beliiiiiiiiiieve how entitled people have become. It’s a 2-day DLC with five stories and eight endings. Its cost? $3. If you want to pay for it, because oh that’s right you can also get it for free if you’re patient and have a few weeks. 

I swear to god. People are terrible sometimes. Three friggin dollars, THREE. And you can even get it for free. Considering otome games normally cost $20-30, never go on sale, and never release DLC or patches?? We’re being fucking spoiled by how nice Cheritz is to us, without so much as demanding money in exchange. Which would be fair. Cause, you know, they have to pay money to artists, writers, voice actors and programmers to produce the game.

a rebel smile
with candle eyes
galactic freckles and
warm, soft thighs

she’s healers hands
and a warriors soul
with a strategists mind but
a heart of gold

a whirlwind woman
poetic as Rome
she’s a hurricane child and
somehow, my home

-m.f

Masterlist Page Added to Blog (Aug 2017)

Link to: Post Masterlist

Sadly, mobile is left out of easy access, but the content of that masterlist is below for those users!

It covers all of my original titled posts, listed from oldest to newest. My quick tips and asks are not listed and only searchable with the tags “To be a better writer” and “answers”.

On Perspective

Creating Romantic Feelings Between Characters

Basic Elements of Good Plot Twists

Calling a Character by Their Title

Ways to Develop Plot Idea

Why “It was all just a dream” Makes Most Readers Scream

The Subjective Elements of Writing Advice

Ways to Flesh-Out Characters

Parents in Fiction

Some Tips on Action Scenes

Covering Tough Subjects in Fiction

The Limitations of Writing and Background Comedy

Different Ways Characters Can Show Love

Detail and Description in Writing: The Law of Conservation of Detail

Three Differences Between Writing Fanfiction and Original Fiction

Writing With the Two Hypotheses Behind Revenge

How Dialogue Tags Can Affect a Story

Taking the “Unnecessary” Out of “Romantic Subplot”

Inciting Events and Their Purpose in Storytelling

Three Ways to Start a Story

Ways to Improve Writing Skills

The Danger of the Story You’ve Always Wanted to Write

i love you.
it’s as simple as that.
 
i could say it a thousand ways, in a hundred different languages
and i could list all the things you say and do that show that you love me
and i could replay all my favourite memories of you over and over in my head
until you’ve consumed every single thought i will ever have
 
but, in the simplest way possible,
i will just say,
i love you
and i truly believe that i always will.
—  it doesn’t have to be overcomplicated, brydie ❤︎
SaNa is a good ship

It’s time I make a proper post… It’s been too long and I really want to be a contributor to this fandom, I just can’t always make time for it.

I want to talk about Sanji and Nami and some pointers, if you will, about why shipping them makes sense. Now this does not mean that SaNami is a superior ship in anyway or that others aren’t free to ship whatever they want, because first and foremost shipping is supposed to be fun.

So, what I want to say are just why SaNami can make sense from a writing perspective, and also with some of my own added opinions on why it’s a good ship. This post will not cover all my reasons for shipping SaNa personally, but there will of course be bias, it’s not really anything any shipper can ever avoid. But I am trying to talk about things that still makes sense, so I still consider this an analysis. I hope you enjoy this.

Keep reading

why do gamers want to hate game journalists so badly in general, like across the entire field

it’s legitimately confusing. are they jealous of their job? do they see them as like, false prophets of what is good about video games? where does the desire come from, because there’s obviously something there.

To be a better writer...

Remember that when working with a limited perspective (3rd limited or 1st), the narration should only cover what that character sees and knows. They can guess what other people may be thinking, but they won’t know for sure!

We had on distorting glasses. Mine were lavishly flattering, minimizing big issues into microscopic specks. Yours were myopic, magnifying faults. Mine were knocked off in one of your flailing rants. The truth disoriented me. I tried to get you to remove yours, to truly look on me; notice I’m not some ditzy damsel who cavorts with woodland animals, too weak to protect herself. But the glasses stayed fused to your face, and you perceived perfidy.
—  That’s why we don’t see eye to eye
You

Your brown eyes like the universe a door into your soul

Hair like the dark of a black hole

Personality like a supernova

Exploding in every direction

Feelings of orange and yellow

Immersive and free

You are the sun to my solar system

When you speak life is given as your words dance in my eardrums

she is a candle
burning so bright and strong
but the smallest breeze and she is gone
her spark is lost
and there is only darkness
engulfing her mind
painting her world in suffocating pitch 
 
for her
the only one to bring her back
is you
 
coax her back with
gentle words and a soft touch
comfort her until she does not waver
relight her laugh by offering your own
 
you bring the light back to her
you are her match
—  melted, brydie 
I wish

I wish you could see yourself from my perspective

It is a whole different view

So blind you are to your own beauty, to your own good qualities

I sometimes despair;  kind of drives me nuts too!

Must be you turn yourself so outward

So focused on finding beauty in everyone else that you miss your own

So I wish you could borrow, if just for a moment, the lens through which I view

Maybe then you wouldn’t find it so amazing as to why I love you!

-e.v.e.

Inside Choices: The Royal Romance, Book 2

Just this spring, The Royal Romance: Book 1 kicked off with a dance in the palace ballroom of Cordonia. The whirlwind romance of the first book ended with a courtly plot against you. Who in the court can you trust? And how will you fight back? All will be answered in Book 2… and The Royal Romance will return at the end of September! To find out more about the upcoming book, check out the interview with The Royal Romance team below:

Soooo… how’s book two of The Royal Romance going? What’s next for our Cordonian crew?

Jeffrey: Well, next I’m probably going to go home, cook some vegetables, listen to a podcast, then socialize with some friends through the interwebs–

Oh, you meant the characters, not us. Well… In Book 2, we want to take the main character’s journey in a more experimental direction where she really discovers who she is and what she wants. First, she was living under the expectations of her role as a waitress in New York, then she escaped into the trappings of high Cordonian society. Now’s her chance to pursue her true self.

Kara: Even though we’re not releasing chapters right now, we actually started Book Two right after we finished Book One! I finished writing the last few lines of the Coronation and then immediately started writing the first chapter of Book Two! We actually had to do most of the planning while we were still working on Book One. We’ve got a lot of fun planned–even though things can get a little dire in the Royal Romance, the fun of being at court and spending time with your friends is still there. We’re going to travel the world, meet new people, build a barn, and probably talk more about hats.

It’s a pretty big understatement to say Book 1 had quite the cliffhanger. Can you tell us a little bit about where this is going?

Kara: I think the most striking thing about the reactions to the end of book 1 are how people interpret what happened differently. It all happens so quickly, and we only gave people a few lines to read into, but it really isn’t very much to go off of. You don’t know exactly how the Prince is feeling, or why he picks who he does. From the writers’ perspective, we jump right into writing Book Two, so there’s not much of a wait. I wish our players didn’t have to wait either, because a few weeks of being in suspense can go a long way! In Book Two, you’ll be able to finally fight back and figure out who framed you and Tariq in Book One.

Jennifer: I don’t want to say exactly where Book Two is going, but questions that were brought up during our brainstorming were: Who sent the blackmail note? Will Olivia come back? Who tried to sell the bachelor party photos?

I need to know. Will we get our happily-ever-after?

Jennifer: I think you can really tell by a writer’s favorite novels what kind of outlook they have on endings. My favorite novel is Pride and Prejudice, so you could extrapolate how The Royal Romance will end from that. On the other hand, Kara likes Wuthering Heights, and Jeffrey really likes Hamlet, so… take from that what you will.

Hm… interesting. Now given Olivia’s ancestry and other factors, Cordonia is essentially the modern day version of Stormholt from The Crown & The Flame, which had quite a bit of worldbuilding. What does worldbuilding look like for The Royal Romance?

Jeffrey: Worldbuilding is a delicate and intricate process. First, I like to devise an economic system because economics answers a few questions on how we organize ourselves. For The Royal Romance, we developed an export market for the Cordonian apple sector by defining the exchange rate between the Cordonian currency versus the Euro. We have spreadsheets, graphs, and everything. It’s very professional. In fact, if you look closely, you can see a subplot where Cordonians attempt to tackle the housing crisis and rising inequality.

Once you have an economic framework which people organize themselves around, you can move on to the stories engrained in the national identity. What do they believe and how do their surroundings and past traditions influence them? What are the dissenting points of view?

With these two pieces in place, you can finally embark on a 10-volume historical record following the rulers of Cordonia, which will prompt a body of work on Cordonian history from the perspective of the common people. When you can recite the third edition of the Encyclopedia Cordonia, the writing can begin.

Jennifer: Jeffrey will be publishing his next novel, “Cordonia: An In-Depth Look At A Glorious Peoples” in Spring of 2028.

Very funny. (Just so we’re clear, Jeffrey is joking. Sort of.) Out of curiosity, who’s your favorite character to write in The Royal Romance?

Kara: I love writing Maxwell. In the first draft of The Royal Romance Chapter 1, he actually didn’t exist, and Bertrand was your only host. But that world felt too flat and un-fun. I realized we needed someone more playful to be opposite of Bertrand, so that’s how Maxwell was born! (He was originally just “Nobleman 2”). Right away, everything in the group felt like it finally clicked, and everything got a lot more fun to write. Even though we had to do a lot of last minute changes to the plot, I think it was worth it. Now he’s such a major part of the book that it’s hard to imagine a world without him! I also love writing Hana and Maxwell together because they’re both very sweet and playful but in very opposite ways. Hana also kind of reminds me of Jennifer and Jessica in some ways… XD

Actually, it’s very striking to me how each of the three Royal Romance writers for Book One has influenced the world and cast. Jennifer gives everything a touch of formality and courtly grace, and Jeffrey brings in a lot of wacky humor about horses and hats and poodles. If I’ve added anything, it’s probably making Bertrand meaner, throwing in more silly group moments with your crew, and probably having Drake drink too much whiskey. (I don’t even like whiskey.) But overall, it’s really thrilling to see the world and the characters that come out of this combination.

Jeffrey: Madeleine. It’s fun to write someone who’s constantly trying to spin a situation to their benefit, and making power plays along the way. I’ve actually been writing for Madeleine since her appearance in Rules of Engagement: Book 2, so we’re practically besties.

And who’s your favorite love interest? *wink* *nudge*

Kara: I love them all! I probably end up writing the most Drake, but I often get to write some of the Prince’s speeches to you, and I love how considerate and loving he is. There’s nothing selfish or mean about him. He’s the kind of person that you’d want to be around in real life.

Jennifer: In my personal game, my love interest is definitely Drake, and I totally make Kara write him just so I can read his scenes and enjoy the romance. =) Writing-wise, I enjoy Hana the most because I feel like we have a lot in common, and some of her struggles with trying to please while simultaneously trying to figure out what will make her the most happy in the long-run really resonate with me.

Is there anything you’d like to tell the fans before Book 2’s release?

Jennifer: We hope you’ll enjoy the twists and turns we have planned for Book Two!

😱 🤔 Well, that’s something to look forward to! To everyone reading along… Check back at the end of September for the start of The Royal Romance: Book 2! And as always, we’ve got more on the way…

-Jessica